Mini Reviews: The Girl with the Dragon Tattoo (2011) + Wind River (2017)

Happy Monday everyone! It’s been a pretty hectic week last week with freelance gigs, script updates, etc. There’s a hint of Spring (finally!) after such a long and pretty miserable Winter, in fact, we pretty much hibernated most weekends the past couple of months. Well, that gave us a chance to catch up on a bunch of new-to-me movies. Today I’ve got a pair of excellent, moody crime thrillers that both took place in the Winter months.

Girl with the Dragon Tattoo (2011)

Journalist Mikael Blomkvist is aided in his search for a woman who has been missing for forty years by Lisbeth Salander, a young computer hacker.

Directed by: David Fincher
Screenplay by: Steven Zaillian

For a while I sort of avoided this adaptation of Stieg Larsson’s crime novel (part of the Millennium trilogy), both the Swedish version and this English language version. I just thought it’d be too violent and that I wouldn’t enjoy it. But well, my hubby and I were in the mood for a good crime noir, and since we both liked Gone Girl, we thought we’d give this one a shot. Well, I wasn’t disappointed.

David Fincher is a master in building suspense even with relatively little action. I quite like Daniel Craig as the disgraced journalist Mikael Blomkvist, who’s hired by a retired CEO Henrik Vanger (Christopher Plummer) to investigate the disappearance of his grandniece Harriet. Vanger exposed some really strange family dynamics which lives up to his descriptions, and then some. The film took its time before Mikael and Lisbeth Salander (Rooney Mara) meets, as their story runs in parallel until their eventual meet-up.

I knew going into this that this is a violent film, especially dealing with brutal sexual assault and rape, but still, it’s quite harrowing to watch. The way Lisbeth retaliates for this brutality has that ‘wish fulfillment’ fantasy, as the wicked assailant has no idea who he’s dealing with. Mara’s transformation as Lisbeth is astounding and she completely lost herself in the role as the brilliant but antisocial hacker. I thought Mara’s a bit of an unusual choice to play her, but she pulled it off. Lisbeth is quite a mesmerizing and intimidating character, an undoubtedly challenging-but-flashy role every prominent actress would want to portray.

What I like most about this movie is the way the story unfolds. I actually like the deliberate, almost unhurried pace, but every moment is never without a sense of dread. Fincher’s direction is superb, using the setting (in Sweden and various Nordic countries) to great effect in conveying the perfect mood for the film. It’s the kind of mystery thriller that fully immerses you in the story and rewards your patience. Stellan Skarsgård is pretty memorable here as well in a quiet, but sinister role as Harriet’s brother.

I have to say though, the scenes towards the end with Lisbeth inhabiting a completely different persona as a femme fatale is feels a bit off from the rest of the film. The hurried pacing and more glamorous setting makes it feel like a Bond movie (with Lisbeth playing ‘Jane’ Bond) which is amusing given Craig’s casting. Honestly, it took me out of the movie a bit. I enjoyed watching the scenes, it’s just that the whole thing feels incredulous. Perhaps that is the point, Lisbeth going way out of her comfort zone to help someone she cares about.

Despite the gruesome scenes, I actually like this film enough that I might even rewatch it at some point. There are SO much details during the investigation that I likely missed a few things. It also got me intrigued to see the original Swedish versions starring Noomi Rapace as Lisbeth.

WIND RIVER (2017)

A veteran hunter helps an FBI agent investigate the murder of a young woman on a Wyoming Native American reservation.

Written & Directed by: Taylor Sheridan

After seeing The Girl With the Dragon Tattoo, my hubby and I are craving for more mystery thrillers. I was impressed by Taylor Sheridan‘s impressive writing in Sicario, but haven’t seen anything else he’s done since. Well, he’s definitely no ‘one hit wonder.’

The film opens with a card that says “inspired by true events,” which makes the scene that follows all the more excruciating to watch. A panic-stricken young woman is running in a vast snowy land on the Wind River Indian Reservation with barely enough clothing to survive the harsh climate. Cory Lambert (Jeremy Renner), an expert tracker working for U.S. Fish and Wildlife Service Agency, discovered her frozen body and alerted the FBI. The Feds sent a rookie agent, Jane Banner (Elizabeth Olsen) who arrived from Las Vegas and soon realized this case is way in over her head.

The unlikely partnership between Lambert and Banner is the core of the story and it’s intriguing to watch. The fact that Renner and Olsen worked together in Avengers: Age of Ultron two years prior is amusing, but it’s a testament to their acting that I quickly forgot about that fact as the film progressed. I love that Sheridan’s just as concerned with his characters as he is with solving a murder case, putting this film far and above a typical CSI or Law & Order’s ‘whodunnit’ episode. Soon we learn about Lambert’s past and why this case is so hugely personal to him. Sheridan also toys with our expectations, in a good way, in the way he presents the murder suspects. I’m also impressed by the skilled use of flashback to tell a crucial detail, without spoon-feeding the audience too much details. I also appreciate that the film is not gratuitously violent nor gory.

Renner is particularly strong here in a soulful, emotionally-grounded performance as a man who’ve been through hell and back. Lambert offers a nice contrast to the inexperienced Banner, teaching her the ropes without being condescending. Veteran character actor Graham Greene as the Tribal Police chief Ben plays a crucial role here. “This is the land of you’re on your own.” Ben sheds lights into how the Native American community like Wind River is marginalized and barely gets the attention they deserve, as evidenced by the lack of federal support Banner gets to solve this case. I like Jon Bernthal‘s casting as well which again toys with our expectations given the tough guy roles he often plays.

