Musings on Star Wars: The Force Awakens (2015)

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I wasn’t going to blog about Star Wars as I didn’t think I’d have time before my East Coast trip on Tuesday. But you know what, I can’t help it. Hubby and I actually watched the original trilogy a few weeks ago, just to refresh my memory as I barely remember any of the story. We even watched the last half hour of episode III around the time the final duel between Anakin Skywalker & Obi-Wan Kenobi and Anakin becoming Darth Vader.

Well, naturally there’s a feverish anticipation to The Force Awakens, a decade after Episode III: Revenge of the Sith in 2005. I’m glad the film is finally here so I can actually talk about it and not worry about spoilers. Given the behemoth box office take of $238+mil, surely most of you have seen it by now? I pretty much avoided reading a lot of reviews and articles before this weekend and I’m glad I did. Well, this post is not a review per se, more of my random thoughts about the film and the franchise as a whole, so SPOILER ALERT if you haven’t seen it yet.

A balance of homage & re-imagining

After refreshing the sci-fi classic Star Trek, it’s incredible that JJ Abrams ended up getting the torch to refresh yet another beloved franchise. In a way he’s the right man for the job, and he’s dealt with audience’s passion AND wrath for some of his own creation, i.e. LOST. It’s crazy to think that this is only his fifth feature film as he mostly serve as producers in a plethora of film and TV series.
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Abram’s revealed that it’s nerve-wracking to be helming such a massively popular franchise with such ardent fans who are quite tough to please. So I can see why he sort of played it safe with Episode VII and the plot was a nice continuation from where Return of the Jedi left off three decades earlier. The trio of writers, Abrams, Lawrence Kasdan and Michael Arndt, were respectful to the original story whilst making it current in terms of tone and narrative for the new generation of fans.

The one major update seems to deal with the Force itself. In The Phantom Menace, the Force was measured by Midi-chlorian counts found in the cells of a human being. Anakin had a high amount of that and that’s why Qui-Gon Jinn deemed him to be the Chosen One. But he had to be trained to be able to use the force optimally, but now it seems that the Force-sensitivity is more of a mythical thing that isn’t quantifiable, as the case with Rey who doesn’t require much training to use it (more of that later).

After the Galactic Empire was defeated, a new threat emerged in the galaxy, this time it’s called the First Order. Its similarities to the Third Reich is palpable once again, down to the army formation, uniform, etc., led by the Supreme Leader Snoke (Andy Serkis). It’s clear from the start who the good and evil parties are, which kind of takes away the suspense.

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What I like about it

There’s plenty of familiar faces that’s thankfully more than just for nostalgia sake, as the major players Luke & Leia Skywalker and Han Solo’s are integral to the plot. But the fresh faces add a dose of new energy to the story, and the female-driven plot is a welcome but not-surprising move coming from Abrams.

The adventure pretty much began the moment we meet Rey (Daisy Ridley), a scavenger in the desert planet Jakku and Finn (John Boyega), a stormtrooper who found his conscience and escaped from the First Order headquarter. I love both Ridley and Boyega as the two young fresh faces, that’s inspired casting there to cast two unknowns who have a nice chemistry together. Ridley’s given the most to do here as the Chosen One character, both in terms of physicality and emotionally. I think overall she pulled it off. Boyega is an effortlessly likable lead who’s got a pretty strong screen presence, too. They’ve signed on to multiple Star Wars movies and I certainly welcome seeing more of them.

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Both of them have some funny and even sweet moments with the original cast, especially Harrison Ford who have the most screen time compared to Carrie Fisher and Mark Hamill, the latter had no speaking part at all. Like an old shoe, Ford filled his role of Han Solo effortlessly, complete with his curmudgeon attitude and dry wit. His loyal companion Chewie was right there beside him up until the end and perhaps the only moment I choked up a bit was when Chewie witnessed his BFF being murdered right in front of him.

