Happy November, everyone! Oh what a whirlwind October it’s been, but you won’t hear me complain about the weather as the past few weeks we’ve had one of the best Autumn weather ever. In fact, the entire Twin Cities Film Fest run, the weather was in one word, glorious. Temp was in mid 60s – low 70s, which in my book is absolutely perfect!
Well I think it’s obvious that TCFF was the highlight of my blogging time this month. It’s especially awesome that I got a chance to chat with some filmmakers and cast. Scroll down below to check out the complete recaps of the 10-day festivities!
I saw the last three in 48 hours, in fact I saw Big Hero 6 exactly an hour after my Foxcatcher screening. I’m glad that’s the case though, as I really needed something light and vibrant to shake off the dark and morose tone of Foxcatcher. Stay tuned for my interview with director
I’m still behind on a few reviews from the last couple of days of TCFF, but I should have all these reviews done in the next couple of weeks. Unfortunately, with the crazy schedule of the Film Fest, I was unable to complete my Blindspot assignment of the month. Ah well, something’s gotta give I suppose. I probably will have 10 out of the 12 Blindspot films completed by end of the year, so I’ll just include the two I miss in my next year’s list.
Favorite Movies of October 2014:
I’m going to choose films that are NOT part of TCFF lineup, and it’s quite a tough one as there are some truly awesome movies I saw this past month. After much deliberation, it comes down to a tie of two completely different films. I love that when that happens! 😀 Stay tuned for my reviews of both of these, but if you’re on the fence about either one of these for whatever reason, I urge you to check both of ’em out.
Citizenfour is one of the most intriguing and gripping documentaries I’ve seen in a long time. Whether you think of Edward Snowden is a hero or criminal, this is such an important documentary that should be seen by anyone who has ever been online [and really, unless you’re Amish, who hasn’t?]. Big Hero 6 on the other hand, is so entertaining and so full of heart it’s easily one of my top animated features now. Definitely another winner from Disney, it’s just pure exhilarating fun and I love that it would inspire kids to explore their imagination and dream big.
So, what movies did you get to see in October and which one is your favorite?
Twin Cities Film Fest picked a truly awesome film for our closing night! Time Lapse is one of those mind-bending sci-fi gems that delivers big impact on a shoestring budget. Director Bradley King and actor George Finn were in attendance and participated in the Q&A afterwards. The theater was packed and the audience gave a loud applause when the credits rolled. I thought it was really well-done, a character-driven piece with a nice blend of humor and suspense.
… I was lucky enough to be able to chat with them at the Marriott Hotel in the afternoon before the screening. It was just the three of us in this huge lobby, and there was no time restriction and no other interviewer present, which was very cool indeed!
This is yet another impressive directorial debut I saw at TCFF, perhaps even the best. If Time Lapse is any indication, I sure hope this is the first of many from Bradley King. I sure hope the big studios take notice, because if he could do something THIS good on a small budget, I’d love to see what he could do with something that has ten times its budget.
This could be the big break for George Finn as well, who displays a strong screen charisma as well as acting range, seamlessly alternating between a grungy slob to a sly & sinister young man. It’s truly a pleasant surprise to see him channel his dark side convincingly, as the actor I met earlier in the day is so affable and charming … not to mention devastatingly beautiful. A native of Tbilisi, Georgia, Finn is tall, with striking blue eyes and tousled jet black hair, he looks like a cross between Cillian Murphy and Aaron Taylor-Johnson.
Ok I could go on but let’s get to the interview, shall we?
Ruth: So Bradley, how did you and [co-screenwriter] B.P. Cooper came up with the story idea?
Bradley: Well I wish I could take credit for it but actually it’s Cooper who came up with the idea for the machine. He actually had seen a movie where someone put a camera inside a machine. So we thought well, what if the machine and the camera were the same thing? So I kinda took that and thought well, that’s awesome but how could we do that and make it into something that’s low-budget in one location, so I guess that’s how it came out of. It’s a practical beginning really, how about if we make a low-budget sci-fi movie, I mean we both love science fiction so this is really what came out of that idea.
R: I know you came out from short films background… I mean you’ve directed a lot of them. So what make you decide that this is going to turn this idea into a feature film?
Bradley: Yes I’ve directed a lot of features and Cooper has produced a few features, so I guess we’re both were at a point where we wanted to make a movie together and so we’re consciously looking for a film idea that we can do with the means that we have. So once we came up with this we soon realize this would fit the bill.
R: And how was the casting come on board… I mean how did George come on board and all that?
Bradley: Well let’s hear George’s story on how he came on board and I can help fill in the rest…
George: Well, Rick Montgomery who’s the producer of Time Lapse is also a well-known casting director so I read with him a few times and he sent me a pitch packet with a script and the entire layout of what the time machine look like and kind of a storyboard almost. So I read the script and I fell in love with the character Jasper. I remember when I was first reading it, I completely understood who he was. I mean there are certain individuals who sort of resonated with me and I was really getting into it. And the more I read it I found myself getting lost in the story and was really hooked. So by the time I went to read with these guys [pointing to Bradley] I really wanted the part. I met them and in this room there were a lot of storyboards and some yarn lines kind of telling us what would happen after what … I think it was sort of a prototype of the big room. And so I met with them and luckily, it worked out.
