10 New Netflix Original Movies To Watch in May 2021

Every month there are a slew of new movies available to watch on Netflix. This month there are reportedly 65 new movies coming to the streaming giant, but of course those include older movies that Netflix just acquired rights to, such as Back to The Future (including Part II and III), The Land Before Time, State of Play, The Pelican Brief, etc. Glad to see Notting Hill will be coming to Netflix, so I know I’ll be rewatching that! I’m also curious to check out older films I’ve missed, like Zombieland, The Lovely Bones, Mystic River, maybe even Scarface!

Now, for this post I’m only posting 10 brand new films that haven’t been released on streaming previously, even if some of them have actually premiered at film festivals. I’m glad to see a few of female-led films and those directed by women. A bunch of these are international films from South Africa, Mexico, Germany, Netherlands, China, and Italy. There are something for everyone here, so here we go:

The Woman in the Window

An agoraphobic woman living alone in New York begins spying on her new neighbors, only to witness a disturbing act of violence.

Release Date: May 14th
Running Time: 1hr 40min

It’s been ages since I saw Amy Adams in something (her brief appearance in #TheSnyderCut of Justice League doesn’t count! Love a good mystery. This one looks really intriguing, it’s got a heavy Hitchcock vibe, esp. Rear Window. Great ensemble cast too with Gary Oldman, Julianne Moore and Anthony Mackie.

OXYGEN

A woman wakes in a cryogenic chamber with no recollection of how she got there, and must find a way out before running out of air.

Release Date: May 12th
Running Time: 1hr 40min

This looks like an intense survivalist sci-fi drama. I like Melanie Laurent so she’s the reason I’ll watch this one, though even watching the trailer makes me feel a bit claustrophobic.

I Am All Girls

A special crimes investigator forms an unlikely bond with a serial killer to bring down a global child sex trafficking syndicate.

Release Date: May 14th
Running Time: 1hr 47min

Per Deadline, this film is based on real events that happened in South Africa in the 1980s. A detective forming an unlikely bond with a serial killer to bring down a notorious human trafficking ring involving powerful politicians is quite a story. The trailer is pretty intense, definitely not for the faint of heart.

 

Army of the Dead

Following a zombie outbreak in Las Vegas, a group of mercenaries take the ultimate gamble, venturing into the quarantine zone to pull off the greatest heist ever attempted.

Release Date: May 21st
Running Time: 2hr 28min

So Netflix apparently took over this Zack Snyder project from Warner Bros. I actually haven’t seen Snyder’s directorial debut Dawn of the Dead (2004) but this one is NOT a follow up of that movie. Instead of being a global zombie outbreak, this one is contained in Vegas. It’s also not based on any of George A. Romero’s work.

Monster

A smart, likable, 17-year-old film student from Harlem sees his world turned upside down when he’s charged with a murder. We follow his dramatic journey through a complex legal battle.

Release Date: May 7th
Running Time: 1hr 38min

Boy, this film took a long time to get distribution! It won the Grand Jury Prize at Sundance back in 2018. It has a good ensemble cast: John David Washington, Jennifer Ehle, Jeffrey Wright and Kelvin Harrison Jr. who’s been in Luce, Waves, The Trial of the Chicago 7, etc. I’m curious if this one offers something different from the run-of-the-mill legal drama.

Blue Miracle

The incredible true story of Casa Hogar, the Mexican boys home that entered the world’s biggest fishing tournament to save their orphanage.

Release Date: May 27th
Running Time: 1hr 35min

Seems that Dennis Quaid is drawn to feel-good, inspirational family flicks. This one is inspired by true events and star mostly Mexican cast. Sounds like a good one to watch with the whole family.

And Tomorrow the Entire World
(Und morgen die ganze Welt)

How far one is willing to go for the sake of one’s political commitment.

Release Date: May 6th
Running Time: 1hr 51min

A politically-charged drama involving young students in Germany trying to counter the rise of the political right. This film was Germany’s Official submission for Oscar’s ‘Best International Feature Film’ category this year. Per IMDb, the title’s taken from the national-socialist propaganda song Es zittern die morschen Knochen, specifically the line that says “Today Germany belongs to us, tomorrow the entire world.” Eerily enough, Nazi sympathizers are still relevant to this day even in the United States.

 

Ferry

A ruthless Ferry Bouman is sent to his native region of Brabant by his boss Brink to avenge an attack on their gang. When he meets the lovely Danielle and old family feuds resurface, Brabant starts to pierce his steel armor.

Release Date: May 14th
Running Time: 1hr 46min

A Dutch gangster thriller set in 2006 that looks quite violent from the trailer. Starring acclaimed Dutch actor Frank Lammers looks like the splitting image of Oliver Platt. This film explores the early years of Ferry Bouman, the drug lord character in the hit Belgian-Dutch crime thriller Undercover.

 

Super Me
(Qi Huan Zhi Lv)

SANG Yu is so exhausted from trying to stay awake. Every time he closes his eyes, a demon chases and kills him in his dreams. One night SANG realizes he has a special power: he can bring treasures from his dreams into reality. Almost overnight, he becomes a rich man. But his wealth also attracts the attention of a ruthless gangster.

Release Date: May 9th
Running Time: 1hr 42min

The trailer for this fantasy Chinese movie looks like a lot of fun, featuring some gorgeous neon-lit cinematography. Nice to see an action comedy for a change, and this looks pretty darn entertaining!

 

Baggio: The Divine Ponytail

Biographical film about Italian footballer Roberto Baggio, a man who inspired entire generations to play football. A unique footballer, capable of thrilling fans all over the world.

Release Date: May 26th
Running Time: 1hr 31min

I’ve never heard of Robert Baggio before but apparently he’s an Italian football icon. Per Britannica, widely considered one of the greatest forwards in his country’s storied football history. Ever since Ted Lasso, I’m actually more open-minded about sports-themed movies now, ahah.


