FlixChatter Double Reviews: Star Trek Beyond (2016)

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Ted’s Review

I don’t consider myself a Trekkie, I’ve seen all of the Star Trek films but never got into any of the TV shows. I enjoyed the first two films by JJ Abrams, even the much-maligned Into Darkness. When Abrams decided to jump ship and take over the other space adventure franchise, Justin Lin was hired to direct this third sequel. Lin made his name by retooling the Fast & Furious franchise and those films made millions. Personally I thought he’s an odd choice to take over a sci-fi franchise but thankfully he delivered one of the most enjoyable Summer films I’ve seen so far.

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Three years into their five-year mission, the enterprise crew is feeling the grind of their routine space work. As the film opens, Captain Kirk (Chris Pine) is giving back an artifact to a group of alien creatures but it didn’t turn out well as he’d hoped. Later the crews are heading to a new advance space station to get some R & R. While stationing at the new space station, Kirk received a new job offer and contemplating leaving the Enterprise. Before he can decide to accept the new job offer though, there was a stress call from a lone survivor who needs help. Kirk and his crew set out to rescue more lives from danger but as they approach their destination, it turns out to be a trap. In a pretty spectacular sequence, a group of aliens with advance spaceships attacked the Enterprise and broke the ship into pieces. The ship crashed landed on an isolated planet and the crew got separated. Kirk must find his friends and also figure out who these aliens are and their purpose for attacking the Enterprise.
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The script by Simon Pegg and Doug Jung is pretty simple, maybe too simple for my liking. The premise is basically search and rescue and lots and lots of action. But they were able to throw in a lot of funny dialogs and lighten up the mood of the film quite a bit. Speaking of action, Lin definitely delivered on that front. The space battles were well-staged and very exciting to watch. If there’s a theater near you that has Dolby Atmos surround sound, I highly recommend you see it there. Lin also was able to move the film along at a brisk pace, never linger on any subplots that might slow the story down.

One minor complaint I have is the way he shot the climatic showdown between Kirk and the main villain. He moved the cameras way too much and I wasn’t sure what was going on. I thought Abrams did a much better job in a similar scene for Into Darkness when Spock and Kahn had their showdown.

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Performances by the actors were great, since this is their third outing, I thought all of the actors look comfortable in their respective roles. Since plot have them separated from each other, many of them got equal screen time. The best pairing to me has to be Spock and Bones, their bickering were fun to watch and the two actors have good chemistry. The weakest link here though is Idris Elba’s villain Krall. He’s yet another one -dimensional evil character whose purpose is vengeance against Starfleet. Elba didn’t have much to do except scream and spouting clichéd evil dialog.

It may not be the best film in the franchise but definitely an upgrade over the too serious Into Darkness. The film contains great action sequences and a touching tribute to the two deceased actors. I’m not a trekkie but I thought this one can be considered one of the best in the franchise.

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Ruth’s Review

I wasn’t going to review this one, but seeing that I have quite a different reaction than Ted, I thought I’d post my thoughts on it as well.

Like Ted, I’m not a Trekkie either, but JJ Abrams actually managed to make me interested in the Star Trek Universe with the first film. I also enjoyed the second installment Star Trek Into Darkness that Abrams also directed, and I really dug Benedict Cumberbatch’s villainous turn as Khan. I said in that post that it was a huge improvement over Eric Bana’s role in the first film. Well, unfortunately in this third installment we’re back to another clichéd, one-dimensional villain in Idris Elba‘s Krall, as Ted has pointed out above. It’s a travesty that when they hide incredibly good looking, massively talented actors under such heavy makeup and give them banal dialog on top of it.

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It’s no fault of the insanely-charismatic Elba that Krall is such a terrible villain. But he’s so terribly-written it made me cringe. But interestingly enough, the one person I thought would be cringe-worthy turns out to be quite okay. I’m referring to Sofia Boutella‘s Jaylah (who I initially thought was Rihanna), a scavenger who rescued Scotty (Simon Pegg) and took him to her home. Her house turns out to be an early generation Starfleet vessel USS Franklin, and she needs Scotty to help her fix it.

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The moments between Jaylah and Scotty are pretty fun. I quite like Jaylah, and she’s given a pretty decent character arc. The movie’s best moments to me are in the the dueling banters, whether it’s Scotty & Jaylah, or Bones & Spock. Karl Urban‘s grumpy-ness is so endearing and he’s got as good chemistry with Chris Pine as he does with Zachary Quinto. The film did boldly go where no previous Star Trek film has gone before in making Sulu (John Cho) gay, though it only amounts to barely a minute of screen time showing him with his husband and young daughter.

