Trailers Spotlight: ‘Knives Out’ and HULU’s ‘Four Weddings & A Funeral’ miniseries

Film/Show trailers come out every day, but only a few are worth posting about. Well, yesterday TWO trailers came out that caught my eye. Yes they couldn’t be more different from each other in terms of plot, tone and setting, but I’m excited for both! So let’s start with the Rian Johnson‘s star-studded whodunnit thriller…

A detective investigates the death of a patriarch of an eccentric, combative family.

I mean, just LOOK. AT. THIS. CAST.

It’s gotta be quite a feat just scheduling THIS kind of ensemble to be in the same room, dayum! Looking at some of the character names on IMDb, sounds like Captain America and General Zod are related? With the Scream Queen herself Jamie Lee Curtis, James Bond’s got his work cut out for him to solve this case, ha!

And here’s the trailer…

After directing Star Wars: The Last Jedi in 2017, writer/director Rian Johnson is now channeling Alfred Hitchcock and Agatha Christie in his family murder mystery with an amazing cast! Right off the bat it reminds me of the excellent miniseries Ordeal by Innocence on Amazon Prime starring Bill Nighy as the patriarch of a wealthy family. This one seems far more comedic, at least from the way the trailer is cut. Interesting to see Christopher Plummer co-starring with Daniel Craig in similar roles as in David Fincher’s The Girl with the Dragon Tattoo which I saw not too long ago. Apparently Craig’s character Benoit Blanc is described as an American Poirot, but what is that accent??! In any case, the scene stealer in this trailer is definitely Chris Evans, shedding his Cap’s goody-two-shoes image with his devil-may-care attitude and a potty mouth. I’m SO down for this suspenseful-but-mirthful wild ride this promises to be. I quite enjoyed Looper, though I should check out Brick one of these days.

KNIVES OUT is released on 27 November, perfect for the Thanksgiving holiday where family gatherings can be murder 😉


Maya, the young communications director for a New York senatorial campaign, receives a wedding invitation from her college schoolmate now living in London. She leaves her professional and personal life behind, in favor of traveling to England and reconnecting with old friends and ends up in the midst of their personal crises. Relationships are forged and broken, political scandals exposed, London social life lampooned, love affairs ignited and doused, and of course there are four weddings… and a funeral.

Now, normally I’m not into remakes of a classic, especially when it’s one of my all time favorites. But when I heard that Mindy Kaling is writing this miniseries AND I saw the cast includes the lovely Nathalie Emmanuel and my current crush Nikesh Patel, I’m SO down for this! Plus the original exec producer/writer Richard Curtis (who also wrote my fave rom-coms Notting Hill, Love Actually, About Time, etc.) himself is involved in this project.

I LOVE that they’re still setting this in London with a diverse cast. Ok my only gripe is the ‘Ryan Gosling dipped in caramel’ comment. Puh-leeze! The Goz wishes he’s got cut-glass cheekbones and voice like Mr. Patel! Glad Nikesh gets to use his own British accent this time, while Nathalie is playing American – not sure why, but I wonder if she’s related to Andie MacDowell’s character Carrie from the original movie who’s also part of this cast.

In any case, I’ve been enjoying the British Indian actor since my bestie Vony tipped me to watch Indian Summer (it’s on Amazon Prime, highly recommended!!). It’s like Downton Abbey but with more POC cast + more intrigue and higher stakes.  It’s time for him to shine as a romantic leading man and based on this trailer, methinks he’ll steal plenty of hearts!

Now, I suppose they could make an entirely new series that’s inspired by the 1994 classic, but considering how tough it is to launch any new tv show, sometimes leveraging something that’s beloved in people’s mind might get more attention. I don’t know what the real reason is, but in the case of this particular series, I’m willing to give this one the benefit of the doubt. A fresh new spin on a classic isn’t automatically bad, so yeah, I look forward to July 31 for the premiere!


Thoughts on these trailers, folks?

Musings on #BOND25 news – New Director, Writers + Cast

Ok, as a massive Bond fan, today’s a big day. Somehow I missed the news that they were going to do a LIVE stream right from Goldeneye, Ian Fleming’s legendary Jamaican villa. Yep, the same exact location where Fleming wrote all those 007 novels.