Lupita Nyong’O, whose face was never seen, added gravitas as the wise Maz Kanata, a petite pirate of some kind who’s lived a thousand years. It’s a memorable motion-capture performance and her character is a pretty important one as she seems to know the whereabouts of Luke and also has his lightsaber.

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Like in Abram’s Star Trek films, there’s an underlying humor throughout. The banter between Rey, Finn and Solo are a hoot when they’re trying to operate (and fix) the archaic Millennium Falcon. I also find Kylo Ren (Adam Driver) hilarious when he’s angry. The dude has major anger management issues as he’d blast an entire control panel with his lightsaber upon hearing some bad news, ahah. He does have great hair though and what’s the secret to him NOT having helmet hair? Now that‘s a secret worth knowing about😉 I think between him and resistance fighter Poe Dameron (Oscar Isaac), they can practically do a Pantene commercial!

My new fave characters are definitely Rey, Finn AND the spherical droid BB 8. It’s the most adorable droid yet and he’s an absolute blast to watch! Just like Baymax in Big Hero 6, I had a big smile in my face every time the droid appeared on screen and it even knew how to give a thumbs up!! So yeah, thanks Abrams for introducing such a fun new character that made me forget about that super annoying amphibious whose name rhymes with jinx.

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When I learned that the film is 2 hrs and 15 minutes long, I was worried I’d be bored stiff but I’m glad that’s not the case at all. In fact, the film felt like a breeze thanks to the dynamic pacing and fun action scenes, especially the flying sequences. That said, I didn’t think the special effects were THAT spectacular as some people have been saying. I mean, it’s to be expected from a modern movie with a humongous budget of $200 mil. It wasn’t as jaw-dropping as Mad Max: Fury Road which was made with $50 mil less and it didn’t feel so CGI-heavy as this one.

Lastly, I have to mention about John Williams‘ score which was still as awesome as the first time I heard it. The new score is wonderful and rousing as well, which mixes the old and the new, just like the film itself.

What I’m not crazy about

I mentioned the lack of suspense, well that’s how I feel throughout the movie. I can’t tell you a moment where I was genuinely surprised, let alone shocked by it. It’s also very predictable, which takes away the impact of some of the big moments of the film. I could see the death of a major character from a mile away, and I didn’t shed a single tear when it happened (and I’m a cryer!). So you could say that the film wasn’t as emotionally gratifying as I had expected.

Now, my main *quibble* that I discussed on my way home with my hubby was the fact that there are more questions than answers after seeing it. I read this article on Tech Insider on 11 biggest questions after seeing the movie and I agree with all of them. The main one is about the protagonist Rey, who we knew nothing about when the film started and she remained a mystery up until the end. Why is she force sensitive? How does the force work within her without ANY kind of training? Yes of course given that Disney is going to milk this franchise for all its worth, I said to my hubby that we probably won’t know much about her until Episode XII! Heh.

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The other main issue I had was that it was never explained why Kylo Ren had such a major beef with his parents? I’d think they’d mention a bit of that when Han and Leia talked about him, but no, we only learned that he had been trained by Luke but then got seduced by the dark side like his granddad. I kept thinking how this seems akin to those parents who learned that their sons had secretly joined ISIS. Ren himself is far from the great villain Vader was (which is obviously the point I guess, hence his constant self doubts), and he’s far too emo and prone to tantrum-throwing to be effective as an evil leader. It made me wonder how he got to be in such a high position to begin with, is it because Snode saw a potential in him given that he’s Vader’s grandson? As much as I enjoy seeing his gorgeous hair though, I think Ren should’ve worn his mask more often as he’s not at all menacing when he takes it off.

