TCFF 2016 Indie Horror Spotlight: Lake Runs Red – interview w/ director Jason Riesgraf + producer Jeff Fuller

Those who read my blog regularly knows I have such feeble nerves that I can’t handle most horror movies. But I’m always up for supporting indie films, especially Minnesota-made films! So when I got the chance to interview the filmmakers behind Lake Runs Red, I jumped at it. It’s a home-invasion horror + psychological thriller produced & filmed in the state, specifically in Atkins, which is about 2 hours north of the Twin Cities.


Two college girlfriends go to their parent’s secluded northern Minnesota lake cabin to prepare for final exams. An uninvited visitor stops by. He isn’t there to study.

Director: Jason Riesgraf
Writers: J. Dan Moores and Jason Riesgraf
 Kaci Wegleitner, Lauren Morris, C.J. DeVaan
Runtime: 66 min

Check out the trailer:


Q: First of all thank you Jason and Jeff Fuller for chatting with me about your film. Talk about that title. I love that it has the word ‘lake’ in the title, the fact that we’re in the land of 10000 Lakes. So how did you come up with that?

Jason:  Yeah it was a very difficult process to come up with it. When I started writing it was actually called Panic, and that was kind of the title. And then that ended up sticking for a while. And then we did we kind of did with Jeff, our marketing director. We kind of did some you know some Google searches and realized that that wouldn’t be the best way to hit a target audience. So we kind of we kind of left it at that for a little bit and as we left it, we spent a while coming up with what would signify this film…  you know, lake is an obvious choice. You know in Northern Minnesota, everybody knows that… and then you know it’s because it’s a horror movie, we kind of played some with some words and then we came up with Lake Runs Red.

Jeff: Yes, in fact I spent about nine hours researching and coming up with those titles. We have this gigantic list, but yeah, this one works well in our favor. We love it.

Pictured: Lauren Morris | Photo Credit: Mike Ascher
Pictured: Lauren Morris | Photo Credit: Mike Ascher

Q: Indeed it’s a great title, I love it too. So what inspired you to this story?

Jason: The biggest inspiration, I mean the [sub] genre of the film is actually home invasion, and home invasion to me is my biggest fear. Home is where he feels safe home is where you feel comfort, and when somebody invades that it’s not a fun feeling. And so I kind of played out my own fears and wrote it you know, from my perspective of what a home invasion would feel like. And coincidentally enough we actually, my wife and I had our house broken into while we were filming. So it kind of you know, I actually lived that what that fear is. And I’m hoping that that’s what the audience sees when they see it in the picture.

Q: Is this from the perspective of the invader or the invadee, if there’s such a word, I mean the people who were invaded?

Jason: Well, it’s not really from anybody’s perspective. It follows two college seniors and what happens after these traumatic events happen to them at the cabin.

Jeff: But the invader is one of the main characters.

Jason: So yeah, we have one main villain and then we have two college seniors.

Q: The reason I’m asking is the recent box office home-invasion horror/thriller Don’t Breathe starring Stephen Lang was from the perspective of the invaders. 

Jason: Yes I saw and it was worked very well. So yeah you can kind of use that spin on it if you want to. Except that this is in a cabin, so ours is a lot more secluded.

Q: Which in a way is scarier I think. I was just telling someone earlier, I’m actually not a big horror fan. I don’t have nerves of steel like most people, I get scared very easily. I also get really a headache if I watch those found-footage type movies. So what’s the filming style of this one?

Jason: We had very minimal very minimal tripod, we only used tripod where it was appropriate. We we don’t have the found-footage, shaky cam, we do run on a steady cam. So the steady cam we use was weighted, but it still showed kind of traumatic camera shots.

Q: So you wouldn’t categorize this film as a found-footage film then? 

Jason: No, no, I won’t categorize it as that at all. It’s not like Blair With where the shots are very shaky. You know my plan going into this is I don’t want to make people sick by the camera. It can take too much focus out of the story. You have to be wired for that kind of stuff.