Apparently next week on April 28 the cast/crew will begin to shoot the still-nameless Bond movie and Daniel Craig will be back to reprise his role as 007.

Bond25 cast and crew at the Jamaican LIVE reveal event

Yeah, so much for all those rumors about who’ll be the next Bond. I mean, the 25th Bond film isn’t out in the US until April 8, 2020 (April 3 in the UK and internationally), but of course the rumor mill will continue endlessly.

In any case, below is the video of the Live Reveal, which honestly isn’t the most exciting video despite it being in such a glorious location. Even most of the cast seemed in a rather gloomy mood, and Craig himself struggled to give a shit explain about the enduring appeal of James Bond when he’s asked that question, ha!

Before I get to the cast, well the main things are who’s making the movie. It’s been confirmed that Cary Joji Fukunaga will direct the film. I’ve only seen one of his films, Jane Eyre, but he’s well-known by US audiences since Beast of No Nation (starring fan-favorite for Bond, Idris Elba) and True Detective series. I gotta say the Japanese-American filmmaker is handsome and dapper enough to actually play 007 (that is in a world where someone of his ethnicity could actually be cast as James Bond)

As for the script, longtime Bond writers Neal Purvis & Robert Wade wrote the original script but now they’re bringing in Scott Z. Burns (Bourne Ultimatum, Contagion, The Informant!) and Phoebe Waller-Bridge (creator of Killing Eve series). I actually knew that Scott Z. Burns is involved in Bond 25 when I attended a panel honoring him at the Minneapolis St Paul Film Festival (MSPIFF) where he talked about his roots growing up in Golden Valley, Minnesota and went on to be one of the most acclaimed and prolific writer/director in Hollywood. He might be the first writer to tackle Bourne AND Bond, and I for one am excited to see what he’ll bring to the table.

Now the cast…

Returning cast are Ralph Fiennes, Naomie Harris, Rory Kinnear, Léa Seydoux, Rory Kinnear, Ben Whishaw and Jeffrey Wright.

I pretty much love every single one of those returning cast members. I do miss Dame Judi Dench as M, but Fiennes is terrific as M. I also love Harris as Money Penny, Whishaw as Q and Wright as Felix. A truly solid group there in Bond’s corner.

INTRODUCING new cast members:

Ana de Armas, Dali Benssalah, David Dencik, Lashana Lynch, Billy Magnussen and Rami Malek.

Now, out of the new group, I’m most intrigued by Lashana Lynch and Rami Malek’s casting. I quite like Lynch as Maria Rambeau in Captain Marvel. I didn’t even know she’s British until I saw her speak in this video, super cool! She and Naomie Harris both have Jamaican roots, so this project must be extra special for them.

As for Rami, this is his first high profile role he’s doing since he won an Oscar for Bohemian Rhapsody AND looks like he’s going to play a Bond villain. He said in a video message that “I will be making sure Mr. Bond does not have an easy ride of it in his 25th outing.” 

I know a lot of people are probably excited for Malek’s casting but at this point it’s kind of meh. Yes I like the diverse casting here. He is Egyptian-American and a good actor, but I don’t see the boyish-looking 38-year old as having the kind of gravitas I expect as a classic Bond villain. Heck, it would have been awesome to see Idris Elba as a Bond villain, now THAT’s a guy that could give any Bond actor a run for his money and he’d probably steal all his ladies, too. If they were bold enough, why not someone like Viola Davis as a Bond villain?

In any case, there are rumors that Christoph Waltz would also be returning as Blofeld. Now I like him as an actor, but he’s so rubbish in Spectre I really don’t care to see him again. So I guess it remains to be seen how Malek would fare in the role, I suppose I should give him the benefit of the doubt.

One thing I am excited about is that Bond is returning to his Jamaican roots. Not only did Fleming wrote his Bond novels in Jamaica, but that’s where the entire franchise kicked off as Dr. No with Sean Connery was filmed there in 1962. Barbara Broccoli gave some hints to the plot in the reveal, “Bond is not on active service when the film starts. He is enjoying himself in Jamaica. We consider Jamaica Bond’s spiritual home. He starts his journey here.” According to Fukunaga, they already shot parts of the movie in Norway (due to weather), but they’ll resume filming in Jamaica the following weeks, Matera in Southern Italy and also Pinewood studios in London.