Which of these Netflix movie(s) are you most excited about?

Guest Review: NOCTURNAL ANIMALS (2016)

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Written/Directed By: Tom Ford
Cast: Amy Adams, Jake Gyllenhaal, Michael Shannon, Aaron Taylor-Johnson
Runtime: 1 hr 56 minutes

It is hard to adequately describe the opening scenes of the psychological thriller Nocturnal Animals (2016) but you will not forget them quickly. Picture, if you will, images of completely naked and generously sized women writhing rhythmically to a heavy beat with various body parts moving simultaneously in different directions. They slowly progress in size, with lighting and makeup that makes them resemble what could be described as artistically grotesque burlesque, all with the opening credits still rolling in the background.

If you are still watching, you are being prepared for a film that explores a twilight world of sexual transgression. It may help to know beforehand that there are three criss-crossing plotlines and you can easily lose your sense of what is happening. Gallery director Susan (Amy Adams) is an insomniac with a crumbling marriage and a disinterested career. Spoilt by wealth, she can indulge her sense of emptiness and her regrets over having cruelly dumped her first husband whose modest career as a writer was never going to meet her aspirations. Having once labelled him a loser, out of the blue he sends her a manuscript for a book she cannot stop reading.

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The dramatization of the book is a gripping stand-alone thriller. Formulaic but brilliantly acted and filmed, it is about a family driving on a deserted road at night who encounter a carload of crazed thugs. The driver is helpless as his wife and daughter endure horrific crimes, and the story becomes the quest for revenge or justice depending on your moral viewpoint. As Susan reads the book it triggers flashbacks about her previous marriage for which a flame still burns, and she begins to sense that the story is a vengeful metaphor for her own emotional and moral weakness. While these twin narrative layers twist and turn, Susan also struggles with her shallow life in the pretentious present tense of the Los Angeles art world.

nocturnalanimal_shannon_johnson

The narrative framework of this film can feel like a tangled mess but it is not. It shifts from one layer to another without warning to create a fine balance between logic and confusion while creating a powerful montage of haunting scenes. The converging motifs of sleeplessness and night trawlers equate Susan’s culpability with those of murderous road stalkers and hint darkly that while some wrongs are beyond the law they are never beyond primal vengeance. The story of Nocturnal Animals is told through Susan’s eyes and with a top-quality support ensemble. The cinematography is striking and many scenes could be framed as artworks in Susan’s gallery. This is a challenging and engaging film that echoes the message be careful what you wish for.

4Reels

cinemuseRichard Alaba, PhD
CineMuse Films
Member, Australian Film Critics Association
Sydney, Australia


Have you seen ‘NOCTURNAL ANIMALS’? Well, what did you think? 

Top 10 BEST Movies of 2016

top102016

I always wait until at least the first week of January before I made my top 10 list of the year prior, and this year is no different. Now, last year I combined my top 10 best and worst in a single post. This year I will just focus on the BEST list and do a WORST (or I’d say disappointing) list in a separate post. Fortunately my worst list is far less extensive than the best one, as I can only count with one hand the worst movies I saw this past year.

Now, I selected films released between January – December 2016, including the limited releases (i.e. Hidden Figures) which opened in select cities in December. Some of these might’ve opened internationally prior to 2016, but I’m using the USA release dates or the fact that they opened at a local film festival. As customary, this list is a cross between a ‘best of and favorite’, so the criteria is that these films made an impression on me, combining the virtue of being entertaining, deeply-moving, thought-provoking, and indelible.

So without further ado, I present to you my TOP 10 list (in reverse order):

10. The Lobster (full review)

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One of the strangest films I’ve seen last year and it’s also one of the most original concept I’ve ever seen. Greek writer/director Yorgos Lanthimos who co-wrote the script with Efthymis Filippou created an intriguing commentary on love and relationship that’ll make you ponder about it for days. I’ve loved sci-fi concepts that’s more grounded in its presentation and the world the characters inhabit in this movie certainly looks plausible. It’s not a perfect film, but still a brilliant one that earns top marks for originality and thought-provoking ideas.

9. Love & Friendship (full review)

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Most of you already know I love Jane Austen’s work, though this one is unlike her most famous work like Pride & Prejudice or Sense & Sensibility. This one is based on Austen’s lesser-known work where we have a saucy protagonist who is as deviously-cunning as she is impeccably dressed. It’s the first film by writer/director Whit Stillman I’ve seen so far and it’s a delight! I really enjoyed Kate Beckinsale‘s in the title role and a delightfully-hilarious turn by Tom Bennett, one of my fave discoveries of 2016. Funny, witty, and so gorgeous to look at, this is another Austen movie I could watch over and over for years to come.

8. Captain Fantastic (full review)

CaptainFantastic

When I saw the trailer for the first time I knew this is a role perfect for Viggo Mortensen who plays an intellectual free spirit, a Renaissance man who’s set in his ways. It’s a fascinating slice of an unorthodox family of seven, Viggo as the unconventional dad and his six kids, following the sudden death of his wife.Set in the forests of the Pacific Northwest, themes of parenting and coming-of-age blend seamlessly. Certainly a film that subscribe to the old adage that it’s the journey, not the destination, that really matters. Like The Lobster, it’s one of the most eccentric films I’ve seen this year, one that definitely left an indelible impression on me.

