FlixChatter Review: Wake Up Dead Man: A Knives Out Mystery (2025) | Johnson’s latest murder mystery blends crime-solving with themes of faith

Rian Johnson started his filmmaking career with an indie Neo-noir mystery, Brick, with less than half a million. Who knew that he would go on to create a lucrative and popular murder mystery franchise that would rival Agatha Christie? Wake Up Dead Man: A Knives Out Mystery is one of my most highly anticipated holiday …

Continue reading FlixChatter Review: Wake Up Dead Man: A Knives Out Mystery (2025) | Johnson’s latest murder mystery blends crime-solving with themes of faith

FlixChatter Review: JAY KELLY (2025) – Clooney effortlessly embodies a world-renowned movie star, but this is truly Sandler’s film

Hollywood loves making films about itself, and this time it’s writer/director Noah Baumbach’s turn. The Netflix original film has an excellent cast, with George Clooney as a world-famous movie star in his 60s, Jay Kelly, and Adam Sandler as his dedicated manager, Ron Sukenick. Now, seeing this casting makes me think the 64-year-old Clooney essentially …

Continue reading FlixChatter Review: JAY KELLY (2025) – Clooney effortlessly embodies a world-renowned movie star, but this is truly Sandler’s film

FlixChatter Double Reviews: neo-Western drama ‘Rebuilding’ and musical fantasy ‘Kiss of The Spider Woman’

Welcome to another Double Reviews edition. While I usually find a common thread when I combine reviews, this time I deliberately chose movies that are completely different from each other. Variety is the spice of life, after all. So here goes! Rebuilding   Josh O’Connor has become one of my favorite actors since his breakout …

Continue reading FlixChatter Double Reviews: neo-Western drama ‘Rebuilding’ and musical fantasy ‘Kiss of The Spider Woman’

Double reviews of female-led dramas: Rosemead (Lucy Liu) & If I Had Legs I’d Kick You (Rose Byrne)

Hello everyone!! We’re in the midst of a hectic award season, and I’m continually playing catch-up to reviews. Well, in order to save time, I’m going to be posting more combined shorter reviews through the end of January. While I usually find a common thread when I combine reviews, this one shares a theme of …

Continue reading Double reviews of female-led dramas: Rosemead (Lucy Liu) & If I Had Legs I’d Kick You (Rose Byrne)

FlixChatter Review: Train Dreams (2025) – A stunning, pensive historical drama anchored in Joel Edgerton’s quiet, soulful performance

The award-nominated duo behind SING SING, Greg Kwedar and Clint Bentley, crafts another phenomenal cinematic project, Train Dreams. They both love crafting narratives that draw from real-life elements and settings. Instead of confining the story indoors in an active prison, they set this film mainly in the great outdoors in the Pacific Northwest, specifically in …

Continue reading FlixChatter Review: Train Dreams (2025) – A stunning, pensive historical drama anchored in Joel Edgerton’s quiet, soulful performance

Thanksgiving Weekend Special: 25 Cinematic Things I’m Thankful For in 2025

Hello everyone! To my American friends, I hope you had a wonderful Thanksgiving! 🦃🥧🍁🍽️🍗 I had a wonderful traditional turkey meal with all the trimmings courtesy of one of my besties. My hubby & I made beef stew for the first time using our slow cooker, a perfect dish for Winter as we finally got …

Continue reading Thanksgiving Weekend Special: 25 Cinematic Things I’m Thankful For in 2025

FlixChatter Guest Review – SISU 2: Road to Revenge (2025) – Less complex than SISU 1 but doubles down on the choreographed violence and deadly action

Directed by Jalmari HelanderStarring: Jorma Tommila, Stephen Lang, Richard Brake Every film has its place. In the classic sense, movies were created to escape, entertain, and create a visceral reaction from their audience – whether that be laughter, shock, horror and hopefully a certain sense of satisfaction. The Sisu franchise follows this path. Straight from …

Continue reading FlixChatter Guest Review – SISU 2: Road to Revenge (2025) – Less complex than SISU 1 but doubles down on the choreographed violence and deadly action