The Flix List: 10+ year-old films that deserve a second look

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Have you ever seen a film and question why it’s not as well known or gets the respect it deserves? I consider myself a film geek and have seen several films throughout the years, while some I saw deserves all the accolades it received and many deserves to be forgotten. But I thought these films on the list deserves to be seen by more people and shouldn’t have been forgotten.

In no particular order, below are some films that I believe should be given second look:

Year of the Dragon (1985)

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After the disastrous Heaven’s Gate, it’s a miracle that Michael Cimino was able to make this film. A story about a NYC cop taking on the Triad Chinese mob has everything you need in this kind of genre, great cinematography, strong performances and enough action to satisfy the 80s action hungry audiences. It starred the young upcoming and coming actor named Mickey Rourke as the cop who’s trying to take down the mob in NYC’s Chinatown. John Lone was excellent as the ambitious mobster who’s trying to become the Godfather of Chinatown.

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The film’s not perfect but I think it’s one of the best in that decade. Even though he’s very good in the role, Rourke’s character was written as someone in his late 40s or early 50s and Rourke was only 33 at the time. So in order to make him appear older, they applied really bad makeup and dyed his hair gray; I have to admit I found it to be distracting at times while watching the film. Apparently, the leading role was offered to both Clint Eastwood and Paul Newman, but they turned it down because they didn’t want to be anywhere near Cimino.

When the film came out, the Chinese community started calling the film racist because they didn’t think it depicts Chinatown in a good light. According to Cimino, the studio folks loved the film and planned to release it in the Holiday season but with the controversy, they decided to dump it in late summer. The film is available on Amazon video and DVD, it has yet to be released on Bluray here in the States. I’m hoping Criterion will release it some day.

Dead Presidents (1995)

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The Hughes Brothers second film is maybe the most under-appreciated film of the 90s. It’s a combination of different genres, heist, action and war drama. Larenz Tate stars as a young man who served in the Vietnam War and tried to adjust to normal life after he’s back in the States. It’s one of the few films in Hollywood that addresses the issues of African Americans who has to deal with harsh reality of living in the society after the war. It’s well written, directed and the performances were great by the actors. It’s not available on Bluray yet but you can find it on DVD, please seek it out.

Scarecrow (1973)

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I can guarantee that a lot of people have never heard of this film starring Gene Hackman and Al Pacino. A story about two men who’s trying to correct their lives, Hackman played an ex-con who’s trying to start a new life after being released from prison and Pacino played a sailor who’s trying to get home to see his child. It’s kind of a road movie but I thought it’s a great character study of these two men. The film was an indie produced and when it failed critically and financially, Hackman refuses to work on future indie projects; he’d only worked on studios financed films after this one. It’s one of the rare gems from the 70s and you should see it for the great performances by the two legendary actors. I think maybe the film failed is because the title suggests it’s some sort of a super natural thriller or horror. But despite its failure, both actors have said it’s one of their favorite films that they starred in.

Carlito’s Way (1993)

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Another film starring Al Pacino that I thought should’ve been well received when it came out. Pacino stars as a Puerto Rican gangster named Carlito who’s trying to go straight after being released from prison. It also stars Sean Penn as his lawyer and best friend; I think it’s Penn’s best performance. Unlike most films on the list, this one received full support from the studio and released in the prime Holidays season. But for whatever reason, it failed to click with audiences and were dismissed by most critics. Of course the film’s not perfect, I think the love story didn’t work and the lead actress Penelope Ann Miller was a miscast. According to director Brian De Palma, he auditioned several young actresses at that time and wanted to cast a then unknown actress named Sandra Bullock. But the role requires that she must be willing to do a topless scene because the character is a ballet dancer and stripper. Bullock refused to take her tops off and De Palma went with Miller since she has no problem taking her clothes off.

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It’s available on DVD and Bluray for a very cheap price, I highly recommend people to see this one ASAP. Personally, I thought it’s one of the best films of the 90s. Several years after the film came out, De Palma did an interview and said he knew the film was going to fail. He’d just made Bonfire of Vanity; one of the biggest box office bombs of the 90s and people were still hated him for it. Also, Pacino had just won an Oscar for his performance in Scent of A Woman in the previous year and many people thought he didn’t deserve it. So a lot of people were against Pacino at that time too.