The desolate setting here is a character in itself, in which the location is pivotal to the story. It’s a bleak film to be sure, but a deeply engrossing one and it’s not without hope. That scene towards the end of Lambert and his friend Martin (Gil Birmingham) is a powerful one that ties well with an earlier scene after the girl’s body’s just discovered. I find myself engrossed in this slow-burn mystery, which also rewards your patience with a satisfying ending. I’d say it’s a pretty strong directorial debut from Sheridan, though it made me curious to see how the film would look like under someone like David Fincher. In any case, Sheridan is definitely a gifted writer and a promising director, I’m definitely keen on seeing more of his work in the future!


So have you seen either one of these films? I’d love to hear what you think!

FlixChatter Review: GONE GIRL (2014)

GoneGirlBnrFew films this year got as much feverish anticipation as this one. To be honest, I got a bit worried this film wasn’t going to live up to the hype, but I’m glad to report that I wasn’t disappointed. I’m also glad that since I haven’t read the book, I managed to avoid any spoilers about the plot so it was nice to be surprised by the twist and turns as I’m watching the film.

The opening is quite provocative, as it opens with a shot of a beautiful blond woman, along with a male speaking voice saying how it would be nice to crack open her skull to see just what’s inside her head, to see what she is thinking. There’s an air of mystery around her which sets the tone of the entire film. Now, on a different film, we might chalk that narration up as a figure of speech. But in this case, given the title of the film, it definitely makes you think the worst. Well, Gone Girl definitely keeps toying with our perceptions throughout, and that’s part of the fun.

GoneGirl_Still1In case you don’t know anything about the basic plot, here’s the gist: On his fifth wedding anniversary, Nick Dunne (Ben Affleck) left his home in the morning to a bar he co-owned with his twin sister. When he came back, he couldn’t find his wife Amy (Rosamund Pike) anywhere in his sprawling house, and there’s obvious signs of a break in. So he reports his wife missing and before he knows it, there’s a growing media frenzy on his case that puts extra pressure on him on top of the also-growing suspicion from the police that he’s killed her.

Instead of a straight who-dun-it type of thriller, this film deals more about the psychological aspect of the crumbling of a seemingly-blissful union and how Nick & Amy deal with their mounting problems. The issue behind the marriage dissolution itself isn’t at all uncommon, lots of us can relate to the issue of layoffs and growing apart when expectations no longer aligns with reality. But of course, this story takes a sinister turn that leaves you wondering just what the heck happens. The beauty of the film is that, it doesn’t rely on the twist [a la M. Night Shyamalan’s films] to shock or entertain you. Instead, it’s more of a character study of a married couple – who probably shouldn’t be married in the first place – as well as a commentary of the worst side of media frenzy that toys with the public’s perception about a given story.

GoneGirl_Still3Despite the dark subject matter, this film isn’t overly bleak or depressing. Thanks to the taut screenplay by first-time screenwriter Gillian Flynn, who happens to be the author of the best-selling author novel it’s based on. I’m glad David Fincher agreed to work with her instead of hiring a more experienced screenwriter. I think having been ‘living’ with these characters on her head for so long definitely help make them more fleshed-out. Apparently Flynn actually studied his films as she’s writing the script which explains the synergy going on here. Fincher’s direction is solid all around, the story is clearly tailor-made for him. I like the timeline marking of how many days Amy has been gone, and the use of flashbacks are seamless and effective. The journal entries from Amy’s diary gives us a bit of insight into Amy’s side of the story, yet it wasn’t overdone that it’d actually grind the film to a halt. Fincher’s almost surgical precision is apparent in how he sets up every scene. Just like any real-life crime investigation, painstaking eye for details is absolutely critical.

Fincher’s longtime collaborator Trent Reznor provides a cool and eerie score to go with that somber color-scheme. At first I felt like his score was a bit intrusive in the first scenes when Nick & Amy met, but I think it might’ve been intentional. In some key moments, the vigorous & ominous score definitely gets your heart pounding! Another longtime Fincher collaborator is cinematographer Jeff Cronenweth, whose visual sensibility works with Fincher’s style and therefore helps set the mood. The naturalistic style used here fits the tone of the film and the Midwest setting nicely.

GoneGirl_Still2Bringing the story to life are Ben Affleck and Rosamund Pike, two beautiful people forming a marriage from hell. For once, Affleck just might get some accolades for his acting instead of directing. I do think he was excellent in Hollywoodland, and in a way there’s some similarities between Nick and George Reeves as he was also at his lowest point professionally. The film however, belongs to the girl in the title role. Pike was nothing short of well, amazing. I’ve seen her in about five films so far, but mostly in supporting roles, and I’ve never seen the kind of range she displayed here. She was perfect as ‘Amazing Amy’, a brilliant ice princess type, the embodiment of her parents perfect image in the book series named after their daughter. At times she reminds me of Nicole Kidman’s character in To Die For, but there’s still a vulnerability about her that keeps you from truly despising her. I knew the British beauty could handle the sinister aspect of her character, but still I was floored by how good she was and her American accent is pretty convincing as well. I so hope she’d get some nominations come award-season, she’s definitely the breakout female performer of the year for me.

