Spielberg’s films are often told from the point of view of children or feature kids prominently. So it’s no surprise that his semi-autobiography loosely based on his childhood is told through a fictional boy Sam ‘Sammy’ Fabelman during his formative years. Even the most casual moviegoers who don’t pay much attention to the film industry …

Continue reading The Fabelmans (2022) review – Spielberg’s earnest origin story isn’t quite magical but still enjoyable for fans of his work