Extreme Prejudice (1987)  

A modern day western that’s full of action and great performances yet somehow it failed miserably. It’s quite surprising since the film came out in the 80s and this was the kind of film that would bring in huge box office numbers in that era. My fellow FlixChatter contributor Jack gave an in depth review here so I won’t go into why you need to see this hidden gem.

Sorcerer (1977)

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After back-to-back success with The French Connection and The Exorcist, director William Friedkin was on top of the food chain in Hollywood. In what he thought was going to be another box office hit, he decided to make an adventure film set in the jungle. It’s remake of a French film called Wages of Fear and I think this one is even better than the original version. Released in the summer of 1977, the studio thought it’s going to be another hit for Friedkin but it failed and has been forgotten for years. Just a few years ago, Quentin Tarantino mentioned that it’s one of his favorite films ever and that gave the film some well deserve recognition. The film was finally available on Bluray last spring and it’s one of the best discs of a classic film. It’s available for a very cheap price, so you should buy it and see this excellent action/adventure film.

The Vanishing (original 1988 version)

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If this Danish film came out in our current time of online social media sharing, I believe it would’ve been much more well known and many people would consider it one of the best thrillers ever made. But it came out in the late 80s, several years before the internet and it’s sort of been forgotten since then. This is one of the few films that I would consider a masterpiece. The story about a couple who decided to take a road trip, while stopping to get food at a local gas station somewhere in the French country side, the girlfriend was abducted. For three years, the boyfriend is obsessed with finding out what happened to her. Unlike most suspense thriller, this film didn’t rely on violence or cheap scares to keep the audience engage, with the exception of a small fight scene, there were no violence depicted in the film.

The film’s brilliantly written and directed by the late George Sluizer and beautifully shot. You need to know as little as possible if you’ve never seen it. But be prepare for a gut punch of an ending that will likely haunts you for a long time. Unfortunately, Sluizer got talked into directing a remake for American audiences a few years later and it’s inferior to his original version in so many ways. Avoid the remake at all cost.

On Her Majesty’s Secret Service (1969)

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For a long time this film was considered the black sheep of the Bond franchise. Many of the Bond film fans called it the worst in the series but then a few years ago, Christopher Nolan said it’s his favorite Bond film and since then, it has gotten more attention and now some say it’s one of the best Bond films ever made. It’s not widely known but Sean Connery said that he regret not coming back to reprise his role as 007, because he thought the script for this film was great.

I’ve gotten into some heated discussion with some people about how this is great Bond picture and that it’s the only film in the series that’s faithful to the original Fleming’s source novel. This was before Nolan said it’s his favorite Bond film, of course those people have switched gear and said it’s a great Bond film. Now I understand why the film didn’t click with audiences when it first came out, a new actor is playing 007 and it’s quite dark in tone comparing to the previous Bond films at the time. Of course the shocking ending probably turned off a lot of Bond fanatics and paved way for the Roger Moore’s silly Bond pictures throughout the 70s and most of the 80s.

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But I thought what made the film great was that the filmmakers decided to make Bond more of a human rather than some sort of superhero. For example, a scene in which Blofeld’s henchmen were chasing Bond and he realized he might not get away and they showed fear in his face. That’s never been done in any of the Bond films and we didn’t see fear in Bond’s face again until Casino Royale where he’s being tortured. Then there’s Diana Rigg as the cool Bond girl, I would’ve liked to see more of her in the film but she’s definitely one of the best Bond girls in the franchise. Of course she’s one of the few women whom Bond did fall in love with and he finally married her.

The film was such a big box office failure that the producers considered hiring an American actor to play 007 in the next one. They thought this one failed because it’s too European and that American audiences didn’t “get” it.

