THIS JUST IN! The Batman – DC FanDome Teaser

Wow, Robert Pattinson is everywhere isn’t he? Fresh from the release of a bunch of TENET reviews just a few days ago, now we’ve got a new teaser of THE BATMAN!

Apparently the film hasn’t even finished filming yet (yep, thanks to Covid-19), it’s supposed to resume in September. But hey, good for director Matt Reeves that he somehow managed to have enough footage to show during DC FanDome event going on today (Saturday).

Behold…

My first reaction is… I dig it. Reeves promised us ‘… a point of view-driven, noir tale that’s more about Batman in his detective mode than we’ve seen in the films.’ Well, this moody trailer certainly teased us that w/ a heavy collaboration with Commissioner Gordon (Jeffrey Wright). Nirvana’s song Something in the Way somehow gave it a dark, retro feel. I don’t always like the use of popular songs in trailers, but this one works quite well. Two things I’m happy about this version… it’s NOT an origin story (we do not need to see Bruce’s parents dying all over again in an alley!) AND Batman doesn’t have that ridiculous, unintelligible deep voice in the Chris Nolan’s movies.

Per Variety, in the DC FanDome panel for the film, Reeves said “The Batman” won’t be an origin story per se, but it does start in “Year Two” of Batman’s emergence, in which Batman and several other iconic characters — Catwoman (Zoë Kravitz), the Riddler, and the Penguin (Colin Farrell) — are still in the early stages of their development. In exploring the corruption at the heart of the story, Batman also begins to uncover a larger story of corruption within the city, and how it may connect back to the vastly wealthy and powerful Wayne family.

Robert Pattinson Batcave - The Batman

I didn’t realize it was Paul Dano as The Riddler, which is one of the many villains featured in this version. Zoe Kravitz seems like perfect casting as Catwoman too, excited to see her! Oh and I love that Andy Serkis is playing Alfred Pennyworth, whose voice you can hear when he said ‘you’re becoming quite a celebrity.’

Btw, check this out… is this REALLY Colin Farrell?? Wow!! Whoever did the prosthetic makeup is phenomenal!

As for The Batman himself, I was actually intrigued by R-Patz as Batman when it was first announced. I think he’s a talented actor who could bring a fresh take to the role, plus I believe in Matt Reeves’ ability to do the same, given his stellar work in the latest Planet of the Apes movies, one of the best trilogy ever. Based on what I see here, Pattinson as more of a detective make sense instead of displaying a hero with sheer brute force. The one part that made me cringe a bit is when he’s punching a thug repeatedly and then says ‘I am vengeance.’ Hmmm… really? But overall I’m optimistic about his take on the role.

Robert Pattinson The Batman

Even though Batfleck is still a thing (Ben Affleck is supposed to reprise his Batman role in the big-screen version of The Flash), I’m kind of over that version.

The Batman is scheduled to hit movie theaters on Oct. 21, 2021, so we have more than a year to wait on this. Let’s hope theaters would actually be open to at least half capacity by then.


Well, what do you think of The Batman teaser?

FlixChatter Review: The Gentlemen (2020)

I’d say Guy Ritchie is an acquired taste… you could even say he’s one of those love-it-or-hate-it filmmaker, which means you either love or hate his fast-paced, at-times frenetic style, and I’m mostly talking about his gritty British gangster films, so the family-friendly Aladdin is obviously an exception. For the most part, I like his movies. From his debut Lock, Stock and Two Smoking Barrels, to the underrated Rocknrolla, and the 2015 The Man from U.N.C.L.E., which I like more on rewatch, his movies are often irreverent, cheeky and fun.

After Aladdin, Ritchie returns to his roots with The Gentlemen. He’s back to portraying working class gangsters, peppered with his rather unsubtle disdain for the British upper class. This time he’s got an American as the protagonist, a self-made London-based cannabis [drug]lord Mickey Pearson (Matthew McConaughey). Mickey is trying to sell his profitable marijuana empire off so he could retire with his wife Rosalind. He’s already found a buyer and they’ve agreed on a price. But then of course, things go awry as bribery, blackmail, and all kinds of treachery schemes complicate matters for Mickey and his loyal right-hand-man Raymond (Charlie Hunnam).

The amusing part of the whole narrative is the fact that the story is told by private investigator Fletcher (Hugh Grant, doing his best Cockney accent) to Raymond. I won’t go into details apart from the fact that he’s got crucial intel involving Mickey’s business dealings that include some lesser members of the British royal family, and he’s willing to keep it a secret for a handsome fee.

