Indie Film Spotlight: ‘Funeral Day’ + Interview with director/lead actor Jon Weinberg

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One of my favorite parts about blogging for TCFF is meeting various indie filmmakers. I’m glad I got to meet Jon Weinberg over coffee one rainy evening, and it’s one of the most enjoyable interviews I’ve done in my seven years covering the film fest!

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Scott thinks he might be dying. Not at all an uncommon thought for Scott, but today the lump he believes he found “down there” might actually be real. Today also happens to be the day of his friend Ken’s funeral. ­ Funeral Day is a darkly funny movie about a man who skips his friend’s funeral in an attempt to start living his own life to the fullest.

Funeral Day is a dark comedy that could double as a male health PSA. My blog contributor Sarah reviewed the film here, and while I agree it’s a bit on the raunchy side, the writing is fun and zippy. Definitely one of the strongest feature film debuts that premiered at TCFF, so I hope Jon would continue making movies in the future.

Collaboration with Testicular Cancer Society

testicularcancersocietyThe filmmaker raised awareness for testicular cancer in collaboration with the Testicular Cancer Society. During the post-production stage, Jon sent a tweet that caught the attention of Testicular Cancer Society founder, Mike Craycraft, a testicular cancer survivor who waited seven months after feeling his lump before having it checked. In the film, after feeling a lump on his testicle, the main character refuses to go to a doctor, “which is not uncommon in men,” explained Craycraft.

Both the society and the producers of the film hope that by engaging in co-promotion, more men (and the women in their lives) will become aware of testicular cancer and be proactive in the diagnosis and care process.

A full cast of experienced and recognizable talent include: Tyler Labine (Deadbeat, The Rise of the Planet of the Apes, Tucker and Dale Vs. Evil), Tygh Runyan (The upcoming Versailles, Stargate Universe), Suzy Nakamura (Dr. Ken, Curb Your Enthusiasm, Horrible Bosses 2), Dominic Rains (Best Actor award winner at this year’s Tribeca Film Festival for his role in Burn Country, A Girl Walks Home Alone at Night, The Loner) and many more.

Funeral Day is written by Kris Elgstrand, an award winning screenwriter, whose most recent film, Songs She Wrote About People She Knows, premiered at the 2014 Toronto International Film Festival.


Quick bio about Jon Weinberg:

Funeral Day is the debut feature film of director Jon Weinberg, a Minnesota native who grew up in St. Louis Park. Weinberg received a degree in theatre from the University of British Columbia, and later continued his training at the London Academy of Music and Dramatic Art (LAMDA) before moving to Los Angeles in 2006. He has appeared on film, TV, stage as well as audio. His directing work includes several stage productions, commercials, and an award winning short film. Weinberg is also the author of the award winning photography and poetry bookA Calm Position (In Due Time Press). He is currently producing an upcoming web series with Ethan and Dominic Rains.


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Q: So that was interesting how you ended up partnering with the Testicular Cancer Society. Tell me a little bit about that.

Post [crowd]funding campaign on Seed & Spark, during that time I tweeted out. Just to get some people’s attention, I tweeted it out to the Testicular Cancer Society. They seemed like they had a little bit of a sense of humor with, you know, dealing with the disease, at least what I gather from their tweets and their website. And actually it caught the founders’ attention. It was Mike Craycraft and he tweeted back and then he said, I want to talk to you.

It was just like that. It’s very now, you know, that really wouldn’t have happened five years ago with the whole social media thing. And so, we connected and he basically said that, from seeing the site and reading the synopsis and stuff that he had a similar experience in it. I remember thinking at first like ‘I hope not because the guy goes through a lot of crazy shit in this movie.’ Then he starts to tell me how a number of years ago he found a lump. And for whatever reason he just thought ‘I have cancer, I don’t want to deal with it. I don’t want to go to the doctor. And he threw himself a going away party. He didn’t tell anyone why and didn’t go to a doctor and sort of went on an adventure thinking ‘Ok I’m going to die anyway…’ But eventually he said ‘Wait, what am I doing? This is silly.’ And he waited unfortunately a while [to get tested], but fortunately not too long because he’s still alive now. But he did have cancer and they had to remove one of his testicles.