7. Hidden Figures

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I haven’t got a chance to review this one as I just saw it last week. As soon as I’m done watching this historical drama, thought to myself that I’m glad I waited to post my top 10 list! Since this one had opened in limited release in December, it’s still technically a 2016 movie. Starring a trifecta of terrific Black actresses, Taraji P. Henson, Octavia Spencer and Janelle Monáe (who was also great in Moonlight), it tells a pivotal moment in American history in a heartwarming yet poignant manner. There are moments throughout the women’s journey that made me angry and sad, but the film is brimming with such uplifting optimism and hope. La La Land isn’t the only film that spoke about dreaming big, but the difference is, the visionary trio crossed race and gender lines to achieve what’s seemingly impossible. The quintessential inspirational film that every person, young or old, should see. As some critics put it, it’s a cinematic nourishment for the soul.

6. La La Land (full review)

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Ahhh, the critical darling of the year. It might’ve been around TIFF time last Fall when the buzz surrounds this modern musical started gaining steam. It never let up since that by the time I sat down to see it in mid December, I was a bit worried it won’t live up to such a potent hype. Well, thankfully it was indeed an enjoyable experience, with fun musical numbers, gorgeous cinematography and lively music. An unabashedly dreamy and stylish affair, I could see why it swept many off their feet. For me though, the romance wasn’t exactly swoon-worthy, but it’s the ‘fools who dream’ theme that resonated with me emotionally. It’s that key audition scene performed wonderfully by Emma Stone that I remember most about this film, the one that got me bawling as I felt as if the movie was speaking to me directly.

5. Zootopia (full review)

Zootopia_judyhopps

In a year full of animated features, Zootopia is the only one that deserves to be on my top 10 list (note: I haven’t seen MOANA yet). Disney is sort of catching up to Pixar in terms of storytelling. Its themes of overcoming prejudices feels as timely as ever, whilst still being an enjoyable ride from start to finish. I also love the fact that Zootopia is NOT an animated musical that occasionally burst into songs. The plot is more of an action mystery thriller that is as clever and quick-witted as the smart rabbit Judy Hopps, the movie’s adorable protagonist. It’s also chockfull of wonderful characters that are easy to root for, which made for a fun, enjoyable ride of a movie that’s also smart AND has a big heart. I always appreciate animated features that can cater to adults as well as kids, and Zootopia is certainly a great example of that.

4. Loving (full review)

loving

There are few films that came out in 2016 that couldn’t have been more timely. One is my number 7 pick, and the other is this one. Unlike the more sensational Birth Of A Nation, which was plagued by rape allegations of its creator and star), the beauty of Loving is how personal it feels. It doesn’t come across as a ‘film with a message’, though it certainly contains a stinging commentary of race in America. The story is even more powerful because filmmaker Jeff Nichols focuses on the journey of Richard and Mildred Loving, instead of being concerned about making a political statement. Ruth Negga and Joel Edgerton portrayed the Lovings with such quiet grace and sincerity. Theirs is a story that must be told, and the script, direction and performance all work beautifully to bring that to life.

3. Arrival (full review)

arrival_amyadams

Jeff Nichols and Denis Villeneuve are two emerging filmmakers in the past decade who have continually churned out excellent work. So it’s no surprise their latest work end up on my top 10 list. With any great science-fiction, the best ones are those that remind us of our humanity, and that is the case with Arrival. It’s rare to see a film that treads a familiar ground, aliens visiting earth, yet still manages to be original and truly thought-provoking. The linguistic aspect is something I haven’t seen before in a sci-fi movie, and it’s even more compelling when the core of the story is a deeply personal one. Amy Adams ought to have swept every award this year, I think she deserved it more than Emma Stone in La La Land. Her quiet yet affecting performance is superb here, she is truly the heart and soul of the film. The contemplative nature of the film is far from boring, in fact it makes it even more haunting and enigmatic. It won’t be a hyperbole to call it one of the best sci-fi dramas ever produced, and I think it will stand the test of time.

2. Hunt For the Wilderpeople (full review)

wilderpeople_neill_dennison

One of the biggest travesties of this year’s Golden Globes, and there are many, is that this film was NOT nominated in the Best Comedy/Musical category. Boy, I’d be hard pressed to find a funnier film than this one, made by yet another emerging filmmaker who’s a force to be reckoned with. Written and directed by Taika Waititi, it’s a riotous adventure movie I could watch over and over. Pairing a veteran actor, Sam Neill, with 13-year-old newcomer Julian Dennison made for a brilliant duo, I’d welcome a sequel with those two in another zany journey through New Zealand wilderness! It’s uproariously funny but also has a huge heart, not relying on crude gags masquerading as *comedy* Hollywood churn out these days. This is the only one of two films I gave a 5/5 rating this year, and it’s destined to be a comedy classic.

1. Moonlight (full review)

moonlight_chironjuanswim

This is the second movie of 2016 that I gave a full 5/5 rating to. A poignant coming-of-age story of a young boy living struggling with his identity and sexuality, this film is masterfully-directed by Barry Jenkins. I have no qualms calling it a masterpiece, considering the challenge of using three actors to portray a single character, Chiron, in three different stages of his life. The transition between the three time periods is handled well, it never feels abrupt or jarring. The combination of newbie actors and established ones make up one of the strongest ensemble cast of the year, led by the charismatic Mahershala Ali. 

Few films hit me as hard as Moonlight did. I was so emotionally-invested in Chiron and I often have tears in my eyes when I think about his arduous life journey. The films also deftly broke stereotypes, challenging our perceptions of what we think of masculinity, especially amongst the Black community. I was also in awe by the poignant, elegant and graceful storytelling style of a subject matter rarely depicted on screen. A triumphant film through and through.