Well, what do YOU think about Bond 25 news? Let’s hear it!

Mini Reviews: The Girl with the Dragon Tattoo (2011) + Wind River (2017)

Happy Monday everyone! It’s been a pretty hectic week last week with freelance gigs, script updates, etc. There’s a hint of Spring (finally!) after such a long and pretty miserable Winter, in fact, we pretty much hibernated most weekends the past couple of months. Well, that gave us a chance to catch up on a bunch of new-to-me movies. Today I’ve got a pair of excellent, moody crime thrillers that both took place in the Winter months.

Girl with the Dragon Tattoo (2011)

Journalist Mikael Blomkvist is aided in his search for a woman who has been missing for forty years by Lisbeth Salander, a young computer hacker.

Directed by: David Fincher
Screenplay by: Steven Zaillian

For a while I sort of avoided this adaptation of Stieg Larsson’s crime novel (part of the Millennium trilogy), both the Swedish version and this English language version. I just thought it’d be too violent and that I wouldn’t enjoy it. But well, my hubby and I were in the mood for a good crime noir, and since we both liked Gone Girl, we thought we’d give this one a shot. Well, I wasn’t disappointed.

David Fincher is a master in building suspense even with relatively little action. I quite like Daniel Craig as the disgraced journalist Mikael Blomkvist, who’s hired by a retired CEO Henrik Vanger (Christopher Plummer) to investigate the disappearance of his grandniece Harriet. Vanger exposed some really strange family dynamics which lives up to his descriptions, and then some. The film took its time before Mikael and Lisbeth Salander (Rooney Mara) meets, as their story runs in parallel until their eventual meet-up.

I knew going into this that this is a violent film, especially dealing with brutal sexual assault and rape, but still, it’s quite harrowing to watch. The way Lisbeth retaliates for this brutality has that ‘wish fulfillment’ fantasy, as the wicked assailant has no idea who he’s dealing with. Mara’s transformation as Lisbeth is astounding and she completely lost herself in the role as the brilliant but antisocial hacker. I thought Mara’s a bit of an unusual choice to play her, but she pulled it off. Lisbeth is quite a mesmerizing and intimidating character, an undoubtedly challenging-but-flashy role every prominent actress would want to portray.

What I like most about this movie is the way the story unfolds. I actually like the deliberate, almost unhurried pace, but every moment is never without a sense of dread. Fincher’s direction is superb, using the setting (in Sweden and various Nordic countries) to great effect in conveying the perfect mood for the film. It’s the kind of mystery thriller that fully immerses you in the story and rewards your patience. Stellan Skarsgård is pretty memorable here as well in a quiet, but sinister role as Harriet’s brother.

I have to say though, the scenes towards the end with Lisbeth inhabiting a completely different persona as a femme fatale is feels a bit off from the rest of the film. The hurried pacing and more glamorous setting makes it feel like a Bond movie (with Lisbeth playing ‘Jane’ Bond) which is amusing given Craig’s casting. Honestly, it took me out of the movie a bit. I enjoyed watching the scenes, it’s just that the whole thing feels incredulous. Perhaps that is the point, Lisbeth going way out of her comfort zone to help someone she cares about.

Despite the gruesome scenes, I actually like this film enough that I might even rewatch it at some point. There are SO much details during the investigation that I likely missed a few things. It also got me intrigued to see the original Swedish versions starring Noomi Rapace as Lisbeth.

WIND RIVER (2017)

A veteran hunter helps an FBI agent investigate the murder of a young woman on a Wyoming Native American reservation.

Written & Directed by: Taylor Sheridan

After seeing The Girl With the Dragon Tattoo, my hubby and I are craving for more mystery thrillers. I was impressed by Taylor Sheridan‘s impressive writing in Sicario, but haven’t seen anything else he’s done since. Well, he’s definitely no ‘one hit wonder.’