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Unlike Ted though, I’m not too crazy about the frenetic action sequences. I find it to be too dizzying and goes on far too long. It seems endless to me that my mind started to wander and it actually took me out of the movie. I don’t remember feeling this way in previous Star Trek films, but this one has so much combat scenes and explosions, even the USS Enterprise was blown to bits. There’s also a ton of chase sequences, so I guess I could see why they hire Justin Lin for this movie. During one of the many extended action sequences, I whispered to my husband that this is basically Fast & Furious in Space! The one part I did enjoy was towards the end when they used loud rock music as a countermeasure against the tiny ships ‘swarm’ controlled by Krall.

I guess this movie would satisfy action fans. But for me, I expect Star Trek to be a space adventure drama, more about Starfleet’s journey and the relationships of its crew members. The film touched upon that in Capt. Kirk’s opening monologue, but that’s pretty much it. I guess there’s not much room for characterization amidst the dizzying action, apart from a few fun banters here and there. Even the quiet moments of Spock mourning the passing of Ambassador Spock doesn’t elicit much emotion as it should’ve been. It did pain me every time I saw Chekov on screen though, I still can’t believe Anton Yelchin‘s gone.

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So despite some fun moments, overall it’s just hard for me to feel invested in Kirk & co.’s journey this time around. The faster the chase scene the more tedious it becomes for me. Perhaps the movie’s aimlessness has been hinted in the intro voice over of Captain Kirk… “As for me, things have started to feel a little episodic. The farther out we go, the more I find myself wondering what it is we are trying to accomplish” Yep, that’s how I feel as the audience too, Cap. The ending also feels a little too neat, resolved perfectly just in time for yet another episode (read: sequels) in a not too distant future. Not sure I’m too excited for future Star Trek movies after this one.

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So what did YOU think about ‘Star Trek Beyond’? 

Mini Reviews: Hitman Agent 47 | Seeking A Friend For the End of the World | The Last Flight

I wrote some of these reviews last week, but just haven’t got around to posting ’em. I haven’t got much time to write reviews lately, as I’d rather devote my time to my script. But at the same time, I do have something to say about some of the movies I saw, so why not write about ’em, right?

So here we go:

Hitman: AGENT 47 (2015)

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I quite enjoyed this but I realize it’s an easy target for critics who probably expected too much from this video-game adaptation. It’s a popcorn action flick, something that doesn’t demand much from you intellectually, so just sit back and enjoy it for what it is. I had a low expectation but I thought the story was pretty decent and at 96-min-long, it moved along pretty swiftly.

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I quite like Hannah Ware whom I’ve never seen before. Nice to see that her character is actually the heart of the movie. Style-wise it’s got plenty, I mean you watch this kind of movie to see the high octane shoot-em-ups, so I wasn’t disappointed. Rupert Friend makes for a pretty efficient, if not wholly-charismatic killing machine, but I think he fits the role well. Zachary Quinto is pretty much playing a similar character to Sylar in the Heroes series, but he’s watchable enough. I actually like this one overall than the previous Hitman movie, so definitely NOT as horrible as critics made it out to be.

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Seeking A Friend For the End of the World (2012)

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I was mostly curious to see this for the pairing of Steve Carell and Keira Knightley and on that front I enjoyed this quirky comedy/drama. As the title says, an asteroid threatens an apocalypse and a man (Carell) whose just been jilted by his wife decides to take a road trip to reunite with his high school sweetheart, Knightley plays the neighbor who somehow ends up tagging along.

SeekingAFriend2SeekingAFriend1 The two surprisingly have an interesting chemistry, but the movie is kind of uneven and at times I couldn’t really get into the story. Fortunately the ending is pretty sweet and it wasn’t as predictable as I had dreaded. So overall, it’s worth a look for the cast and the fact that it breaks the stereotypes in terms of casting, not just the two leads but some of the characters they meet along the way.

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The Last Flight/Le dernier vol (2009)

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This is another film I was curious about because of the pairing of the actors, Marion Cotillard and her real life partner Guillaume Canet. I LOVE Cotillard, she’s one of those actresses I’d watch in practically anything. Here she plays an aviator Marie Vallières de Beaumont who goes on a journey to find her lover after his plane disappears in the Sahara. In her quest, she encountered a French lieutenant Antoine Chauvet who loves the Tuareg people and even speak their language and has a Tuareg lover. In the course of their arduous journey, they develop feelings for each other.