Pictured: Kaci Wegleitner | Photo Credit: Mike Ascher
Pictured: Kaci Wegleitner | Photo Credit: Mike Ascher

Q: Ok, make sense. Now my question for you Jeff. You wore multiple hats here, you were the producer, art director, camera department and editor. What’s that experience for you?

Jeff: It’s been an amazing experience. You know I’m so glad to do this with one of my best friends Jason. And he was nice enough to bring me on this film. It’s a funny story, like when we started this it was like ‘Oh, so we’re really doing this! Let’s go for it!’ I think it’s probably the best experience to wear these different hats, from editor to producer to all that, you get such a ingratiated role into the whole process. It’s just been absolutely tremendous.

Q: Now, question for both of you. What’s your most memorable experience from making this, whether good or bad moments from filming?

Jason: Well, probably the most memorable is when we were actually at a production meeting and my house was burglarized. I mean that’s life imitating art you know. That was probably the most traumatic for me, and most unique experience that we had while filming.

Jeff: Oh, relive that experience when you drive home from the shoot one night and you got stopped…

Jason: That’s a great one too yeah. We actually we’re wrapping up from a quick little couple pickup shots up in Northern Minnesota. Getting up there you actually take a lot of very secluded roads, which if anyone knows northward it’s always the case. You know you take a left here and you go out the gravel road for 14 miles and that’s kind of it. And it turns out for some reason that night, it was I think it was maybe mid August, beginning August. My alternator went on my car and I was stranded on a the world’s most disgusting road, literally next to a barn for three hours waiting for a tow truck. I’m by myself and I had no cell service to look anything up. So all I had was my dying battery because I had no battery left in my car enough to call my wife and tell her you’ve got to give me a tow truck and I’m in the middle of nowhere and trying to explain to them where I am. I mean if it’s going to happen to anyone, it’s going to happen to me.


Q: Oh my, well I’m glad to see you are okay! Now, last question… I was on your Twitter and you have a huge following on social media (12.3K followers). Is that a big part of your marketing and how did you build that huge following prior to the film opening?

Jason: I knew more about the physical parts of making a film. Marketing I didn’t know much about it. When I talked to Jeff about how we’re going to market this film, it’s like I don’t know. Then he said, I tell you what, I’ll take care of your marketing for you. I think within a year we were already have like 6 or 7000 followers. And I don’t know how he did it or what he does, but he handles most of that. I don’t watch him do it because that’s not really my thing.

Q: I feel like Twitter is sort of the water cooler, the internet water cooler, so it’s good to have that presence for your film. 

Jason: I’d say Twitter is our biggest success, by far.

Jeff: Yeah, I would say that social media has been the cornerstone of our marketing right there. It’s kind of the greatest equalizer on the Internet which Twitter was smarter our number one just because you can have conversations with the fans directly. Correct. We’ve had so many friends and some of the particular fans who still to this day constantly ask us hey how’s the movie going and stuff.

Jason: We’ve been on YouTube channels doing interviews me and some of the cast and crew, my co-writer and some of the cast and crew we’ve been on. We were featured on some humongous horror websites, Modern Horror, Movie Pilot, etc. So that was all Jeff, he took what we talked about marketing with a grain of salt and he took it as far as he could with it.

Q: So are you both horror fans yourself?

Jason: I am. I’ve been since my first four movies and really when I was nine or so, Nightmare On Elm Street, it has been in my blood. I mean there’s nothing really that I can’t handle. I mean there’s some stuff that makes me squirm, which is what I love. So Jeff, I actually brought him, so the last one he ever saw was when he saw with me and he couldn’t really handle it.

Q: What is it?

Jason: It was Hostel. After he saw that he kind of like you know what, I’m done watching horror movies with you. Yeah, you have to take that on your own.

Q: Oh slasher flick is a whole other genre entirely that I avoid.

