Continuing his obsession with the spaghetti western genre, Quentin Tarantino has made another self-indulgent film that may divide some of his hardcore fan-base. Personally I thought it’s an entertaining picture but not one of QT’s best films.
Set in a post-civil war Wyoming winter storm, Major Marquis Warren (Samuel L. Jackson) is deserted on the road. As a stagecoach approaches, he meets a bounty hunter named “The Hangman” John Ruth (Kurt Russell) who’s escorting a prisoner named Daisy Domergue (Jennifer Jason Leigh) to the nearest town for her hanging. Warren asked Ruth if he can catch a ride to a mountain pass safe point called Minnie’s Haberdashery. Once they’re on their way to Mannie’s, they ran into another stranded individual named Chris Mannix (Walton Goggins), who said he’s the new sheriff at a town where Ruth and Domergue are heading to. Arriving at Minnie’s to escape the roaring storm, Ruth keeps a steady eye on Domergue, sussing out other customers, including Oswaldo Mobray (Tim Roth), Bob (Demián Bichir,), General Sandford Smithers (Bruce Dern), and Joe Gage (Michael Madsen), while stagecoach driver O.B. (James Parks) tries to keep out of the way. As the strangers attempt to figure one another out, paranoia soars, pitting the gunmen in a contest of storytelling as they try to wield lies before they brandish guns.
Just like other Tarantino’s films, the story is broken up to chapters, but told in a linear style. Tarantino seems to love his own writing, a little too much in case of this film. While I do enjoy the dialogues by all the actors, the film’s first half tends to drag a bit. At nearly 3 hours long, it could’ve used some trimming. Despite my qualms about the first half though, once the story gets going, QT knows how to ratchet up the tension and when the bullets starts flying, it’s a vintage Taranto’s film.
The performances by the actors were pretty great, especially Russell, Jackson and Leigh. The entire film is built out of monologues and these actors were up to the task by delivering some over-the-top lines. This being a QT film, the N-word and F-word has been uttered many many times.
Tarantino and cinematographer Robert Richardson decided to shoot the film in 65mm and it looked spectacular. I’ve seen the film twice, once on a 70mm presentation and the other on digital. To be honest with you, I prefer the digital presentation only because the 70mm theater I saw it at wasn’t properly set up and there were film scratches the screen. Not many theater has the ability to set up 70mm screen properly anymore so I think I would’ve enjoyed the 70mm presentation much more had I seen it in a proper set up. But I’m still happy that Tarantino is one of the few directors who still insist on shooting his films on high quality film.
The Hateful Eight may not be one of QT’s best films but it’s one heck of a good time. If you can stomach the bloodshed and of course QT’s over-indulgent dialogues, then you should check it out.
So have you seen The Hateful Eight? Well, what did you think?
Having gotten family Thanksgiving feasting and festivities out of the way a few days early. And indulging in minor Tryptophan comas through many variations of sumptuous leftovers. I’ve decided to make good on a debt or favor and honor to our Hostess, Ruth.
Accumulating information, intelligence and perspective on a well budgeted, thought out and executed extension of the Twentieth Century Fox television derivative, FX. And their inspired doubling down and betting it all on one series. As successfully done with their previous offering,”The Shield”. And again coming out on top!
The series in question isn’t exactly a Western. Nor is it what I consider a full fledged or procedural “Cop show”. Though it has topics, drama and situations taken from both genres. Cleverly updated and blended together in ways that only veteran novelist and writer, Elmore Leonard could conjure up and bring to tense, sometimes comedic life.
So, allow me a few moments of your time to delve in, peel back layers and hopefully lay bare a perspective on one of the more enigmatic, yet surprisingly addictive series of this decade with:
5 Reasons Why FX’s ‘Justified’ Rocks Out Loud!
Though not given a numerical value that might place one specific above another. I am going to be au courant and simply state the reasons. Since each is an integral part of the others. And how well they mesh to create superlative adult entertainment.