HONORABLE MENTIONS:

Pretty much every movie that made my BEST list of the first half of 2016 would count as honorable mentions. So combined with those that were released in the latter half of the year, here are the 20 films released last year that I was impressed with (in alphabetical order):

  1. Anthropoid
  2. A Bigger Splash
  3. Blood Stripe
  4. Captain America: Civil War
  5. Deadpool
  6. The Eagle Huntress (doc)
  7. Equity
  8. The Fencer
  9. The Jungle Book
  10. Lion
  11. The Magnificent Seven
  12. Midnight Special
  13. Pete’s Dragon
  14. Pride + Prejudice + Zombies
  15. Prison Dogs (doc)
  16. Queen of Katwe
  17. Rogue One: A Star Wars Story
  18. The Shallows
  19. Sing Street
  20. Sully

What I missed in 2016

There are still some highly-rated films that came out last year that I haven’t seen, yet… Elle, Manchester By The Sea, Fences, Jackie, Kubo and the Two Strings, 20th Century Women, Neruda, Silence, amongst others.


So that’s my BEST list of 2016. Thoughts on my picks here? I’d be happy to discuss ’em with you 😀

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Batman V Superman: Dawn of Justice Review – The good, the bad and the ugly

BVS_DawnOfJustice

By the time I sat down to write this, I’ve actually seen BVS twice in a week. Yup, you probably think I’m a masochist and I don’t blame you. But hey, it’s really out of solidarity with my dear hubby that I saw it again a second time, as we weren’t allowed to bring guests to the press screening and I actually couldn’t wait for him to see it so we could discuss this drivel movie together.

I have a lot to say here so it’s best to break things down in three categories, like I did w/ some award commentaries. Let’s start w/ the positive.

The Good

I tweeted when I sat down at the press screening that despite the title featuring two of the world’s biggest superheroes, I was mostly excited for Wonder Woman. And well, she did NOT disappoint. In fact, I was literally giddy the first time we saw Diana Prince dressed to kill in a skintight red dress at Lex Luthor’s party. The biggest audience cheer throughout the entire movie was when Wonder Woman finally showed up in costume.

BVS_WonderWoman

Gal Gadot slayed it, she was all badass and heroic. I wish they hadn’t revealed that exact moment in the trailer, I mean they could’ve shown ANY other WW scene besides THAT one, heh. Oh and the WW theme song, OMG I’m seriously obsessed w/ it now. The score is written by Hans Zimmer and Junkie XL who just did the awesome Mad Max: Fury Road score, and this particular track has Junkie XL written all over it.

Like most moviegoers, I was more curious than excited about BVS and it’s to see the Batfleck. Ben Affleck followed up on the strong impression left by Christian Bale in the best Dark Knight trilogy, but y’know what, if we’re just judging on Ben Affleck’s portrayal alone as Batman/Bruce Wayne, I’d say he nailed it. Right from the moment we saw him driving around the wreckage of Gotham as Superman and his Kryptonian foes are wrecking havoc from the sky, we get a grizzled, world-weary and indignant Bruce Wayne. I gotta say Affleck looked damn good as Batman and his alter ego. He certainly has the gravitas of an older and wiser caped crusader, though he’s certainly far more brutal and doesn’t have qualms knocking down bad guys and even killing them. But then again, the supposedly more gracious Superman is nowhere to be found here either.

BVS_Batfleck

The actual BVS battle itself was pretty fun to watch. It could be because we’ve spent nearly TWO hours waiting for the damn thing to finally happened. I was like FINALLY! The action scene here was well-staged and there were moments where I thought they could do serious damage to each other. It’s not quite the level of suspense of Batman vs Bane in TDKR however, I think Nolan crafted that sense of dread and serious peril much better than Snyder. But still, within the grim and dour universe of BVS, this scene was one of the highlights.

BVS_Batman BVS_Superman

Which brings me to…

The Bad

Oh dear, where do I begin.

Basically everything I didn’t care about the third act of Man of Steel is back with a vengeance. All the clanging noise that threaten to do serious damage to my eardrums are ever present as soon as Doomsday showed up. It’s an eyesore too. The world of Gotham/Metropolis are so severe and somber, and the ugliness of the Kryptonian/human monster hybrid so potent I had to look away a few times.

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Doomsday is a cross between Lord of the Ring’s Orc, the Hulk, Ninja Turtle and King Kong, also with a penchant for leaping into tall skyscrapers. That whole battle between the three heroes and this grotesque monster is a colossal CGI smash that went on far too long. It’s a sensory overload that feels like an endurance contest for the audience. If it weren’t for Wonder Woman forming the trio, I think this entire battle sequence would’ve been a total bust.

Speaking of Wonder Woman again, all of the wonderful things about her awesome intro, it is offset by the perpetual damsel-in-distress situations of all the women in Supes’ lives, be it Lois or her mother. It’s like, for one step forward in the right direction about female empowerment, there are three or more that took us back. It’s not Amy Adams‘ fault really, but I’m not fond of THIS Lois at all.

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Now, what I’m about to say is going to make Henry Cavill fans furious but y’know what, a huge fan of Superman it actually pains me to say it. Superman is actually the least interesting character of this movie, thanks to what Snyder created in Cavill. Neither Superman nor Clark Kent was a character worth rooting for. Gone is the heroic and sympathetic alien who cares deeply for humanity, he even refused to take ANY blame for all the monstrous destruction that could’ve been easily avoided if he went around the buildings instead of flying through them! Not only that, he was delusional enough that he told Bruce Wayne that nobody saw him as a liability and that the world was entirely on his side. Cavill’s Clark Kent is no longer the meek, mild-mannered reporter, as he’d rather argue relentlessly with his boss Perry White and had the worst work ethic. Yes Clark was always MIA in previous movies too, but we actually saw he had a good relationship with his boss and there’s a mutual respect between them. None of that is displayed in Snyder’s version.

Don’t get me started with the cringe-worthy scenes between him and Lois. Gone are the sweet and flirty banter between the two, instead we get cheesy lines about hope and what have you, and the supposedly romantic gestures just doesn’t compute at all because none of it felt true. And what’s with the constantly-constipated look on Cavill no matter what circumstance his character finds himself in.