Judgment Night (1993)

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The early 90s were full of cheesy action pictures and when I saw a trailer for this film, I thought it’s just another silly action thriller that would be forgotten once it hits local movie theaters. Sure enough that’s what happened, it barely made a dent at the box office but when I saw it on home video, I thought it’s great. The premise of the film is pretty simple; a group of friends are attending a box match somewhere in downtown Chicago. On the way there, they got stuck in traffic and decided to take an alternate route through a rough neighborhood. Unfortunately for them once they’re in the hood, they got lost and witnessed a murder by a ruthless drug dealer and his men. With no weapons to defend themselves, they have to use their wits to survive the night.

What I really like about this film is that they cast actors who actually look like regular people. Emilio Estevez, Cuba Gooding Jr., Stephen Dorff and Jeremy Piven aren’t the kind of actors you think of in an action picture. But here they fit what the story requires, regular guys with no special skills trying to stay alive. Denis Learly, who at the time is better known for his comedic role, plays the main villain here. He totally surprised me and I thought he’s excellent as the relentless killer who won’t stop until his pray are all dead.

The Assassination Of Jesse James By The Coward Robert Ford (2007)

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Almost ten years since the release of this film and it’s pretty much forgotten by many people. But to me it’s one of the best westerns ever made and should be in discussion as one of the best in that decade. Since the film wasn’t an action picture, the studio didn’t know how to promote it and pretty much just released it with little marketing. Now 2007 was a very good year for films, it came out around the same time as the other two more memorable films, No Country For Old Men and There Will Be Blood.

Even though Brad Pitt played the title role, he’s pretty much a supporting actor. The film belongs to Casey Affleck who I thought was excellent and should’ve won the Oscar for his performance. It’s beautifully shot by the great Roger Deakins and the soundtrack is one of my favorites ever. I couldn’t tell you how many times I’ve listened to this film’s soundtrack. If you’ve never seen it, I would highly recommend you see it.

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So those are some older films I thought deserves to be seen my more people. Did you see any of them and do you agree with me?

Character Actor Spotlight: Powers Boothe Part II – Meeting and Exceeding Expectations

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Greetings and all sundry!

Having covered the early career (read Part I on Mr. Boothe) of this exceptional character actor. Allow me to proffer a bit more than a glimpse at this tradesman’s ascent from better than standard fare. To the comfortable position of being a rising “Go To Guy” when a solid character. Either charmingly charismatic and varying shades of evil demanded exposition.

To that end. I ask a few moments of your time for elucidation and exploration of.

Powers Boothe: Meeting and Exceeding Expectations

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I’ll begin this segment with a film that reintroduced to the spotlight. After a surprising Emmy nomination for his giving creepy life to charlatan turned Reverend and New Age Messiah, Jim Jones in the CBS mini-series, Guyana Tragedy: The Jim Jones Story.

Returning once again to safe harbor and rising master’s talents of Walter Hill. And his little known, though richly rewarding drugs across the border, “Guy Flick.

PowersBootheExtremePrejudiceExtreme Prejudice (1987)

Having reviewed and critiqued this character and Testosterone driven middle budget masterpiece earlier.

And predominantly from Nick Nolte‘s second generation Texas Ranger, Jack Benteen’s perspective. It’s time to give equal, if not greater credit to the film’s white suited and Stetsoned nemesis, Cash Bailey.

Mr. Boothe has the presence. The voice and connections and wherewithal to send large amounts of cocaine and even larger amounts of money to be laundered in the small bank of Benteen’s one streetlight town and those beyond in major cities.

Which raises Benteen’s eyebrow. And those of a team if infinitely “deniable” and “deceased” Special Operators led by Michael Ironside and Clancy Brown. Who may want Bailey either arrested and brought back across the border from Mexico. Dead. Or waylaid enough for Ironside to possibly take over.

That’s the cool thing about this gem. Far more questions are proffered than answered.
Is Mr. Boothe’s Cash Bailey a real, honest to God, bad guy. Or is he an undercover operator? Not enough information or actions are presented to give credence to either. Though, no matter the answer. Mr. Boothe’s Cash Bailey is in way over his head. And in this finite, claustrophobic arena. The actor excels!