The supporting cast includes some rather off-the-wall choices playing against type. Tyler Perry is quite amusing as Nick’s top-notch lawyer, and Neil Patrick Harris as Amy’s creepy ex-boyfriend. The latter threw me off a bit as I somehow didn’t know he was part of the cast. Given Harris’ personal life, it took me a while to see him as a straight guy being obsessed over a girl, but I think he pulled it off. I also have to mention Carrie Coon and Kim Dickens as Nick’s sister and the detective, respectively. Both were excellent playing key roles in the story. Interesting casting of Sela Ward as a TV reporter here given that she played the murdered wife in The Fugitive where the husband was accused of killing her.

GoneGirl_Stills4Spoiler alert [highlight text below if you want to read it]
I feel that Amy might’ve gotten away w/ murder too easily. There’s a moment at the police station when Nick immediately knew she had deliberately killed Desi. “How did she manage to find a box cutter when she’s tied up all the time?” He quipped, but the male cop who’s always disliked him brushed him off. But also there’s the issue about all the blood that was mopped up in the kitchen. If she said she had been hit by her abductor, wouldn’t the cops at the very least try to corroborate her story and find some kind of proof that her story checks out? It’s not a huge quibble but it did bother me after I saw the movie.

So what’s the verdict? Well, Gone Girl definitely lives up to the hype. It’s more entertaining than I thought it would be. This will likely end up in my top 5 favorite Fincher films, perhaps between Fight Club and The Social Network which also have some humorous moments sprinkled throughout. I love it when a movie sparks a lot of discussions and makes you ponder about your own life situation. As I haven’t read the book, I can’t comment if the film is better than that or not, but I think it works in the big screen format. Props to Fincher and Flynn for making a story that might not translate well to film into something cinematic, gripping and wildly entertaining.

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So what do you think of Gone Girl? Did it live up to YOUR expectations?

Five for the Fifth: OCTOBER 2014 Edition

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Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. Inspired by my recent viewing of Gone Girl which features yet another collaboration between David Fincher & Trent Reznor, it made me think of other great director/composer partnerships.

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Fincher & Reznor have collaborated on Se7en, The Social Network, The Girl with the Dragon Tattoo previously. There are many other similar partnerships that have churned out amazing works: Steven Spielberg & John Williams, Christopher Nolan & Hans Zimmer, Ridley Scott & Hans Zimmer, J.J. Abrams & Michael Giacchino, Peter Jackson & James Horner, just to name a few. Wiki has a list of all director/composer partnerships if you’re curious.

So what’s your favorite director/composer collaborations?
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2. I just want to highlight a couple of new trailers that came out in the last couple of weeks. The main draw for me for both of these are the filmmakers. Now, first one is Blackhat.

A man is released from prison to help American and Chinese authorities pursue a mysterious cyber criminal. The dangerous search leads them from Chicago to Hong Kong.

Now, I’m most curious to see this mostly because I LOVE Michael Mann‘s work and he’s the kind of director who’d go into great lengths into researching his films. His last film he directed was Public Enemies in 2009, and though it’s my least fave film of his, I’m still hugely anticipating what he’ll tackle next. I wonder if he’s spent the last five years researching about cyber crime, but that doesn’t seem far-fetched to me. The casting of Chris Hemsworth as a hacker is a bit odd, but I’ll give him the benefit of the doubt. I’m a fan of Viola Davis however, and the cast & scenery does have an international flair to it. Btw, did you catch that ‘big hammer’ reference in the trailer? 😉

The other one that really piqued my interest is Paul Thomas Anderson‘s comedy caper Inherent Vice.

In 1970, drug-fueled Los Angeles detective Larry “Doc” Sportello investigates the disappearance of a former girlfriend.


Confession: I haven’t seen any of PT’s film before. Yes I know, I know, I guess I better get on that. This one might be the first of his movies I’d see on the big screen. It looks like a dark comedy and there are some goofy parts in the trailer, which is interesting as I don’t normally see him directing comedies, but it intrigues me even more. Plus the cast is fantastic, especially Joaquin Phoenix who’s such a chameleon!

Does either one of these trailers pique your interest?

3. Now, this is a VERY special topic for me, considering how big of a fan I am of the massively talented Toby Stephens. Not only is he joining Twitter, woo hoo, he’s also making his directorial debut in a short film called In Vitro, hence his Twitter handle. Ahah, his Twitter background photo is hilarious!

TobyOnTwitter

As Toby’s described in his own words, In Vitro is a film that subtly explores how infertility can erode a marriage, and what can happen when cold science, replaces passion and a sense of mutual purpose. It’s a subject that’s rarely explored in film, but it’s one that [he] feels needs to be. Sounds like one of my fave British actors, Rupert Penry-Jones, have signed on to be the lead actor! How awesome, as both will be in Black Sails 2 next year!

Toby’s looking to get support via the crowd-funding site Indiegogo, here’s the direct link to his project. I’m so thrilled for him and you can bet I’m one of the contributors! 😉 Check out the video w/ all the details:

Thoughts on this project? I’m also curious which crowd-funding project(s) are you supporting and/or planning to?
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4. Last night I watched Jon Favreau’s Chef which was pretty enjoyable. Man, even though we watched it after dinner, those food porn shots definitely got us salivating.