“A soap opera about family, not spaceships”

That’s a quote from George Lucas himself I read in this article. “People don’t actually realize it’s actually a soap opera and it’s all about family problems — it’s not about spaceships.” Well, that is fine and dandy because even stories that take place in space have to be somewhat relatable for it to resonate with audiences. But do they need to have familial link for every single character though?? I think if Kylo had been someone NOT blood-related to any of Star Wars’ major character, but that he somehow received training from a Jedi (Luke), I doubt that it’d make that much of a difference in the story. Yes obviously having Han being killed off by his own son, instead of some stranger baddie who happens to be a Vader groupie, has a bigger shock value (though I wasn’t all that shocked, to be honest).

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In any case, I do think the Star Wars saga is NOT just about spaceships. It’s got some Biblical values of good and evil, generational sins, and a good message about self-control, self-sacrifice and what it means to be a hero. It’s also a story about loyalty and friendship, as with Han and Chewie, as well as those droids being so loyal to their masters. The Force Awakens introduce new best friends too, Rey and Finn, Finn and Poe, and even Rey and Chewie?

So is it a perfect film?

Well, the short answer to that is NO. As I mentioned above, Abrams took a pretty safe path and made it more of an homage with a few new things added and so I feel that it’s a bit derivative and even predictable. Just as the original trilogy were best appreciated as a whole, as a stand-alone film, The Force Awakens is good but not spectacular, but it works as a continuation of a larger story. The finale hints that Luke would have a larger role in Episode VIII alongside Rey, so it’ll be interesting where the story goes from here.

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Yes it is indeed better than the prequels, and the dialog has more zing and not cringe-inducing, thank goodness. I’m glad I saw it and I think having just seen the original trilogy helped with my enthusiasm for this new film. Having said that, my hubby and I didn’t absolutely LOVE this enough to see it again on the big screen though. We might rent it again later once it’s on Blu-ray. Thus, as entertaining as The Force Awakens was, I’m actually looking forward to talking about other movies other than Star Wars in the new year.


Well, what did YOU think? Did you share my thoughts about Episode VII?

FlixChatter Review: Dawn of the Planet of the Apes (2014)

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Let me preface this review by saying that I haven’t seen any of the classic Apes movies in the 60s. I did see the 2001 reboot but I can barely remember any of it. But the 2011 version won me over that I’m intrigued to see what’s going to happen next.

The story takes place about a decade after the first film. The opening sequence swiftly tells us a Simian flu and incessant civil wars have wiped out most of humanity. On the brink of extinction, the remaining survivors in pockets all over the world is now living back in a *primal* state. It’s the search of power that connects the two species, as the dam the humans need to restore power resides so dangerously close to the Apes village.

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I love that the film takes its time in the character development of the apes, which are actually more crucial than the human characters. We get a glimpse of the apes’ community that Caesar & his fellow lab objects has built in the hills outside San Francisco.  The little apes go to *school* taught by a big, gentle orangutan, the female apes take care of the household, whilst the males hunt to provide food and protect the community. It’s akin to a tribal village where all the apes live peacefully under the leadership of the strong and wise Caesar. Not long after a small group of humans encounter some of the apes in the woods, thanks to a moron with an itchy trigger-finger, the fragile peace between the humans and the apes is about to be shattered.

Director Matt Reeves (Cloverfield, Let Me In) creates a suspenseful and atmospheric piece here that immediately sucks you in. At times it’s so sinister and eerie that I felt like I was watching a horror film. Aided by Michael Giacchino‘s haunting score, it’s a truly immersive experience. There is genuine terror when one of the human group leaders Malcolm tries to reason with Caesar, having witnessed that he’s clearly more than just a regular ape. Jason Clarke is solid here as Malcolm, he’s not overly charismatic but he’s effortlessly sympathetic and likable. To be fair, none of the human characters are nearly as charismatic as Caesar whose screen presence is undeniable. He commands your attention and even your allegiance, as I find myself rooting for him more than for the humans.

