TCFF 2018 Indie Film Spotlight: RICH KIDS & interview w/ filmmaker Laura Somers

One of the things I love most about blogging for Twin Cities Film Fest is getting the opportunity to see so many indie gems, as well as insights about making them from the filmmakers themselves. Filmmaker Laura Somers has been such a personal inspiration to me as a newbie filmmaker from the moment I reached out to her to do this interview. For the past four years, day in and day out, she somehow found the energy to push herself to get her film out there. “It’s a crazy form of dedication.” she says, and I can totally relate.

This film has been making ways in various film festivals and rightly so. Such a thematically-rich film (pun intended) with a talented young cast, plus diversity in front AND behind the camera. What’s not to like?

A group of troubled teens from a low-income community break into “Los Ricos”, the local mansion with a border fence, and spend the day pretending to be rich in order to forget their difficult lives.

Twin Cities Film Fest Screening:

Sunday October 21st – 10:10 AM

Q&A with filmmaker Laura Somers

Q1. Before I go into the film itself, I’d like to ask you about your filmmaking background. What makes you want to be a cinematic storyteller?

I have been making films since I was five. My mom and dad bought an 8mm camera and we used to write scripts and act and my parents would shoot and edit them. I got hooked early on, and it’s always been a part of my life. I ended up directing theater for a long time before I decided that for me the stage felt like it wasn’t enough. The biggest obstacle for theater to me is limited audience reach. Being an indie theater director often means short runs in one city – now as a filmmaker my work can live forever and travel around the world – for better or worse!

Whenever I talk to a filmmaker, I’m always interested in what inspires them to make this particular film. How did you come across this screenplay that’s based on an actual event?

The idea for Rich Kids came out of an incident that happened in the neighborhood I grew up in. Our road cut through two completely different neighborhoods, one, a low-income working class neighborhood and the other, an upper middle class neighborhood. Although the road was only eight feet wide, the divide was clear as day.

My house was on the edge of the upper middle class neighborhood at the road. It was a beautiful, ostentatious fortress built incongruously in the neighborhood. The house was a neighborhood legend that the locals spun stories about. School friends and kids in the neighborhood were always breaking in to get a look inside. It wasn’t until I moved out on my own, did I grow to appreciate what that house represented to people who didn’t even have a house. The luxury and tranquility it offered. An escape from the hardships of life.

A few years ago, a group of kids broke into the house. Evidence left behind tells us that these kids lived in the house for a few days, having one hell of a time before it ended in tragedy. We turn on the local news and see stories like theirs all the time. And many people just think, “Well, they were bad kids,” change the channel, and forget about them. But I knew kids from this community, they were my friends. I wanted to use this opportunity to give those kids a voice.

The story speaks about economic and perhaps racial disparity amongst youth, which is a timely subject in today’s climate. Yet the title signifies that ‘richness’ isn’t always about money/materialism. How did you/your team come up with that?

The title was literally the first thing I came up with. It was just the obvious choice. At that time I really only took it as face value – that poor kids were pretending to be rich. The dual meaning grew organically out of the whole process – the writing, the crowdfunding, the acting, the editing, the music. Everyone that has touched this film approached it with so much dignity, so much love for the story and the characters – the themes evolved and presented themselves as we went along. It was truly a magical experience.

What’s the biggest challenge you as a filmmaker faced in bringing this story to life?

I’m a filmmaker, and I’m also a mother to a four year old. I started working on Rich Kids when my son was six months old. I’ve been a stay at home parent with him this entire time, and my husband and I don’t have any family near us in Los Angeles to support us and we couldn’t afford regular childcare. So for the last several years I’ve been juggling these two worlds – new motherhood and indie filmmaker-hood – two dreams have come true at the same time, which is such a thrill!

Since the story is based on a real event, were you able to film it in the location where it happened? If not, how was the location scout process?

We filmed in the actual house the event took place in – it was my childhood home. The location was really the push that we needed to get us going – my parents were preparing to sell the house as we were writing the script – I kept telling them – “I’m doing this film that I want to shoot in the house, but if you have to sell the house, do it – don’t let me hold you back”. So I was really moving fast to get it all done. We shot the film right as my parents hired a real estate agent and they started showing it after we wrapped. Lucky for me that agent wasn’t very good – because after we did our first edit pass, we had to come back a few months later and shoot a few extra days at the house – and it was still available. They’d gotten a new agent by then who literally sold the house a week after we wrapped that second shoot! The universe works in amazing ways sometimes.

I’m interested to hear about casting, as most of the young cast are unknowns. Is that a deliberate choice and did you do a wide casting call to find the right people?

It was a deliberate choice to work with unknowns. I just find it really exciting to discover new talent. I love their energy, they are so joyful because they’re at the beginning of their careers and that really radiates on the screen. There’s so much talk right now about the need for diversity and representing people of color on screen, about lifting each other up. This is the small part I can play in that. If any of the people who worked on Rich Kids can benefit from this film in any way, I’ll be very proud.

The casting process was amazing. I did a very wide open call, reaching out to acting teachers and agents, putting ads online everywhere, including Craigslist! I looked at a ton of people, just trying to find talent who I felt had a similar soul of the characters. My sister and I held a big group audition and we had 10-15 actors in two hour blocks and we did improv and cold readings. Then we had each person spend five minutes talk about why they felt they could relate to the story of Rich Kids and what it would mean to be in a film like it. And these amazing young people just talked and talked – they were so anxious to tell their stories. It was so cathartic for all of us. We went back and used some of the inspiration from the auditions as lines and scenes in the film. Once I’d narrowed down my favorite actors, I spent a lot of time on Skype getting to know them and letting them know me so that we could build a lot of trust and we could use our life stories to craft their performances. And the actors who were finally cast spent a lot of time getting to know each other on the phone and in person, so by the time we walked onto set, we had already built solid relationships.

DP Eun-ah Lee on the set of Rich Kids

What’s your favorite parts about filming? Is this the first time you work with a primarily young cast?

I love working with actors! I really have fun guiding them to great performances, helping them see a moment or movement that they hadn’t considered before. I love all the emotion that gets poured into their craft and I enjoy emoting along with them. I’ve worked many times with a young cast, their creative energy is always invigorating and inspiring to me.

Lastly, what would you like the audience to come away with after watching your film?

Simply that they feel like they’ve been on a really good journey. They walked in as one person and left as another. And they’re excited about what kind of film we’re going to make next.

Check out some exclusive BTS photos from the set
(Thank you Laura!)


Follow RICH KIDS journey online:


Check out the trailer below:


Thanks so much Laura Somers for chatting with FlixChatter!

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One thought on “TCFF 2018 Indie Film Spotlight: RICH KIDS & interview w/ filmmaker Laura Somers

  1. Pingback: TCFF 2018 Indie Film Spotlight: RICH KIDS & interview w/ filmmaker Laura Somers | TCFF 2018

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