Jason: Ours is more psychological thriller. It’s the home invasion aspect, about not knowing really what’s going on in our head.

THANK YOU Jason and Jeff for chatting with me about Lake Runs Red!

Check out some behind-the-scenes photos of the film:

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What’s in store for Day 10 of TCFF!

Stay tuned for more TCFF reviews and interviews…
and the finalists of TCFF Awards!

TCFF Indie Film Spotlight: ‘Miles Between Us’ + Interview with lead actor Dariush Moslemi


I love road movies and Miles Between Us is an engaging mix of road trip + inspirational family drama. It’s a Minnesota-made production, and most of the scenes shot around the Twin Cities, so it’s cool to see a sold-out screening of it on Sunday. It also has a Minnesota crew, including one of TCFF staff members Briana Rose Lee who was the assistant director and wardrobe person!


My review:

The fact that I didn’t grow up without a father, this film certainly resonated with me quite a bit. Interesting too that the father, Scott Dauer, is a film producer, just like my late dad was who was a screenwriter. The relationship of father and daughter (played by Dariush Moslemi and Anna Stranz, respectively) is pretty compelling, starting out testy but they slowly bond as they spend more time with each other.


The dialog feels natural, peppered with comic moments as well as profound spiritual conversations that is organic to the story. I enjoyed the performances from both leads. There’s humor and touching moments, which makes the road trip far from boring. The only part that I find a bit awkward is the scenes between the daughter and a film star her dad’s pursuing for his film. Overall though, it’s a well-crafted and well-acted Minnesota-made indie drama that should appeal to teens, families and the faithful communities. Props to writer/producer Scott Peterson and director Andrew Hunt, it’s a lovely little story of pain, hope, healing, and redemption.


Five questions with Miles Between Us‘ lead actor Dariush Moslemi:

Q: Ok so my first question is how did this project first come together for you. It sounds like you’ve met producer Scott Peterson before?

Right. So I worked with Scott and Diane Peterson who are the producers of IIFilms several years ago, and my wife was actually good friends with Diane through my wife’s mother’s work. Long story short. And anyway they’re wrapping up getting ready for their pre-production on the first film The Current, and they were still looking for one particular role a man playing in his mid thirties and I played a father and I was in my mid and on his father and so I really thought that I could do this but my brother is a professional actor in L.A. And so I said I’d pass that on to him, so I did. My brother had to pass it, he had other work going on. Then I told my wife, I said for some reason I really want to just audition for this list. Call it a bucket list or whatever. So I called up Scott. I tracked down his phone number because he didn’t give it to me and I said that Look, I don’t mean to bug you but I like to audition for this. He’s like ‘You know you don’t have the experience, on and on.’ And I said ‘Just give me five minutes, I’ll come to you.’

So I drove an hour into his home and audition for that role. And within five hours, he called me and said I had it if I wanted it, which was a supporting lead role on The Current. And so that’s how I met the Petersons officially in the film world. And I worked with them on that project and then I’ve done a feature film in between. And then Scott and Diane let me know they were doing Miles Between Us. And so at that point I expressed my interest, I said I’d like to audition for it. They brought in Andy, Andrew Hunt as the director. And he was the one who really put me through the paces. So Scott and Diane were pretty much set, they liked me for the role but Andrew wasn’t sure, which is ok. You know he was still getting all his options and had me audition and audition and audition. I mean tons of callbacks, it took months and eventually I got the job. So that’s how I came to be the lead in this movie.


Q: So what attracted you to the script? Did you connect to the story in some ways?