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Right from the start, this story keeps me engrossed whilst I marvel at the amazing CGI that looks and feels realistic. Mo-cap maestro Andy Serkis never ceases to amaze me with his motion-capture performance as Caesar. I really think his performance deserves an acting award as he truly embodies the role in the same way as a live-action actor would. The craftsmanship in the digital recreation of the apes is nothing short of amazing. Every detail and all the subtle nuances of the apes’ expression are so seamless and organic, you’d think these are actual apes who’ve been amazingly-trained! The apes all have distinct facial characteristics, just like the humans do. The production design is absolutely mesmerizing. The ape village, as well as the human compound in a rundown tower looks realistically gritty and bleak. There is a very cool scene in a wrecked gas station that sticks in the mind, not just visually but emotionally as well.

The emotional gratification is what makes a big impact here. Whilst all the special effects are incredible (what with $170 production cost), it’s the characters and their conflicts that make all the difference. And we certainly get that here with Caesar and Malcolm, both of them are essentially on the same page. Both have a family and a community they care about, yet they have to contend with those in their circle who simply don’t see things as they do. In Caesar’s camp, we’ve got Koba (Toby Kebell), his right hand man ape whose hatred for humans stems from being tortured in the lab and he’s got the ugly scars to prove it. “Koba only sees the bad side of humans,” Caesar says at one point, and honestly, at times I do feel sorry for Koba. Malcolms’ cohorts are more one-dimensional. You’ve got the hot-headed jerk Carver (Kirk Acevedo) and the paranoid group leader Dreyfus (Gary Oldman) who doesn’t really have much to do here than scream and shout. Kodi Smit-McPhee and Keri Russell fare better as Clarke’s son and girlfriend, respectively, though again, most of the human characters are simply not as memorable as the apes.

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I know it’s only July, but I have a strong feeling this would end up in my Top 10 of 2014 list. I also don’t think I’m exaggerating that this stands as perhaps one of the best sequels of all time, whilst at the same time it’d work fine as a standalone film. There’s a scene that allude to Caesar’s past in the first film, a poignant moment that truly tugs my heartstrings. I don’t think people need to see the 2011 film in order to get this film, but of course it makes you appreciate Caesar’s journey more. Kudos to Matt Reeves and his team of writers (five of them to be exact) for making this film a Caesar-focused story, it’s a taut thriller that’s as gripping as it is emotionally-gratifying. Now, the narrative is actually quite predictable, but this is not the kind of film that relies on twists so it doesn’t dampen my enjoyment for the film. Given the present conflicts all over the world, the bloodshed and social discord depicted here resonate even more.

Dawn of the Planet of the Apes is not just one of the best offerings of the Summer, but of the entire year. It succeeds because the special effects punctuates and supports the story/character instead of the other way around. The technical achievements never overshadow the story, even during the action-heavy battle scenes in the third act, it doesn’t become so bombastic that we lose sight of what’s really at stake. The 3D is just okay, which is consistent with my sentiment that 2D format is always sufficient. The powerful last shot lends itself nicely to another sequel, and you know what, I for one can’t wait to see more the continuation of Caesar’s journey.

4.5 out of 5 reels


What do you think of Dawn of the Planet of the Apes?

10 reasons The Hobbit is a worthwhile journey

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I saw The Hobbit twice already, the first time on an advanced screening before my vacation and the second time this past weekend. I enjoyed it both times, perhaps a bit more the second time around. Despite the 2 hrs 44 minutes running time, I find it to be thoroughly enjoyable. That’s not to say that I didn’t think the length was perfect, I think there are indeed some scenes that could’ve been edited out, especially some of the battle scenes. But no, I did not find it to be as problematic as critics made it out to be. It’s worth noting that I have NOT read the book so I have no complain about the extra scenes, either.