The film opens with a card that says “inspired by true events,” which makes the scene that follows all the more excruciating to watch. A panic-stricken young woman is running in a vast snowy land on the Wind River Indian Reservation with barely enough clothing to survive the harsh climate. Cory Lambert (Jeremy Renner), an expert tracker working for U.S. Fish and Wildlife Service Agency, discovered her frozen body and alerted the FBI. The Feds sent a rookie agent, Jane Banner (Elizabeth Olsen) who arrived from Las Vegas and soon realized this case is way in over her head.

The unlikely partnership between Lambert and Banner is the core of the story and it’s intriguing to watch. The fact that Renner and Olsen worked together in Avengers: Age of Ultron two years prior is amusing, but it’s a testament to their acting that I quickly forgot about that fact as the film progressed. I love that Sheridan’s just as concerned with his characters as he is with solving a murder case, putting this film far and above a typical CSI or Law & Order’s ‘whodunnit’ episode. Soon we learn about Lambert’s past and why this case is so hugely personal to him. Sheridan also toys with our expectations, in a good way, in the way he presents the murder suspects. I’m also impressed by the skilled use of flashback to tell a crucial detail, without spoon-feeding the audience too much details. I also appreciate that the film is not gratuitously violent nor gory.

Renner is particularly strong here in a soulful, emotionally-grounded performance as a man who’ve been through hell and back. Lambert offers a nice contrast to the inexperienced Banner, teaching her the ropes without being condescending. Veteran character actor Graham Greene as the Tribal Police chief Ben plays a crucial role here. “This is the land of you’re on your own.” Ben sheds lights into how the Native American community like Wind River is marginalized and barely gets the attention they deserve, as evidenced by the lack of federal support Banner gets to solve this case. I like Jon Bernthal‘s casting as well which again toys with our expectations given the tough guy roles he often plays.

The desolate setting here is a character in itself, in which the location is pivotal to the story. It’s a bleak film to be sure, but a deeply engrossing one and it’s not without hope. That scene towards the end of Lambert and his friend Martin (Gil Birmingham) is a powerful one that ties well with an earlier scene after the girl’s body’s just discovered. I find myself engrossed in this slow-burn mystery, which also rewards your patience with a satisfying ending. I’d say it’s a pretty strong directorial debut from Sheridan, though it made me curious to see how the film would look like under someone like David Fincher. In any case, Sheridan is definitely a gifted writer and a promising director, I’m definitely keen on seeing more of his work in the future!


So have you seen either one of these films? I’d love to hear what you think!

FlixChatter Review: Logan Lucky (2017)

It’s been ages since Steven Soderbergh, though I gotta admit I wasn’t too impressed with his last film Side Effects. But still, glad he didn’t end up retiring after all, and he returns to do a heist action comedy, as Soderbergh himself described, Logan Lucky is an anti-glam version of an Ocean movie (per EW) and it’s definitely much smarter than it looks.

Channing Tatum and Adam Driver play brothers Jimmy & Clyde who attempt to pull off a heist during a NASCAR race in Charlotte, North Carolina. It did give me a pause for a moment considering what just happened in that town. In any case, they ended up enlisting an explosive expert aptly named Joe Bang (a hilarious Daniel Craig) to help with the plan. The film’s pacing could’ve been a bit more dynamic but fortunately it’s got enough going for it to keep my attention thanks to the actors’ performance. Watching these actors attempt Southern accent was a hoot, Craig was the most surprising as he’s a Brit but I thought Adam Driver’s accent was spot on and made me giggle every time.

The film offers plenty of laughs. There’s a pretty amusing cameo by Seth MacFarlane doing a spot on Cockney accent. But the funniest moments are during the heist itself, and I do think Craig has a career in comedy once his Bond stints are done. The heist faced some challenges along the way, but there’s a clever twist at the end that made you go ha!

I think the strength of the film is the likable characters. Unlike the handsome, well-dressed smarty-pants like the Oceans’ movies, the Logans and the Bangs siblings are simple folks. They’re essentially nice guys who have been dealt a bad hand at life. Jack Quaid and Brian Gleeson (yet another talented Irish actor from the Gleeson family!) as Joe Bang’s two brothers are pretty funny as well. Riley Keough (yep, Elvis’ granddaughter) is pretty decent as the sister of the Logan brothers, and cameos by Katie Holmes as Jimmy’s ex wife and Hilary Swank as a Federal Agent. There’s also a sweet father/daughter relationship between Jimmy and his daughter Sadie (Farrah Mackenzie).