The interaction between Grant and Hunnam are my favorite parts of the movie. There’s a rather silly movie-within-a-movie bit that’s gleefully amusing thanks to Grant’s performance and Hunnam’s constantly-befuddled expression. I love how Grant’s embraced his comedic side playing a flamboyant scumbag (what the Brits would call a tosser), and he seems to be having loads of fun tormenting Hunnam’s straight-laced Raymond. In Guy Ritchie’s world, even gangsters stand by a certain ‘moral’ code.

The film goes back and forth between Fletcher’s version of the story and the reality, which isn’t always easy to follow. Some of the things happening made little sense, but it was a lot of fun that you’re along for the ride. McConaughey‘s movie star charisma works well for the role, in fact, it’s nice to see him use his Southern charm and menacing energy in equal measure. Henry Golding‘s Dry Eye is perhaps the weakest link of the movie. Not the actor’s fault necessarily, as I think Golding is more versatile than meets the eye, but his role is more of a caricature, not exactly a memorable villain. Not that I think about it though, I think Ritchie’s movies aren’t known for having memorable villains, perhaps because his protagonists are often anti-heroes.

Now, despite his limited screen time, the movie’s surprising MVP is actually Colin Farrell, an inner city boxing trainer known as Coach who becomes Raymond’s unexpected ally. Involuntarily, Coach got dragged into Mickey’s crime world thanks to his students, one of them is played by Manchester rapper Bugzy Malone.  There’s a fantastic rap video at one of Mickey’s cannabis lab, as well as in the end credits that’s well worth staying for. As the sole female character in a sea of testosterone, Michelle Dockery is wonderfully shrewd, sexy and confident as Mickey’s beloved wife whom he adores and looks up to.

It’s still a movie about the boys however, and in that regards it’s not a ‘woke’ film nor does Ritchie care much about being politically correct. Some of the racist, homophobic jokes would ruffle some feathers, there’s a hugely gross scene being played over and over, not to mention a certain vulgar scenario that is disturbing even without being shown. While some may call this movie a ‘return to form’ to what he does best, there’s much recycled material that feels derivative and predictable.

For a gangster crime comedy, there’s actually not a whole lot of action set pieces and it’s perhaps Ritchie’s more ‘restrained’ version in terms of frenetic action, violence and overly-stylized camera work, but of course it’s still chockfull of crude language and F bombs. I like that the movie is more of a battle of wits than wham-bam-action, as the gangsters try to outmaneuver each other to stay on top of their game. Stylistically, there’s also much to appreciate, from the dynamic music (score by Christopher Benstead) to the dapper business suits AND tracksuits (costume designer Michael Wilkinson previously worked with Ritchie in Aladdin), even the ones worn in the rap video.  I don’t know that he’ll win new fans to his cinematic flair, but for those who enjoy his style, I’d say it’s was pretty darn entertaining. I wouldn’t even mind watching it again when it’s out on streaming.


Have you seen The Gentlemen? What did you think?

FlixChatter Review: DUMBO (2019)

It seems that every year now we’ll be treated to a live action of Disney’s animated movies. Now, I actually quite like Cinderella, Beauty & The Beast, Jungle Book, and I’m curiously anticipating Aladdin. As for Dumbo, I actually don’t remember much of the original. I only watched a scene of Dumbo and his mother in the Baby, Mine sequence. As for Tim Burton, I haven’t seen the last few films he’s done, including Alice in Wonderland which doesn’t appeal to me at all.

This movie doesn’t have talking animals nor musical numbers. The screenplay by Ehren Kruger is an expanded version of the 1941 animated version that’s now told from the human characters. The circus is intact of course, this time it’s called Medici Circus, owned by Max Medici (Danny DeVito). Soon we see Holt Farrier (Colin Farrell) coming back from the war. Once a circus star, he’s now missing an arm and his wife (also a former circus star) has died of Spanish Flu, leaving him with his two kids Milly (Nico Parker) and Joe (Finley Hobbins). Holt gets demoted to caring for the upcoming baby elephant, which later becomes known as Dumbo.

One thing the movie gets right is the titular little elephant itself. Dumbo is utterly adorable – from the moment we saw him buried under a pile of hay, the large-eared CGI elephant immediately won my heart. A ‘face only a mother could love,’ Max Medici said, he couldn’t be more wrong. Milly and Joe were immediately taken by Dumbo as well, even more so when his mother was sold off to recoup a loss of a tragic incident. The devastating separation scene pierced my heart. I have similar experience when I was sent to a boarding school at the age of 7 and had to be separated from my own mother whom I didn’t see until two weeks later.