R: This film reminds me a bit of Chronicle, which is also a small-budget sci-fi. I mean it’s different plot-wise but it also have three young people dealing with having some kind of superpowers, whilst the people in Time Lapse discovered a machine that’s supposedly have some kind of powers. So is it kind of a cautionary tale about when someone gets a certain power, how the human nature comes into it?
Bradley: Yeah I think pretty early on, we knew things weren’t going to end up well. I’ve always liked cautionary tales especially in sci-fis. We had other potential endings y’know, but it just, the theme of people being obsessed with the future that it sort of ruin their present is something that both Cooper and I can relate to. I think a lot about the future. I think I’d be more like the Finn character [played by Matt O’Leary], I worry a lot about what my next project’s gonna be, whether the next idea show up or whether I’m gonna sit here and stare at a blank page for y’know, however long. So yeah, I used to think that you could decide the theme first then write the story out of that, but usually it’s the other way around. You start writing the story then as you’re writing it, then you realize that ‘oh this theme seems to be strong’ and at the end, usually it becomes clear. Then you go back and see if we could adjust to make that theme even clearer and stronger. So we rewrite things a little bit after you realize the “meaning” of it is. At least for me as a filmmaker, I don’t know that everyone who watches it would take that away but for us, but for us, that’s definitely a strong theme.
R: One of the reviews of the film that I read talked about the visual and the sound kind of give the audience that claustrophobic feeling, you know, being in a small set. So can you talk about a little bit about filming in such a small space and how you got it down to how you wanted it to be.
Bradley: I’d be happy to, but I’m curious how George feels about acting in such a small set and how it affects his performance.
George: Yeah I think it enhances everything in the sense that because we’re all there and we’re kind of so close, we all fell into our roles. It was easier to develop our relationships and figure everything out. And when you’re watching the film, you mentioned the word claustrophobia, you really… umm, I’m trying to find the words on how to describe it… well the claustrophobia adds and intensifies everything.
R: Cool. I mean you kind of want the environment to be part of the story, don’t you?
Bradley: Yeah I was worried y’know, as a filmmaker, would it stay interesting? Would it be too claustrophobic? I mean you’ve seen some movies set in one location and you get bored, y’know and by the end, you’re like, I’ve seen this wall a thousand times already. So y’know, so it’s a challenge for everybody. We talked to the DP y’know to keep the lighting fresh, do we want to add more contrast towards the end, darker, or whatever and I think Jonathan [Wenstrup, the cinematographer] did a great job keeping things fresh. I mean yeah, we wanted the film to feel claustrophobic because they kind of trapped in this weird little bubble. Not just in the apartment but the complex itself, ’cause everything happens right there. We’re very lucky that we got this 20s-style series of bungalows that we could take the whole place over. People could do things and move around outside but they never really left, I mean they don’t even know what city they’re in. I like it as a creative limitation. Once we’re able to find the place. Cooper said it was a nightmare until we found it as we spent weeks and weeks trying to find that stupid location.
George: I think one of the coolest things about that location is the fact that where we were, right across from us you actually the camera. The location is exactly what it is. I mean there’s this one movable wall but everything that’s there is really there.
Ruth: So you don’t have to imagine things?
George: Yeah I think as an actor I feel that because of that, it made it a lot easier to understand the character and get into ’em because in that world, we got to really immerse ourselves into it and be comfortable in it and explore all the fun things that we did get to find.
Ah, the actual shooting was 27 or 28 days. We’ve been giving both answers during Q&As [laughs], Cooper knows exactly how long, but I think even he’s been giving both answers. So it’s like 27, then we had to add one more day, so 28.
R [for George]: You’ve done some films and a few TV work, I know you’re in The Mentalist [season 6 final episode: Blue Birds]. So is this your first sci-fi genre?
George: Yeah it is. This is my first sci-fi film. I mean I couldn’t be more proud of a film, I think [laughs]. I’m really, really happy. I mean, I got to see a lot of Danielle’s and Matt’s stuff, but there’s a lot of stuff I didn’t get to see. So when I finally got to see it, I was able to remove myself enough to really appreciate it. From the feedback we’re getting and things I’ve heard, I know I’m really proud of it.
R: Last question for you Bradley. Who’s your filmmaker inspiration?