TheLastFlight2 Now, the story is VERY loosely based on a real life adventure of British aviator Bill Lancaster, but they pretty much only used his name and a small part of his life for this film, the rest are fiction. I wish they had actually adapted Lancaster’s real story, it’s far more compelling and has more drama! Sometimes truth IS stranger (and more interesting) than fiction.

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This French film has gorgeous visuals of the desert landscape, filmed in Morocco. Director Karim Dridi seem to be a big fan of Lawrence of Arabia as some shots look like an homage to that David Lean classic. But the pace is s-l-o-w and the story doesn’t seem to go anywhere and a little bit of the intense pieces seem disjointed from the rest of the film. If it hadn’t been for the performance of the two leads, I might’ve turned this off halfway through. There’s a line from the film that says “I’m afraid I’ve taken you nowhere.” Well, the same could be said for the film itself. I don’t regret watching this one, but still I wish it were a lot better.

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So have you seen any of these? Let me know what you think!

Somehow JJ Abrams & co. made me interested in the Star Trek universe

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Well, one of my most anticipated movies of the first half of the year has come and gone. I finally saw Star Trek Into Darkness Wednesday night and you know what, despite the huge hype machine working overtime for this film, this film somehow lives up to it. So yeah, I really enjoyed it.  Instead of doing a straight review, I feel like jotting down my change of heart of sort, in regards to this franchise.

Now, Star Trek fever has been high the past few weeks not only because of the studio’s marketing machine, but also sparked by various bloggers and sites posting all kinds of Star Trek-related stuff in anticipation for the new movie. Strangely enough, instead of being blasé or even rolling my eyes about the whole thing, for once I was actually intrigued. I guess it was started back in 2009 when I saw JJ Abrams’ Star Trek for the first time. For some reason, the whole franchise sort of eluded me when I was growing up, as I had never followed any of the TV series nor seen any of the previous films. Ok I did see clips of the 1986 Star Trek IV: The Voyage Home, this Spock swimming with the Whale scene is such a hoot! It’s one of the best ‘fish out of water’ comedic scenes ever, pardon the pun 😀

Oh and I did see the comedy satire Galaxy Quest which is not only hilarious but spot on – one doesn’t have to be a Trekkie to recognize the obvious subject of its parody. Nonetheless, I was practically Star Trek virgin four years ago. The only ‘knowledge’ I knew of Star Trek is from pop culture, the iconic phrase Live long and prosper, the Vulcan salute that I have to admit I have trouble doing, that Spock & Kirk are cross-species BFF and that Klingons are their longtime nemesis. But other than that, I’ve no clue about their universe, so I’ve got to admit that whole Spock + Spock scene in the first movie was quite discombobulating for me. My hubby had to explain a lot of the basic Star Trek 101 and all the jargon, ahah. I guess perhaps his enthusiasm might’ve rubbed off on me a bit, but I think it’s more than that.

As I mentioned in my review of the 2009 version, I think the casting and the chemistry of the cast is what I really enjoyed about the film. But what I didn’t mention then is how timeless the story of Star Trek stories, depicting the adventures of this group of humans and aliens on board the Enterprise spaceship. The underlying themes war and peace, loyalty, personal courage, the role of technology, etc. are human motifs that still relevant to this day, but of course it’s now enveloped in a shiny and cool wrapping with the latest special effects and gadgetry… oh and of course, sprinkled with lots and lots of lens flares! 😉

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Thankfully Abrams’ obsession with the lens flare didn’t bother me as it did in the first movie (maybe I just chose to ignore ’em), but what we still get in this sequel is the zippy and fun tone, boosted by the chemistry of its cast and spectacular special effects. Despite the title, the movie is really not as dark as we’re led to believe. Yes it’s slightly darker than the first, but by no means grim. Everything I like about the first movie is present, the bromance between Spock and Kirk are funnier and snarkier – Zachary Quinto and Chris Pine are one of those perfect casting choice that gets even better the more I watch them together. More screen time for Karl Urban‘s McCoy (yay) and also Simon Pegg‘s Scotty relishing in his Scottish brogue whilst being in a hysterical state of panic for most of the movie.