The villain of the movie comes in the form of Michael Keaton‘s Vandevere who buys Medici Circus upon learning of the flying elephant. His Disneyland-type, vas amusement park called Dreamland, with attractions like Nightmare Island, Wonders of Science, etc. It’s no surprise that the huge park is filled with dark secrets. Keaton is especially hammy here, but his character wasn’t given much to do. In fact, DeVito, Keaton and Alan Arkin‘s characters are basically just stock characters. They have no real arc at all, basically just caricatures of a circus owner, an opportunistic entrepreneur and a powerful banker, respectively. I have to say the timing for this movie is quite interesting. Its blatant message against corporate conglomeration/industry domination coming out just a week after the announcement of Disney buying out 20th Century Fox isn’t lost on me.

I feel like Colin Farrell‘s Holt is the only character resembling a real person and is someone actually worth rooting for. Eva Green is perfectly cast as trapeze artist Colette, offering her usual sexy mystique but this time with motherly touches. Nico Parker‘s young scientist aspiring to be Marie Curie message of feminism is quite on-the-nose, but she is pretty good role model for young girls. There’s also a fine message about not relying on certain ‘crutches’ to achieve big things, as Dumbo couldn’t fly initially without the prompting of a feather.

Burton’s visual flair and his imaginative mind seems perfect to helm this live-action adaptation. Aided by his longtime Burton-collaborators Danny Elfman (music) and Colleen Atwood (costume design), it’s indeed a gorgeous movie. I’d say the darker stuff is to be expected, but it’s nothing that would really scare off young children. Ultimately, in order for the movie to work, it has to convince us that an elephant can fly. The movie delivers in that regard. I enjoy all the flying sequences, especially towards the end when Dumbo flies over Cooney Island. I also love the scene where the little elephant was in a trance watching a circus act making giant balloon bubbles.

Just like its protagonist that keeps stumbling on its large ears, the movie doesn’t always get every step right either. The first half hour feels a bit sluggish, while the fiery finale seems too grandiose for its own good. I think Burton fans might complain that the movie isn’t weird or bizarre enough. I’d say for a Tim Burton movie about circuses that inherently celebrates eccentricities, this is a pretty safe one. But as a feel-good family film, I think it’s still pretty enjoyable. Is this movie necessary? Well no, but neither is any of the live action adaptations Disney’s been making. I personally would rather see more original stories being made, but judging this for what it is, I’d say it still merits a recommendation.


Have you seen DUMBO? I’d love to hear what you think!

FlixChatter Review: Roman J. Israel, Esq. (2017)

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Review by: Vitali Gueron

Denzel Washington is at the top of his game in the new movie Roman J. Israel, Esq. from writer/director Dan Gilroy. Having seen and been impressed by Gilroy’s 2014 debut film Nightcrawler (with Jake Gyllenhaal), I was curious what the director had in store for us.

This film starts out slow, with Roman (Washington)’s firm in crisis as his law partner dies after suffering a heart attack. Roman’s left picking up the pieces and tying up loose ends in court – something he had not previously done before as he was the behind-the-scenes attorney at the small firm. His (what should have been) normally routine court appearances are a disaster; his tendency to blurt out what he perceives as the truth gets him held in contempt by a less-than-understanding and impatient judge. Without a job and out of luck, Roman (sporting his trademark ‘70s Afro hairstyle) walks the streets of Los Angeles, lugging around a huge briefcase filled with his lifelong passion project. What we eventually learn is that that he hopes to file a brief to bring about a class action lawsuit that will change the justice system for African American sentencing and those already incarcerated.

Roman interviews at a nonprofit run by Maya (played by Carmen Ejogo), but instead of finding a job, he gains an ally in Maya. She is not in the same mindset as her younger staff at the nonprofit are – that Roman is like something from another time that is outdated and out of the current mainstream. Maya believes that Roman should be respected and listed to. They end up developing a personal connection and she calls him to ask him out on a date, even though the talk he gave to some young students at her nonprofit doesn’t go very well.

