Going into its ninth year, Twin Cities Film Fest is launching a brand new initiative in its INSIDER SERIES program! As a first-time writer/producer who just made my first short film last year, I’m thrilled to see short filmmakers getting a platform to showcase their work. One of the eight outstanding short narrative films screening in TCFF’s first MN Shorts Showcase is a drama made by Jason P. Schumacher, whom many of you might know as the director behind Hearts Want.
Check out my Q&A with the MN-based filmmaker (who also directed the documentary Beyond the Thrill that’s screened at TCFF in 2016):
A coming-of age-story about a young boy realizing that his parents are alcoholics.
Q: You’ve said that this is a personal film for you. Would you elaborate on that? Was it based on true events?
My co-writer, Jesse Frankson, and I have known each other since elementary school but never really realized we had similar experiences in our upbringing, when it came to our proximity to alcoholism. The film is a work of fiction, but it includes inspiration from things that happened to one or both of us, or things we’d heard from peers with similar experiences.
I’d also looked at the “Laundry List” created by the organization Adult Children of Alcoholics. Those who grow up around alcoholics often share similar traits with one another; feelings of guilt and abandonment, an overdeveloped sense of responsibility, suppressing emotions, and also a tendency to also engage in addictive behaviors. In “This is Home”, the young boy is in the early stages of developing and showing these traits, as he begins to realize more and more that his parents are alcoholics.
Q: The film had a child actor (who was about 10 at the time of shoot), who’s terrific in the role. What was the biggest challenge(s) working with a young talent?
Honestly, we didn’t really treat Will Hugo too differently from the adult actors. Working with any actor, it is all about building trust – letting them know that you trust them and earning their trust. The first day of filming was the scene in the river and successfully getting everyone through a logistically challenging and uncomfortable scene like can really be a bonding experiences for the whole cast and crew. The river was also two and half hours a way, so we got to talk on the way with Will and his mom and build rapport and get to know one another more. Will is very involved in various activities in his own life and has great supportive community around him (and siblings too), so we asked him to imagine how different his life might be if he didn’t have those things, which helped him imagine the feelings of the character more.
We’d often talk him through what his character’s feelings are at each moment. He’s a sharp kid and we threw a lot at him. The rest of the cast was really great at working with him too. He was a little shy at first, but by the end he was cracking jokes with everybody, like, “Excuse me, excuse me – lead actor coming through!”
Q: Can you tell me a bit about casting? I recognize the taxi driver was the same actor who played the ringmaster in your other short, Sad Clown.
Even though Darrin Shaughnessy is incredible in Sad Clown, we still made him audition! He’s great at playing characters that seem a little surly but are still sympathetic. When his character enters the bar to pick up the drunks, his face is worth a thousand words. We’ve all been there. We did a pretty extensive casting actually. We had two days with long casting sessions and then a call-back. We knew the film would live or die by the casting.
We needed actors that played the actors as real people, without too many preconceived judgements. And also actors that we could believe were a family. With the wrong casting or performances it could play like a PSA or a melodrama and we didn’t want that. It was very a delicate.
Megan Kelly Hubbell, Sean Dooley (who played the parents) and Will really stood out as the right people to play the family in the film. They just connected with the material. Megan’s audition was one of the best I’ve ever seen for anything. We actually saw a lot of great local talent and instead of performing a monologue, we asked them to tell a story about drinking or being around drinking. We heard some pretty wild stories! The co-writer of the film also appears in the film as Dan, their annoying drinking buddy.
Q: There is an extensive river tubing scene which I’d imagine must’ve been pretty tough to shoot. Would you share about shooting that scene and the toughest part about that particular shoot?
We filmed at a river on a relative’s property that I go tubing on every summer. Tubing down the river each year always felt like one of the most cinematic things I could imagine and I’d never seen tubing down a river in a film before. It became this perfect metaphor in the center of the film, this family drifting somewhat aimlessly together.
On the day we filmed, it was cold! Maybe 62 degrees, so who knows what the temperature of the water was? And it occasionally drizzled ice cold rain on us. We did a lot of the filming from a canoe that we managed to secure the camera and the tripod in. Luckily we didn’t tip. The director of photography (Max Sjöberg), myself, and the boom operator were in the canoe, simultaneously trying to steer it and capture the scene. There were a couple times where a branch almost knocked the camera in the water. It also was a challenge to get our canoe and camera lined up with the actors as the river moved us around. It was the first day of filming, so I was worried the actors would stop talking to me after I stuck them in a cold river all day. But I think it was a good bonding experience for everybody. Despite being uncomfortable, it was a really fun day. It was also the lead actor’s first time tubing.
Q: Lastly, what would you like the audience to take away from your film?
The film isn’t a PSA. I don’t want to spell out a message for anyone, but I will say that alcoholism and low income families are rarely show this way in cinema, yet this situation is so common. A loving family where the disruption of alcohol chips away at them. The film a vignette, a glimpse into the lives of others, but for many who’ve seen it, it is a reflection of something they are all too familiar with.
Check out the filmmaking journey of This Is Home…
Thanks Jason for chatting with me!