Now he’s fine, but from this experience, it motivated him to get other people more aware of it with this wonderful organization. It doesn’t just raise awareness but they’re also advocates for patients and stuff. Anyway, so we partner with him which has been great and I’m learning a lot. And our mission is to work together. He wants to be able to screen the film, maybe at some college campuses, to educate and just facilitate conversation. So yeah, this collaboration is obviously a win win. I get to be a part of something great, that has a great cause.

Q: How was your collaboration writer Kris Elgstrand? 

Yes, Kris is a writer based out of Vancouver who wrote the screenplay. We’ve worked together. He had originally written it for himself, but he put it on hold while he was working on the project. And then I got into it, and I had decided I wanted to make a feature. I was reading different scripts and I remembered that script because he had sent it to me. I basically said to him, ‘Hey can I do it?’ And he said ‘Yeah, let’s make that happen.’ So I took it from him and then I grabbed another couple of producers and then we started putting it together.

Q: So I’m curious, I know you wanted to make it. But what made you decide that you want to also star in it?

Yeah. So originally, I was looking for something to act and that I could also produce that I cared about. So that was, originally I wasn’t intending to necessarily direct. I had directed a short and a few other things. But this would be a first feature so I wasn’t intending to be just like ‘oh I’ll just direct myself.’ But as I started prepping for it, it sort of made sense that I was going to be the co-directing it with someone. So I just started directing it and certainly it was important to me to make sure I had one of the producers… you know, we have a full crew. It was a small film but we did have a 22-person crew. We did have a big truck and you know, we went by the rules, we had permits and all that. But on set it was very important to me to have someone at the monitor all the time, because I was in it. So you know one of the producers, Ron Buttler, help co-directed me up there on set. So I always had people I trusted around me, which you should always have. We had a really great team. And, we were able to, not with everyone, but we were able to do some rehearsals beforehand that made it a little bit more comfortable because we had a very quick shoot.

Scott (Jon Weinberg) & Clare (Sarah Adina)
Scott (Jon Weinberg) & Clare (Sarah Adina)

Q: Tell me a bit about the filming process? How many days it took you to shoot this?

13 days. It was a very quick shoot, you know. We shot the whole thing in like 13 days. We had some pick-ups but it was quick. We shot everything on location in L.A. We had a great cinematographer named Jeffrey Cunningham who just fantastic and everyone worked really hard. Kris [the writer] couldn’t make it out to the set but he was very hands on beforehand. We had a script supervisor and there were even times where we had to rewrite a little section or two, we could always call Kris, so we’re able to always be in contact. He’s great, he’s the kind of writer that writes for the actor. I mean it’s very dialogue-heavy kind of film, he writes a very talky kind of dialogue. A lot of people asked me if some of it was improv but no, he wrote a lot of it in the script.

Q: I have to ask you about casting. Tyler Labine, I saw his film at a film fest a couple of years ago. It’s called Best Man Down now, but at the time it was called Lumpy.

Yes, and he’s a great, great guy.

Tyler Labine as Chuck
Tyler Labine as Chuck

Q: And then Dominic Rains, too, who’ll also be here for the premiere for three of his films. I know he’s originally from Iran, but he plays an American in this movie, correct? 

Yes, he’s from Iran. He moved to England but he actually then grew up in Texas. So he speaks with an American accent in this movie and he’s fantastic with accents.

In fact in [Dominic’s film] Burn Country, he has an Afghan accent and in The Loner he also has an accent. I’m just going to talk about how much I love him. He’s a wonderful guy and an amazing actor. So in my film, he’s playing you know, like you said before, sort of a jerk and he’s funny, he’s really funny. It’s such a different role from the two other films he’s screening here in TCFF. As you already know, he plays an Afghan fixer in Burn Country and in The Loner he plays an Iranian gangster.

Q: So about your casting process. Did you have to audition the actors then, or did you just talk directly with them?

I was very fortunate. I’ve been in L.A. for a while so I had worked with various people and had made friends with various people. It was important to us to get the right cast. So of course we wanted people with some names, but we cared about putting the right actors in the right roles. We did have auditions but we were also able to deal directly with actors. Meaning it was either my friends or producers’ friends or friends of friends, and so we were able to get the script directly to actors, sort of bypassing the agent or the manager.

