Indie Film Spotlight: ‘The Babymoon’ + Interview with writer/director Bailey Kobe & lead actress Julie McNiven

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The Babymoon was one of the terrific indie films playing at Twin Cities Film Fest last year. I had missed seeing it on the big screen, but the lovely Kate Sloate over at Double Entente Films was kind enough to send me a screener link.

Well, the film has just been released on Valentine’s Day, so it’s now available on iTunes Digital, Amazon Digital, Cable VOD. Distributed through Gravitas Ventures. There’s also a planned DVD Release on March 14th!

In the adventure-comedy The Babymoon, a husband in a fragile relationship tries to impress his pregnant wife with a luxurious and romantic babymoon vacation to the most beautiful and exotic country imaginable, which places the couple in the middle of a poorly-planned political revolution!

Featured Cast
This star studded and well known cast brings a multitude of talent and relatable emotion to the big screen.

The Babymoon features Shaun Sipos (Vampire Diaries, Melrose Place), Julie McNiven (Mad Men, Supernatural), Jessica Camacho (Sleepy Hollow, Dexter), Michael Steger (90210), Mark DeCarlo (Curb Your Enthusiasm, Seinfeld, Jimmy Neutron), Phillip Garcia (Telenovela, Fuller House), and Kelly Perine (Drew Carey, The Parent ‘Hood).

About the director
Double Entente Films is an international production company with offices is Paris and Los Angeles, specializing in luxury and high tech clients, with a select slate of feature films in the action and comedy genres. Innovative Los Angeles-based writer and director Bailey Kobe (Caterpillar’s Kimono featuring Ben Savage and Joey Kern) first partnered with dynamic French Producer Frédéric Imbert as classmates at The University of Southern California’s renowned Peter Stark Cinema Program. Kobe is a graduate from the University of Southern California’s School of Cinematic Arts elite Peter Stark Program. He is well known for his commercial work with brands Louis Vuitton, Dior, Mini Cooper, BMW, GQ, and videos for Kanye West, French Icon Johnny Hallyday, and Marc Lavoine.

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Interview with Bailey Kobe

A look behind the scenes of our film with cast members Phillip Garcia, Julie McNiven, Kelly Perine and writer/director Bailey Kobe
A look behind the scenes of our film with cast members Phillip Garcia, Julie McNiven, Kelly Perine and writer/director Bailey Kobe

Q: So how did the concept of the film come about? Did The Babymoon idea come from a personal experience for you?

Most of my career I have adapted novels or plays, but Babymoons have been a hot concept since celebrity couples were announcing elaborate vacations, like Kanye West/ Kim Kardashian, and Prince William/ Kate Middleton, while pregnant.

I never expected to go on one until my wife informed me that we were expecting our first child. I was overjoyed at the news, but then to have this extra vacation to plan, at a time when we should be the most pragmatic, well, it sounded absurd. But after experiencing our trip together, I realized this is a trend that is growing for a reason. We ere able to get away from the daily grind and really talk – not just plan, but really get into the “why” of our plans, and it made us a stronger couple at a time when we needed be on the same page more than ever in our lives. And I wanted to share that.

Q: Would you speak a bit about the casting process? I know Julie was in your first film, but how about the others?

Shaun Sipos was the first person to walk into the casting office for Trace, and he became a high-water mark that no one else could match. Once we knew who our main couple was, we started looking at the rest of the cast, and it was surprising how many actors loved the characters in the script. Big turnouts that my casting directors Kendra Clark and Helen Geier had to manage and because we were an indie, I was lucky enough that when I begged the best actor for each role to be in it, they said yes!

The fruits of which are stunning, if you follow our main cast, you will see that most are now a regular on major TV shows or are finalists when big film castings come up. The same with my first film. Not that I have a magic touch, but I should start promoting myself to actors as the good luck charm to book a major TV series!

Julie McNiven & Shaun Shipos
Julie McNiven & Shaun Sipos

Q: It seems that you as well as other cast members were expecting when you did the film. So I presume Julie was really really pregnant in the movie?

Maybe we are all just at that time in our lives, but Julie and I met and had this idea to do the film together while we were both expecting so that both sides of the camera would have a unique attention to emotional detail that we had never seen before. Not only did that create interesting work, but I think we inspired some cast members, because immediately after filming, two cast members, Michael Steger (90210) and Elmer Tollinchi Ruiz (genius polymath who just did a TED talk), had their first children.

And yes, Julie is actually pregnant during some of the filming. We of course, did the stunts and any of the more adventurous sequences months later after baby bonding time.

Q: How was filming in Puerto Rico? What was the biggest challenge in filming all those jungle scenes?

Puerto Rico is absolutely stunning visually, but we wondered if we could find a great crew down there. Thanks to the Puerto Rico Film Commission, we were able to make initial contact with crew who have worked on major shows like Pirates of the Caribbean! And once you have a good crew that understands the challenges of heat, constant rain, dangers of the jungle, etc. you can move forward with confidence!

El Conquistador Resort, Puerto Rico
El Conquistador Resort, Puerto Rico

Q: What was the inspiration behind the political revolution and kidnapping plot?

