Apart from perhaps Point Break, Kathryn Bigelow’s films are often a one-time-viewing-only for me and this one is no exception. It’s not a dis mind you, it’s just that the subject matter she picks are usually so difficult to watch.
The beginning of the film took us back to September 11, 2001. With nothing appearing on screen, we hear the tape of the air controller and 911 operators responding to the people in the twin towers. It was an efficient way to remind us what’s really at stake in the investigations that take place two years later. A CIA officer named Maya has just been brought to the black site where an ongoing interrogation of an alleged terrorist takes place. It’s during the first 20 minutes of the torture and humiliation scenes, including waterboarding, that’s become the subject of tons of controversies. Kathryn Bigelow has since defended her film, saying that “…depiction is not endorsement, and if it was, no artist could ever portray inhumane practices.” Well said, I’d say.
This film definitely challenges us to ponder on various moral issues and as a viewer I was put into a roller coaster ride as all kinds of raw emotions run through me. At the center of it all, we have a relentless protagonist Maya, who’s become obsessed with this manhunt. What started out as an assignment straight out being recruited out of high school, her hunt for Bin Laden (nicknamed ‘UBL’ by her colleagues) quickly became a personal vendetta.
It plays like a documentary at times in the way it depicts true events such as the various terrorist bombings, including one that Maya herself almost become a victim of at the Marriott Hotel in Pakistan. Despite its claim that it was based on true events though, of course it’s still a movie so creative liberties are obviously taken. As a thriller, it definitely works. Despite the 157-minute running time, Bigelow’s direction based on Mark Boal’s script managed to keep my attention throughout. There’s not a boring moment as even the slower moments are packed with tension. There’s also some humorous moments such as when Maya relentlessly writes on the glass window of her CIA boss how many days its been since she gave out her intel but nothing has been done about it. She also delivered the most bad-ass lines to Leon Panetta (played by Mr Soprano himself, James Gandolfini) when he asked who she was during a meeting discussing Bin Laden’s compound.
“I’m the motherf***** who found this place, sir!”
I don’t like to cuss but that is one heck of an awesome line delivered in such deadpan perfection by Jessica Chastain. She gave a credible performance in the role. Maya’s reserved, even aloof at times, but she’s definitely a fighter and she stops at nothing to get the job done. There’s a powerful scene where she tells her boss Joseph Bradley a piece of her mind, it was a ‘you go girl’ moment and Chastain nailed it.The supporting cast delivered a solid performance as well, most notably Jason Clarke (an Aussie who always play Americans), Kyle Chandler, Jennifer Ehle, Edgar Ramirez and Mark Strong. Joel Edgerton plays one of the SEALS Team Six that appeared in the last 40 minutes of the actual raid in the compound in Abbottabad.
I thought that the whole sequence was well-directed. The views from night-vision goggles and the handheld camera movements offer quick cuts in a dark environment, but thankfully it didn’t make me feel nauseous watching it. I’m also glad that Bigelow didn’t over-dramatize the actual killing of Bin Laden with excessive slo-mo, what have you. Though we know how the end plays out, it’s still an edge-of-your-seat ride from start to finish.
The end of such an exhilarating, dangerous, and not to mention expensive operation ends with a solemn moment of Maya alone on an airplane as she leaves the military base. It’s the right kind of sentiment I’d expect someone in her position would have. She’s spent years at the agency to finally get to this moment, to bring justice a man who has killed thousands of innocent victims. But yet, there’s no self-congratulatory cheer, no high-fives with the troops… it’s not a moment of celebration. It was such a relief for me that the whole ordeal is over and I had only been watching it for 2.5 hours, I can’t begin to imagine how the real ‘Maya’ must have felt.
As I said in my Oscar nominations reaction, I think Bigelow was snubbed and now I’m even more convinced of it. It was a well-crafted film all around, the non-flashy, no non-sense directing style works for this subject matter, and acting-wise it was top notch. The whole film was enhanced by the terrific score Alexander Desplat. It’s minimalistic but definitely effective in setting the mood. A riveting film that certainly leaves much to ponder about for days to come.
|4.5 out of 5 reels|
What are your thoughts on this film? I’d love to hear it.