Well, it was fun to play a lead role [laughs] It’s also nerve wracking because if this thing doesn’t do good we kind of knows what it is but it’s the opposite of everything that I have I’ve done it before I’m playing a character who left his family a long time ago. And in the real world I have five kids with my wife. I met my wife. She had already had four children before we got married and we had another baby together so it’s really kind of the antithesis of who I am, you know. And so it was a lot of fun to dive into kind of a darker character somebody who is not so good and has made some pretty selfish choices in life. Not saying I’m perfect in real life but it was just fun to dive into this because on screen I’ve never played that character before, and it was really intriguing to play something comedic, something fun, but at the same time narcissistic and and just kind of just really self-absorbed. But also the growth in the change through the film of going away from that. The ‘growing up’ into this different person, but it’s not so dramatic of a shift…I’m still me being that character, just a little bit different. A little bit a change that’s not so dramatic that it’s not believable. I like that, very much. It was just a realistic ‘Ok this kind of changed me.’ I really enjoyed playing that character.


Q: Speaking of that, I kind of like spiritual aspect that seems organic to the story. It’s not that they set out to make a certain story with a particular message. Is that something that is deliberate from the beginning?

I would say yes. And I mean Scott and Diane have a beautiful faith and their vision for what they want their films to do is enormous. And it was really great to play it in such a way that it wasn’t force feeding the audience. It’s almost like you get some films don’t trust the audience to get it. And Anna Stranz (who played Scott’s daughter) and I had a great opportunity to still work with Andy, to still work with Scott, and to take some of our lines and alter them just to make slightly just to make sure that it’s really like a true conversation, not something somebody told us to say. And and that is I think what I hope comes across as I see in the film. But our intention was for it to come across as ‘Yes, it’s a faith-based film. Yes, it does speak about this area [of faith and spirituality], however anybody could watch it and won’t be insulted by it. At the same time there’s truth in it. There’s there’s aspects about it that are along those lines, they’re there, but they’re not forced down your throat, but it’s not beating around the bush, either. It’s not a Lifetime film, you know, it really is what it is. Our whole goal we set out as actors, Anna and I myself, and Anna who played Gaby my daughter did an unbelievable job at this being it’s her first time in film. She did such a fantastic job and we were able to play off each other because I’m the one who’s playing the non Christian father who doesn’t care, he doesn’t want to know. Anna’s playing the daughter who’s going to Christian school. And so the debate is between her and I. I think it’s relatable to anybody. Yes. I think you can relate to it. It’s just that really you’re like I’ve had this conversation before and it’s okay to discuss these things.

Q: Yeah, it resonated with me as in the trailer there’s a conversation in the car where your character said something about that it’s too late. And she said, ‘You mean with you and mom or is it with God?’

Yes, it was kind of unexpected. I hope that it’s enough that it gets across, you know, because that’s what you want your audience to feel. You want them to think about and really walk away like ‘Oh yes I feel like I was in that conversation, I feel like it was in that car.’


Q: So was this filmed here in Minnesota? I wasn’t sure as there are parts in L.A. as well in the film.

Yes, it was all filmed in Minnesota. It was different parts of Minnesota but all within about an hour or two the Twin Cities. So in order to make it look like we’re going through different states we may have to go south through the cities or North East of the Cities or East or West or whatever. Yeah. And there was that part was just kind of fun. I live in Stillwater so you know a lot of it was still far enough away that I would stay in a hotel.

A lot of this 16 hour drive won’t come in and be like you know on the ball by any means. So it felt like I was far away, but in reality it was here all whole time. While certain they did the car scenes like Scott and his dad did a fun road trip themselves. They literally flew out to L.A. got the same picture car that we have for the film at leased it and then drove across all the way from L.A. from the South Carolina, which is the film, they drive from L.A. to South Carolina. It took them about a week or something like that.

THANK YOU Dariush for chatting with me about Miles Between Us!


Check out a plethora of FREE educational events (PDF) offered by TCFF, as well as other events such as Script Reading, Film Panels, etc.

Indie film spotlight: DRAGONFLY (2016) & Interview with the creators of the film


When I first heard about Dragonfly about a year and a half ago, I was immediately intrigued by the fact that it’s a female-led feature and that it’s filmed in the Twin Cities. This is a debut feature for both Maribeth Romslo and Cara Green Epstein (who also wrote AND acted in the film).