BVS_HenryCavill

He had the same baffled/sad/forlorn/reflective (all of the above? none of the above??) whether he’s talking to his mom/Lois, at the courthouse, surrounded by strangers during Day of the Dead festival, etc. I think he only switches to something of immense rage when he’s facing Batman, which doesn’t exactly make me like him one bit as he comes across more like a bully than a wise and gentle hero we’ve seen in Christopher Reeve. What’s more, Snyder sexualizes Superman so much here it’s putting me off. There’s a scene of him jumping into a bathtub and a gratuitous scene of him cooking with no shirt on. Sorry but that had the opposite effect on me. I don’t want a sexually-alluring Superman, I want a Superman I can believe in.

The Ugly

[SPOILER ALERT]

Ok, one of the screenwriting rules I’ve read often says to steer clear of dream sequences. Unless something is hugely integral to the plot (like say, in Inception), there are very few narratives in which this structure fits. Well, guess what, there wasn’t just one but MULTIPLE dream sequences. I literally was gonna throw things at the screen when it happened, and after seeing it twice I STILL have no clue what the heck those scenes are about and how it served the story. It has no purpose being there other than to infuriate the audience. Seriously, the movie could’ve easily been trimmed to under 2 hours long without these inconsequential scenes.

The scenes of Batman in the desert fighting a bunch of goons wearing Supes’ emblems in their uniforms followed by some ethereal-looking ghost talking to Bruce, what the hell was THAT?? And the whole Superman talking to his dead earthly dad scene in the North Pole. Heh, we already know Supes has daddy issues. Same with the wholly extraneous scene of Bruce’s parents being gunned down. The whole thing is played out with the most irritating slo-motion as if seeing Thomas & Martha Wayne dying a slow death would make us care more about them. Is it so that the movie can start AND end with a funeral scene?? [shrug]

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Forget daddy issues though, this movie seems to be more about the moms. The filmmakers used the fact that Bruce and Clark’s mothers share the same name as a plot device. Good gracious, it’s not only trite, but it’s simply lazy writing. So they needed a good reason for why Batman would stop from killing Superman and that’s all they could come up with?? We’re talking about a writing duo comprised of David S. Goyer (who co-wrote the Dark Knight trilogy) and Chris Terrio (who won Best Screenplay Oscar for ARGO).

[END OF SPOILER]

That said, it begs the question whether it’s actually possible to forge a worthy script that tells SO many origin stories in a single movie with SO much going on there’s absolutely no room at all for any character development. My hubby and I were talking about it this morning on the way to brunch that this movie could perhaps work as more of a Batman story, with Superman treated as a supporting character (plus cameo from Wonder Woman) so it could be more focused on a single character whilst still serve as a launching pad for other characters in DC cinematic universe. But perhaps the studios want to appease the fans for Man Of Steel 2 being delayed indefinitely, as the ‘battle’ between these two characters, no matter how epic, just can’t make up for the messy storytelling.

BVS_battle

All the intriguing ideas about deity and humanity seem so half-baked and completely lost in a sea of clanging CGI death-match. I roll my eyes every time the characters are saying some philosophical mumbo-jumbo about hope and that ‘man is still good’ or whatever, because the film hasn’t earned them. The quasi-spiritual themes feel tacked on instead of being an inherent part of the narrative.

Other Observations

I haven’t mentioned Jesse Eisenberg’s Lex Luthor, whose take of the villain is more of a deranged and power-hungry tech megalomaniac who likes to play god. He played it much like his Mark Zuckerberg in The Social Network, but with more than a few screws loose. He’s hellbent on destroying these demigods, liken them to Biblical demons, but it’s never clear what he’s true agenda is. But y’know what, he’s at least amusing in his nervous ticks that he actually offered a bit of relief from all the drab and grave mood of the movie.

BVS_Luthor BVS_Alfred_PErry

Alfred is portrayed as being more of an equal as Bruce, more akin to James Bond’s Q than the traditional English butler in previous screen adaptation. I have no problem with that and Jeremy Irons rocked as the dry, sarcastic and no-nonsense Alfred who looked like he could’ve been a perfect Bruce Wayne in his younger days. I also love Laurence Fishburne as the commanding Perry White, he’s definitely a more authoritative version of the Daily Planet editor. He respects superstar reporter Lois Lane but doesn’t let her walk all over him either. Perhaps that’s what’s needed to head a newspaper in the digital age, though I have no idea how they’re still in business.

The intro of other DC characters which will live on as part of Justice League and in various stand-alone movies are handled pretty well. At least it didn’t feel jarring to me, though at that point I really didn’t care so much about them as I struggle to muster up sympathy for the characters in BVS.

Final Verdict

It’s mind-boggling just how haphazardly-constructed this whole movie was. It proves that no amount of money ($250 mil production cost) can guarantee quality. Surely it’s a challenging task for even the best director to make a smorgasbord of plots to interweave seamlessly and no director is less than up for the task than Zack Snyder. The transition from one scene to the next is so mind-numbingly jumpy and disconcerting. It’s not quite a complete disaster but still, the bad far outweighs the good for me and trust me, I already had a very low expectation for this one.

I can’t believe Warner Bros entrusted so much of DC universe to a one-note director who has absolutely no talent for storytelling. So he’s known for his visual flair, but to be honest with you, I can’t even think of a single truly spectacular scene that took my breath away. Ok so there’s the moment where Batman drives his Batmobile into his Batcave through a secret entrance hidden in a dam that I thought was pretty darn cool. But that is all I could remember from an entire 2.5 hour movie, which is saying a lot.