The political revolution is meant to be simply an externalization of the turmoil in a relationship in the middle of a big life transition. Two sides have strong ideas about how things should go, and without levelheaded discussion it can turn fast!

The kidnapping plot is actually based on real stories I heard while hiking in the Amazon on a 5 day trek into the jungle to see the ruins of a lost city of gold. No joke. Called the Ciudad Perdida. I noticed some heavily armed guards along the way, and my guide regaled me with stories of how they would kidnap groups from time to time and march them around the jungle so they could never be caught. A constant camping trip that would last for months!

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Q: There seems to be a familial/parenting theme in your first two features. Coincidence or intentional?

You are right. Great observation. In the first, parenting was a metaphor for the economy. Remember we were in one of the worst recessions in history, but here we are just a short time later, ready to reduce regulation all over again. Will that father remember the consequences of his choices in the past.

And vice-versa, in The Babymoon, the revolution is a metaphor for parenting.

Q: Lastly, who are some of your favorite comedy filmmakers who’ve inspired you?

There is the usual litany of well known writer-directors, but I am particularly inspired by a lot of the TV directors who are finding long term homes on shows right now. I love Pamela Fryman (How I Met Your Mother, The McCarthys), Steven Tsuchida (Inside Amy Shumer, Jim Gaffigan Show), and Hiro Murai (Atlanta).

And of course working under a great like Anthony Russo (Community, Captain America:Civil War, Avengers: Infinity War) was completely revelatory for me.


Interview with Julie McNiven

Julie (with Shaun) in The Babymoon
Julie (with Shaun) in The Babymoon

Q: How did your experience as a mother contribute to your connection with Hanna? Do you think that the role was more or less challenging because of it?

I loved being pregnant. I didn’t have any fear or doubt about anything! I think it was the hormones. I felt blissful the entire time! Well, except when it got hard to sleep, but mostly it was amazing. Hanna on the other hand entered her pregnancy with feelings of doubt in her relationship and her ability to be a mother. Sadly, she wasn’t receiving the happy hormones that I had. Perhaps the only sort of anxiety I had was ‘when will I be able to get back to work and how will that work with Tasman being dependent on me.’ I booked my first job 10 weeks postpartum and shot ‘Babymoon’ at 6 months postpartum. Fortunately, I have a very supportive husband who brought my son to set for nursings or bottle fed him while I worked.

Q: Hanna went through a very challenging transition into parenthood with Trace. How do you think new parents can relate to and learn from this?

i imagine it’s very common to have hanna’s feelings of doubt, fear and stubbornness to think she can do it all by herself….which I’m sure she could have but, what she learned was to allow others in. To be a part of the community and help each other through everything. We could all do it by ourselves, but we would be doing ourselves and our children a disservice.

3. We’ve heard you were pregnant in the jungle. You’re amazing! What was that like?

Well, it was amazing because I loved being pregnant and I love the jungle!!

4. We’ve been hearing a lot from mothers on set who are doing a kick-ass job of being a new mom and an actress. Do you think that the industry is changing to be more accepting? What do you think Hollywood can do to improve this process for new moms?

I think it really depends on who you work with. Obviously, with Bailey it was great! He had a full understanding of what I needed…like 20 minute every 4 hours to pump in a Jeep in the jungle….or whatever 🙂

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Thanks so much Kate and Bailey!
It was lovely meeting you at TCFF last October,
hope one day our paths would cross again!

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Musings on the TCFF 2016 Award finalists … championing indie films & women in film

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I haven’t had even an hour to blog all day today as I was watching films, interviewing talents and socializing at the mixer at the beautiful festival lounge at the Shoppes at West End. My head is still spinning as I’m writing this… my body is exhausted but my spirits are high from the exhilaration of meeting so many great people. My day started with an a delightful interview with actor Dominic Rains, and got to meet Jon Weinberg (the director and star of Funeral Day) whom I had interviewed the night before. Then in the afternoon I got to meet the director of The Babymoon Bailey Kobe, as well as Kate Sloate who’s in the film’s producing team. I will post more pictures in my wrap post!

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I stopped by TCFF lounge for a couple of hours, which was even busier as the night went on. For sure the closing night party tomorrow will be a blast, and I sure wouldn’t want to miss the Award Ceremony!

Speaking of award, Twin Cities Film Fest has announced the TCFF award finalists a few days ago here. I’m so thrilled for so many of these indie filmmakers, whether it’s shorts, features or documentaries, that their hard work are being recognized. For many of them, their indie films are their sweat, blood and tears… as most of these films are made with shoestring budgets. This is why I LOVE covering TCFF, as I get to see more indie films than I otherwise would in a given month! As I meet filmmakers and talents, it’s apparent to see that the limited budget/resources just made them more innovative and creative! This is why I will always support indie films and indie filmmakers!!

2016 TCFF FINALISTS

Best Feature Film:

  • “Blood Stripe,” directed by Remy Auberjonois
  • “Burn Country,” directed by Ian Olds
  • “First Girl I Loved,” directed by Kerem Sanga
  • “Lion,” directed by Garth Davis
  • “Moonlight,” directed by Barry Jenkins.