ChefMoviePics

Chef is the perfect feel-good movie for the weekend, I enjoyed it more than I thought I would. The story is pretty engaging though editing could’ve been much tighter. I think a 90-min film would’ve suffice for a story like this one, and the two Iron Man cast (RDJ & Scarlett Johansson) weren’t given hardly anything to do in their gratuitous cameos. Still, the food stuff are incredible. It certainly made me want to take up more cooking and I wish there’s a Cubano food truck like El Jefe here in town!! Last time I was wiping my drool as I watching was when I saw Julie & Julia and Today’s Special.

What are YOUR fave food movies you’d recommend?

5. This month Five for the Fifth’s guest is my pal Melissa from SnapCrackleWatch blog!

SnapCrackleWatchBlog

Originally we’re going to discuss holiday movies, but let’s table that until November 🙂

CharlieBrownPumpkinSpecialSince it’s October, and a lot of people are excited about Halloween, Melissa was wondering if you have a film tradition, whether it’s horror or otherwise, to celebrate the season. Melissa mentioned the Charlie Browns Pumpkin Special, which is something I’d be far more inclined to watch than any of the horror offerings out there. For those not a fan of scary movies like me, there are some horror-comedies that are fun to watch year after year, like Shaun of the Dead, Beetlejuice, Ghostbusters, The Corpse Bride, etc.

So, do you have a Halloween viewing tradition, if so what is it? 


Well, that’s it for the October 2014 edition of Five for the Fifth, folks. Now, please pick a question out of the five above or better yet, do ‘em all! 😀

Everybody’s Chattin’ & Question of the Week on Breakthrough Performer of 2014

Happy Thursday everybody! I’m going to hit two birds with one stone again today, combining two post *series* in one. I want to highlight some of my fave posts from the past week, as well as pick your brain on the topic of the week: Breakthrough Performer of 2014  😀

EverybodysChattinOk, so let’s start with the links, shall we?

  • Mark reviewed Frank which he calls a wonderful one-of-a-kind, whilst Natalie reviewed Cronenberg’s latest, Maps to The Stars
  • FincherTheGuardianAs Sati‘s been hugely anticipating Gone Girl, she kept up her David Fincher series by ranking his films.
  • Speaking of Gone Girl, Katy wrote this great article about the The Strangely Brilliant Career of Ben Affleck
  • Michael reviewed Tales From Earthsea, a thought-provoking fantasy film from Studio Ghibli and Melissa reviewed the recent thriller The Drop.
  • Cindy‘s perceptive eye is what keeps me coming back to her blog. This week she compares Kubrick’s stares vs Spielberg’s faces in their films
  • There’s been a lot of interesting blog series lately, check out Fisti’s Twice a Best Actress Bloggers roundtable, great discussion with my fellow movie bloggers
  • As I’m anticipating Twin Cities Film Fest in two weeks, my pal Melissa has been busy covering San Diego Film Fest! Check out her latest review of this coming-of-age drama Laggies.
    LaggiesMovieStill
  • A few notable September recaps w/ some great recommendations from Kristin, Chris and Steven.
  • Last but not least, A couple of classic reviews worth checking out: Paula‘s review of PULP for her Mickey Rooney Blogathon, and Stu‘s review of early 50s noir The Hoodlum.

Now for Question of the Week!

RosamundPike_GoneGirlWell, it’s inspired by the release of Gone Girl, more specifically the buzz Rosamund Pike‘s been getting in the role of Amy, I thought this would be an intriguing topic. Now that we’ve only got three months left in the year, we might have a few favorites of performances from this year’s movies. Now, they could either be from *new* actors who’ve never acted before on the big screen, or someone’s who’s been acting for a while but just recently caught your attention. I think the latter is far more interesting and Pike might fit the bill for a lot of people. She has been acting for some time in the UK and has been churning some great performances here in Hollywood as well, but Gone Girl might launch her career on a whole new level.


So my question to you is:

Which actor(s) do you think gives the breakthrough performance of the year?

P.S. I shall be launching a new mini-series highlighting some great performances of the year, so stay tuned! 😀

Counting Down to Gone Girl – Ranking David Fincher’s Films

As part of countdown to Gone Girl that’s out on October 3, and part Birthday tribute to David Fincher (he turned 52 in Sept. 28), I asked my pal Ted S. who’s a longtime admirer of the director to rank nine of his films since Alien in 1992. 

TedSaydalavongBanner

RankingFincherFilms

David Fincher is one of the few elite A-list directors working in Hollywood today and he’s one of my favorites too. What’s so amazing was that he almost never became the filmmaker we know today. After the disastrous Alien 3, he got blacklisted by most if not all of the major studios at that time. If you own a Blu-ray set of the Alien movies, I highly recommend you watch the making of Alien 3, it’s one of the best behind scenes documentaries ever made. Long story short, everyone blamed Fincher for that film’s failure, even though it wasn’t his fault. But like he said, he’s young and stupid and he’s disowned the film ever since. I’ve decided to ranked all of the films that he directed (I’m excluding his music videos and TV work) from my least favorite to the best one.