It’s unforgivable that Snyder & co. has made a formidable hero like Superman so tedious and impossible to root. After this, I can’t be bothered with any other DC movies in the future. The only one I’m looking forward to is Wonder Woman and that’s mostly because a female superhero on the big screen has been so long overdue. The fact that it’s NOT directed by Zack Snyder is another reason to cheer, but since Dawn of Justice hit a big box office record on its opening weekend ($170 mil), I don’t think we’ve seen the last of him yet. Alas, Snyder will still be allowed to make more movies, and that’s the real travesty of it all.

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So what did YOU think of ‘Batman V Superman’? Did you like it more or less than I did?

Thursday Movie Picks #29: All in the Family Edition – Married Couple Movies

ThursdayMoviePicksHappy Thursday everyone! I’ve been seeing posts on the weekly Thursday Movie Picks that’s spearheaded by Wandering Through the Shelves Blog, but I haven’t been able to participate. Well until now that is.

The rules are simple simple: Each week there is a topic for you to create a list of three movies. Your picks can either be favourites/best, worst, hidden gems, or if you’re up to it one of each. Every last Thursday for the first nine months of 2015 I’m running the All in the Family Edition and today is the the first theme for the edition… 

Married Couples

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Well, for this edition, I decided to pick three movies that feature married couples in three very different marital circumstances. Having been married for 11 years, I consider marriage a blessing I don’t take for granted, but it’s also not a walk in the park. For this blogathon, I deliberately picked three different genres just to mix things up, so here goes:

Julie & Julia

JulieJulia

Movies depicting a positive marriage is rare in Hollywood, perhaps they think it just doesn’t make for an interesting story. Well, I always go back to this movie as a good example of a healthy marriage as it actually features TWO loving married couples. People may only remember this movie for all the food/cooking scenes, and they certainly are scrumptious. But for me I always remember the relationship between Julie & Paul Child (Meryl Streep & Stanley Tucci), as well as Julie & Eric Powell (Amy Adams & Chris Messina). Both husbands are so supportive of their wives, and they’re depicted in such a real and sincere ways by all the actors. In fact, Paul Child made my list of Best Movie Husbands that I did for my 9th wedding anniversary.

 

Indecent Proposal

indecentproposalI saw this film ages ago with my brother, I think I might’ve been in high school at the time. I thought that the pairing of Demi Moore & Woody Harrelson worked well here and there’s a real chemistry between the two. The film shows how temptation and desire can quickly tear apart even the strongest bond between two people, and their marriage crumbles as a result. But the film doesn’t just show the fragility of marriage, but also the power of love that can piece things back together again, no matter how shattered the bond may have been. The story made such a big impression on me and to this day, the beautiful finale scene by the beach never fails to bring tears to my eyes. The heart-wrenching theme song by John Barry is one of my all time favorite.

Mr & Mrs Smith

MrMrsSmith

This is the infamous film that serves as the origin story of Hollywood’s golden couple. Brad Pitt & Angelina Jolie fell in love during filming and their scorching chemistry is palpable on screen. Playing two skilled assassins who kept their secret identity from each other, it’s perhaps the most preposterous portrayal of marriage, but it sure was fun to watch. The real-life couple could barely fake their disdain for each other in the opening scene at a marriage counseling session:

 


What do you think of my picks? Have you seen these films?

Weekend Roundup: Leap Year, The Loss of a Teardrop Diamond & a whole lot of Toby Stephens

If someone were to ask me, “What did you do this weekend?” Well, the short answer would be “Toby Stephens.” Ahah, well ok so it came out wrong, didn’t it? I meant, my weekend pretty much consisted of watching/listening/tumblr-ing about him, my long-lifeless tumblr has been set ablaze now by Toby’s fiery charisma.

I did manage to fit in a few movies… one of which is Some Like It Hot, a Billy Wilder classic that I mistakenly thought it’s one of my Blind Spot list.

SomeLikeItHotPoster

Oh well, the good thing is I finally watch that movie as it’s a lot of fun, but the bad part is that my Blind Spot post is going to be late. I’ll just have to post a double review next month then.

As for the other two movies I saw, here’s my quick thoughts on them:

LeapYear_Pic

I really don’t know what came over my hubby and I that made me want to rent Leap Year. Well my friend Ashley and I were talking about Matthew Goode earlier in the week but I wasn’t intending to watch the movie this weekend. In any case, it turns out to be such a dud. For some odd reason, iTunes listed the Rotten Tomatoes rating as 100%, which was so surprising to us to see a rom-com got a high rating but as it turns out, the real RT rating is 21%!!! Ok so I don’t always agree with the critics but this movie is everything I dislike about today’s rom-com: vapid, banal, clichéd and immensely unfunny. There’s nothing romantic nor funny about this movie, gah!

The whole thing revolves around a girl who flew from Boston all the way to Ireland to propose to her cardiologist boyfriend on leap year. Of course along the way she falls for someone else [yawn] Amy Adams‘ cute-as-a-button charm might’ve worked for Enchanted but here she comes across as dimwitted and shallow as her character is supposed to be. Goode seems bored throughout the whole movie and can’t say I blame him, his talent is utterly wasted here anyway. Right from the start, everything about the plot is so contrived that even the slight 1 hr 41 min running time was such a drug all the way to its predictable conclusion. I doubt even Toby Stephens could save this movie for me, though it’d probably make it a million times more watchable 😉

LossTeardropDiamond_Movie

We actually wanted to check out this one after we saw Captain America 2. Funny how Chris Evans often mention in interviews how bad his movies are, ahah. Well, this one is actually not horrible, but not exactly good either. Set in the 1920s, The Loss of a Teardrop Diamond is a societal drama about a rebellious Memphis débutante Fisher Willow who can’t stand the suffocating Southern tradition and the narrow-minded people surrounding her. Bryce Dallas Howard looks the part and she’s pretty believable in the role. Evans play the handsome but penniless suitor Fisher hired, passing him up as an upper-class suitor to her friends. He seems ill-suited for the part despite his best effort, not to mention his touch-and-go Southern accent, ahah.

