FlixChatter Review: LAST CHRISTMAS (2019)

Directed by Paul Feig
Starring: Emilia Clarke, Henry Golding, Michelle Yeoh and Emma Thompson

The holidays are upon us and along with that – holiday films. From “A Christmas Carol” to “Die Hard” and even to “Eyes Wide Shut”, the genre covers a wide spectrum of styles and there is always something, some motif, setting, style or narrative that makes it what it is and marketable this time of year. Paul Feig’s latest “Last Christmas” falls within the conventional side of this spectrum and appropriately so.

Emilia Clarke plays Kate, an aspiring and struggling singer living in London who also works as an elf in a Christmas store owned by Santa (Michelle Yeoh). Kate or Katerina (her Yugoslavian namesake) is a bit of a train wreck, borderline homeless, careless, irresponsible and jaded. Along comes Tom (Henry Golding), a stranger who happens to show up when she is at her worst but seems to melt her icy cynicism little by little. Slowly, she starts to turn things around, even with a hovering mother (played by Emma Thompson) obsessively doting on her.

To say any more would be revealing too much but Last Christmas reminds us of Bill Murray’s character turn/development in Groundhog Day, another holiday classic. Last Christmas follows the holiday template almost to a T in its predictability. However, Emilia Clarke’s performance is so charming that the movie succeeds in its intention. I’d forgotten she’d been Daenarys of Game of Thrones’ fame. Her comic turn as Kate is so natural and effortless that it’s enough to carry the film throughout the clichés, forced subplots, and feel-good story. We end up rooting for her through thick and thin. Clarke’s performance proves she’s not one-dimensional – a sign she will overcome being typecast, and hopefully more opportunities for complex roles in the future.

Michelle Yeoh, Henry Golding and Emma Thompson are all merely there as supporting characters but there are some nice touches here and there. Last Christmas is cognizant of the times and reflects some of the political climate of today’s Europe and the western world. This is the world of Brexit and racism. Thompson (co-writer) and the filmmakers can be commended for at least trying to present a more realistic and diverse London.

The soundtrack is rich – filled with Wham! and George Michael classics. Michael’s song is the inspiration for the story and also a tribute to the late singer. Last Christmas is a cookie cutter of a film and not quite the classic it’s striving to be but it does have its heart in the right place. For some that might be enough.

Vince_review


So did you get to see LAST CHRISTMAS? Let us know what you think!

One thought on “FlixChatter Review: LAST CHRISTMAS (2019)

  1. Pingback: Member Reviews: “Last Christmas” – Online Association of Female Film Critics

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