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Jon Weinberg & Dominic Rains

So we did hold auditions and you know, we’re very fortunate that they would even want to come out. So I’ve known Dom [Dominic Rains] for a while, we were in a play together ten years ago and Tyler and I knew each other from Vancouver. But of course they still need to want to do the productions. So some did come in to do the audition, and some we just knew they were right [for the role]. But we were very fortunate to sort of have these actors read it and say ‘oh yes I’m interested in doing it.’ And yes once that happened, we dealt with their managers, agents and all that, but we were also able to sort of just go directly to them. But yeah, for a number of the parts, we also did hold auditions. We’ve been very lucky with our cast.

Q: There’s always that chicken and egg question. You either have to cast everything all ready to attract the investors, or do you have to have the funding first in order to attract the cast. How was it for you in making this film?

I knew I had the energy and I’d be able to do enough to make a small movie. This is my first film, you know, I’ve never formed an LLC before and all that. So we did that. So I had friends that we’d been talking about making movies you know, and then finally, ‘OK here’s something to make.’ So we came together and we formed a company. Then you know, you literally just reach out to those you know first. Literally parents, friends, uncles, aunts, and then friends, and even friends of friends. So for the most part, most of the production budget came from the people we knew. You know, people who want to support you. I mean hopefully we can make them their money back of course, because you want them to trust you for later.

So it’s a certainly a process and you know, we’ve created an investor packet and we reached out to people, people we think might be interested. And some who do, it might not be the right time for them, so there’s a lot of ‘nos’ and you have to wear a business man hat. That was all new to me but you do it, because when you want to make something you’ve got to do it. So we thought, as long as we can get sort of enough to make the movie, if we need more money, it was my idea that we could raise a little bit more money through crowdfunding later after we have already made the film.

So once we felt we had enough that we feel we’re not going backwards, we started setting dates and trying to hire our crew, which was another process. It’s a small movie but still, y’know, it was still a SAG contract and all that kind of stuff.

Q: Were there any particular snafus during production that you wouldn’t mind sharing about? 

Oh yeah. We had many snafus and I’m told that’s normal. Though of course when it happened to you it felt sometimes like, ‘oh that’s it. I quit’ you know, those moments. One of the things that was frustrating was we lost two actors on day two. It was supposed to be like two days before we start shooting and they were actors we were very excited about. And coincidentally they play partners, like husband or wife or whatever. I can’t remember exactly, but one of them got a big part in a big NBC show or something like that, so what can you do. And they were actually needed for just two days out of the 13-day shoot. So you know, we talked to their agents and because our shooting was so tight, we couldn’t rearrange and they happened to have to shoot their projects at the same time. So all of a sudden it was literally like, a little bit of panic. So this was like day two and we had a 12-hour day literally after 12 hours we’re all stressed out. So we get together, the producers and everyone, we sent out e-mails, we talked to everyone on our crew if they know anyone that fits this [role] description and literally, the day after, after a 12-hour day we held auditions in my apartment. It was crazy. It was like, work all day and at night we held audition.

Ron (Jedd Rees) & Katrin (Kristin Carey)
Ron (Jedd Rees) & Katrin (Kristin Carey)

Well, we were so lucky. We’ve got Kristin Carey [who was in the Scandal series recently] who’s just fabulous and funny. And also Jed Reese, who we recently seen in Deadpool [as the recruiter]. He’s just this great actor and he’s also in Galaxy Quest if you remember that great film, he was one of the aliens. He’s so funny in this. So they came on with very little notice but really, they’re both phenomenal, I can’t say enough about them. So that was one of the big snafu that ended up working out much better for us.

Another thing was the location. We lost a location that was very important to us. We got a location so that was hell, and we were supposed to be there for three days. It was so bad because of various reasons. It was a condo and there were issues that even though we paid for and all those things, the owner even after a contract didn’t want us there and all the stuff, and she was watching every moment of it. So we were like, ok, so we had to rewrote some of the scenes so we didn’t have to shoot it at that location. So things like that happen.

Q: How about the location, you shot this film entirely in L.A.?