The screenplay was apparently written by Tennessee Williams himself back in 1980, not sure why it took 28 years for the film to finally got released. Cat On a Hot Tin Roof is the only Williams’ work I’ve seen so far and this one definitely not as memorable, but the story is mildly intriguing. I just didn’t find Fisher’s journey as particularly engaging, the most memorable part is actually Howard’s scene with a dying woman played by Ellen Burstyn. There is an odd lighting technique during this scene where the whole room suddenly dimmed out and a spotlight appears on top of the two characters conversing on the bed. That’s really strange to see a technique used on a stage performance, not sure what that’s all about. Overall it’s not a complete waste as Leap Year, so I’d still recommend it if you’re a fan of Tennessee Williams.


Falling Madly…

Well, in case you missed my tribute from last week, I’ve been struck with a seemingly-incurable Toby-itis. Hence there’ll be a heck of a lot more Toby Stephens for the unforeseeable future 😉

I watched a myriad of Toby clips on Youtube, he’s had such a varied career, even starring in a Bollywood movie called The Rising: Ballad of Mangal Pandey where he’s sporting a Scottish brogue AND actually spoke Hindi.I’m not talking about a couple of sentences here, but he held multiple conversations with the Bollywood actors throughout the movie! My admiration for him just went through the roof!

The two clips I watched most were Jane Eyre 2006 and Black Sails, though both are period pieces, the roles couldn’t be more different from each other. And that’s what amazes me about his chameleonic quality.

Toby_Rochester

This interview on his role as talking about his role of Mr. Rochester has broken the record as the vid I’ve watched the most in a single weekend. Don’t ask me how many times, I’ve lost count already… This interview on his role as Rochester in Jane Eyre 2006 has broken the record as the vid I’ve watched the most in a single weekend. Don’t ask me how many times, I’ve lost count already…

Thank goodness for youtube where I get most of my Toby watching as it’s really tough to get access to most of his previous work. I’ve ordered a few dvds but it’ll take a week before those get here. I never thought I’d say this either but THANK YOU Michael Bay for hiring Toby as Captain Flint in Black Sails. Thank goodness for youtube where I get most of my Toby watching as it’s really tough to get access to most of his previous work. I’ve ordered a few dvds but it’ll take a week before I got my hands on those, so I had to turn to youtube to get my Toby fix.

Toby_Flint_BlackSailsI never thought I’d say this either but THANK YOU Michael Bay for hiring Toby as Captain Flint in Black Sails.


So that was my weekend. What did YOU watch folks, anything good?

Oscar 2014 Winner Predictions & Reminiscing on Best Actor/Actress Nominees’ Early Roles

TheOscarsLogoThe film industry’s biggest night is just three days away. Dozens upon dozens of award ceremonies have taken place in the past few months, culminating on Sunday with the Academy Awards! I figured I’ll join in on the fun of predicting who will win the Oscars, split into two categories. The ‘Should Win’ here who I’m championing to win based on what I’ve seen. Nothing scientific here, the winning predictions are based on what I’ve read/heard, other awards up until now, as well as pure gut instincts. So here goes:

BEST PICTURE
Will Win: “12 Years a Slave”
Should Win: “Gravity”

Have you checked out the Bloggers Roundtable Post over at Keith’s blog? Thanks Keith for inviting me to take part with my favorite bloggers!

BEST DIRECTOR
Will Win: Alfonso Cuarón
Should Win: Alfonso Cuarón

BEST ACTOR
Will Win: Matthew McConaughey
Should Win: [Since I haven’t seen Dallas Buyer’s Club] Chiwetel Ejiofor

BEST ACTRESS
Will Win: Cate Blanchett
Should Win: Cate Blanchett

BEST SUPPORTING ACTOR
Will Win: Jared Leto
Should Win: Michael Fassbender

BEST SUPPORTING ACTRESS
Will Win: Lupita Nyong’o
Should Win: Sally Hawkins

BEST ORIGINAL SCREENPLAY
Will Win: “Her”
Should Win: “Her”

BEST ADAPTED SCREENPLAY
Will Win: “12 Years a Slave”
Should Win: “Captain Phillips”

BEST ANIMATED FILM
Will Win: “Frozen”
Should Win: “Frozen”

BEST DOCUMENTARY
Will Win: “The Square”
Should Win: “The Act of Killing”

BEST FOREIGN LANGUAGE
Will Win: “The Great Beauty”

Should Win: “The Hunt”

BEST CINEMATOGRAPHY
Will Win: “Gravity”
Should Win: “Gravity”

BEST ORIGINAL SCORE
Will Win: “Gravity”
Should Win: “Gravity”

BEST ORIGINAL SONG
Will Win: “Let It Go” from “Frozen”
Should Win: “Let It Go” from “Frozen”

Reminiscing on Acting Nominees’ Early Roles

Now, I’d like to do something different this year than simply predicting the winners. I was inspired by something I saw a couple of nights ago whilst I was at the gym. ABC always airs interviews with the acting nominees and show clips of their previous films. Well, it made me reminisce on the first time I saw each of the Best Actor/Actress nominees and how I felt about them then. For the purpose of this post, I’m only focusing on the leading category for this post. So allow me to walk down memory lane for a bit.

OscarBestActressNominees

Amy Adams

AmyAdamsJunebugFirst saw her was in Catch Me If You Can but for some odd reason, I didn’t remember her until much later after I saw the film. She had a small role as a Southern Belle type hospital nurse whom Leo DiCaprio’s character proposed to. But the role that really impressed me was Junebug where she also played a Southerner, a young mother to-be who thinks that her baby would solve her marital strain. It’s a bit of an odd film but I definitely remember her in that, and clearly the Academy did too, as it earned her first of five nominations.

