I’ve been a huge fan of the X-Men universe ever since Bryan Singer’s X-Men movie back in 2000. That was the first time I ever saw Hugh Jackman and he’s certainly the most intriguing character of the mutant ensemble. When the spin-off movie came along, it certainly wasn’t off to a good start, though I actually didn’t abhor X-Men Origins: Wolverine as much as people did. Now four years later, the fury mutant with indestructible metal alloy adamantium bonded to his skeleton is back, angrier than ever.
This movie takes place right after the third sequel of X-Men: The Last Stand, where in a heart-wrenching finale, Wolverine (Logan) had to kill the love of his life Jean Grey to save humanity. Constantly tormented by her death, Logan’s now retreated in the Canadian wilderness where his only friend is um, a grizzly bear. His past suddenly catches up with Logan when a Japanese girl turns up at a bar one rainy night, and invites him to meet Yashida, a man he once saved in a Nagasaki bombing in 1945.
It’s nice to see a superhero movie nary of a megalomaniac hellbent on destroying humanity. No exploding buildings/world landmarks by aliens/monsters taking over earth, etc. There is a huge atomic bomb at the opening sequence in Nagasaki, which was an intriguing start that shows us the incredible healing power of the titular hero. The plot of this movie certainly promises something truly riveting, as Logan not only has to confront his past and inner demons, but also has to grapple with losing his immortality. The setting in Japan adds that cool novelty factor, and I was prepared for an engrossing journey as the stakes become really personal for Logan.
Unfortunately, apart from a few exciting scenes, I find myself feeling quite bored by this movie. Let me start by the character itself. Now, amongst his fellow mutants in the X-Men movies, Wolverine easily stands out with his brooding sarcasm and the whole tortured-soul persona. But take the group away, watching him brood, sulk, snarl, and growl for two hours straight doesn’t exactly translate to riveting entertainment. Hugh Jackman‘s a good actor but he’s not given any opportunity to display much range here, and an actor’s charisma can only do so much. There is only one truly hilarious moment [also an excuse to show off Jackman’s buffer-than-buff physique], but the rest of his expressions range from solemn to dour. It doesn’t help that the rest of the supporting characters are one-dimensional or less, as most of the supporting cast (especially the female ones) are acting novices.
The tomboy red-head Yukio (Rila Fukushima) seemed a lot of fun at first but as soon as we arrive in Japan, we’ve got another Japanese girl to contend with, Yashida’s granddaughter Mariko (Tao Okamoto). It’s too bad as Yukio had just shared an interesting back-story of her own, but oh well, the script dictates that it will be about Mariko and Wolverine. It’s even more frustrating as Mariko is barely as interesting as a door knob, and even the relentless chase by the the Yakuza assassins fails to give her a character. By the time these two got together, the romance between them feels so awkward and entirely unconvincing. Oh, lest not forget the ‘phantom romance’ between Logan and Jean Grey, haunting him in lacy négligée, inviting him to join her in the after life. It’s excruciating to see Famke Janssen being so utterly wasted in this movie.
The one Japanese character that I was most intrigued with is Mariko’s ambitious father Shingen (Hiroyuki Sanada), but his role is underwritten and ultimately he becomes just another subject for Wolverine to fight with. Logan’s main mutant nemesis is Viper, a supermodel-like blond with prehensile tongue (Svetlana Khodchenkova). Sure she’s sexy but she’s nowhere near as fun as Mystique, nor as memorable. There’s a hint that perhaps there might be some kind of personal connection between the two but it doesn’t amount to much.
There are some really promising moments in the movie. The reunion between the dying Yashida and Logan is inherently intriguing, as Logan learns the real reason why he’s invited to Japan. But soon things turn hugely convoluted as family crisis turns into a deadly chase between the Yashida family and the Japanese Yakuzas. The fight scenes at the funeral display Wolverine’s bad-assery, though the hero is perhaps not as impervious as he once was. The already fast-paced action goes even faster, bullet-train fast to be exact, as Logan has to fight off a bunch of Yakuza goons at 300 MPH, whilst the damsel in distress is sitting inside blissfully unaware. I have to admit the action in this scene is thrilling to watch, perhaps one of the highlights of the movie.
To call this movie wildly uneven would be a giant understatement. Now, I don’t mind the slower pacing that allow the characters to breathe, so long as it doesn’t become tedious. By the time we get to the third act, the movie seems to have lost its footing entirely. Starting with Logan being showered by arrows like a pin-cushion, all the way to the final battle with a giant mechanized robot that resembles the Silver Samurai in the comics. The whole fight sequences are loud and relentless but somehow they had little impact to me.
I read a comment in one of the major blogs saying something about how this film “…fetishize and exotic-ize elements of Japanese culture for Western consumption” You know what, I kind share that sentiment. But the biggest letdown for me is that I was hoping that the Japan-setting is an integral part of the Wolverine story as in the comics, how his time in that country shapes who Logan is as a character. Instead, we get more of an overdone fish-out-of-water story of a reluctant hero feeling ‘trapped’ in a place he doesn’t want to be in. Not exactly a groundbreaking story by a long shot. Director James Mangold and writers Scott Frank and Mark Bomback tried too hard to create an introspective and something of substance, but in the end it proves to be quite a superficial endeavor. I don’t think if I knew more, nor cared for, the character than I did before seeing the film.
Final Thoughts: So much promise… but ultimately a letdown. I expected a great deal of emotional gravitas from the story, but I didn’t connect with Wolverine’s Japanese journey as much as I had hoped. Even the big reveal that sort of brings Yashida and Logan’s relationship full circle lacks an emotional bite.
Yes, I think this one is an improvement over the first Wolverine film, but unfortunately, only by a smidgen. Hugh Jackman said he’s achieved the best physical form in this movie than he’s ever before. Indeed he’s in the best shape of his life, and it’s impressive to behold, if only the film itself were in as good a shape.
Thankfully, this movie doesn’t dampen my enthusiasm for the X-Men franchise. In fact, the post-credit scene that ties it to the upcoming X-Men: Days of Future Past is easily my favorite part! I think this one curmudgeonly mutant who ‘doesn’t work well with others’ is actually far more watchable in an ensemble than as a lone wolf.
|2.5 out of 5 reels|