The foundation of any series, film, feature or short subject lays trapped inside the writers’ imagination. And how well those thought and ideas flow through to paper. And later, processor or lap top. And few are better than master novelist and screenwriter, Elmore “Dutch” Leonard.
Whose pedigree runs from the 1950s heydays of Budd Boetticher’s low budgeted, Randolph Scott films (‘The Tall T’). Through the original ‘3:10 to Yuma’. Both renditions of ‘Hombre’. To ‘The Moonshine War’, ‘Valdez Is Coming’, ‘Joe Kidd’, ‘Mr. Majestyk’ and ’52 Pick Up’. And later, more recognizable efforts, ‘Get Shorty’, ‘Jackie Brown’. Television’s ‘Karen Sisco’ and low budgeted, mid west winter revenge flick, ‘Killshot’,
Add an eye for minor details with Graham Yost (HBO’s ‘Band of Brothers’ and major Wild West meets Shakespeare cult class series, ‘Deadwood’). And you have the makings of grittily modernizing the “Old Gunslinger comes to town” premise. Add a few love interests. The odd family and home town feuds. Old school (Moonshine) and updated forms (Grass, Oxycotin and Heroin) of illegal recreational pharmacology. Bracing old friends and new snitches. Serving warrants and transporting prisoners. And you have a continuing tale and mixture that pays off in ways unimagined!
With the writing for the ever developing. overall idea nicely tied up. We move to:
With the sunny beaches south of Miami used as a backdrop for a Han Solo and Greedo like sit down showdown with a mid tier Columbian drug runner to get the story moving westward during the series’ pilot and premiere episode. Then shifting ever so quickly to the rustic, quaint and near antique confines of Harlan, Kentucky. Talent is needed to find just the right look and feel of a town and outskirts that architecturally haven’t left the 1960s.
And that’s where Jared Kurt, Andrew Keeler and Eric Klosterman come in. Finding out of the off the beaten path and less accessible way places, townships, railway heads, trestle bridges and occasional steam powered locomotives and trains to add back woods and water authenticity. Where forested, hilly, coal country Kittaning and up against the Appalachian and Ohio border, Washington, Pennsylvania come into their own. Though much more in the second season and beyond. Where coal, mining, land sales, drug deals, the “Dixie Mafia”, organized crime out of Detroit and local politics move to the fore. Not exactly a perfect, restored time capsule when dealing with contemporary eyesores, safety rails and the like. But a pleasantly rewarding treasure trove for those who appreciate the look and feel minor details add to an organic domestic mix. Accepting and often looking forward to these tidbits, because of their solidity and tangibility.
While Santa Clarita and the outskirts of Pasadena, California fill in for the rustic and slightly time warped main drag and town square of Kentucky’s capital, Frankfort. Its court houses, municipal buildings and the more affluent parts of cities and towns where the movers and shakers on both sides of the law and criminal scale live and do business,
Sets of all shape, size and devotion to detail abound. From the Marshall’s office in Harlan with computers on every desk and a flat screen televisions in the boss’ office. To the incredibly old time clap board country and general store of “Mags” Bennett (Margo Martindale, magnificent and made for the role!). The tough as nails, seemingly omniscient matriarch of a low scale crime clan way out in the hills. And several old, disused and forgotten coal mines and shafts which fill a more lucrative purpose. Add some Honky Tonk bars. Dirt floored and otherwise. Mobile home and trailer-ed brothels of the series’ main nemesis. And watch some magic go to work!
Which moves us along to those who ride herd and maintain control over all this largesse of imagination and logistics.
Far too many to mention here. Though the number tops out at twenty. With notables being Adam Arkin (Who also has a cameo role as elegant Detroit mob shot caller, Theo Tonin). Who came on board early and has a nice touch for the series tone, grit and occasional irony and humor. While honing his near veteran skills with two episodes for each season.