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Feeling the walls closing in and options evaporating under a sheen of anxious sweat.Drinking too much and talking too loud before a showdown. Or possible “Suicide By Cop” with Nolte’s Benteen before an epic “Shoot ’em Up!” that would do Sam Peckinpah proud!

Overall Consensus:

Mr. Boothe opens his tool box and adds silk and honey to his voice early on when trying to find out how much Nick Nolte’s Benteen knows and how far he will go. Slowly letting that fall apart while adding facial expression and harsh bravura as his empire begins to crumble and fall apart towards the film’s violent finale. Creating an enigmatic heavy who is afraid to say too much and accidentally speed his demise by the law. Or though under his command.

Creating a breather for some stage work before signing on as Navy Chief Petty Officer, John A. Walker. Who had been selling high grade military secrets regarding electronic communication, cryptology and high precision screw designs for various types of submarines to the Russians for more than a decade. In the Stephen Gyllenhaal directed, two part television movie for CBS:


Family of Spies (1990)

FamilyOfSpiesCBSPosterIn this offering, Mr. Boothe plays a rather complicated, turmoiled and kind of unlikeable John Walker. Career NCO and communications and cryptology specialist assigned to the Pacific Fleet’s “Boomers” (Mobile, Submerged Missile Silos”). Married, lecherous, with young son and daughter. Unable to hold onto a dollar while constantly looking for a “Get Rich Quick” scheme.

The failure of his recently purchased bar in Charleston, NC sends Walker to the Russian Embassy in Washington, DC for an obliging ear for his proposition. Selling the Navy’s most coveted secrets for “A thousand dollars a week”. Seriously major money in the mid 1960s.

Emboldened by the Navy’s lax security, Boothe’s Walker delivers code making and breaking documents. That pay off nicely. Though hit a snag moths later when North Korea captures the intelligence gathering ship, USS Pueblo. An internal FBI and NIS investigation starts moving towards Walker, who is unaware. Teaching Crypto and Comm classes at San Diego. And recruits a bright student, Jerry Withworth (Graham Beckel) to pick up slack and widen horizons. Telling the new addition that all that he finds, acquires or steals will be going to the Israelis. Not Moscow.

PowersBoothe_FamilyOfSpiesWalker starts to stray, maritally. As his handlers apply pressure to find newer, better and more Classified material. Walker’s wife, Barbara (Leslie Ann Warren) finds out. Hires a private investigator and lawyer. And extorts the highest amounts in payment. Lest she call the Navy NIS. Or FBI. Things start falling apart even more as Mr. Boothe’s Walker tries to get his son, Michael, a Navy technician (Andrew Lowery). His daughter, Cynthia, an Army Specialist (Elena Stiteler) and brother, Arthur (Michael J. Jackson) to join his motley crew.

So, no one is really surprised, except Mr. Boothe; when his John Walker is caught in a Bethesda, MD. motel in a classic “Sting”. While awaiting the arrival of “the other woman”.

Overall Consensus:

Mr. Boothe seems to have dipped back into the well of psychopathy and slow destruction that earned his Emmy Award years earlier as Jim Jones. All the signs are there. Though, a bit less pronounced. Arrogance at pulling the wool over the eyes of his superiors and security personnel. Tinged with annoyance that he is being underpaid by his Russian handlers. The slow creep of paranoia post Pueblo. As his actions start being questioned. Innocently at first. Then more directly after Walker’s retirement and loss of Security Clearance.

Debt is added as a factor. Increasing as Walker spends beyond his means. Bringing in the trembles of desperation as creditors start calling. Then knocking. Whatever family life there had been has long since gone, As Mr. Boothe’s Walker employs decades of tried and true Russian trade craft. While blaming everyone other than himself.

Which creates time for a rather unique, low budget palate cleanser. In the form of an early, not so cleverly disguised attempt to thrust Brandon Lee into the high pantheon of his of his deceased father, Bruce.

