It’s a pretty uneventful weekend for me movie-wise, but I got to meet up my old college buddy I haven’t seen in years! So it was a lovely weekend in that regard though she’s as far away from being a cinephile as it gets. The last movie she saw at the theater was Nacho Libre, ahahaha.
Well, I didn’t get to the theater nor any screenings this past week. I’m definitely NOT missing out on The Getaway based on Terrence’s review, ahah, it looks so darn awful from the trailer alone. I am looking forward to screenings in the next two weeks though, I’ve rsvp-ed for Don Jon, Gravity, and Runner, Runner. Oh and also the mafia comedy The Family w/ Robert DeNiro, Michelle Pfeiffer and Tommy Lee Jones. Trailer looks meh but I’m hoping it’ll still be good with a cast of THIS caliber.
So this weekend I only watched Warm Bodies and rewatched one of my fave Bond films, The Living Daylights. I guess I was inspired by Zoë’s excellent review recently where she praised Dalton’s take as Bond (atta girl!) So yeah, TLD AND Dalton as 007 is still as awesome as the first time I saw it.
Here’s my review from this weekend:
I’ve been curious about this zombie comedy for quite some time as lots of people seem to love it. Now, I’m not a fan of the popular Zombie sub-genre, I think I’ve only like one zombie movie and that is Shaun of the Dead (I love 28 Days Later too, but that one is SO much more than just a zombie movie).
As with most zombie movies, some sort of plague has come over the world which render most humans to become walking corpses. This movie still pretty much subscribe to what we typically assume about zombies: they walk slowly, they eat brains and of course they look like decayed corpses, though the zombies in this movie seem to look far less gory, and sometimes they’re pretty agile too. One twist in this story, which was based on a novel by Isaac Marion, there are certain levels of being undead. There are Zombies and there are Boneys, which are zombies who’ve lost all traces of their humanity and flesh, so basically they’re skeletal zombies, preying on anything with a heartbeat.
Being that it’s a zombie romance, of course it’s entirely predictable that the protagonist R (as he no longer remembers his real name), falls for a human girl and saves her from a horde of fellow zombies. The first meeting of R & Julie amidst a zombie attack isn’t exactly a meet-cute, but it’s certainly amusing. After having eaten up her boyfriend, R ends up saving Julie (Palmer) and takes her to his house, which was a discarded plane. Because zombies talk like lobotomized Tarzan, the VO narration helps us get into R’s head. He a pretty astute thinker for being a zombie, ahah. Of course this being a fantasy horror flick, absurdity is to be expected, but even so I feel that Julie is way too soon to be so comfortable with R. I guess I could see it with vampires as they have this cool, sexy vibe about ’em, but flesh-eating zombies are just gross. In any case, R & Julie got on pretty quickly. The scenes of them playing together, listening to records, etc. reminds me of 80s/90s rom-coms. The soundtrack is a hoot, I grew up listening to songs by John Waite (Missing You), Guns N’ Roses (Patience), Bruce Springsteen (Hungry Heart), etc. which gives this movie a retro feel of sort.
So what happens next is also predictable. The warm relationship he has with Julie somehow revives his humanity and there’s a scene where his heart actually starts beating once more. It’s an interesting twist on how our heart ‘skip a beat’ when we’re in love, ahah. Not only is this change affects R, but this odd transformation ends up spreading to the undead population like a virus. None of this is explained very well in the movie, just like we never really know how they got infected in the first place. Now, some critics call this a Romeo & Juliet story with zombie. Heh, apart from the balcony scene, and that ‘R’ might stand for Romeo with his Julie(t), it’s not exactly an apt comparison.
Thankfully, some of the inconsistencies and clunky dialog didn’t derail the movie. Both Nicholas Hoult and Teresa Palmer (a Brit & Aussie sporting believable American accent) are more than serviceable. In fact, Hoult is a bit better — and ironically more soulful — here than in the abominable Jack & The Giant Slayer. Palmer’s face & lithe figure at times reminds me of Kristen Stewart, but she’s a hundred times more expressive! John Malkovich is entirely wasted here though, he probably could do this role in his sleep, ahah.
I enjoyed this enough but I’m quite puzzled by the high rating (81% Rotten Tomato score?) as overall it’s just ok, but not great. It’s not in the same league as Jonathan Levine‘s previous film 50/50, which I’d think is far more challenging project given the difficult subject matter. I do appreciate the fact that this one is reinvention of a popular horror genre, but I don’t think it’s all that groundbreaking. In terms of a novelty twist in a classic genre, I actually like the vampire thriller Daybreakers a lot more than this one. This one does have some fun moments though, that scene where R told Julie to walk like a zombie so she doesn’t get eaten is hilarious! It’s definitely better than Twilight (but what movie isn’t?) and the humorous tone makes it all the more watchable.
3 out of 5 reels
Well, that’s my weekend roundup folks. What did YOU watch this weekend?