9. Alien 3 (1992)

Fincher_Alien3

I think many people will agree with me that this was his worse film. But you know what? Even if it’s a lame film in the franchise, it’s miles better than the awful Alien: Resurrection, heck I’ll even admit that I really enjoyed this one. Mostly because of Fincher’s visual style, Elliot Godenthal‘s excellent score and very good performances by the actors. The film should’ve never been made in the first place but everyone involved did their best to make it watchable. I think had it been made by another director, the film would’ve been unwatchable.

8. The Curious Case of Benjamin Button (2008)

Fincher_BenjaminButton

It’s a bit too long and reminded me way too much of Forrest Gump. But it’s a still a very good film and of course it looks great. It’s one of Fincher’s films that I don’t feel the need to see it again anytime soon.

7. Panic Room (2002)

Fincher_PanicRoom

I think this film might be his most underrated work and sort of forgotten by many people. Personally I thought it’s an excellent thriller with great performance by Jodie Foster and of course Fincher’s direction was top notch. You might not recognize the very young and boyish looking Kristen Stewart who played Foster’s daughter. This film also include one of the best opening credits I’ve ever seen, see it here:

6. The Girl with The Dragon Tattoo (2011)

Fincher_DragonTattoo

I’ll probably get a lot of flak for saying this but I prefer Fincher’s version to the original Swedish one. Don’t get me wrong the original was good but I just prefer Fincher’s style and of course with bigger budget, the film looked spectacular. I guess after making a couple of light PG13 films, Fincher was itching to make another violent and dark flick and this one didn’t disappoint. The only complaint I have was the strange choice he made of letting his actors speaking either with weird accent or no accent at all. Daniel Craig spoke with his normal British accent while everyone else spoke with some kind weird Swedish accent, that’s just weird to me. This one also comes with a cool opening credits, very similar to the Bond flicks. Maybe since he cast James Bond in the film, he decided to include an opening credit like a Bond film. See it here:

5. The Game (1997)

Fincher_TheGame

After the huge success of Se7en, there were big expectations for his third film. Unfortunately it didn’t deliver as many has hoped but personally I enjoyed the film very much. In fact, if not for the cop-out ending, I would’ve put this one up higher on my list. I was actually quite ticked off with the ending the first time I saw it. But after watching it a few more times, I learned to appreciate what Fincher was trying to do but I still can’t forgive him for including that lame ending. Michael Douglas was pretty great in the film though and even Sean Penn was quite effective in a small supporting role. If you have some extra cash and really like the film, do get the Criterion Bluray, it’s an excellent HD transfer.

4. Zodiac (2007)

Fincher_Zodiac

Fincher’s first film to have been shot mostly on digital and it looked spectacular! This was my second favorite film of 2007 behind No Country For Old Men, I can’t recommend it enough to people. Excellent performances by the actors, great writing and of course tight direction by Fincher. It’s one of the films that actually creeps me out, there were couple of scenes in the film that gave me goose bumps. One of the best films of the decade.

3. Fight Club (1999)

Fincher_FightClub

So basically this was the film that catapulted Fincher into fame. Surprisingly though, the film tanked at the box office but became quite popular when it hits home video. It’s a little nostalgic but this film was the first DVD I ordered through Amazon and around that time, it’s the best DVD when it comes to picture, sound and special features. I must’ve played the disc on my first DVD player many many times. Of course when it came out on Bluray, I snatched it up fast. It’s a film that needs to be seen by all film buffs.

A little fun fact about the film, originally it was scheduled to come out in summer season. Fox executives thought it’s going to be an action picture and Brad Pitt has just became a big star, so they figured it would be a good summer flick. Well after Fincher showed them the early cut, they freaked out and released it in slow fall season.

2. The Social Network (2010)

Fincher_SocialNetwork

I have to admit that when they first announced a movie about Facebook was happening, I didn’t have much interest in it at all. Even after Fincher signed up to direct, I still wasn’t interest in seeing it. You see around that time, I was sick of Facebook, it seemed everyone and their grandmother was using it and I just didn’t care to see a movie about it. But at the urging of my friend, I’ve decided to give it a shot and boy I’m glad I went to see it. I was mesmerized by what Fincher has done with the story about the biggest social media site on earth. Instead of just showing how Facebook was built, he focused on the relationships between the people who were involved in building the site. Of course being that it’s a movie, many of the events happened were mostly made up or changed to make it more cinematic. Also, since I’ve been involved with many start-ups throughout my career, I appreciate how Fincher dabbled into the field that many people might not know or care about. Heck currently there’s a good drama involving the founders of a popular dating app called Tinder. Google Tinder and its founders and you’ll find some good reads.

Of course after the movie came out, many people who were involved in building Facebook said everything that happened in the movie never took place. Even Fincher said he wasn’t interest in telling the history of Facebook, he just wanted to tell a good story about friendship, greed and the eventual backstabbing.

1. Se7en (1995)

Fincher_Se7en

After almost 20 years, it’s still one of the best thrillers ever made in my opinion. Heck, I’d rank this one higher than Silence of the Lambs. This dark and creepy tale of a serial killer who kills people base on their sin is a masterpiece. I can go on and on about why I love this film so much but if you’ve never seen it, then please see it as soon as you can! Some consider it a violent film but most of the violence happened off screen. And that ending, wow what an ending!

You can buy it cheap on Bluray, it’s an excellent HD transfer and I highly recommend it.

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So those are my favorite Fincher’s films in order, are you a fan of his too and do you agree with my ranking? Do share your favorites in the comment section.