I just learned about Soderbergh’s unorthodox distribution deals for this film (made on a relatively low budget of $29 mil). Heh, that’s too bad Logan Lucky didn’t do well as I’d like more filmmakers getting creative control for their work. I hope more people would go and support this movie whilst it’s still in theatres. It’s a zany yet shrewd script by first time screenwriter Rebecca Blunt, who I hope would continue to get more work (that is if that isn’t just a pseudonym). It’s a pretty fun movie that never took itself too seriously, and I find it refreshing that it’s not mean-spirited nor foul-mouthed like so many comedies these days.


Did you see LOGAN LUCKY? Well, what did you think?

FlixChatter Review: Casino Royale (2006)

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This review was part of Mark & Tom’s Decades Blogathon that was published back in mid May. But since July 6 is Eva Green’s birthday, I decided to post it here this week.


I can’t believe it’s been a decade since Casino Royale came out. I just re-watched it this weekend to refresh my memory for the blogathon, though I had probably re-watched it a few times in the last 10 years. It’s still as good as the first time I saw it, and I still would regard it as one of my favorite Bond films… ever. I’ve mentioned Casino Royale so many times here on my blog, in fact it’s one of my fave films of 2000s and one of the 8 films I’d take with me if I were stuck on a desert island.

Like many Bond fans, I too had trepidation about Daniel Craig casting (too blond, too short, etc.) but of course we’re all proven wrong the second he appeared on the pre-credit scene. Craig might not be the most good looking Bond actor (and he is the shortest), but he more than made up for it in charisma AND swagger. Apart from Craig’s brilliant casting, it’s the story that makes this film so re-watchable. It’s not only a great Bond film, it’s a great film, period. An origin story of sort, James Bond goes on his first ever mission as 007, and he didn’t get off on the right foot with M right away. The scene when M berated Bond when he broke into her flat was intense but humorous, a perfect balancing act the film continuously play throughout. It’s not the first time we see the venerable Dame Judi Dench as M, but I must say I LOVE the banter between her and Craig even more.

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A great Bond film has to have an effective adversary and we find that in Mads Mikkelsen‘s Le Chiffre, a cold-looking Scandinavian with a bleeding eye. It would’ve been a silly gimmick if not played carefully, but here Le Chiffre is a cool and ominous villain. The fact that he’s really not a mastermind in the likes of Blofeld or Drax, but the fact that he’s not hellbent in ruling or destroying the entire world is frankly refreshing. He is a banker to the world’s terrorists, and so his only motive is money, like most of real world villains are. And a great Bond film also needs a memorable Bond girl. Well, Eva Green‘s Vesper Lynd is perhaps the hottest cinematic accountant ever. “I’m the money,” she quips the first time she enters the screen and into Bond’s heart. To this day I’m still enamored by the train scene to Montenegro, the way Bond & Vesper banter each other with wit and sexual undercurrents is what Bond movies are all about. Vesper is no Bimbo and that automatically made her a bazillion times more intriguing than bombshells in lesser Bond movies.

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Casino Royale isn’t big on gadgetry, and as a longtime Bond fan, I actually didn’t mind it. It’s got everything else one would expect in a Bond movie – the cars, the exotic locations, the suspense, action and quick wit – it’s all there. Compared to Craig Bond movies, the Roger Moore versions feel more like a drama given how relentless and vigorous all the action sequences are. The opening parkour/free running scene apparently took six weeks to shoot and my goodness, I’m out of breath just watching it! This is one sprightly Bond and Craig did most of his own stunts, so it looks believable that he was the one doing the action in the movie. He reportedly has the injuries to prove it too! The car chase wasn’t overlong, but dayum was it memorable. The scene where Aston Martin missed Vesper by a hair and rolled over multiple times still took my breath away every time I saw it.