RapidFireMoviePosterRapid Fire (1992)

With all the attendant low budget bells and cinematic whistles one would expect with a Bruce Lee martial arts film. Good looking, though breakaway balsa wood sets dressed as expensive restaurants. Rather spartan marble, leather and stainless steel lairs for international and domestic crime lords.Quickly glimpsed stock footage of Thailand city scape, both day and night. Sweetened with some great looking on location, urban cinematography under the elevated trains, alley ways and grimy city streets of Chicago later in this forgotten gem.

The film begins in Thailand. Where veteran of Tiananmen Square, Jake Lo (Brandon Lee) witnesses the murder of a lower tier enforcer, Carl Chung (Michael Paul Chan) for local Thai crime lord, Kinman Tau (Tzi Me) by Chicago thug, Antionio Serrano (Nick Mancuso) in an elegant restaurant.

Jake is noticed, of course. Fights his out and away. And into the arms of the local police. Take his eyewitness statement and whisk Jack into Protective Custody. Courtesy of the Chicago PD.

Once safely ensconced in The Windy City. Jake is visited by grizzled, Detective Lieutenant Mace Ryan. Given wondrous “Been there. Done that” rumpled life by Mr. Powers Boothe. Who has a ten year old hard for the elusive crime lord, Kinman Tau. And is amenable to any way to get at him.

If that way is through Lo and hanging a murder rap on Serrano. So much the better! As Lo is released to Ryan’s care and protection. And young martial arts assassins, amongst them, Dustin Nguyen (“21 Jump Street”). To fight Serrano’s local talent. Kill Lo. Or preferably, both.

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Add an aspiring female Detective, Karla Withers (Kate Hodge) to offer a romantic interest. As Jake and Ryan start finding some of Serrano’s thugs to question and acquire leads. In regards to the arrival of a shipment of heroin to a local laundry. That will draw out the Big Man, tau, himself. Of course, an ambush and fight ensues to a near standstill as Tau and Serrano escapes. A new location is deduced as an expansive mansion among rolling hills. A new strategy is devised. As the film closes. Set up perfectly for a sequel.

Overall Consensus:

It’s nice to see Mr. Booth exercise his ensemble chops. Bringing a weary with The System, stubbled, “Getting Too Old For This Stuff”. Kind of Philip Marlowe on the skids attitude. That lifts the film from the typical “Chop Socky” genre. Mixing action, gunfire and fisticuffs with well choreographed and good looking fights by Brandon Lee.

Is it a perfect film?.. No. But is is a lot of fun!

Which opens up the film that put Mr. Boothe back to the spolight for the fifth or sixth time. As “Curly Bill” Brocius. One of the founding fathers of the red sashed “Cowboys” in a not quite historically correct, but near iconic film of the Old West.


Tombstone (1993)

TombstonePosterArguably, one of the best, if not the best big budgeted ensemble westerns of the 1990s.

Centered around the Earps. Retired lawmen, Wyatt (Kurt Russell), Virgil (Sam Eliott) and homesteader, Morgan (Bill Paxton). Their arrival in next to nowhere, Tombstone, Arizona, And the infiltration of across the border, wedding crashing, pillaging and village burning, Cowboys. Curly Bill Brocius (Mr. Powers), Johnny Ringo (Mostly quiet, near psychotic, Michael Biehn), many lower tier followers. And the land owning through illegal means, Clantons.Ike (Rarely creepier or scuzzier, Stephen Lange) and son, Bill (Thomas Hayden Church).The Earps see opportunities in the small, slowly burgeoning community. Taking and buying an interest in less than prosperous saloon. After an annoying, obnoxious Billy Bob Thorton is marched out through its swinging door.

Life improves with imported fashions and talents. And “Doc” Holliday reintroduces himself to Wyatt before the Cowboys make their presence known. Applying presurre here and there with covert aid from the Clantons. While trying to stake out their claim of the town. An attempt that embarrassingly fails when Ringo disrupts an evening’s entertainment and gambling an exemplar show of quick drawn and trick pistol twirling. That a smiling, drunken and unimpressed Doc Holliday lampoons with a silver cup.