Roman finds a job at George (Colin Farrell)’s firm, where George acts more like a legal shark, putting profits ahead of people. Roman does gain some valuable mentorship from George, who sees Roman’s scholarly ability to memorize a library of law books as an asset. Surrounded by wealth and unethical behavior, Roman chooses to claim a reward for $100,000 with the knowledge he acquires from taking on a case of a gang member who’s accused of murdering an Armenian store clerk. Once Roman gets his hands on the cash, he suddenly starts living large – taking a day off to get bacon maple-glazed doughnuts by the beach (something he always talked about doing but never had the time), purchasing pricey business suits and getting a modern hairdo, among other things. He takes Maya out on a fancy date and shows off his new suit and hairstyle. Maya shares with Roman some her life struggles with idealism and the reality of life, but Roman seems to lack compassion, even though he actually does feel it, he is really preoccupied with other things. The date ends on a high note as we see that they still have a strong connection.

The movie takes more of a predictable turn as Roman ends up paying the price for his unethical behavior and becomes a sort-of martyr for his cause. His real undoing comes about when he quips “I’m tired of doing the impossible for the ungrateful.” The Roman we met in the begging on the movie would have never said that. Gilroy wraps the movie up neatly, with George doing what Roman wasn’t able to do – filing Roman’s brief in court — and Maya being inspired to mentor her students with Roman’s kind of activism and resistance. This ending in no way detracts from Denzel Washington’s brilliant performance, playing a man who is living with a mild-yet-obviously-present case of autism.

Washington brings his best effort to deliver an outstanding performance — one for which he may soon end up being rewarded for — in a movie that is headed for a predictable and unoriginal ending. As Roman tells us early on in the movie, the “Esquire” in his name means he is “above gentleman but below knight.” Similarly, Gilroy’s movie Roman J. Israel, Esq. is above average but below the greatness that we associate with Denzel’s most recent movies (i.e. FencesFlight).


Have you seen ‘Roman J. Israel, Esq.’? Well, what did you think? 

Weekend Roundup: counting down to MSPIFF 2016 + ‘Meet the Patels’ documentary (2014) review

How’s your weekend everyone? It’s kind of an uneventful one for me but April is going to be quite busy with the Minneapolis/St Paul Film Fest coming next weekend!!

MSPIFF2016

I can always rely on MSPIFF to bring an excellent selection of world and regional cinema and independent films, many of which I never would’ve been able to see on the big screen!

I wish I could see at least a couple of films a day but given that I have a 9-5 job, I can only see a handful of them (maybe more if they have online screeners, so we’ll see). If you’re in the area, be sure to take part in MSPIFF and support MN film society. You can see what films are playing here which you can search by genre/country/language, etc. and they have a handy daily schedule as well.

Here are some films I’m looking forward to:


Lots of female filmmakers represented, from MN-made Dragonfly to TWO films by Deepa Mehta (Beeba Boys & Bollywood/Hollywood). I wish I could see the Oscar-nominated for Best Foreign Language film Mustang, but the screenings are both in Rochester which is almost 2 hours away from where I live. It’s tradition that I see one movie with Juliette Binoche at MSPIFF, and this year we’ve got L’atessa, a drama set in Sicily.

So stay tuned for my MSPIFF coverage later this month!


Well, I started my April movie viewing with a mixed bag of movies.

Daredevil2003

The first was Daredevil which I saw out of sheer curiosity. The fact that I just finished Netflix’s Daredevil season 2 last week and also saw Ben Affleck playing yet another superhero (this time from DC) that is Batman in Batman V Superman, made it all the more interesting that I finally saw the 2003 movie. Well, I mainly watched it for the laughs and with that kind of expectation, I wasn’t disappointed 😉

It’s as cheesy, silly and hilarious as people say, my gosh the first fight between Matt and Elektra (played by Affleck’s now ex-wife Jennifer Garner) was so cringe-inducing! Funny that when this movie was made they weren’t even married yet and now they’re already divorced, well that’s Hollywood for ya. As bad as Affleck was in the role though, I think the worst performer is Colin Farrell as Bullseye but really that’s the most idiotic character ever-written. That’s gotta be in the top 3 of Farrell’s most ridiculous roles, right up there with Oliver Stone’s Alexander and whatever his name was in the abominable Winter’s Tale.


The second movie I saw this weekend was a real winner however…

MeetThePatels

I saw the trailer of this doc a while ago but finally got around to seeing it. I tell you, it’s one of the most fun and poignant cultural documentaries I’ve ever seen. Directed by brother and sister Ravi and Geeta Patel, it centers on Ravi himself on a quest to find a wife, with the help of his parents and extended family. Ravi is an Indian-American man who grew up in the United States, and as he’s about to turn 30 with no prospect for a wife, naturally his parents are worried (you could even say panicking).