Cate Blanchett

CateBlanchettLOTRIt was her role in the mega blockbuster The Lord of the Rings: The Fellowship of the Ring that made me notice the Aussie thespian. I absolutely loved her voice as she narrated the story. After that I went back to watch her Oscar-nominated role Elizabeth, which to this day I still think she’s far more worthy of the Oscar win than Gwyneth Paltrow was in Shakespeare in Love. I’ve never NOT been impressed by her performance since, I’m constantly in awe of her versatility and chameleonic quality, convincingly speaking whatever accent is required of her. Balancing small films like Little Fish, Veronica Guerin to a big-budget production like The Aviator, she seems to be able to do it all effortlessly. Even in a terrible movie like Indiana Jones 4, she’s still very watchable.

Sandra Bullock

SandraBullockSpeedI might’ve seen Sandra in Working Girl TV series but for some reason I didn’t realize she’s the same girl in Speed! I didn’t recognize her with her big wavy hair, ahah. So I have to say it’s her big break in the hit action flick, which was also Keanu Reeve’s breakthrough role, that made me notice her. I liked her straight away and I’ve always been fond of her since. She might not have Blanchett’s range, but she more than make up for it in congeniality – no surprise that she made two movies bearing that sentiment as it’s so tailor-made for her. I’m one of the few who didn’t mind that she won Best Actress for The Blind Side, but her dramatic chop is stretched even further in Gravity.

Judi Dench

JudiDenchGoldeneyeOne of British finest Dames has had a long career in various stage, TV and film work before she made history as the first female M in the James Bond series. So I first noticed her as Bond’s snarky boss in Goldeneye, who aptly and memorably calls him a ‘sexist, misogynist dinosaur.’ Bravo! Only three years later she won a Best Supporting Actress Oscar in Shakespeare in Love despite being on screen for a mere 8 minutes. The one British monarch role I absolutely love her in was Mrs. Brown where she played an older Queen Victoria who found friendship in her servant Mr. Brown as she was mourning her husband’s death.

Meryl Streep

MerylStreepKramervsKramerAn acting living legend has a staggering 17 Oscar nominations (3 wins), the most of ANY performer of all time. The first time I saw her was in Kramer vs. Kramer when I was a kid, where she won her first Best Actress Oscar. That film was indelible as I remember being quite frightened by the scene where her kid fell in the playground, being carried home by her on-screen husband Dustin Hoffman. I haven’t seen a lot of her work and to be frank, she’s not really a favorite of mine even if she’s always impressive in everything I’ve seen her in. I definitely enjoyed seeing her as Miranda Priestly in The Devil Wears Prada, that’s really a fun role for her where she gets to be this larger-than-life meanie without being cartoonish.

…..

OscarBestActorNominees

Christian Bale

Bale_MidsummerNightsDreamI honestly can’t remember when I first saw Bale in movies. I know it’s long before he don the cape as the Dark Knight, and it wasn’t his movie big break as a child actor in Empire of the Sun as I saw that after Batman. So it could very well be his small supporting role in Midsummer Night’s Dream as I saw that one on the big screen. It’s interesting to see the ever-so-serious Bale in a Shakespearean fantasy comedy. I barely remember what the whole story was about but I remember how dreamy he was in it, hard to imagine him doing a fluffy role like that, but I think he should just to break things up from all the solemn and dark stuff he does nowadays.

Bruce Dern

BruceDernNebraskaThis is the only time in a long while where I haven’t seen any of the work of an actor prior to the one being nominated. I have heard of him but somehow I just never saw him in anything. I have to rectify that situation at some point as I was quite impressed by his performance in Nebraska. People constantly tell me he’s played great bad guys in his younger days, so I just have to check those out!

Leonardo DiCaprio

LeoDiCaprioGrowingPainsI’m always amazed and in awe at Leo’s career trajectory as I first saw him in one of my favorite series Growing Pains! He was so dorky looking but even then you knew he was special. After that I never saw any of his film roles until Titanic, in which I had a slight crush on Jack Dawson (which teen girl wasn’t?). So of course I saw a bunch of his films after that, even the really obscure one like Total Eclipse as a French poet (sans the French accent) where he even had a gay sex scene with David Thewlis. Leo even did a Western in The Quick & The Dead, though by that point I was already crushing on Russell Crowe who never looked better in a film.

Chiwetel Ejiofor

EjioforChildrenOfMenFirst time I noticed Ejiofor was in Children of Men, though I might’ve seen him in Inside Man as well before that. A year later I saw him in American Gangster, with fellow hunky Brit Idris Elba, both playing Americans on opposite sides of Denzel Washington’s character. I’m so glad he’s now getting more recognition, hopefully it’ll bring more leading roles for Ejiofor, as he obviously has the chops. Interesting that both him and Elba has also played leading roles in Mandela-related films, Ejiofor was the lead in this dramatic gem Endgame.

Matthew McConaughey

McConaugheyWeddingPlannerThe role I first took notice of this Southern hunk happens to be in one of my guilty pleasure rom-com The Wedding Planner opposite J-Lo. I thought he was sooo darn hunky and sweet in that movie. I think I might’ve seen him prior to that on Boys on the Side but I can’t remember what he even looked like in that movie. Funny that he was in a sci-fi movie about dragons with fellow 2014 nominee Christian Bale in Reign of Fire, and back then he got top billing over the lesser known Bale. I skipped a bunch of McConaughey’s movies for a while, I have to admit I wasn’t a fan until I saw him in The Lincoln Lawyer. Nice to see his career renaissance – aptly coined The McConissance – of late, he’s poised to win this Sunday.


Thoughts on my predictions? More importantly, would you share your first cinematic memory with any of the Best Actor/Actress nominees?