I was thrilled that I got the chance to visit the set in early Fall of 2014, at the Public Functionary art gallery in Northeast Minneapolis. It was my first time visiting a film set in Minnesota, so it was so exciting to see the creative minds hard at work making their dreams a reality. Amidst their hectic schedule, both of them greeted me warmly and I had a chat with Cara during filming break.

Fast forward a year and a half later, Dragonfly is one of the indie films that will make its regional premiere at 2016 Minneapolis/St. Paul Film Festival (MSPIFF). It’s one of the films in competition in the Minnesota Made Narrative Feature category.


The story of Dragonfly is about homecoming and healing for a Midwestern family divided by divorce and illness.

Struggling artist Anna Larsen’s mother has never understood her. When her mom is diagnosed with early onset Alzheimer’s, Anna returns home to help but brings years of family baggage with her. As she unpacks her past, Anna rediscovers a mysterious mailbox from her childhood and embarks on a search to solve its mystery. What she learns along the way may just be the key to rekindling her own magic.

Check out the trailer below:

Unfortunately, my conversation with Cara that I taped got corrupted somehow, but the three creators of the film were gracious enough to still grant me an interview via email.



Q: What’s the inspiration for the story of Dragonfly?

Cara: We were interested in exploring the ideas of magic and discovery – how each of us can create magic in our own lives and in the lives of those around us, as well as how much there is to discover about ourselves and those around us. The idea that each of us has our own truth, and that truth is not absolute. In Dragonfly, we are exploring a moment in time when perspective changes profoundly for several characters and each of them is suddenly made aware that their truth is not the only truth and they are able to see each other more clearly and with greater generosity and care.

Cara, Mim & Maribeth on set

Q: How long did it take all of you from conception to finally getting the project off the ground?

Cara: I posted on FB on November 17, 2013 that I wanted to film something. Maribeth replied a few minutes later that she “knew a girl who could help. ;)” and I asked Mim about a month later if she wanted to produce this short film I was going to write and act in, so that was late 2013. I actually started writing the script in February 2014 and we finished the entire film on November 5, 2015.

Q: I know Cara, you reside in Chicago whilst Mim and Maribeth lives here in town, but what’s the reason behind filming the movie in the Twin Cities?

Cara: Making a movie takes a village and this is where our village is. It’s where Mim and I grew up and it’s where Maribeth is raising her family and where Mim has always lived. Many of the most important people in our lives live here and we knew (hoped) that they would support us in this endeavor. That said, the generosity and support that we have received, and continue to receive from the MN community has blown us away. The Minnesota arts and production community is brimming with talent. There is no doubt about that. But other cities in the country also have people with talent and skills. However, in Minnesota, the extremely talented and skilled arts, film, and commercial community is also exceedingly dedicated, supportive, adventurous, generous, and kind. It is an absolute joy to work here. From pre production through post, Minnesota lived up to the hype and proved itself to be the nicest state in the country to make a film.

A still of Cara at Stonearch Bridge, Minneapolis
A still of Cara at Stonearch Bridge, Minneapolis

Maribeth: Making our film in Minnesota totally spoiled us. It will be hard to make a film elsewhere after the positive experience we had making Dragonfly in Minnesota. At every step and on every level, Minnesota proved itself to be the nicest place ever to make a film.

We received incredible support from the Minnesota Film Board and the Snowbate Program. We were energized by the everyday kindness and excitement of our locations and supportive community. We were blown away by our 528 donors who made the film possible on Kickstarter. Our film was possible because of the open arms and support we found at every turn in Minnesota.

Dragonfly_Mim_quoteMim: Working as an advertising broadcast producer in the Twin Cities I have such a respect for the amazing talent in film that we have locally. It was extremely important to us to tap into this fantastic film community and give the opportunity for many people to work on a feature film.