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But all of that action stuff wouldn’t have mattered much without a grounding story. I think the last time Bond was genuinely romantic and emotional was On Her Majesty’s Secret Service, which was when Bond fell in love. The scene of Bond tenderly comforting Vesper in the shower is one of my favorite scenes in all of the Bond films. There is nothing erotic or sexual in this scene, instead it packs an emotional wallop that makes Bond/Vesper relationship one of the best and most convincing romances in a Bond movie. The love story in Casino Royale is core to the plot and it was woven perfectly into all the espionage intrigue.

Vesper: You’re not going to let me in there, are you? You’ve got your armour back on. That’s that.

Bond: I have no armour left. You’ve stripped it from me. Whatever is left of me – whatever is left of me – whatever I am – I’m yours.

Bond films are known for being an eye and ear candy, and this probably ranks as one of the most beautifully-shot. The scenery in Venice as Bond stroll in the Grand Canal is especially striking, topped off by the intense fight scene in a crumbling house (shot at Pinewood Studios modeled after Venice’s Hotel Danieli). The soundtrack also ranks as one of the best, done by David Arnold with an homage to the legendary composer John Barry. I can’t get over how much I love the track City of Lovers, which I’ve highlighted for my Music Break here. The theme song You Know My Name by Chris Cornell is also one of my favorite Bond songs, and the cards-themed opening sequence is spectacularly-done.

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Per IMDb, this was the first James Bond movie to be based on a full-length Ian Fleming novel since Moonraker 27 years prior. Goldeneye‘s director Martin Campbell helmed the film from a screenplay from Neal Purvis, Robert Wade and Paul Haggis. I wish Campbell would be back in the director seat again as his previous two Bond films rate as one of my all time favorites. There’s so much style & sophistication in abundance here, but never at the expense of story & character. What I also love is that the quieter moments in the movie is still just as intriguing as the high-octane action scenes. That poker game in Montenegro is brimming with elegance as well as suspense, whilst showcasing the film’s excellent production design and costume design. Vesper’s plunging purple dress is a real head-turner and I don’t think Craig has looked more suave than in his tuxedo that Vesper tailor-made for him.

I really can go on and on about this movie as it’s really a masterpiece in the 50 years of James Bond films we’ve got so far. It also made me even more dismayed that the recent film in which the plot directly followed this one was such a downgrade. Looking back at Casino Royale‘s fantastic finale with Bond introducing himself to Mr. White, I expected SO much more than what they gave us with Spectre.

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What are your thoughts about ‘Casino Royale’? Does it rank amongst your favorite Bond films?

FlixChatter Review: SPECTRE (2015)

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I wonder if the way I feel about the Bond song somehow impacts how I feel about the film itself. Some of my least favorite Bond songs are The Man with the Golden Gun, Die Another Day, and Quantum of Solace, and those are also my least favorite Bond films. I already mentioned in this post how much I abhorred Sam Smith’s latest, Writing’s on the Wall which sounds more like fingernails on a chalk board. Unfortunately for me, during the press screening, I had to endure that song not once but twice as they played Sam Smith’s music video before the movie, so I had to suffer through THAT song once again during the opening title [sigh]

Of course it’s ludicrous to judge a Bond movie from the song, so I was prepared for an awesome Bond film. To be fair, the melody of the song itself is actually not bad, with Thomas Newman back scoring this again after Skyfall. Well, the first 15 minutes is certainly promising. It’s tradition that Bond films open with a bang and this one is no different, starting with a foot chase through a throng of huge crowd during the Day of the Dead festival in Mexico City. It’s followed by a spectacular fight scene aboard a helicopter flying above the main square. If we’re to judge a movie by cinematography alone, Spectre is excellent, thanks to Hoyte van Hoytema whose done amazing work in Her and Interstellar recently.

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Plot-wise, Spectre has a lot going for it, at least on paper. The parallel conflicts that Bond and M are facing in the film also promises an extra layer of intrigue, in addition to the personal vendetta that runs through the vein of Daniel Craig‘s Bond films. A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization and somehow he ends up going rogue. Meanwhile, his boss M (Ralph Fiennes) is dealing with a crisis of his own as the head of Joint Intelligence Service (which merged MI5 and MI6) threatened to shut down the double-O section. It’s an intriguing set up and as a massive Bond fan, I expect once again to be bowled over.