[Eclectic] Weekend Roundup: Private Lives play, Starz OUTLANDER, Into The Storm & Zodiac

WeekendViewingRoundupAug10
How’s your weekend everyone? Did any of you see any new releases this weekend? I skipped the cinema again this weekend, but looks like Michael Bay wins again as his Ninja Turtles movie made $65 mil, ah geez! Well I guess it didn’t have much competition this weekend other than a couple of smaller budget films like Into The Storm  [mini review below].

On Friday I had a fabulous Movie Nite w/ two of my friends and FC contributors Becky & Ashley! We saw Toby Stephens‘ in Noël Coward’s Private Lives via Digital Theatre, which was as wonderful as I had thought it would be.

Check out the Digital Theatre trailer:

OMG, just when I thought I couldn’t love Toby more, his incredible performance here just prove how versatile and chameleon-like he is as an actor. He does this play the same time he’s filming his role as Captain Flint in Black Sails! I mean Noël Coward and pirates couldn’t be more different from each other, yet Toby inhabited both roles so perfectly that it was like watching two completely different actors!

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I love Anna Chancellor in this as well, both of them are fantastic in delivering the witty lines as well as performing the physical comedy required for the roles. They have an amazing chemistry as well, definitely one of the most fun plays I’ve seen so far, so bravo director Jonathan Kent! If only I had been able to see this LIVE on stage!

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After the play, we caught one episode of Starz’s new show OUTLANDER. Ashley’s already a big fan of the show and I’d be keen on watching more of this if I had cable! I mean the lush Scotland scenery is gorgeous, not to mention the hot men in kilts, he-llo Sam Heughan! 😉

OutlanderJamieFraser

You already know I have a penchant for the Scots, and this kind of historical fantasy is so right up my alley. I’m also intrigued by the fact that Battlestar Galactica‘s producer Ron Moore is behind this. I LOVE BSG but instead of a space opera, we’ve got adventure + romance with time travel thrown in. The voice over narration is a bit excessive tho, but I’m still keen on watching the rest of the season when it becomes available.

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As for Into The Storm, aka Twister 2.0. I have to admit that initially I was intrigued to see this because of Richard Armitage in the lead role. Though you can’t really call it a lead role as all the human characters are dwarfed by [pardon the pun Thorin!] by the humongous monster tornado, or I should say tornadoes as there are a bunch of them popping up at a given time, and some of them are on fire [yikes!]

IntoTheStormMovie

Seeing this with Dolby Atmos sound [but sans 3D thank goodness!], it really felt like you’re in the eye of the storm and there’s this one scene where one character inside this Batman Tumblr-like vehicle called Titus is swept up into the biggest tornado ever. The brief floating moment felt as if he were flying inside that Titus, which actually looked pretty cool, but of course you know what happens next. What goes up, must come down, ouch! Aside from some exhilarating special effects though, there’s little to recommend it. Cliched script laden with clunky dialog, one-dimensional characters and cheesy human drama fit more for a Lifetime TV movie all play second fiddle to the storm scenes. Apparently screenwriter John Swetnam also wrote Step Up All In which also opened this weekend.

Sorry Armitage fans, I wish I could say that his presence saved this movie. Alas, I doubt ANY actor could elevate a role so poorly written. I’d say if you want to see his acting prowess, I’d rather watch his BBC shows like Spooks, North & South, Strike Back, etc. or if you’re lucky enough to see him live on the London stage in The Crucible, surely you’d see what he’s truly capable of.

Director Steven Quayle was the second unit director for Titanic and Avatar and clearly the visual effects stuff is his forte. For those who are curious about the SFX, it might be worth renting, or you could just rewatch Twister again. That 1996 movie might not be perfect either but at least the human drama was a little more engaging AND it had a sense of humor. Instead of flying cows, here we’ve got flying… airplanes?? Hmmm, it just didn’t have the same impact for some reason, no matter how realistic they made those storms to be.

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Now, I finally caught this David Fincher’s ZODIAC. I’ve heard great things about it but I just never got around to it for some reason. Well I’m glad I finally did. It’s billed as a crime thriller but it’s more of a slo-burn drama that focus on the lives of the detectives and newspaper folks who cover the serial killings instead of a straight whodunnit type film. It’s even more sinister the fact that this film was based on real events in the San Francisco Bay area, as the script was adapted from Robert Graysmith’s non-fiction book of the same name. Graysmith is played by Jake Gyllenhaal in the film.

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At 157 min, I was a bit worried it would drag a bit but fortunately, under Fincher’s deft hands, even the slower moments are brimming with suspense. I like the psychological aspect of how the newspaper cartoonist became so obsessed with the case that affect his relationship with his family and co-workers. There are some gruesome violence in the first act but it’s thankfully not as terrifying as SE7EN, in fact, most of the film is more of a character study filled with a lot of dialog. I like this type of thrillers so it definitely kept my attention. Great acting from the tremendous cast too, particularly Gyllenhaal, Anthony Edwards and Mark Ruffalo as the cartoonist and two detectives, respectively. Gyllenhaal is one of those actors who’s growing on me as he seems to pick more interesting roles now after taking daft roles like Prince of Persia.