In addition to majority of the cast and crew of Dragonfly being from MN, the soundtrack exclusively showcases MN artists and bands like Cloud Cult, Caroline Smith, John Hermanson and The Ericksons. This film was really a love letter to Minnesota.

Q: Cara, I know you are a writer, actress and director, as some would say you’re a triple threat. Which of the three do you enjoy most and which you find most challenging? I reckon all of you had to wear multiple hats while filming?

Cara: I’m glad that I wore all three hats on this film because I learned SO MUCH. That said, I wouldn’t do it again because I would want to be able to focus more specifically on each role. I could not have co-directed this film without our director Maribeth. I learned so much about how the camera moves and how to frame a shot and how to use a camera to tell the story from her.

I think that acting is so FUN, especially when you’re not also the writer and a director and a producer ;). I had a great time acting and it was so fun to share the screen with incredible talents like Jennifer Blagen, Terry Hempleman, Matt Biedel, and of course, David Greene. But it was also really challenging to put the blinders on and just focus on being Anna when I was so aware of everything else that was going on in production at the same time.

I’d have to say that my favorite part was and is the writing. I loved creating a world and making up characters and breathing life into them. I really loved telling this story.

Maribeth: Independent film is like pushing a boulder up a hill. It’s making the impossible somehow possible. With no time, and with very little money. Given the crazy challenge of it all, wearing many hats is vital. Everyone from the director to a newbie production assistant all have to make smart and quick decisions to keep the production moving forward.

The_500_hats_of_bartholomew_cubbinsI’d be curious to know how many texts have been sent between Cara, Mim and myself over the last 2 years. I’m sure the number is staggering. One favorite that I’ll always remember is in the thick of production on the film, Mim texted a photo of the cover of the Dr. Seuss book The 500 Hats of Bartholomew Cubbins. It perfectly captured what making an indie film is. Wearing all the hats to get that boulder up the hill.

Q: Tell us one of the most memorable experiences making this film.

Cara: Oh, there are so many! The last day that we shot with a full crew was the day that you came to set at Public Functionary. That night, at like 1am, we had this hilarious – well, now it’s hilarious but at the time it was incredibly frustrating moment – where we had multiple opinions about how to shoot a small piece of the scene. The shot should have taken 20 minutes, tops, and instead it took like an hour and twenty.

Dragonfly_Cara_quoteAt one point, Maribeth actually stamped her foot in frustration, which, for Maribeth, is like screaming “F*&$!” at the top of your lungs, but she would never do that on set. But then we went back inside and shot this great little improv scene at the bar and then we were done. And I will always remember looking at Mim and Maribeth in disbelief and falling into a group hug with them and just whispering “We did it. I can’t believe we did it. Can you believe we did it?”

Of course, at the time, we didn’t realize that it would be another 13 months before the film was finished. But that was just a completely magical moment. We had taken on this insane challenge, and we had killed it with the help of an absolutely incredible cast and crew.

Maribeth: So hard to pick one, there are so many from production. Shooting at sunrise at the bottom of Minnehaha Falls, a 18 hour day at an art gallery with 40 extras, constantly “holding for plane” because our main location was in a busy flight path to MSP Airport.

But I think the most memorable experience of the whole process was the private screening of the newly finished film that we hosted in November at Riverview Theater. We rented the theater to share the film with our Dragonfly community (cast, crew, family and production supporters) before we shared it with film festivals and the world. Because making an indie film really takes a village, this meant we filled every spot in the 700-seat theater. It was such a beautiful celebration of all of the creative collaboration and hard work, to experience viewing the film for the first time on a big screen with our community.


Mim: There’s so many but let me tell you about one of the earlier experiences. Originally I came on board to this project thinking this was going to be a short film. We’d shoot a few weekends and we’d be done in a matter of months. Little did I know right? After the first round of creative concepting we realized the story we were telling was much more robust than a short film would allow. And I’ll never forget driving home with Cara, looking out in front of us, and she says blankly “Well…it looks like we’re making a feature” and I said with a gulp “I guess so.” It was so clear that this project had just gotten astronomically bigger in one afternoon but also that this was a daunting adventure that we were ready to embark on. It was the start of everything.