So here are ten reasons why I’m glad to be back to Middle Earth once again:

1. The world that Tolkien built... and the classic tale of good vs. evil. I think one of the main reasons I enjoyed this movie so much is that I LOVE this fantasy world, the story and its wisdom. There’s an underlying message of hope, courage and love that’s worth revisiting again and again. I’ve loved the characters in the Lord of the Rings, and I also feel a connection with the main characters of The Hobbit. (See #9)

2. The dazzling visuals … The technological wizardry enables us to experience the journey as if we’re actually there inside Bilbo’s house, or in the woods spying on Thorin & co. I saw this movie both times in the High Frame Rate (48Frames/Second) Digital 3D format (NOT the IMAX version) and I have no qualms about it. Yes it’s so crisp that it looks like watching a show on HDTV but after a while, your eyes adjust to it and I’ve come to appreciate the clarity of every little detail and the smoothness of the fast-moving action scenes. It’s such a meticulously-crafted universe, from the interior of Bilbo’s house in the Shire to the ever-so-ethereal Rivendell, which was as majestic as I had remembered it in LOTR.

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It’s obvious this movie is a labor of love for Peter Jackson and it shows. The sweeping cinematography is one to behold, it was a welcome return to the visually mesmerizing world of Middle Earth.

3. Martin Freeman as Bilbo … I’m so glad that PJ was set on casting Freeman, even to the point of reworking the entire shooting schedule (due to the BBC’s Sherlock‘s scheduling conflict) for the Hobbit films to accommodate him. I think his casting is integral to the success of the movie and his personal journey is a joy to watch. Freeman is exactly what I’d imagine the young Bilbo would be. His bumbling mannerism, the way he constantly doubts himself, and his lack of vanity are all what I love about this character. Freeman plays the heroic ‘everyman’ so perfectly, I absolutely can’t imagine anyone else in this role.


TheHobbit_Thorin4. Richard Armitage as Thorin Oakenshield… I was thrilled when I first heard that one of my favorite Brits got a major role in The Hobbit! The English actor definitely has the right look (despite his 6’2″ stature) and sensibility as the Aragorn-like leader of the pack. As the son of the slain Dwarf king and heir of Erebor Kingdom, he’s naturally got a sullen demeanor and a fierce determination to take back his stolen homeland destroyed by Smaug the Dragon. Armitage’s got a mean (read: irresistible) glower which PJ made the most of throughout the movie. Even underneath all that beard and dwarf costume, he’s still so darn hunky. Oh and that deep voice! I sure hope there’s another singing sequence in the 2nd and 3rd movies😉

5. The Lord of the Rings nostalgia … It’s a good thing that PJ came back to direct this movie as it’s got all the ingredients and the vibe I’ve come to appreciate about the LOTR franchise. I also LOVE seeing the characters from the trilogy reappearing here, Frodo, Lord Elrod, Saruman and especially Galadriel and Gandalf. I’ve missed seeing Cate Blanchett on screen so it was nice to see her even in her brief scenes. Ian McKellen is fantastic as usual as the wise Gandalf the Grey. His chemistry with Bilbo is especially heartfelt, Gandalf truly believes in him despite what Thorin thinks about having him around in their quest.

6. The riddle scene of Gollum and Bilbo … Easily the main highlight of the movie for me. Andy Serkis is such a mo-cap virtuoso and Gollum is even more life like than ever before. His bulging blue eyes are ever-so-expressive, it’s especially amusing when he’s frustrated trying to come up with an answer for a riddle. He’s terrifyingly creepy but yet you can’t help but feeling sorry for the poor soul when he lost his ‘precious’ one. An iconic character that never wears out its welcome.

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7. Howard Shore’s gorgeous music … it evokes the lush sound of LOTR and I love that it plays the same theme when certain scenes are revisited, such as when the ring shows up. But yet it’s got its own distinct theme that is unique for The Hobbit. The melody from the song played in Bilbo’s house you heard in the trailer is played throughout. It sounds so beautifully melancholic as a song, but it’s got a lively energy when played during some of the dynamic action scenes.