It’s too bad that this film apparently tanked at the box office. Heh, clearly people are more inclined to watch thrillers with a lot more action than an intelligent and immersive version like this one. Zodiac was thoroughly gripping — a superb direction from Fincher and aided by intriguing camera work and an eerie score.

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Well, that was my weekend folks! So what did you see, anything good?

Most-Anticipated Movies of the rest of 2014 (September – December)

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Well, since I’ve posted my Top 10 of the year so far and Summer Blockbuster Months are quickly coming to a close. I’ve already got my eyes set on what’s in store for the rest of 2014! Now, there are going to be movies I’ll be seeing next month that aren’t on this list because well, I’m not really hugely anticipating them. In fact, there is no movie that screams MUST SEE in all of August, though most likely I would be seeing Guardians of the Galaxy, Into the Storm, Expendables 3 and Sin City 3, so I’m just going to start the list with September all the way to the end of the year.

   Sept2014

A Walk Among the Tombstones (Sept 19)

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Private investigator Matthew Scudder (Liam Neeson) is hired by a drug kingpin (Dan Stevens) to find out who kidnapped and murdered his wife. Blurring the lines between right and wrong, Scudder races to track the deviants through the backstreets of New York City before they kill again.

Director: Scott Frank
Starring: Liam Neeson, Dan Stevens, Ruth Wilson


Ok so normally this isn’t my cup of tea but I quite like this cast. Neeson is always reliable in bad ass action movies, but it’s most interesting to see Downton Abbey alum Dan Stevens (who’s also in BBC’s Sense & Sensibility) and miss Jane Eyre herself Ruth Wilson. Seems that Stevens wants to break into Hollywood but I didn’t expect to see him in two R-rated thrillers in the same year, he’s also in The Guest that’s supposed to be out in the Fall as well.

The Disappearance of Eleanor Rigby (Sept 26 – Limited)

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Once happily married, Conor and Eleanor suddenly find themselves as strangers longing to understand each other in the wake of tragedy. The film explores the couple’s story as they try to reclaim the life and love they once knew and pick up the pieces of a past that may be too far gone.

Director: Ned Benson
Starring: James McAvoy, Jessica Chastain

I’ve made a full post on this one so visit that page for more details on that movie, so you can watch the trailer there.

Mildly interested in:

The Two Faces of January (Sept 26 – Limited)

A thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.

Director: Hossein Amini
Starring: Viggo Mortensen, Kirsten Dunst, Oscar Isaac

I had never heard of this before last night, but Viggo and Oscar in the same movie? Yes please! The trailer looks pretty gripping, though this is a feature film debut from a screenwriter with a rather spotty track record, so we shall see I guess. Should be worth a rental with this cast, at the very least.

The Drop (Sept 12)

Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood’s past where friends, families, and foes all work together to make a living – no matter the cost.

Director: Michaël R. Roskam
Starring: Tom Hardy, Noomi Rapace, James Gandolfini

Interestingly enough, last year I had another movie with Noomi Rapace (Dead Man Down) on my most-anticipated list but I still haven’t seen that movie. Apparently this is Mr. Gandolfini’s last screen appearance, which would make this rather bittersweet. I do like Hardy but the trailer is pretty meh, but who knows, it could still be a good one.


Oct2014

Gone Girl (Oct 3)

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With his wife’s disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it’s suspected that he may not be innocent.

Director: David Fincher
Starring: Ben Affleck, Rosamund Pike, Missi Pyle, Neil Patrick Harris

It’s been four years since I saw anything by Fincher (The Social Network). He did The Girl With the Dragon Tattoo which isn’t my cup of tea, but this who-dun-it type of thriller intrigues me. I read that Gillian Flynn, the author the novel is based on, is interested in ‘exploring the psychology and dynamics of a long-term relationship.’ To me, the slow-burn, character-driven approach is certainly far more intriguing than just a fast-paced action thriller. I always think that Affleck is a better actor than director but hopefully he does all right here. I do like Rosamund, glad she’s getting more prominent roles in Hollywood.

,,,

Birdman (Oct 17)

Birdman

A washed-up actor who once played an iconic superhero must overcome his ego and family trouble as he mounts a Broadway play in a bid to reclaim his past glory.

Director: Alejandro González Iñárritu
Starring: Michael Keaton, Emma Stone, Edward Norton, Andrea Riseborough


Nice to see Keaton in a leading role again, and given that he did play an iconic superhero before certainly feels like it’s art imitating life. Billed as a comedy, a dark comedy no doubt, this looks as bizarre as ever! I’ve only seen Babel and 21 Grams from Iñárritu which were both dark and grim, so I’m curious to see him direct a comedy. Oh, and I also love miss Riseborough, though I’ve been hoping the talented Brit would score a leading role soon.

Mildly interested in:

The Judge (Oct 10)

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Big city lawyer Hank Palmer returns to his childhood home where his father, the town’s judge, is suspected of murder. Hank sets out to discover the truth and, along the way, reconnects with his estranged family.

Director: David Dobkin
Starring: Robert Downey Jr., Robert Duvall, Vera Farmiga

It’s been a while since I saw RDJ on screen without his Iron Man suit, but this premise doesn’t immediately appeal to me. I’ll see what the buzz says if this one is worth seeing on the big screen.

Kingsman: The Secret Service (Oct 24)

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Based upon the comic book by Mark Millar, and depicts a veteran secret agent who leads a young protege into the world of espionage.