The journey follows him and his family in looking for a suitable wife in the traditional Indian way. I knew that arranged-marriage has been and still is common among many Indians, I have a few friends who got married in this way and they made no qualms about it. But Ravi, who resides in L.A., is very Americanized and it’s clear he’s got issues with this centuries-old tradition, especially since he’s still not quite over his ex-girlfriend Audrey. The film takes place mostly in the US, but the first act includes him (and his parents) traveling all the way to India, which was quite amusing. But the craziest part was the fact that he flew all over the country and met with various Indian women from coast to coast!
MeetThePatels_familyMeetThePatels_RaviAudrey

It’s really a hilarious documentary from start to finish. It’s decidedly NOT the most visually-arresting doc, as Ravi himself mocked his sister that she’s not really a cinematographer, so the film often looks like a family vacation video shot with a handy-cam. But the *imperfections* are really part of the charm and adds to the authenticity of the movie. What Ravi and Geeta are great at is in the storytelling, which includes fun cartoon segments to illustrate certain scenarios that Ravi go through. I was fully-invested in Ravi’s journey and got a glimpse of what goes on inside a traditional Indian parents when one of their children is in *Code Red*, that is ‘almost 30 and never married.’

All of the people in the docs are Patel’s own family and friends, none of them are played by actors. It also includes interviews with some of Ravi’s friends who are both single and married (either arranged or on their own) so we get interesting perspectives about the subject matter. It’s inevitable that you’ll fall in love with the Patel family and learn a thing or two about Indian culture in the most delightful way. I can’t recommend this one enough, it’s part documentary and part romantic-comedy that’s wonderfully entertaining.

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So that’s my weekend recap folks. What did you see this weekend, anything good?

St Patrick’s Day Special: Five memorable scenes set in beautiful Ireland

HappyStPatricksDayAre you wearing green today? Today we’re all Irish, right? 😉 I celebrated last year’s St Paddy’s Day by paying tribute to some of the best Irish actors working in Hollywood today. Today I thought I’d set my eyes on some gorgeous Irish sceneries in movies, which is always one of the best things about the film itself. Ireland is one of those places I haven’t got the good fortune to visit, hopefully one day in the near future I could spend hours walking in those wonderfully lush hills. For now I guess I’d just admire the scenery on screen.

CircleOfFriends

I saw this years ago and I’ve always thought of it fondly. Set in 1950s Ireland, Minnie Driver starred in this coming of age story on an Irish university student, Benny Hogan and her circle of friends, Nan and Eve. Chris O’Donnell is quite dreamy as the handsome lad Benny’s in love with. The scene of their first kiss is wonderfully moving and sweet, you can’t help but root for the two to be together. I can’t find the exact scene but it’s in this fan-made vid below. The scenery of Ireland countryside is absolutely gorgeous, the film is set on location in County Kilkenny, Ireland.

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PSILoveYou

When I visit Ireland one day, I just might have to go on a P.S. I Love You tour. Yep it does exist! Wicklow National Park is soooo gorgeous, I LOVE the scene when Gerry & Holly first met as she was trying to get the the park she’s already on, ahah. The scenery is so picturesque it’d distract you from Gerry Butler‘s hilarious Irish accent, ha!


LeapYearI have to admit that the Irish scenery – and the beauty that is Matthew Goode – is what kept me from turning off this mawkish drivel.

Goode_LeapYearThe premise alone should put off anyone, even the most loyal rom-rom fans, I mean a girl who believes it’s tradition to propose to her boyfriend on Leap Day?? [facepalm] And of course she’s gonna end up with the gorgeous Irish dreamboat 😉 But ok, let’s focus on the positive, one of which is the scenery really that makes the movie so worth watching, especially the scene at Ballycarbery Castle. 

Ondine

Ok so I’ve actually never finished watching this one, though it’s been on my Netflix queue for ages. It sounds like another one of those films to see just for the scenery and atmospheric, moody harbor in County Cork. Colin Farrell is a convincing romantic hero and here he plays an Irish fisherman who discovers a woman in his fishing net whom his daughter believes to be some mythical creature. The film is like a love letter to his homeland from Irish director Neil Jordan.

VeronicaGuerin

This film takes place mostly in Dublin and we get to see the less glamorous side of the Irish capital. In fact, the gritty cinematography shows the dingy streets and slums of the city as the late Irish reporter Veronica Guerin took on a dangerous cause of exposing Dublin’s powerful crime barons and drug lords in the mid 90s. It’s one of Joel Schumacher‘s better works, featuring the great Cate Blanchett in yet another chameleonic role. Being shot on location definitely adds much realism to the gripping and tragic story.