The story was actually written for Vancouver. But we ended up shooting it in L.A. I think it’s interesting because L.A. is, as they say, sort of a character in the film. The main character Scott, he doesn’t have a car and he runs from place to place, which is crazy in L.A. And so we thought it was really fun. And also you get to see little parts of L.A. and in Vancouver it has a similar feel in some ways. I mean there’s more transportation and stuff like that there, but it was sort of written in that same way. The character, even though it wasn’t said in the movie, but maybe he doesn’t really trust cars and stuff. I think it added more to the story that he’s running in L.A. Yeah, I think the way it was originally written in ways that you could move from city to city without sacrificing the story.

Q: I thought Dominic’s character you know, being a realtor with his fancy car, his Maserati, it made sense in L.A.

It’s funny. I think some of those little bits were actually changed once we Kris knew we were shooting it in L.A.

Q: What’s the most memorable moment for you as an actor AND director filming this? 

Yeah it was fun. I mean what we’re doing was certainly difficult, but like I said we had a good team. I had someone who was always at the monitor during the shoot. Because we were doing it so quickly you know, you could only watch playback so often right you can only we watched the tapes. Sometimes we just didn’t have time, so it was a huge help to have Ron Butler there. Honestly, as an actor, it was a fantastic experience working with the cast. I got to work with Tyler and I got to work with Jed and Dominic. Oh I didn’t mention Suzy Nakamura who’s on Dr. Ken on TV right now. She’s wonderful. I mean I just got to work with all these people you know, with Tygh Runyan [who’s starring on the Versailles series] and of course Kristin. So as an actor, that was the highlight to work with them. As a director, having some control over the actual product is pretty great. From the beginning of the shoot and being in the editing room.

Suzy Nakamura as Wendy
Suzy Nakamura as Wendy

Also working with the composer. We’ve got a great composer, Ariel Blumenthal, based out of L.A. Music is very important to me, so to actually having a composer for the whole film is amazing. As for ambient sound, or the practical music, so if there was like a song at a diner or something, I had musician friends who were wonderful and generous. They gave me their songs to use in the movie. So I think as a director and just being able to be a part of the whole thing is really something.

Q: So what’s next for you? Do you want to keep doing features?

Well I think it’s egregious to say I want to do it all. But definitely make more features. Acting certainly, but I want to be directing more, maybe with myself a little less in it, so I’m looking for the next feature to work on. And in the meantime I’m working actually with Dominic and his brother Ethan Rains. They’re awesome. So Ethan has has created a Web Series and so Dom, he and I are producing it. We have some writers for that, so we’re working on that but then hopefully, you know, we’ve been talking about creating another movie together also.

Q: So if people ask me, where can they see your movie?

So we just started our festival run. We premiered in a festival in Austin and you know, it was cool we were nominated for something and I won Best Director. And then TCFF is our second film festival. Then in November we’re going to Reading Film Festival in Pennsylvania, the EyeCatcher film festival in Oklahoma and then Key West Film Festival which I’m very excited about, I hear is just wonderful. Hopefully we will find a distributor, I mean you want to find the best situation that you can to get it out into the world. Less and less films are hitting theaters but still it’d be great if it could somewhere. But you know, you have so much you know from Hulu, Netflix to Amazon and all that.

On set at Elysian Park, L.A. — with Jeff Cunningham, Ronnie Butler Jr. and Michael Coulombe.
On set at Elysian Park, L.A. — with Jeff Cunningham, Ronnie Butler Jr. and Michael Coulombe.

Q: Nowadays a theatrical release doesn’t seem that important anymore because I think more people are watching stuff at home, right?

Yes I think it’s not as important in sharing your film. Of course I’m still an old school in that I believe in the shared experience of watching a movie at the theater. So I love going to the movies. I love the big screen. I love when you know, my movie is a comedy right, so I love watching people laugh watching it. But of course there’s is something so wonderful about the time now when you can make something and still put it out of the Internet or wherever that can be seen across the world.

Q: Last but not least. Who are your inspirations in terms of filmmakers?