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Alas, after that spectacular opening, the film seems to lose momentum and never quite claim it back. All the high-octane action didn’t have quite the adrenaline rush I expected from a Bond movie. Even the car chase through the streets of Rome feels rather stale, it’s like I’ve seen a far more exciting car chase scene in previous Bond movies and recently in its rival franchise, Mission Impossible 5. Then there’s the unintentional humor that makes it hard to take the film seriously. The two times Bond wooed two of the beautiful Bond girls, Monica Bellucci and Léa Seydoux, the scenes elicit laughter from the audience. It feels so obligatory and cringe-worthy, a far cry from the intriguing AND sexy love affair between Bond and Vesper in Casino Royale. Vesper was a complex character with a compelling story arc, but here the two Bond girls aren’t given the same courtesy. It’s sad to see an actress of Bellucci’s stature be utterly wasted here.
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The film also promises a massive super villain, the mother lode of all villains Bond has encountered in his past, “I’m the source of all your pain,” Oberhauser tells him once Bond gets to his lair. So it’s quite a let down that this supposedly fearsome, ultra-powerful mastermind turns out to be not so menacing at all. Remember how sinister Christoph Waltz was in Inglourious Basterds? Well, here he’s nothing more than a clichéd psychopath throwing tantrums at Bond because of… a childhood feud. Huh? No less than FOUR screenwriters credited here, three of whom also worked on Skyfall, and all they could come up with is THIS half-baked story? [spoiler alert] I find it hard to believe that Mads Mikkelsen’s Le Chifre, who was effortlessly menacing AND intriguing in Casino Royale, actually worked for this lame, petulant nutjob.

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Sam Mendes and his team of writers seems to have recycled a lot of what’s been done in previous Bond films with nothing new to add to the franchise. In fact, in terms of the treatment of the Bond girls, it’s a step backward. The film seems to aim for a darker story but the execution feels light and even unintentionally comical. I realize that Bond films aren’t expected to be too deep or poignant, but even the fun, escapism factor seems to be missing in this one as Mendes can’t decide what kind of Bond movie he wants this to be. At times it harkens back to the Roger Moore era, which is a jarring contrast to the more pensive and grittier tone established in Craig’s films.

The returning characters from Skyfall are still good in their roles. I do like Ralph Fiennes as M but yet he still can’t hold a candle to how fantastic Judi Dench was in the role. Moneypenny and Q (Naomie Harris and Ben Whishaw) have bit more to do in supporting 007, though not so much that would make any real impact in the movie. Andrew Scott, who’s excellent in the Sherlock series, is just serviceable here, but Dave Bautista certainly lives up to other big, burly but taciturn henchmen of Bond’s past. The fight scene on the train is certainly an homage to From Russia With Love and The Spy Who Loved Me with my favorite henchman, Jaws.

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As for the titular hero, I still like Craig as Bond, but more often than not he looks bored in this movie. It’s as if he’s weary of the same old types of shenanigans and hollow sexual escapades in various exotic locations. Yes I know Bond’s supposed to have this devil-may-care attitude but I think there’s a sense of fatigue that the actor can’t quite conceal. Perhaps it’s telling when Craig said in an interview recently how he’d rather slash his wrist than play James Bond again. It’s tacky to bite the hand that feeds you, but I can’t say I blame him for feeling that way.

It’s a pity because this could’ve been a truly great swan song for Craig if he were to retire as Bond (though I think he’d be back for at least one more). I like the fact that four of his films are connected in some way, though the constant throwback to his previous films also invites the inevitable comparison. If I were to rank Craig’s Bond films now, Spectre is just slightly more watchable than Quantum of Solace, but falls far short of the greatness of Casino Royale and Skyfall.

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Spectre might’ve topped the box office, but it’s nowhere near the top of the best Bond films for me. So I guess that awful theme song is sort of a warning about the movie. Bond’s most personal mission barely evoke any emotional response as the protagonist himself didn’t even seem to care. There’s just no compelling human drama here in this largely soulless affair. Overall the payoff just doesn’t live up to all that build-up and frankly, the film is just forgettable. I saw it four days ago yet I barely remember anything about it. It’s such a bummer really, this movie even made this loyal Bond fan think that perhaps I’ve outgrown this franchise a bit.