Director: Matthew Vaughn
Starring: Samuel L. Jackson, Colin Firth, Mark Hamill, Mark Strong, Michael Caine

When I first saw the poster a few weeks ago at a local cinema, it definitely piqued my interest! There’s not a single name on it, but I knew Vaughn had directed X-Men: First Class. Well, now that the trailer is out, I actually don’t know what to make of it, and not in a good way. Sure the cast is awesome but I just don’t have a good feeling this would actually be an awesome movie. Still, color me intrigued, let’s hope the movie would be as good as the poster!


 Nov2014

Interstellar (Nov 7)

Interstellar

A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

Director: Christopher Nolan
Starring: Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine, Casey Affleck


Ok so every single time I saw this trailer I kind of teared up a little. Mankind was born on Earth. It was never meant to die here, the tagline says. Just what the heck does it even mean? It’s as cryptic as ever, as most Nolan’s films that’s based on his own concepts are, but I know I can’t wait to see it! The cast is terrific, though most of them are Nolan regulars, esp. Michael Caine. I’ve been intrigued by McConaughey’s casting here, but I expect that he, as well as the film, will deliver!

Hunger Games Mockingjay – Part I (Nov 21)

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Katniss Everdeen reluctantly becomes the symbol of a mass rebellion against the autocratic Capitol.

Director: Francis Lawrence
Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Donald Sutherland


The promos for this one has been doing a phenomenal job in getting me pumped for this movie. The second movie ended in such a cliffhanger that got me all riled up. I still wish they hadn’t split the finale, but this cash-grab trend seems to be here to stay [sigh]. In any case, it’d be sad to see Philip Seymour Hoffman here, he’s SO good as Plutarch, he’s the one I most look forward to seeing on this final installments!

The Imitation Game (Nov 21)

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A historical drama film about British mathematician, logician, cryptanalyst and computer scientist Alan Turing, a key figure in cracking Nazi Germany’s Enigma code that helped the Allies win World War II, who was later criminally prosecuted for his homosexuality.

Director: Morten Tyldum
Starring: Benedict Cumberbatch, Keira Knightly, Mark Strong, Matthew Goode


Mr. Turing certainly has an incredible story worth-telling, and with Cumberbatch playing him, it naturally piques my interest. I LOVE espionage movies, even more intriguing that it’s based on a true story. The all-British cast looks great, nice to see Matthew Goode here as well. That guy is so underrated it’s criminal! I sure hope this would fare much better than Cumberbatch’s previous biopic [on Julian Assange] The Fifth Estate, but if it’s anything like the emotional & gripping trailer, I can’t imagine it’d be worse.

Mildly interested in:

Big Hero 6 (Nov 7)

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A group of six superheroes are recruited by the government to protect the nation.

Director: Don Hall, Chris Williams
Starring: Alan Tudyk, Jamie Chung, Maya Rudolph, Genesis Rodriguez

I had never even heard about this project before but the trailer does look funny. It has the Wreck-It Ralph! feel to it, so it should be pretty enjoyable.


Dec2014

The Hobbit: The Battle of the Five Armies (Dec 17)

The Company of Thorin has reached Smaug’s lair; but can Bilbo and the Dwarves reclaim Erebor and the treasure? And, if so, can they hold on to it?

Director: Peter Jackson
Starring: Martin Freeman, Ian McKellen, Richard Armitage

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I know some people call this whole trilogy thing a cash grab and all but I’m not one of them. I LOVE this universe and Peter Jackson’s so committed to this whole franchise and he has a palpable love for this story. I can’t wait to see the final journey for all the characters, especially Thorin & his band of dwarves in their quest to reclaim their lost kingdom. Wish they’d release a trailer already, but hopefully that’ll happen soon!

Unbroken (Dec 25)

Unbroken

World War II hero Louis “Louie” Zamperini, a former Olympic track star, survives a plane crash in the Pacific, spends 47 days drifting on a raft, and then more than two and a half years living in several Japanese prisoner of war camps.

Director: Angelina Jolie
Starring: Jack O’Connell, Miyavi, Domhnall Gleeson, Garrett Hedlund


The story of Mr. Zamperini is an extraordinary one to be sure. Not only what he has endured, to hell and back, but what he did after he survived the whole ordeal. The devoutly-Christian man actually sought out those who’ve tortured him during the war and forgave them. What a perfect story to experience on Christmas Day!

Mildly interested in:

Exodus: Gods & Kings (Dec 12)

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An interpretation of the exodus of the Israelites from Egypt as led by Moses and related in the Old Testament Book of Exodus.

Director: Ridley Scott
Starring: Christian Bale, Sigourney Weaver, Ben Kingsley, Joel Edgerton, Aaron Paul

I’m all for Biblical stories… well, so long as it actually respects the source material. The Moses I know from the Bible  I love the actors but they all seem miscast to me and this trailer did nothing to alleviate my dread about this project. Totally agree with Drew on this: “Moses is apparently the next Maximus, which has me worried that Scott wants so badly to recreate Gladiator that he’s literally going to botch the whole thing. Moses was not a warrior. This is not scripture.” I still have a sliver of hope that Ridley Scott would somehow prove me wrong about this movie, but I’m not holding my breath.


Well, that’s just what I’m looking forward to in the next five months. Which one(s) are you most excited about?