I’m a big fan of Paul Thomas Anderson. He’s he’s wonderful and I think during or before I was making this film, I watched Punch-Drunk Love a lot. Not to compare myself to that but you know, I love that the film is based in reality but slightly heightened and strange. I thought Adam Sandler was great in it. And of course I love the Coen Brothers and you know, the fact that they’re also from St. Louis Park 😉

So yeah, certainly I’m inspired by those kinds of films. But I also like great dramas, like Moonlight which is fantastic. Barry Jenkins, I met him briefly during his film premiere at Telluride and I heard him talking about it. It’s a beautiful film, it’s heavy but in a beautiful way. Another film I saw this year which had just enough comedy to keep it light even though it is heavy is Manchester by the Sea.


Towards the end of our interview, we also talked about how great Captain Fantastic was, and Viggo Mortensen’s performance. I teased Jon that hopefully he could cast him in his next film. ‘One day, one day,’ he replied. We also talked about how great Brooklyn was with Saoirse Ronan. We ended up chatting much longer than planned at Caribou across the street from Showplace ICON Theatre and really we could go on for hours talking about movies!


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Jon & yours truly 🙂

THANK YOU SO MUCH Jon for taking the time to chat with me!


Hope you enjoyed the interview! Hope you’ll check out Funeral Day when it arrives in theaters near you and/or VOD.

TCFF 2016 Reviews: ‘Funeral Day’ + ‘In Pursuit of Silence’ doc

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I know the next 10 days is going to be a whirlwind! Day 3 of Twin Cities Film Fest has pretty much come and gone. Thanks to Sarah Johnson, my awesome reviewing partner during TCFF, for contributing to the reviews of various indie and short films. Check out her bio page here, she’s a MN-based freelance writer who also writes for City Pages.

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‘Funeral Day’ Review

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“I am probably going to punch you in the face,” one of his friends says to Scott (Jon Weinberg) early in “Funeral Day.” Most of us have a slightly neurotic friend that we love anyway. In his feature film directorial debut, Weinberg also tackles the lead role as a hypochondriac who finds a mysterious lump on his testicle the day of his friend’s funeral and decides to skip it in order to start living his life to the fullest.

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Jon Weinberg & Dominic Rains

We meet a cast of characters – the jilted ex-girlfriend (Rahnuma Panthaky), the sleazy real estate agent (Dominic Rains, who has my favorite line of the movie – “I work for a living, do you think I have time for friends?”) and the Zach Galifianakis-type Chuck (Tyler Labine) – in Scott’s search for meaning.

While the cast is strong, I found the script at times (written by Kris Elgstrand) to be a little too raunchy, in that it almost took away from what would otherwise be an unexpectedly light way to look at dark topics such as illness and morality. Unquestionably what saves the movie for me is the winsome charm of Weinberg in his portrayal of a nuanced character.

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‘In Pursuit Of Silence’ Review

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Even before watching the trailer, I was immediately intrigued by the idea of In Pursuit of Silence. Billed as a meditative film about our relationship with silence and the impact of noise on our lives, it does exactly what it says on the tin. I truly believe silence is a lost art, as we’ve become increasingly absorbed by the bustling world around us and become more desensitized by it. I love documentaries like this that really make you pause and think about the world around you.

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Mr. Orfield at Orfield Lab in Minneapolis

Directed by Patrick Shen, the film itself uses sound… and silence, in a unique way. There are plenty of scenes where the only sound is comes from nature, be it the rustling trees or grass in a field, sound of water streams, or the wind in a vast, expansive space. It features several talking heads of experts in the field, some are actually on the field measuring the decibel level of certain environments. It’s amazing how loud certain cities have become that it far exceeds what the normal human hearing should withstand. The extended exposure of such loud sounds will no doubt cause hearing loss, yet most of us don’t realize it. I think people pay more attention to air pollution than sound pollution, but the latter can be just as damaging to our health.
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It also takes to to various parts of the world… Japan, India, London, New York, as well as Minneapolis. The film features Orfield Laboratories in Minneapolis, which lab is 99.99 percent soundproof and thus considered one of the quietest places in the world. I love how the film contrast the quiet serenity of a traditional tea ceremony in Kyoto with the deafening sound of the loudest city on the planet that is Mumbai during the thundering festival season.