The Secret of the Kells

Even in animated form, Ireland is absolutely breathtaking to look at. This mythical, ethereal film would be a great one to watch on St. Paddy’s Day, given that the story has such deep Irish roots. Per Wiki, the story is based on the story of the origin of the Book of Kells, an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament located in Dublin, Ireland. It also draws upon Celtic mythology. Apparently the filmmaker Tomm Moore and the artists who drew the film were inspired by Hayao Miyazaki’s works, so they decided to do something similar to Studio Ghibli’s films but with Irish art. There are too many great scenes to mention, basically the entire film is absolutely gorgeous.

SecretOfKells4 SecretOfKells3 SecretOfKells2 SecretOfKells1


Happy St Patrick’s Day everyone! So what’s your favorite film(s) set in Ireland?

Question of the week: Which casting news are you excited about from the past few weeks?

Hello everyone! I’m planning of launching a Casting News Roundup series in the coming weeks, something I’d update a couple times a month. I even made the banner already 😉

CastingNews

Casting can make or break a film and to me, casting is a big part of whether I want to see a certain film or not. Of course the story and genre are essential, and sometimes the directors are the ones that get me to see a certain movie. But for the most part, the actors have the biggest influence in the movie selling process to me.

Well, let me start off with a couple of casting news that piqued my interest. One is a remake of one of my favorite films of all time: Ben-Hur. I’ve blogged about the rumor that Tom Hiddleston was offered the role, well it seems that he’s passed on it and now Jack Huston has been cast as the Jewish prince Judah Ben-Hur.

JackHuston_BenHur

Now I would’ve loved to see Hiddles in this role and that’d undoubtedly put my butt on the seat but y’know what, I don’t mind seeing Huston in this role. I’ve only seen him in American Hustle, but TV fans are likely familiar with him from his role as the scary-looking Richard Harrow in Boardwalk Empire. Huston’s got quite an acting pedigree, being the grandson of director John Huston and nephew of Angelica Huston. I like that he’s got one of those chameleon-like face, he reminds me of a young, pre-Jack Sparrow Johnny Depp. I’m curious to see what he could do with the role and what that means for his career.

TobyKebbellMessalaNow the Messala casting came soon after, with Toby Kebbell (Mr. Rocknrolla himself) taking on the friend-turned-foe Roman soldier. I like Kebbell, he was pretty good in War Horse and he did a terrific mo-cap work as Koba in this year’s Dawn of the Planet of the Apes.

Well, so far I like the casting of these two young Brits, they may not be as well-known yet but they’ve churned out pretty good performances so far. Before these two main castings were announced, Morgan Freeman was cast as Ilderim [renamed Ildarin in the new film apparently] as the Arab sheik whose chariot Ben-Hur rode in the epic chariot race. I LOVE Hugh Griffith in the original, but think Mr. Freeman would add the right amount of gravitas for the role. I just hope the film itself will prove to be a swords & sandals epic worthy of the cast and the incredible story it’s based on.


Well, TV fans should know by now about this news. More and more film actors are now coming to TV, in fact I think the lines between TV and Film actors are blurred now, and I personally think a good actor should be able to juggle multiple mediums. A lot of my fave actors balance stage, film, and TV work seamlessly.

In any case, so Colin Farrell has now joined True Detective 2.

ColinFarrell_TrueDetective2He’s quoted at Buzzfeed as saying:

I know it will be eight episodes and take around four or five months to shoot. I know very little about it, but we’re shooting in the environs of Los Angeles which is great. It means I get to stay at home and see the kids.

The article also says that Rachel McAdams and Elisabeth Moss are apparently vying for the role opposite him. I still need to see this series [yes I know, I should get on that!], but I knew it’d be tough to follow up Matthew McConaughey and Woody Harrelson. Colin’s been in a bunch of hit and miss projects but generally I like him, I think he is a talented actor and he should do well in this series.


Other casting news: Apparently former Dr Who Matt Smith is going to play Mr. Collins in the Pride & Prejudice & Zombies. WOW, how long has that movie been in development hell?? I blogged about it back in 2009 when Natalie Portman was attached to play Lizzie Bennet.

MattSmith_PridePrejudiceZombies


So what do you think of these casting choices? If you have other casting news you’re excited about, do share!