Best Documentary:

  • “Denial,” directed by Derek Hallquist
  • “The Eagle Huntress,” directed by Otto Bell
  • “Free CeCe!” directed by Jacqueline Gares
  • “I Do?” directed by Joe Brandmeier
  • “IRON WILL: Veteran’s Battle with PTSD,” directed by Sergio Valenzuela.

Best Short Film:

  • “Duffy’s Jacket,” directed by Brian Hoesing
  • “I Want You Inside Me,” directed by Alice Shindelar
  • “Lend a Hand For Love,” directed by John and Amy Thompson
  • “The Story,” directed by Cameron Digwall and Carolyn Pender
  • “Twinsburg,” directed by Joe Garrity.

Indie Vision — Breakthrough Feature Film:

  • “Claire in Motion,” directed by Annie J. Howell and Lisa Robinson
  • “The Eyes of My Mother,” directed by Nicolas Pesce
  • “Girl Flu,” directed by Dorie Barton
  • “June Falling Down,” directed by Rebecca Weaver
  • “No Light and No Land Anywhere,” directed by Amber Sealey

Indie Vision — Breakthrough Non-Fiction Film:

  • “In Pursuit of Silence,” directed by Patrick Shen
  • “IRON WILL: Veteran’s Battle with PTSD,” directed by Sergio Valenzuela
  • “Prison Dogs,” directed by Geeta Gandbhir and Perri Peltz
  • “Tarkovsky: Time Within Time,” directed by PJ Letofsky
  • “They Call Us Monters,” directed by Ben Lear

Indie Vision — Breakthrough Performance:

  • “Blood Stripe,” Breakthrough: Actress Kate Nowlin
  • “Donald Cried,” Breakthrough: Actor Kris Avedisian
  • “First Girl I Loved,” Breakthrough: Director Kerem Sanga
  • “Hunky Dory,” Breakthrough: Actor Tomas Pais
  • “The Other Kids,” Breakthrough: Director Chris Brown
  • “Lend a Hand For Love,” Breakthrough: Directors John and Amy Thompson
  • “Moonlight,” Breakthrough: Writer Barry Jenkins.

Lifetime Achievement Award: Lea Thompson

I’m so glad I got to chat with Lea when she was in town last month for TCFF gala. I also got to interview Jim Hemphill whose wonderfully-crafted drama The Trouble With The Truth was screened at one of TCFF’s Insider Series!

In addition to the staff and audience awards, the 2016 event is also bestowing two North Star Awards to visiting actors Tim Guinee (in town to celebrate the 10th anniversary of “Sweet Land”) and Dominic Rains (starring in three TCFF films now touring the festival circuit — the James Franco-Melissa Leo mystery “Burn Country” screening Saturday night, the neo-noir thriller “The Loner” screening Friday, and the dark comedy “Funeral Day” showing Saturday morning).


Now, I haven’t seen all of the films nominated, as there are only so many hours in a day and I still had to work at my full time job the first week of TCFF. But of the ones I have seen, I definitely agree with most of the choices! I’m especially thrilled to see SO may female filmmakers and talents being represented AND recognized. I think people who read my blog and connected w/ me on Twitter know that I’m not only a big champion of indie films, but also women in film! It’s clear that indie films are the place for women and diverse talents thrive… so I’m glad I got to see many of them thanks to TCFF!

Whether in front of or behind the camera, it always perks me up to see women storytellers, creating and/or portraying multi-dimensional, fully fleshed-out female characters and bringing their stories to life. One of my all time favorite performances is Kate Nowlin in Blood Stripeand having chatted with her in person, she is an inspiration both on and off screen!

Both Prison Dogs and The Eagle Huntress have become two of my all time favorite documentaries! I can’t review the latter until mid November where it’s released here in Minnesota, but I can’t recommend it enough. I guarantee you’d fall in love with 13-year-old Aisholpan who defied the odds to become a champion eagle huntress!

mnwiftIt’s always a blast hanging out with friends and new people you meet at TCFF lounge. But tonight is especially awesome as I got to hang out with two ladies from Minnesota Women in Film and Television (MN WIFT), Joanne Liebeler and Deborah Fiscus. I love their positive energy and warm personality, it’s always encouraging and inspiring to be around such wonderful people!

I feel so blessed to have met to these smart, accomplished, yet warm & lovely ladies, so thank you to my pal Kirsten Gregerson for introducing us! I’m definitely going to join the organization and learn from local women who work in film, television, and new media in Minnesota.

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with MN WIFT’s Joanne, Deborah and my pal Kirsten Gregerson

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Well, tomorrow is the last day of TCFF already! It’s a jam-packed closing day with three gala screenings: LION, Moonlight AND Burn Country, with its star Dominic Rains attending!

I’ll be seeing FOUR movies tomorrow, starting with the documentary on foley artists, Actors Of Sound at 10:15AM, which ends with the closing film Moonlight at 8:30PM! I’m writing this past midnight and in dire need of sleep, but I’m excited for what’s in store for me tomorrow!