Cumberbatch_StarTrekIntoDarknessBut really, the REAL star of Star Trek Into Darkness is the villain. Much like The Dark Knight‘s The Joker, Benedict Cumberbatch villainous turn as the intergalactic terrorist John Harrison stole all kinds of scenes every time he’s on screen! As the superior being – in every way, as the character pompously claim – Cumberbatch is such a perfect choice for the role and he brings that same cocksure swagger from his role as Sherlock Holmes. Yes his delivery is a bit too theatrical, perhaps intentionally so, but there’s no denying his screen charisma. Cumberbatch is unconventionally good looking, but he made those who are classically handsome oh so boring! Oh, and I think there should be law that require him to wear long, cape-like coat in every movie, yes?

I think in terms of the characterization of the villain, it’s definitely an improvement over the first (no offense Eric Bana!). Somehow Cumberbatch’s role isn’t the typical two dimensional bad guy hellbent on destruction, though certainly it’s not an excuse on his means he chose for his mission. What really works is how the series of destructive events truly test those in leadership roles of the Starfleet, particularly Kirk as he often has to make split-second decisions with the crew’s life hanging in the balance. Despite the eye-popping action in 3D (those warm-speed scenes are pure geek-gasm stuff), sleek set pieces and futuristic fashion, it’s not really style-over-substance (thank goodness!). I’d readily give the movie a 4.5/5 rating!

Thanks to the trio of writers Alex Kurtzman, Damon Lindelof, Roberto Orci in creating a reboot that still pays homage to the original, but yet feels fresh and cool. In a way, it’s kind of like the motto that Gene Roddenberry created back in 1966.

Space: the final frontier. These are the voyages of the star ship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.

Well, one thing for sure, the journey of the Enterprise crew seems endless. With a projected box office take of $100 mil in four days, even without Abrams at the helm (as he’d be too preoccupied with yet another behemoth franchise Star Wars), we’re likely to see more sequels in the works. Hey I’m fine with that, fingers crossed that somehow Cumberbatch would return as well?

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In the meantime, I’m inclined to check out previous Star Trek films, starting with the original William Shatner and Leonard Nimoy (particularly The Wrath of Khan) . Then later on I might move on with The Next Generation with Patrick Stewart as Capt. Jean-Luc Picard, especially since Keith highly recommended Star Trek: First Contact.

So I guess thanks to Mr. Abrams bold and exciting voyage, I just might jump into the Star Trek bandwagon after all. No, I don’t think I’ll be a Trekkie nor would I start be buying a Captain Kirk action figure any time soon, but somehow now I see this 47 year-old franchise in a whole new light 😀


So tell me where do you stand in regard to this sci-fi franchise? Let me know your thoughts on Star Trek Into Darkness, too!

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Weekend Viewing Roundup: Margin Call and Another Earth

It’s been almost a month since I’ve last been to the cinema, but it’s customary for January as the new releases don’t interest me. I’m quite surprised to see the raves for The Grey however, Dan over @ FogsMovieReviews gave it a solid A, though Terrence @ The Focus Filmographer wasn’t as enthused about it. In any case, it proves to be quite popular this weekend as it took the number 1 spot with $20 million!

Well, for me it’s a weekend to catch up on recent DVD releases that I’ve been curious about. One of them actually nabbed an Oscar nomination for Best Original Screenplay. So let’s start with that one, shall we?

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Now, this film can be fittingly called ’24’ as the plot takes place over a 24-hour period during the early stages of financial meltdown a few years ago. The story can’t be more timely with the ongoing Occupy Wall Street movement that continue to spread all over the country.

The key players work at a nameless investment bank in New York City. It begins with the lay-off of a veteran risk management executive named Eric Dale (the always excellent Stanley Tucci). As he’s escorted out of the building, he hands over a flash drive to his subordinate Peter Sullivan (Zachary Quinto) with a word of caution, ‘be careful.’

If I were Peter, I’d do exactly what he did, which is find out just what the heck is on that drive. The severe reaction written on Peter’s face after he’s done processing the data that Dale started clues us in to just how significant his boss’ warning really is. What this data tells us is that the firm has been sitting on a large pile of liquid assets that are worth less than they ought to, which means the firm will owe far more than what they own, what they’ll do with that predicament not only threatens the markets stability but also triggers financial meltdown.

I’m glad I rented this movie as I don’t think I’d be able to get all the trading jargons here without using subtitles, though I think the filmmaker did a decent job in presenting them in layman’s terms. At the heart of this film isn’t the financial crisis itself, but how each player in question reacts to this given situation. I think writer/director J.C. Chandor is able to capture the moral compass if you will, of the main characters, which is the main strength of this film.