8. The merry band of dwarves (I purposely use the Tolkien spelling here)The Hobbit is decidedly more lighthearted than the LOTR trilogy, though it still carries a profound message of good vs evil. In the first viewing I felt that the introduction of the Dwarves and the huge dinner party at Bilbo’s house went on a bit too long. But on second viewing I actually enjoyed it a lot more. Their colorful personality offers a stark contrast to the reclusive Bilbo and their angst-y leader Thorin. Radagast the Brown, one of Gandalf’s fellow Wizards, is amusingly quirky as well.

9. “Blessed are the meek: for they shall inherit the earth – Matthew 5:5

Galadriel: Mithrandir, why the halfling?

Gandalf: Saruman believes it is only great power that can hold evil in check, but that is not what I have found. I found it is the small everyday deeds of ordinary folk that keep the darkness at bay… small acts of kindness and love. Why Bilbo Baggins? That’s because I am afraid and it gives me courage.

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I LOVE Gandalf answer. Bilbo is not of noble breed, nor does he have certain superpowers, in fact, he’s chosen because of his small stature and humility. In the midst of superhero movies out there, it’s nice to see a ‘regular guy’ who does heroic deeds motivated by love and empathy for others. The initially-doubtful Bilbo finally comes into his own towards the end, realizing his worth and his place in the journey to the Lonely Mountain. His speech after he escaped Goblin Town is moving and inspiring, delivered so effortlessly by Freeman without even the slightest bit of trite.
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10. Movie escapism at its best…I went in expecting to be swept away in a world so unlike my own and live vicariously through Bilbo as he goes about on his adventure and that’s what I got. Yes some of the scenes are perhaps a bit too cartoon-ish, I mean we’re talking about these dwarves falling down a cavern as the bridge they’re on breaks into fragments, and once they fell hundreds of feet below, a 500+ pound goblin king falls on them. Yet they all survive perfectly with no major injury! I suppose we don’t know the exact genetic makeup of a dwarf so their bones could be a heck of a lot stronger than humans. What else would explain Thorin survival after being whacked by the giant pale Orc Azog with a big mace with spikes on them! It’s all part of the ‘fantasy’ bit folks, so I don’t see a point in nitpicking on that front.

As for Azog as the main villain in this film, I heard some people complain that he’s a ‘weak’ villain. Well naturally he would be if you compare him to Sauron and his evil watchful eye, but the pale Orc is just one of the evil ‘minions’ if you will, employed by the powerful dark force that Thorin & co. would eventually have to face.

All in all, it’s a wonderful start of an epic journey. I really care for the characters and the quest for them to take back their homeland. I was caught up in the adventures and for me and now I can’t wait for what happens next!


So what do you think of The Hobbit? Let me know your thoughts in the comments.

Happy Birthday Andy Serkis!

English actor Andy Serkis turns 47 today. Best known for playing the computer-generated character Gollum in The Lord of the Rings trilogy, he was easily the hardest working actor on the set due to the complexity of the creative process of bringing Gollum to the screen.

According to IMDb, Serkis spent almost two years in New Zealand and away from his family, and much of 2002 and 2003 in post-production studios for large periods of time. Before Sam Worthington and Zoe Saldana did in Avatar, Serkis was already a master in motion-capture acting, which I’d imagine is just as tough, if not tougher, than standard live-action acting.

I think Gollum is easily the most iconic character in the LOTR trilogy, so all the recognition Serkis received for his groundbreaking work in that franchise is very well deserved! Check out this clip of the actor in the flesh versus his computer generated (roto-animated) version as Gollum:


It’s amazing how expressive he is, that’s definitely an art in itself. He used the same art form for his performance as Kong, once again working with Peter Jackson in King Kong, two years after The Return of the King was released. He’s not limited to only doing CGI characters though, he’s had supporting roles in 13 Going on 30, The Prestige, Inkheart, Burke & Hare, and the recently-released trailer Rise of the Planet of the Apes. Not to mention his lead role in the biopic of punk-rock star Ian Dury, Sex & Drugs & Rock & Roll, where he nabbed Best Actor BAFTA award. I’m highly anticipating two of his upcoming movies, one is The Adventures of Tintin: Secret of the Unicorn that’ll be released on December 23 where he’ll play Captain Haddock. The other is The Hobbit coming in 2012. Some of you’ve probably seen Jackson’s first video journal from the set, but in case you haven’t, here it is below:


