Ok, it’s my first Blind Spot Film of the year. I don’t know why it took me so long to finally see this one, as it came highly recommended by so many people. The main draw for me here is to see Clark Gable in something other than Gone With the Wind as that’s the only film I’ve seen him in. It’s also the second Frank Capra film since It’s A Wonderful Life.
Now that I’ve seen the film, I noticed how similar the storyline is to Roman Holiday, but instead of a princess, the female protagonist is a spoiled heiress who’s running away from her father (Walter Connolly) who disapproves her nuptial to a society aviator. Claudette Colbert has quite a spunk as Ellie Andrews, though I have to admit it took me a while to warm up to her as her character is such a brat. At one point her dad slaps her and she certainly had it coming. Ellie promptly jumps off her dad’s yacht and later catches a bus to New York City to return to her husband. And that’s where the ‘meet cute’ happens.
Gable’s Peter Warne is an out-of-work newspaper reporter. He’s made quite an effort to secure the last seat on the bus, only to have it ‘stolen’ by Ellie. The bantering between these two are pretty amusing, though it’s obvious they’re attracted to one another. When Warne recognizes who she is, he offers her two choices, one of which is that he’d blow the whistle on her whereabouts to her father. Needless to say, Ellie is stuck with Peter until he can help her get to NYC. Seriously, there are worse things than being stuck with Clark Gable!
One of the main highlights is when Peter rents a small motel for the two of them. It’s quite risque for those days to show a man being shirtless, which apparently happens because Gable kept having trouble removing his undershirt whilst keeping the dialog going, so Capra decided to forgo it. Apparently the undergarment industry was largely affected by this when people stopped buying undershirt as it was deemed cool to not to wear one. That’s mind-boggling how much power Hollywood had back in the day.
With a set of clothesline and a blanket, Peter builds the ‘walls of Jericho’ between the two beds, which was also Capra’s idea because Colbert refused to undress in front of the camera. The two also puts on quite a show in the morning when two detectives knocked on their door looking for Ellie. Pretending to be a bickering married couple, it was the perfect bonding experience as their adventure is just beginning. Though it’s a completely different role from Rhett Butler, Gable’s certainly got the swagger and charm intact.
Interesting how this film’s success undoubtedly brings about the rom-com trend. We’ve become tired of that genre these days, as most of them are neither romantic nor comedic. I think You’ve Got Mail is a wonderful contemporary rom-com that adhere to a similar pattern, with the characters start out disliking each other. The key I think is in the chemistry of the two actors, and the wit in the dialog. So even if everything else about the film seems out of date, the story still holds up and the dialog still brings a smile to one’s face.
[after Ellie stops a car by showing her leg]
Ellie: Aren’t you going to give me a little credit?
Peter: What for?
Ellie: I proved once and for all that the limb is mightier than the thumb.
Peter: Why didn’t you take off all your clothes? You could have stopped forty cars.
Ellie: Well, ooo, I’ll remember that when we need forty cars.
The story itself is pretty predictable. I knew at the end Ellie and Peter are going to be together, but I was still surprised by how they finally got reunited. Ellie’s father played a huge role in bringing them together, which is interesting in and of itself to see a parental figure having such a big part in the love story. In the finale, ‘walls of Jericho’ shows up again but only from the outside of the motel where presumably Ellie and Peter are now married. The sound of trumpet is heard as the walls is coming down. There are plenty of innuendos throughout, some are less subtle than others, but in this day and age where borderline pornographic content becomes ‘normal’ at the movies, it’s nice to see something THIS wholesome for a change.
What strikes me about this movie is the lack of any kissing scene between the two leads. I’d think the Hayes Code allowed kissing scene at the time, as Colbert did kiss Jameson Thomas who played her husband King Westley, so it made me wonder if it’s because Gable and Colbert didn’t get along during filming. All of the promos like the image on the right that suggest any kind of kissing scenes between these two are so misleading, there’s an almost kiss when the were at a barn, but that’s about it. According to IMDb Trivia, seems that neither of them were fond of making the film and didn’t think much about it. So I guess its massive success (both artistically and financially) was as huge a surprise to them as to everyone else.
So did I love this movie? Yes I did, and I’m glad I finally watched it. At the same time, I’m not as enamored with it as I did with say, Roman Holiday and Casablanca. It’s interesting that both of those films didn’t quite have a happy ending, which actually makes it even more romantic. There is something so beguiling and heart-wrenching to see unrequited love played out on screen. Another thing for me is the character Ellie itself, which is not entirely sympathetic. I mean, her rich dad worships her and she pretty much gets everything she wants. Even Roman Holiday‘s Princess Ann is far less spoiled than Ellie. Yes, Colbert makes her character fun to watch, but she’s not exactly my favorite classic characters.
Overall though, this one deserves the ‘essential classic’ status. It’s the first screwball romantic comedy that no doubt becomes the template for ‘opposites attract’ types of storyline. Of course, very few have such staying power like this one.
Here’s my full Blindspot List.
What do you think of It Happened One Night? I’d love to hear what you think!