I’m truly impressed by Chandor’s direction and primarily the shrewd script, considering this is his first feature film. He’s also assembled a top notch cast: Oscar winners Jeremy Irons and Kevin Spacey and nominee Stanley Tucci are all superb in their roles. Spacey is a perfect fit in displaying a range of emotions his character goes through. Irons and Tucci’s screen time is considerably less than Spacey’s but both turn in memorable performance. Irons’ line that’s used as the tagline for this film, “Be first. Be smarter. Or cheat.” is such a chilling reminder just how ruthless and heartless these Wall Street folks are.

The younger cast are equally compelling. Most notably Zachary Quinto (in his signature stolid but sympathetic demeanor) as the rocket scientist (literally) who becomes a trader as the money is too good to pass up, and Paul Bettany as the senior trader who gives us a glimpse of the kind of life these yuppy bankers lead. He tells his colleague on the building rooftops as they’re waiting for the big honcho to arrive just what he spend his $2.5 millions he made in a given year. It’s disheartening to see just how removed these kids are from the real world — they’re so occupied with numbers that sincere connection with fellow human beings has no place in their lives. In fact, money is nothing more than means of pleasure or a measure of worth — Penn Badgley‘s character’s obsession with how much people make is an obvious sign of that.

Margin Call a solid thriller that relies on a clever script and nuanced performances in place of special effects. The fact that this film had a paltry $3 million budget and was shot within 17 days is all the more impressive. I do think it merits the Best Original Screenplay nod, I’m curious to see how it’d fare come Oscar time.

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ANOTHER EARTH

This is another small-budget film that delivers a sizable impact. What draws me in about this film isn’t the cast but the unique, implausible-yet-thought-provoking plot.

In a single day, the life of the protagonist Rhoda Williams, a bright high school graduate on her way to MIT,  is turned upside down by a tragic accident that kills a woman and child, and leaves the husband/father in a coma.

Though alcohol is certainly a factor as Rhoda just came home from a party, she’s actually distracted by the appearance of a new planet resembling earth that has moved into our solar system. Earth 2 as it’s called, supposedly contain a duplicate version of ourselves and its inhabitants mirror our earthly existence.

The film then jumps to the time when Rhoda leaves prison after serving her four-year sentence. Before long her path crosses to that of the Yale music professor John Burroughs who lost his family that very night. He’s recovered from his coma but understandably his life is never the same again. Clearly having lost his zest for life, his existence now consists of slouching in his sofa watching TV or playing video games. It’s inevitable that these two broken people end up being involved despite the unorthodox circumstances of their connection.

This is a sci-fi film done as a meditative human drama… there’s no CGI or technical mumbo jumbo, so don’t expect to see an extra-terrestrial creature of any kind, it’s just not that kind of sci-fi movie. The central themes are those of atonement and second chances. Reminiscent to the theme of Joe Wright Atonement, guilt-ridden and suicidal Rhoda has been hoping for a way to atone for her sins. By pretending to be a cleaning lady for John, she hopes that one day, that opportunity will finally come. The fact that she likes to clean is also a metaphor for her attempt to ‘clean up her mess’ if you will.

The film not-so-subtly asks the beguiling question of ‘if you get the chance to see yourself as a third person, how would you feel or expect to see?’  It may not offer a satisfactory answer and the ‘whoa’ conclusion is more of a head-scratcher than anything else, but it certainly is an intriguing concept worth exploring.

Like Margin Call, this film also marks the directorial debut of its director Mike Cahill. It’s certainly a worthy first-time effort though his rather barren style is perhaps an acquired taste. The visuals does have a low-budget quality to it but it’s not exactly a detriment, in fact, the simplicity and starkness adds to its indie charm.

Relative newcomer Brit Marling who also co-wrote the script with Cahill, turns in a pretty affecting performance as Rhoda. She is beautiful in an earthly kind of way, her naturally tousled hair almost becomes a character in itself here along with her melancholy gaze. Character actor William Mapother (Tom Cruise’s cousin) is pretty effective in displaying believable transformation from being morose to one who’s full of hope once again. The scene of him playing the solo musical saw to an audience of one is deeply moving. Thanks to SawLady who plays the saw in the soundtrack for sending me a link to this page, it’s definitely a soulful piece of music with a haunting quality about it.

I highly recommend this if you’re looking for an off-the-beaten path feature film. It’s a slow-burn story done in a mind-numbingly quiet way that makes even The Artist seems deafening. But if you can get past its stillness and allegorical quirks, it certainly is worth a watch.