In his director statement on the film’s website, Shen said that he …’hope that the film challenges audiences to slow down and on some level make the world new again for them.’ I think the film accomplishes that and it truly serves as a respite for me as I’m going through the busiest time of the year covering for TCFF. I’m definitely glad I watched this and I think every citizen of the world should!

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Get the TCFF App!

The TCFF app is such a lifesaver for me. Instead of futzing with paper that’s easily lost, download the app so you have easy access the film schedule at your fingertips! It’s got all the info for the daily educational events as well as film schedule, which is immensely helpful!

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What’s in store for Day 4 & 5!

Stay tuned for more TCFF reviews and my interview with the filmmaker of Word of Honour: Reclaiming Mandela’s Promise documentary!

Word of Honour: Reclaiming Mandela’s Promise Screening:
Sunday, October 23 | 3:45 pm.


TCFF Roundup – Part 2: Reviews and Top Five Favorite Films Screened at the Film Fest

Well, I’ve said last week that October would be the best movie-watching month of the year and it certainly is! The most awesome thing about covering a film festival is that you get to watch films that you otherwise might not even know about. I wish I had more time to see more films but I think more than a dozen films in a week whilst juggling my full-time job might be too overwhelming for me. Plus the movies would start to become a blur and blend in together, ahah.

Before I get to my top five, here are my mini reviews of the Saturday showings:

Lumpy

How well do you really know your friends? And can a friendship change your life? This feature film debut from writer/director Ted Koland will makes you think about those things after you see Lumpy. The title refers to a nickname of an obnoxious, party-animal best man who unexpectedly dies on the wedding night, forcing the bride and groom to cancel their honeymoon and fly to the snowy Minnesota to arrange his funeral.

The first part of the film starts out with the newlyweds (Justin Long & Jess Wexler) coping with this tragic and very unusual circumstances. Their relatively comfortable lives are contrasted with that of a 15-year-old girl living in a small, northern MN town who lives with her junkie mother. The film alternates between the present and the past, using flashbacks of the unexpected connection between Lumpy (Tyler Labine) and Ramsey (Addison Timlin). Ramsey lives a tough and forlorn life, not only does her mother neglects her, her mom’s boyfriend also makes her steal drugs to make meth. All this makes her unlikely friendship with Lumpy all the more moving.

I must say that I’m most impressed with Addison Timlin in this film, she is definitely a promising young actor and based on the LUMPY panel on Saturday, her career is just taking off with multiple TV and movie offers. I also love Frances O’Connor who plays Ramsey’s mother (I love her in Mansfield Park), it’s quite an unusual role that I don’t normally associate her with. Though Long is the most popular actor here, I don’t see him as the star of the film, though this film shows that he’s capable of tackling a dramatic role.

I’m glad that Koland chose to shoot the film in his native state here in MN, it’s fun to see the locations that I recognize throughout the film. I love the uplifting message about the power of kindness and the transformative power of friendship.

Three and a half stars out of Five
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Dead Dad

If Lumpy illuminates the power of friendship, then Dead Dad would make you evaluate the strength of family. This is the quintessential indie that focuses on a very human story in which the performances are the ‘special effects’ of the movie.

As the title should tell you, the film opens with a young man discovering his alcoholic dad lifeless body in his home. His death brings three estranged siblings to the funeral. Russell is the oldest who’s been taking care of their dad, Alex is the adopted Chinese son and Jane is the youngest. Right away you realize that the three siblings haven’t seen each other for a while and they haven’t been in good terms either.

The main plot of the film involves finding an appropriate place for the siblings to spread their dad’s ashes, inevitably bringing the three together in the process, even if the journey isn’t always smooth or pleasant. It’s important to note that the three main actors playing the Sawtelle siblings are relatively inexperienced, yet they have a believable chemistry. The relationship between the three of them sometimes remind me of my own family, as I’m also the youngest of three and my two brothers and I don’t always get along. It’s interesting to see how their dad weren’t always there for his children, but he ends up bringing them together in his death.

Kudos to director Ken J. Adachi for creating a real portrayal of family, it doesn’t feel forced or emotionally manipulative but the story definitely pull your heartstrings. The production values are pretty good as well for a tiny-budgeted film, filled with innovative shots and close-ups. I’d be curious to see what Adachi would do with a bigger budget, he’s certainly a talent to watch.

