These two films are both in the BOATS category, that is based on a true story. Whether it’s close or loosely based on the real deal is up for debates of course, especially in regards to The Fifth Estate as Julian Assange himself doesn’t support the film, though given his secretive nature, it doesn’t mean what takes place in the film isn’t true, either. In any case, both of these are not documentaries, so I don’t judge either film based on accuracy, but on the merit of the work as an art form.
I have to admit that I hadn’t heard of either Hunt or Lauda before this film, who were fierce rivals during the 1970s Formula 1 racing period. I grew up with a brother who was into F-1 racing in the late 80s – mid 90s, so I was more familiar with the rivalry between Ayrton Senna and Alain Prost. By focusing on the rivalry between the two racers, RUSH is more of intriguing character-driven thriller instead of an all-action racing movie.
The beginning of the film shows the stark difference of not just their lifestyle, Hunt is the free-spirited playboy compared to the focused but reclusive Lauda, but also how each approaches the sport. The British Hunt is all about instinct whilst the Austrian Lauda is all about precision, he’d methodically and meticulously scrutinizes the technicality of his car before he climbs into it. Though the film has some thrilling racing sequences that really lives up to the title in giving you a boost of adrenaline rush, what really gets me is their relationship off the track. As someone who don’t normally follow this sport, it’s the characters and their stories that made me enjoy this film and what makes it memorable in the end.
Just as you’d expect in an extreme sport like this, a major incident occurs halfway through that’d make you gasp. I’m not going to spoil it for you but let’s just say there are some very uncomfortable scenes to watch here that seemed to go on forever. The attention to detail achieved by the cinematography and sound editing truly create an authentic feel of the racing experience. The car, the helmet, even the views of the drivers as they’re racing definitely get your heart pounding. The 1976 Japanese Grand Prix in torrential rain is especially gripping and the way the race is filmed is phenomenal. Yet the slower moments are also effective in showing the persona of the people risking their lives behind the wheel with every race.
The two leads are excellent. Chris Hemsworth as Hunt and Daniel Brühl as Lauda share an effortless chemistry as both friends and foes. Hemsworth has a natural cocky-ness about him as he displayed in THOR, but he shows some emotional depth and vulnerability when the moment calls for it. Brühl is especially impressive in that he’s not only made up to resemble the real Lauda in his younger years, but he’s got the intensity and mannerism down perfectly. I was much more taken by his character overall and it’s largely a testament of Brühl’s compelling performance. He’s definitely an actor to watch for and I hope he gets a leading role in the future. There are not much to speak of in terms of supporting cast as the films are ultimately about Hunt and Lauda. Olivia Wilde and Romanian actress Alexandra Maria Lara are both pretty good as Hunt and Lauda’s love interest.
Overall it was a satisfying thriller that also packs an emotional punch. It’s fascinating to see the incredible drive of these racers, and in the case of Lauda, his will to not just excel but to survive is inspiring. Kudos to Ron Howard and writer Peter Morgan for crafting a balanced look of visual prowess and intriguing drama. Combined with Hans Zimmer‘s dynamic score, RUSH is one of the most invigorating thrillers of the year.
4 out of 5 reels
THE FIFTH ESTATE
A fifth estate is a group within a society that is seen as operating outside of the society’s normal groupings in terms of their roles and viewpoints, especially a group that is considered beyond the restrictions or rules of those other groupings. – per Wikipedia
This film traces the origin of perhaps 21st century’s most controversial organization Wikileaks, and its founder, Julian Assange. It’s interesting that the promo of this film asks us whether Assange is a hero or a traitor? Now of course it depends who you ask as you’d likely find a polarizing view on either side.
One thing I’ll say about the Australian-born Assange is that he’s quite a fascinating man. The master computer hacker is a tech whiz who’s well-traveled, having lived in Europe when he started working on WikiLeaks, as well as Nairobi, Tanzania, Iceland, etc. The film opens with him meeting a journalist Daniel Domscheit-Berg (whose book is one of the source for this story) in Germany, who was drawn to the seemingly noble enterprise of Wikileaks. Their first mission was to take down this huge bank that’s been doing illegal activities. He also admired the charismatic but elusive Assange as a mentor initially, though later it’s easy to see how their relationship became strained.
As I hadn’t been following the whole WikiLeaks scandal too closely, some of the events depicted here went over my head. At times it was hard to follow some of the details, more on that in a bit. But the one thing that interested me was the character study of Assange himself, which I thought was portrayed quite well by Benedict Cumberbatch. There had been reports that Assange himself emailed the British actor to ask him to not to participate in the film. How much that incident affected Cumberbatch’s performance I’ll never know, though he certainly doesn’t paint Assange as a likable man here. He’s brilliant to be sure, but his arrogance and ruthless nature who doesn’t care who gets hurt by his actions. No matter how good his intentions were, what he did with WikiLeaks has gone too far, but obviously the defiant Assange didn’t see it that way.
Both Cumberbatch and Daniel Brühl as Berg share about a similar amount of screen time and both are wonderful to watch. Once again Brühl proves to be a capable and versatile actor. I didn’t realize just how great the supporting cast are, but it’s nice to see the likes of David Thewlis, Peter Capaldi and Dan Stevens as the Guardian newspaper staff, and playing US Government offials are the immensely talented character actors Stanley Tucci and Laura Linney. Seems like such a small role is a waste of their talents but as always they’re excellent to watch.
The direction by Bill Condon and Josh Singer‘s script leave much to be desired however. To say the pace is uneven is putting it mildly, but the narrative structure is the main issue here. It’s tough enough that there are complex issues being presented, but the haphazard editing makes it even more confusing. It makes me appreciate David Fincher’s brilliant direction of The Social Network even more, and it shows that sharp execution is key when dealing with a story such as this. I do commend the fact the film raises a lot of intriguing ethical and legal issues without necessarily portraying Assange as an evil figure or otherwise, hence the traitor vs hero argument. But it could’ve been a heck of a lot more riveting instead of just mildly interesting and even somewhat tedious. I suppose it’s still worth a rent if you’re a fan of the cast, and I really can’t pick fault with their performances. I feel that if it hadn’t been for the cast though, I’d probably better off watching Alex Gibney’s documentary We Steal Secrets: The Story of Wikileaks instead.
3 out of 5 reels
Thoughts on either one of these films? I’d love to hear it!