Man, as if I weren’t excited enough about this movie… this video blog got me practically drooling for The Hobbit! You can see Serkis on the make-up chair somewhere in the clip and of course, the soon-will-be-the-hunkiest dwarf ever Richard Armitage (yes Mr Thornton himself!) introducing himself to the cast and crew [sigh] Oh, and I also found this fan-made trailer on YouTube that I thought was really well-done:



Well, let’s all wish Mr. Serkis a very happy birthday! Now, are you excited about The Hobbit and Tintin movie?

Tintin film will be released late 2011 in 3D

This probably isn’t as huge a news to most American moviegoers. But as someone who grew up reading The Adventures of Tintin comics, I’ve been curiously following this 3D adaptation project for some time now.

The cast of Tintin comic strips

The hero of the comic strips created by Belgian artist Hergé is Tintin, a young Belgian reporter with his fox terrier Snowy (Milou in French). Though it didn’t quite catch on in the US, Wikipedia noted that the series is one of the most popular European comics of the 20th century, with translations published in over 50 languages and more than 200 million copies of the books sold to date. Its fun, captivating and even educational plots would span various genres from swashbuckling, fantastical adventures, political thrillers, to science fiction. The whisky-loving & eternally grumpy Captain Haddock, the genius but hearing-impaired Professor Calculus and the blundering twin detectives Thomson & Thompson never fail to deliver the laughs in various colorful predicaments.

Peter Jackson and Steven Spielberg are teaming up in an effort to bring Tintin to life in a motion-capture animated 3D film. Here’s a brief history of how the project came together. According to the movie page on Wikipedia, Spielberg’s a fan of the series since 1981, and that even Hergé himself thought Spielberg was the only person who could ever do Tintin justice of bringing it to life. The Belgian author died the same week of their scheduled meeting in 1983, but his widow decided to give Spielberg the rights. Fellow comics fan Jackson, who had used motion capture in The Lord of the Rings and King Kong, suggested that a live action adaptation would not do justice to the comic books and motion capture was the best way of representing Hergé’s world of Tintin.

“We’re making them look photorealistic; the fibers of their clothing, the pores of their skin and each individual hair. They look exactly like real people – but real Herge people!” Jackson said of the film’s look.

Spielberg is in charge of directing and ‘capturing’ the actors’ performances, which include Jamie Bell (Billy Elliot) as Tintin, with regular Jackson collaborator Andy Serkis (The Lord of The Rings‘ Golum) as Captain Haddock. Per Guardian UK, Jackson said that Spielberg has finishing filming. Whilst promoting his movie The Lovely Bones, Jackson told BBC: “Tintin is great. It’s made. The movie is cut together and now [we] are turning it into a fully-rendered film. So the movie, to some degree, exists in a very rough state.” However, it will be another two years before anyone sees the film, due to the amount of post-production work Jackson would have to do to convert all the data into a 3D world.

Photo courtesy of EMPIRE magazine

Spielberg directing Bell and Serkis as Jackson looked on

The Adventures of Tintin: Secret of the Unicorn, the first in a proposed trilogy, will also feature the voices of Simon Pegg, Nick Frost, Daniel Craig, Cary Elwes. It’s been reported also that the initial plan was for Spielberg to direct the first movie, with Jackson taking the second and another unannounced film-maker the third, but studio Universal passed on the project last year, leading to a downscaling. The film will now come out under the auspices of Paramount and Sony. It is based on three Tintin books: The Crab with the Golden Claws, The Secret of the Unicorn and Red Rackham’s Treasure.

Can’t wait to see what the creative genius behind two of the finest Hollywood filmmakers will do with this beloved comics. Alas, December 2011 is a really, really long time to wait!