Three and a half stars out of Five
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Take Care

This one is another compelling look at the friendship in our lives, this time it involves two estranged friends from college. Erin (Ryan Driscoll) is unemployed and is living with her long-time boyfriend. All of a sudden, Kaylie (Elise Ivy), her former college BFF shows up at her door, wanting to rekindle their friendship. Soon we finds out that Kaylie’s marriage is over and she travels from Grand Rapids Iowa all the way to L.A. Reluctantly Erin lets her stay in the house she shares with Ian (Armand DesHarnais).

At first I was a bit apprehensive that this is going to be one of those home-wrecker story, I was dreading the inevitable seduction that happens between Kaylie and Ian. Fortunately there’s none of that here, in fact, the complications that arise between Erin and Kaylie reveals that nothing is what it seems, and my preconceptions of the two women gradually shifts as the film progresses.

Glad to see not one but two strong female roles here, thanks to Scott Tanner Jones, another talented writer/director who was present at the TCFF screening. Both Driscoll and Ivy did a wonderful job conveying the emotional complexities of their characters. The scene towards the end where they open up their deepest secret to one another is quite heart-wrenching and I did not see that revelation coming. The message of forgiveness and acceptance amongst friends is already very inspiring, but the filmmaker also has an encouraging message of a woman standing up to herself and striving for her independence. At the same time, I appreciate the fact that the men in the story aren’t depicted as monsters either, it’s great to see when a filmmaker doesn’t resort to portraying one-dimensional caricatures.

The pacing is a bit slow for me however, I think the editing could’ve been a lot tighter. It’s a small quibble however, as overall I think it’s a well worthy effort from Jones in his first feature film.

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The Story of Luke 

The premise is that Luke (Lou Taylor Pucci) has a is believed to be a form of autism, for the majority of his life he has lived with his grandparents, but his grandmother recently past. This leaves Luke and his grandfather (Kenneth Welsh) in the care of his aunt and uncle – who are reluctant to take care of them. The family is wealthy, but unhappy; it is rapidly unveiled that they are on the cusp of divorce. This new family dynamic is a rude awakening for Luke, but his grandfather provides him with a form of life direction for this new period in his life.

He goes on a mission to “become a man,” and the first step towards this is to get a job. His rationale is that once he gets a job, he will get a girl, become independent, and he will cease to be “special”. Luke wishes to accomplish this as fast as possible; Seth Green, who plays Luke’s first boss, embarks on this journey with him. Although they are afflicted with the same problem (yelling when overwhelmed, panicky, trouble with reading peoples emotions, etc.) they have completely different personalities.

The Story of Luke rapidly becomes a lesson on the trials and tribulations of life. Just like I Am Sam, many harsh realities are darkly comedic, dulling, in its own way, the how painful these types of disorders are (this movie is much more uplifting and uses a more stable camera). Lou Taylor Pucci appears to have been inspired by the Jack Sparrow/Raoul Duke/Johnny Depp character. Using intense eyes and matter-of-fact way of speaking, but it felt appropriate here.

This was a great choice for the second-to-last film of TCFF, I would definitely put it up there with The Sessions, in terms of quality, although the attendance wasn’t as spectacular. There is no rush to see this in theaters, but it couldn’t hurt.

– review by Emery Thoresen

3 out of 5 reels



Well, out of the 13 films I saw at TCFF, here are my top five favorites:

5. The Sessions
4. A Late Quartet
3. Quartet
2. Silver Linings Playbook
1. The Sapphires

Honorable Mentions: Things I Don’t Understand and Lumpy.

It’s funny that most of the films I love have musical themes in it, it’s not really a ‘requirement’ for a great film mind you, but hey, great music in an excellent film is definitely icing on the cake!

I don’t think you’d go wrong with any of these, so I recommend that you check these out when it’s released in your city. As for the two smaller films in the honorable mentions, I will add the info here when I learn about their release dates, whether on VOD or in theaters.


Well, that concludes my reviews of TCFF films this year. It’s been a blast covering for the film fest, thanks everyone for reading and commenting!

Let me know your thoughts on any of these films above.