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Well, what did you think of Spectre? Did you like it more or less than I did?

Five for the Fifth: Special James Bond Edition

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Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

Well, since SPECTRE is released this weekend here in the US, I’m dedicating this month’s edition to be ALL THINGS James Bond!

007chatter1. As I grew up watching Bond movies, I have a special fondness for the franchise. Even though I haven’t always loved all the movies, I always look forward to seeing a new one whenever it comes along. If you’ve read my blog long enough, surely you’ve noticed that this is a pretty frequent topic here, I even have a special category for it… 007 Chatter.

My twin brothers and I would watch Bond movies on VHS (yes I’m that old) over and over, and we’d always watch ’em when they’re on TV.  I actually don’t remember which Bond film I saw for the very first time, I just know it was a Roger Moore film.  Now, he’s not my favorite Bond (some loyal readers know it’s THIS guy), but I always have a fondness for some of his movies, especially For Your Eyes Only.

So tell me, how did you first discover the Bond franchise?

2. One of the things I LOVE about the franchise is that it’s pure escapist entertainment. Yes, we’ve got the guns, gadgets and girls, but for me, it’s location, location, location. You can always count on Bond movies to be shot on location in the most exotic places in the world.

There are SO many places in Bond movies I’d love to visit, but you’d have to be a billionaire to have THAT kind of bucket list. So I were to pick only six Bond locations to travel to in my lifetime, I’d choose these from each of the six Bond actor’s film:

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So what’s your favorite Bond film setting?

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3.  As the saying goes, “a hero is only as good as their villain”. It’s true for most great stories, but it’s extremely crucial when it comes to the Bond franchise. The worst Bond movies is often as a result of a weak villain, whether it’s in the writing or in the casting, but I think the latter plays an even crucial role.

The topic of Bond villains have been covered several times here. We’ve talked about the best and worst villains, as well as who I’d like to see as a Bond villain a while back. In regards to that last one, I still stand by these choices as none of them have ever been cast yet (what a shame!)

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L-R: Alan Rickman, Gary Oldman, Cate Blanchett, Clive Owen and Timothy Dalton

Oh man, it’d be a dream to see Timothy Dalton be cast as the next Bond villain. I mean he’s contracted to do three Bond films before the MGM legal woes basically caused Dalton to walk out, so casting him as a Bond villain would just be the perfect *atonement.* If you’ve seen him in Showtime’s Penny Dreadful, you’ll see he’s still got the chops, not to mention he still looks pretty damn good in his 70s! If only Penny Dreadful‘s creator John Logan, who’s also one of the writers of Skyfall and Spectre would agree with me, he could pitch that to the Broccolis! 🙂

Which actors/actresses are on your wish list as a Bond villain?


4.
I’m not going to talk about who should replace Daniel Craig as Bond at this point. There’s just been way too much talk on that topic and Craig is supposedly under contract for at least another Bond movie anyway. I already talked about who I think would be great to play 007, but what I haven’t ever really discussed is Craig himself… apart from his role as Bond.

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I’ve only seen Craig in a handful of non-Bond roles, the first one being Lara Croft: Tomb Raider. Yep, he was Lara’s um, boy toy before Gerard Butler got the *honor* in the sequel. I haven’t seen any of the Dragon Tattoo movies nor Layer Cake, but I did see him in supporting roles in The Road to Perdition and Munich. That’s about it. So I really don’t know how good an actor he is apart from the Bond films, which doesn’t exactly show his range.

I’m curious, what’s your favorite Daniel Craig role apart from 007? 

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5. 
This month’s Five for the Fifth’s guest is a longtime friend and fellow Bond fan Dan from Top 10 Films site! Dan’s posted a myriad of Bond-related top 10s, including top 10 Bond gadgets from contributor Rodney aka Fernby Films, so it’s no surprise that his question would be gadget-related. Check out this awesome infographic on this very topic!

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So what’s your favorite James Bond gadgets? Is there a memorable moment(s) when Bond uses one of his gadgets to get out of a sticky situation?


Well, that’s it for the James Bond edition of Five for the Fifth. Now, please pick a question out of the five above or better yet, do ‘em all!