Upping the ante as the Cowboys later “shoot up the town”. And citizens start screaming about the first insidious, incremental steps of Gun Control. Wanting to tamp down, if not defuse an escalating situation. The Earps and Doc respond to the armed and quietly threatening Clantons, assorted Cowboys and Ringo and Bill Brocius at the O.K. Corral.

The volatile situation quickly goes beyond words and lead flies. In a noisy stalemate that sends Ike Clanton cowardly skittering away as the tide and citizens turn against the Earps.Leaving Morgan open for ambush by the later that night. And Virgil luring Ike Clanton and others out for a final tete a tete just outside an outbound train.

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The gauntlet has been thrown down. And Wyatt, Doc and others turn a stream side ambush against Curly Bill. And Doc takes it upon himself to finally remove Johnny Ringo from his mortal coils. Wyatt arrives late and the two decide to clean up the last of the Cowboys.

Overall Consensus:

In a film that sweats and is perfumed with dust and Testosterone. With a raw, talented cast that most directors today would sell their wife and kids for. Mr. Boothe is content to take a back seat. A step or two away from the limelight. Confident and relaxed.in time on screen. Finding the mystique of being an utterly ruthless bad guy refreshing. Yet always ready to grab and reel in a not afraid to go over the top Michael Biehn to maintain order within the ranks.


Stay tuned for the final entry on Powers Boothe!
Check out Jack’s other posts and reviews


What do you think of these films and Powers Boothe’s performances?

Guest Review: Extreme Prejudice (1987)

Special thanks to my pal Kevin a.k.a Jack Deth for another in-depth review!

Make sure you check out his profile page under FC Contributor’s tab and find out more about his love for film.


‘Extreme Prejudice’ is a little known gem directed by Walter Hill and written by John Milius, an updated drugs-across-the border western. Starring Nick Nolte as Jack Benteen, a straight arrow, incorruptible second generation Texas Ranger who doesn’t say much. Lets his silent stare and scowl, when appropriate, handle most situations that his Colt .45 ACP  may be a bit too loud, messy and devastating for. In short, Benteen is Gary Cooper in High Noon, only more so with a larger hat.

Benteen’s jurisdiction cover just one heck of a lot of desert close to the Mexico border, with not a whole heck of a lot in between. Operating out of a small quiet town with a bank, barber shop, hardware stores, school and small businesses, where everyone who hasn’t left knows everyone else. With its usual raining,  miserable Saturday night fights in outlying Honky Tonks and dirt floor bars. One good old boy has the sad misfortune of running afoul of Benteen and his partner and mentor, Sheriff Hank Perason, played by the notably  gruff Rip Torn long before his playing Zed in ‘Men In Black’. The good old boy/drug smuggler pulls a gun on Benteen and Pearson and is killed in self defense, which slowly gets the ball rolling for the the rest of the film.

On the Mexican side of the border is Cash Bailey, Nolte’s childhood friend, a drug Kingpin and possible snitch or undercover DEA agent who’s in way over his head. He’s played flawlessly by Powers Boothe, fresh from his HBO mini-series Marlowe, resplendent in a white suit and Stetson, yet radiating an aura of corrupt sliminess. Cash runs a fair-sized Cocaine smuggling operation that rakes in huge amounts of money that requires laundering.

Cue the crooked Bank Manager and possible degenerate gambler who’s been bought and paid for by Cash Bailey, and whose bank is in the same small south Texas town that contains Benteen’s Rangers station and the table has been set for the entree. A small cadre of US Army special operators who are officially dead enter the mix. Led by Michael Ironside and top kicked by Clancy Brown. They make their entrance at a Municipal Airport with appropriate aplomb and a bit of raunch, before settling down to business. The deliberate destruction of Cash Bailey and his entire operation, through methods legal or extra-legal. I’ll let you do the math.

In the interim, Nolte and Hank Pearson debate a reluctant confrontation with the good old boy’s brother. The tête-à-tête is cut short when the brother and several friends pour out of the clapboard General Store with rifles and handguns blazing. In what should be a lopsided win with shotguns, M-16s and pistols, The Ranger and Sheriff hold their own and more with Benteen’s .45 and lever action Winchester backed up by Pearson’s 12 Gauge pump shot gun. Unknowingly being watched by Michael Ironside’s Col. Paul Hackett and Clancy Brown’s MSgt. Larry McRose.

