Lynne Ramsay’s movie making career could’ve ended after she abruptly quit Jane’s Got A Gun and sued that movie’s producers. That kind of public dispute between a director and producers probably would’ve ended many filmmakers’ career in Hollywood. But after a seven-year hiatus, Ramsay is back with another dark-themed film that could put her career back on track.
As the film begins, we see Joe (Joaquin Phoenix) finishing up some sort of a task and we later found out he’s rescued a kidnapped child from some very dangerous people. With small clips of flashbacks, we learned that Joe is a disturbed person who has a rough childhood. As a grown-up, his career as a military man also scarred him. He keeps hearing the voices of the dead people he’d witnessed while in the service and constantly contemplates suicide. The only thing that keeps him going now is caring for his elderly mother (Judith Roberts). To earn a living, he uses his special skills to rescue young children from sex traffickers. For his next job, his handler John (John Doman) tells him that a senator’s daughter has been kidnapped and he’s willing to pay big bucks to get her back. Joe took the job and was able to locate the senator’s daughter Nina (Ekaterina Samsonov). But once Joe rescued Nina, things went south quickly, and he realized he’s in over his head and some very powerful people wants him dead.
Based on the short novel of the same name by Jonathan Ames, Ramsay who also wrote the screenplay, kept the story solely on Joe’s point of view and his thoughts. Some scenes played out like a dream and other times, it’s something from Joe’s memory. This is my first time seeing Ramsay’s work and I do like her style. She’s obviously channeling the films of Kubrick, Malick and especially Scorsese’s Taxi Driver. In fact, some might call it a Taxi Driver for the 21st century. While I agree these two films shared similarities, I do think Scorsese’s version is a much better film. I’ve never read the book version, so I don’t know how faithful it is to the source material, but I felt like Ramsay could’ve expanded the story a bit more and give us some details of what’s really going on. I understand this is more of a character study, but I would’ve liked to see more characters’ involvement and thicker plot. I felt like when the plot finally gets going, the film is almost over. Now, maybe I think Ramsay just didn’t want to tell a straight-up revenge action thriller story and went the opposite of what was expecting. I respect her decision, but I still prefer to see story expanded a little bit more.
Performance wise, Phoenix is very good as the silent and violent character. He tends to mumble a bit too much though. It wasn’t an over the top performance and I appreciate that. He’s pretty on the screen 100% of the time and he kept my attention. The supporting characters didn’t have much to do since the story is all about Joe, but I did like Roberts’ and Samsonov’s performances.
I also have to give praises to Jonny Greenwood’s excellent score and Tom Townsend’s great cinematography. I thought the haunting score and beautiful cinematography really helped the film.
I really had high hopes for this film and even though it didn’t meet my expectations, it’s still a solid thriller. I found it to be a frustrating film but admired Ramsay for not going the generic thriller route. Maybe with a better screenplay, it could’ve been something special.
So have you seen You Were Never Really Here? Well, what did you think?
4 thoughts on “FlixChatter Review: You Were Never Really Here (2018)”
This is a film that I really want to see as I love Lynne Ramsay’s work as a filmmaker. She is someone who never plays by the rules as well as wanting to create something that is different as well as unsettling.
You’re going to enjoy this one since you’re a fan of Ramsay’s.
Well I for one, am pretty excited for this movie and I know that the full experience would only be achieved in a theater but I doubt that the movie would release in India. Will wait for the streaming platforms to grab a hold of them.
Hope you’ll like it when you see it. Since Amazon owns the film, I assume it will be available for streaming on their platform pretty soon.