Followed closely by crime connoisseur and master of Neo Noir, John Dahl (‘The Last Seduction’, ‘Red Rock West’, ‘Rounders’) Who brings out the “Tough Guy” talk and image beautifully in the Good Guys, Bad Guys, crews and clans memorably the early seasons and beyond. While Jon Avnet has a real penchant for introducing and fleshing out new, often returning characters and the beginning of major twists seasons before they sometime disastrously occur. And leaves some slack to expand upon for Peter Werner, Tony Goldwyn, Don Kurt and Peter Werner to run and play with.
Creating a fluid, uninterrupted canvas for this cabal of visual choreographers to deliver solid consistent work. About the only director who hasn’t been called in to add his perspective is Peter Weller (“Robo Cop’, ‘Shakedown’), who has been doing superior work directing and being a crooked retired police chief on FX’s ‘Sons of Anarchy’!
Which brings us to the meat of the series. Split into two groups.
The GOOD and BAD Guys
THE GOOD GUYS
Relatively small in numbers. As is befitting any continuing tale of Good versus Evil.
Raylan Givens: Veteran U.S. Marshall. Tall, lean nonconformist. Made for denim jeans, jacket, chambray shirt, Tony Lama boots and a wide brimmed, down turned Stetson. That he absolutely rocks. Even in Mimi, Florida! A fast and deadly accurate shot. Reassigned back to Harlan after a controversial shooting. Played with a wise, sly, cynical smile by Timothy Olyphant (HBO’s ‘Deadwood’, ‘Live Free or Die Hard’, ‘Hitman’, ‘The Crazies’).
Art Mullen: Raylan’s unassuming “Been There. Done That” boss. Elder statesmen, mentor and conscience to Raylan and his squad. Overweight, Long of tooth. Up for retirement. Yet knowing more about his stomping ground, feuds and secrets than he lets on. Embodied near flawlessly by baritone, veteran character actor, Nick Searcy (‘Castaway’, ‘Moneyball’, ‘The Ugly Truth’, ‘To Appomattox’).
Rachel Brooks: (Erica Tazel) So much more than meets the eye. Smart, clever, efficient, quiet. Yet very proud of her being a Marshall. And not adverse to drawing and using her sidearm or shotgun.Can read most men in less than a minute. Slated to take Art’s place upon retirement. Huge potential for an actress just starting out. And showing the chops to stay ahead of the pack.
Tim Gutterson: (Jacob Pitts. HBO’s ’21’, ‘The Pacific’, ‘Euro Trip’) The squad’s long range rifleman and occasional back up for Raylan. Former Army sniper with multiple tours in Afghanistan and the desert. Equally proficient with a pistol. Doesn’t talk much, because he really doesn’t need to. Also a dead ringer for a younger Chris Cooper! Possessing quiet “Old Time Toughness” as well as a bit of sly when confronting criminals.
ADA David Vasquez: (Rick Gomez: HBO’s ‘Band of Brothers’, ‘Sin City) Up and coming Federal Prosecutor trying to “make his bones” and a name for himself far away from the power players in Washington, DC. Fast talking. Too shrewd by half. Knows Raylan’s gun slinging reputation and wants to capitalize on it to his advantage.
Judge Mike Reardon: (Stephen Root: ‘Office Space’, ‘Fargo’, ‘News Radio’) No nonsense judge who carries a licensed pistol under his robes. And has a red Swingline stapler atop his desk beside the blotter and phone in his chambers!
Which leaves the floor open for:
THE BAD GUYS
Many with extended families and cousins. Most vying for supremacy. Or control of a criminal beyond the reach of their respective towns or counties.
Boyd Crowder: Criminally under rated Walton Goggins, Channeling Shane Vendrell of FX’s earlier, ‘The Shield’. Finally being the Outlaw he was meant to be. Sly, smooth. With a chess player’s mind and a scary familiarity with violence. Had worked in the mines as a youth with Raylan. Very handy with explosives.
“Mags” Bennett: (Margo Martindale: ‘Million Dollar Baby’, ‘The Hours’, Orphan’) Hard luck woman. Matriarch of the Bennett clan. Sons Doyle, Dickie and Coover. Sells Moonshine (“Apple Pie”) and decent grass. When not trying to get family land from a fading coal company.