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So what did you see this weekend, my friends? Any thought on either one of these films, do share them in the comments.

First Look: Machine Gun Preacher, Shame & Margin Call

Hi all, can I just say for the record that I LOVE Twitter!! I get most of my news from there and it keeps me informed even when I’m out and about on holiday… and in turn I can also inform folks of what’s going on right at that very second something is happening (i.e. when I was at Comic-con). Ok now, before you accuse me of working for Twitter, I just wanna highlight three brand spankin’ movie updates that are worth a look.

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I can’t believe it’s been exactly a year ago that I posted these behind-the-scene photos of Gerry Butler on the set of Machine Gun Preacher, and we still haven’t got a trailer!

The only official thing they’ve released is this photo of him in Africa as Sam Childers, the former drug-dealing biker tough guy who found God and became a crusader for hundreds of Sudanese children who’ve been kidnapped and pressed into duty as soldiers in the Lord’s Resistance Army. The story is based on Childer’s autobiography, Another Man’s War: The True Story of One Man’s Battle to Save Children in the Sudan, and Butler has personally met with the preacher and both of them are promoting the film together, I posted a photo of both of them here.

I found the photo from USA Today, in which Butler described Childers as ‘a guy of our times.’ “There is more complexity in a modern-day character who’s a drug addict and a biker turned businessman, missionary and soldier. You don’t get roles like this very often,” the actor said. Director Marc Forster (Finding Neverland, Stranger Than Fiction) explained his rationale for picking Butler to portray the flawed hero, “He’s one of those movie stars today that I feel is a real man. There are very few around. He has this incredible rawness.” I absolutely agree! I know a lot of people doubt Butler’s talent as an actor but I feel that this year is his moment to shine and prove those people wrong.

I’m also happy to report that both his films Coriolanus and this one will premiere at Toronto International Film Festival (TIFF) starting September 8th, you can see the full program here. According to the film bio, Machine Gun Preacher runs 123 minutes and Butler also serves as executive producer. This film opens on limited release on Sept. 23, hope it’ll open nationwide not too long after that.

SHAME

This is another film that’ll premiere at TIFF. It stars the ubiquitous Michael Fassbender as a New York man who’s confronting his sexual compulsions and the self-destructive acts of his sister (Carey Mulligan). This is his second collaboration with Hunger director Steve McQueen (the British filmmaker, not the famous classic actor).

Check out the photos below courtesy of SlashFilm:

As you know, I like Fassbender and he’s really on a roll right now. Obviously Hollywood loves him and he’s in the right age where there are tons of roles available to him. It’s great to see him maximize his versatility to the fullest, playing anywhere from a superhero villain in X-Men: First Class, a historical character Carl Jung in Dangerous Method, a bad ass spy in Haywire and now this. I also admire Carey Mulligan after seeing her in An Education and Never Let Me Go. The subject matter isn’t very appealing, but depending on the trailer and reviews, I’d be willing to give this one a shot.

MARGIN CALL

I had never even heard of this one until I saw this trailer today.

Woof! That looks mighty intense. On initial viewing, it kinda reminds me of Wall Street + The Insider and seeing Demi Moore there, a bit of Disclosure. I always appreciate a smart, taut thriller and this one certainly looks promising I’m not good at all with numbers though, so there’s a chance the plot might go a bit over my head.

The ensemble cast is impressive: Zachary Quinto, Kevin Spacey, Jeremy IronsStanley Tucci, Simon Baker, Paul Bettany, Penn Badgley, and Demi Moore. Ok so I’ve never seen anything Badgley does so he’s probably the only odd man out in this list. I had just seen Tucci in Captain America, and he’s always excellent despite his brief appearance, so he probably will be just as compelling here. Spacey seems to be drawn into ‘office’ type roles lately, I see him in business suits an awful lot, whilst Jeremy Irons seems to struggle with his American accent. He always sounds like Jeremy Irons no matter what movie he’s in 🙂

I find Quinto to be the most interesting one to watch here, he’s definitely the most promising actor out of NBC’s Heroes. FirstShowing said this movie is one of his favorites from Sundance, “…a dramatic thriller that does put you on the edge of your seat while waiting to see how everything plays out on the eve of a financial meltdown that we’re all very familiar with. Not only is it timely, not only is it entertaining, but it’s just riveting to watch.”

A good thriller doesn’t always need to have a car chase or shootout in it, it’s the impact of what a certain discovery might bring that puts you at the edge of your seat.


Does any one of these interest you, folks? Anyone going to TIFF this year?