Q: Given that the gender disparity in Hollywood is such a hot topic these days, would you comment a bit about your own experience as a female filmmaker working on your feature debut?

Cara: It’s totally normal to me. I mean, it’s my debut feature so this is what I know. What I will say is that we created a really lovely community of people who care about each other, celebrate each other, and have continued to work together. I’m probably the most proud of that, and I think that has a lot to do with the fact that we are community builders and care takers. The relationships on screen and off are important to us. It was also really important to us that everyone – every single person who worked on the film – felt valued. I don’t know how much of that had to do with our being women, or the fact that 50% of our cast and crew were women, but I do think that when different types of people work together, we are all better for it.


I will also say that I was shocked to discover just how bad the numbers are for women in Hollywood and the amount of sexism that exists there. It’s crazy and I’m glad that we were able to create a reality where that was not the case. And to prove that you can make a kick ass film in the process.

Dragonfly_Maribeth_quoteMaribeth: I have 4 brothers, so I’m not one to be uncomfortable in settings where I’m the only girl. But I’ve found as a filmmaker it happens so often. I once went to a lighting workshop where in a room of 100 filmmakers, I was one of 3 women. And while I’m happy to hang with the guys, it’s an issue because of perspective. More specifically the lack of diversity in the perspectives of storytellers.

I look forward to the day when things become more balanced and I’m just a “filmmaker”, not a “female filmmaker”. But that’s not possible right now, because only 7% of top Hollywood films are directed by women. And that means that the conversation must continue so we can all work together towards more equality and diversity in the perspectives in our storytellers.

Because the stories we tell and experience shape us.

Mim: It was shocking to us when we realized just how rare it was to see women working in Hollywood. As we worked to build Dragonfly’s cast and crew we so often looked for the best person for the job…who more than 50% of the time ended up being a woman. Cara, Maribeth and myself didn’t look to find other women to work on this necessarily…we looked for the best person for the job.

Dragonfly was built on bringing people into our village and making them feel like this experience was worth their while. We asked everyone coming on board what they wanted to get out of this experience and then we did what we could to give them that opportunity. That, I believe, created an atmosphere where people gave an enormous part of themselves to the project. We really felt like family in the end. Women have a lot of stories to tell and are just as creative, innovative and driven as their male counterparts. That was proven to me time and again throughout the making of Dragonfly.



St. Anthony Main Theatre 1Sun, Apr 10 7:10 PM
Rochester Galaxy 14 CineSat, Apr 16 4:40 PM

Thank you Cara, Maribeth and Mim for taking the time for the interview!
Special thanks to Ben Epstein & Line Producer Matt Brown for facilitating the set visit.

Maribeth, me and Cara during the set visit in Fall, 2014

Hope you enjoyed the interview. I hope you’d check out Dragonfly when it’s playing near you, or when it arrives on VOD/DVD.

My interview with ‘The Old, Old Story’ director Samuel Hathaway + lead actor Charles Hubbell


I LOVE seeing directorial debuts of up and coming filmmakers being represented in TCFF. And one of the screenings today is an indie drama that’s ripe with lots of food for thought to ponder afterwards.

On the morning of a young woman’s engagement, a stranger shows up and begins to debate the meaning of life.

If you love great dialog on film (and who doesn’t?) you wouldn’t want to miss this! One of the lead actors is the talented and most prolific Minnesota-based actor Charles Hubbell. Surely you’ve seen his work even if you can’t tell his name, as is the case with a lot of skilled character actors. Check out my Q&A with director Samuel Hathaway and Charles Hubbell who have kindly shared their insights and experience in making the film.

TCFF Screening Time(s): 
10/24/2015  (2:15 PM)

Check out the trailer:


Interview with Samuel Hathaway