The Crowes: Daryl Crowe, Jr. (Michael Rapaport). Muscle bound ‘roid raged bully and small time grafter with delusions of grandeur. Danny Crowe (AJ. Buckley. Lab nerd on ‘CSI:NY’ turn in a bravura turn as a knife freak fixated on challenging men with guns from a distance. Dewey Crowe (Damien Harrison). Skinny. Loud mouthed. Former gator poacher. Possibly the most hapless criminal in Florida or Kentucky. Nose broken by Raylan early on lead to a lawsuit and payoff that bring Dewey’s cousins ruing at the scent of opportunity and money!
Wynn Duffy: (Jere Burns) Represents “The Dixie Mafia” as front man and “arranger”. Always mobile in a Winnebago. Constantly stuck in the middle of attention drawing Turf Wars. Thinks his talents are misplaced.And would rather be elsewhere.
Robert Quarles: (Neal McDonough. Another ‘Band of Brothers’ alum) Enforcer for the Detroit syndicate. Sexual sadist and usually calm sociopath. Favors a two shot derringer in a forearm to wrist slide rig.
Ellstin Limehouse: (Mykelti Williamson: ‘Forrest Gump;, ‘CSI:NY) Overseer to an historic hollow where slaves were left alone to thrive. post Antebellum. Shot caller fo many gangs throughout the state. And not adverse to the odd bank robbery.
Which leads us to:
The Ladies in Attendance
Winona Hawkins: (Natalie Zea) ADA for Harlan County. Former girlfriend of Raylan. Smarter than she lets on. Though sometimes lets emotions get in the way.
Eva Crowder: (Joelle Carter) Married to Boyd’s cousin Johnny, whom she shoots with a Deer Rifle at the dinner table in the series premiere. Falls for Raylan. Then Boyd. To become the font of knowledge of criminal activity in Harlan. And Boyd’s woman. A hard luck. Hard loving woman. Who may just be out for herself, after all.
Wendy Crowe: (Alicia Witt) The only Crowe to earn a law degree. And not bashful about using that knowledge gaming others and The System to her and her son’s advantage. Pretty, clever. Dreams big. But manages with just enough to get by.
Katherine Hale: (Mary Steenburgen: ‘Joan of Arcadia; ‘Elf’, ‘Sunshine State’) Back up for Wynn Duffy. Elegant, fetching. Heart of ice. May or may not off Wynn during this last season.
Loretta McCready: (Kaitlyn Dever) A teenage girl with the mind far beyond her years. Whose father was killed by Coover Bennett and sought revenge. Then redemption. Every bit as sly as the boys and a perfect foil for Raylan!
A series that has done surprisingly well. With its first season devoted to character introductions and small scale crime. That has smartly built on copious notes taken and expounded upon in later seasons. Whose script writing team wisely hangs around at the ready for new ideas from its constantly expanding cast and directors. Creating memorable scenes on the fly with Margo Martindale. Hints of the beginnings of the blood feud between the Bennett and the Givens clans. Or Damien Harrison’s Dewey Crowe for incredibly shameless comic relief.
But the real meat of the series is the continuous slow raging war for supremacy between Raylan and Boyd. A perfect team up of wits. The give and take of discussion that Boyd makes sure work to his advantage. Add an endless stream of often returning bad guys. And variations on slowly solidifying schemes. And an episode rarely ends the way anyone predicted!.
Toss in well tended Art and Set Direction, Dressing and Continuity. And Stunt and Special Effects men too numerous to mention. Music by Steve Porcaro. Notable late night, middle of nowhere location cinematography. And you have the makings of superb adult television!
Author’s Notes: I’ve only scratched the surface in as concise a thumb nail and sketch as I can manage. There are multiple clips, tributes, mash ups, interviews and complete episodes from the previous five seasons of ‘Justified’ n You Tube and IMDb