The two watch Pearson fall and the brother die as the survivors flee, only to be ambushed and dispatched by Hackett and McRose shortly thereafter. A mistake is made and shell casings are not policed up and Hackett’s hand is tipped through investigations later on.

As Benteen plays catch-up, another character is introduced. Maria Conchita Alonso as Sarita. The teenage girl who carried a torch for Benteen and Bailey and probably still does. All grown up and signing at a Cantina and who will figure prominently toward the story’s end.

Comes the dawn and the lesser know special operators have staked out the bank with what would now be less than first generation tactical and spy gear in preparation for a heist. The primaries go in. People are frightened as money is stolen and Safety Deposit Boxes rifled. Hackett confronts the crooked banker and kills him while a faraway barn blows up as a diversion. One of the lesser operators is killed and the getaway is disrupted by Benteen, who locks up William Forsythe at his borderline psycho best as Sgt. Buck Atwater and Matt Mulhern as Declan Coker, their heavy weapons man.

Benteen and Hackett finally meet after the shell casings left that the ambush reveal an Army pedigree. Neither trusts the other as Atwater and Coker report on everything they see and hear to Larry B. Scott’s Sgt. Charles Biddle, their tech guy from their jail cell at the Ranger station.

Deals are made, though Hackett would gladly like to see Benteen dead. Since Benteen doesn’t fit in Hackett’s agenda. As Atwater and Biddle are released and Sarita disappears, Benteen joins Hackett and his crew for a trip south of the border. For a protracted confrontation inside a massive adobe fortress amongst a sizable Mexican peasant army that would would make Sam Peckinpah envious.

Benteen just walks right on in, ready to talk Bailey into returning with him sans Sarita. Though willing to end it all in a  showdown with Bailey if push comes to shove.

Only to have the festivities interrupted as ALL HELL BREAKS LOOSE!

Powers Boothe as Cash Bailey

Hackett and his boys open up with everything they have and whatever else they can get their hands on. Many, many of Cash Bailey’s soldiers fall in a modern shoot ’em up to easily rival the best of  The Wild Bunch. Biddle and Coker pick off strays as McRose catches Hackett literally red handed sticking a knife in Bailey’s befuddled book keeper. A deal is offered and rejected as a stooge stumbles by. Shots are fired and Hackett slips away.

Betrayed, the operators are evenly divided in taking out Bailey’s army and Hackett. Who absorbs many, many hits before McRose unloads with his 12 Gauge. The operators are picked off one by one. The smoke clears and Cash returns with a truck full of soldiers ready to pick up where they left off before all of the fireworks. Undaunted, Benteen tries to talk Bailey into coming back to the US, but Bailey is in too deep and fires. Benteen empties his .45 into his boyhood friend. Reloads and listens to an ultimatum from the new Jefe.

Leave and don’t come back. It seems that the locals didn’t much care for or trust the gringo, Cash Bailey to begin with. Better to keep the operation completely Mexican. Benteen agrees and he and Sarita saunter off into the sunset.

What makes this movie good?

A superb ensemble cast of proven character actors driving the story forward between well timed and executed fights, bank heist and the final homage to Sam Peckinpah gunfights inside Bailey’s fortress. Toss in a plethora of great lines for all and sundry as lies stack on top of lies and the Alpha males vie for supremacy. Add the backdrop of a Ry Cooder-produced soundtrack. Conducted by Jerry Goldsmith as a full orchestra and you have the makings of a film not soon forgotten.

What makes this film great?

Nick Nolte, Powers Boothe, Michael Ironside, Clancy Brown and William Forsythe in a film that literally sweats Testosterone. Shortly before ascending into their own reserved niches in the firmament

Walter Hill at the helm directing men in a men’s arena. Allowing time for each cast member to shine and perform some of their most memorable work in what many consider a B- Movie, but is so much more!


Have you seen this film? So share your thoughts in the comments.