Bradley: Oh boy, that’s tough as I don’t think I have just one and it changes depending on the project. As we got into this one a lot, now I’ve been a big Hitchcock fan and this movie has a bit of Rear Window tone to it. I certainly study him. There are so many others that the list would go on forever. I think it’s easier for me to point to movie influences in this one. We also took a look at films with relationship dynamics where there are three people who are really close and things go really bad. So we looked at Shallow Graves, that was the one we watched a lot,and also A Simple Plan. We also revisited Time Crimes, Back to the Future, and Twelve Monkeys. We just wanted to make sure just what are the rules about time travel, even though there isn’t really time travel in our movie but there is that time themes so you know, we just want to make sure we handle this in a way that’s palatable for people who like this sort of thing. So I guess those are the main influences.
But then when we get to post-production, my editor was a bit Stanley Kubrick fan and so we talked about him. I mean, we didn’t want to make this machine alive but at the same time, it is sort of this Hal-like thing across the way where he’s watching people and in the end, it’s like y’know, the last man standing. And also, once the composer came on board, we started talking about Bernard Herrmann, and sort of going back to Hitchcock and how to deal with a score that could be an old school suspense vein but also feels modern.
R [for George]: And you worked with your brother a lot … [Nika Agiashvilli] So what’s next for you? You have a project you’re working with him right now, correct?
George: Yeah we have a project that’s in early pre-production. It’s a bit of a passion project of ours. We finally getting close to how we wanted to make it. It’s called The Short Happy Life of Butch Livingston. That’s most likely going to be next. I’m also working on another one with Ron Perlman called Savage Mutts, it’s a gritty revenge thriller. It’s a lot of fun, we’re excited about that so whichever one of those shall be my next project.
Ruth: Well, thanks so much guys. I don’t really have any more questions. So do you have anything to add about the film?
Bradley: Ummm I don’t think so, how about you George?
George: Well, go see it! [laughs] Thank you for having us here.
Ruth: No thank you! It’s been fun chatting with you both and I’m super excited to see the film!
During the Q&A, someone asked Bradley about the design of the Camera Machine itself, here’s his answer:
Bradley:Up front I knew that I wanted it to feel retro and a bit steam-punk-y. I worked with a concept artist named Howard Schechtman, and I made it clear I didn’t want any LEDs or lasers or computer chips etc. He started coming back with great sketches, and probably the 3rd one is the one we went with. At that point we didn’t really expect the physical machine to end up resembling these sketches (because of budget, it just seemed improbable) but then we discovered this fabricator named Dave Mendoza, and he and a scenic artist Thibault Pelletier worked together over the course of the shoot to build the machine as you see it in the movie. They were sourcing parts from all over the place – an airplane junkyard, hardware stores, some parts even came from the abandoned apartment complex itself. By the end of the shoot they had really captured the magic of the concept sketches, and I was extremely pleased.
Congratulations Bradley & BP Cooper + the entire cast for Time Lapse winning the Indie Vision: Breakthrough Film award!
Check out Time Lapse‘s trailer
Thanks so much for taking the time to chat with me, Bradley & George!
Hope you enjoyed the interview. Has anyone seen Time Lapse? I’d love to know what you think!
Finally! Twin Cities Film Fest (TCFF) is coming tomorrow!! In the next 10 days, movie lovers in Twin Cities and beyond rejoice as TCFF features nearly 80 films, with a fun mix of highly-anticipated studio releases, with a bunch of indie films of various genres, some with homegrown Minnesota flavors! I’m glad TCFF has made a home inKerasotes ShowPlace ICON Theatres in St. Louis Park, which has been my cinema of choice for the past few years!
I have highlighted some of the lineup in this post, including documentaries and short films, broken down by themes in a block of a half dozen or so. There are still many more films I want to highlight, but before that, I’d like to draw your attention to TCFF Membership ….
At Twin Cities Film Fest, members enjoy several events per year that benefit both film lovers and filmmakers alike. The following benefits are available to all members beginning at just $100/year, which you can write off your tax as our organization is a 501(c)3 non profit. There are LOADS of benefits listed here, but I think the best one is the fact that TCFF members will enjoy year around programming with free screenings for members +1 guest. I mean, that alone makes your membership practically pays for itself.
Great News! The Pohlad Family Foundation has offered a 1 to 1 match for all new TCFF Memberships! Yep, That means they will donate $100 for every new $100 Membership. TCFF Members receive exclusive benefits – like discounted tickets and festival passes in addition to Members-Only Screenings and special offers from TCFF Sponsors.
In addition to screening films, Twin Cities Film Fest also have a bunch of great panels where you get to meet and learn from filmmakers and actors in attendance. Here are just a sampling of the actors who’ll take part in the Red Carpet festivities, check out this Red Carpet schedule, and some would also take part in the Actor Panel.
Saturday, October 18th, 4-5pm ICON Theatre Lobby
The workshop will include working actors with films screening at the 2014 Twin Cities Film Fest. They will discuss their journey, training, projects, and the ups and downs of establishing and maintaining an acting career in both film and television.
Haley Lu Richardson – Lead Role in The Well and The Young Kieslowski
Sean Maher – Lead Role in BFFs
Ryan Kiser – Lead Role in The House of Manson
Marisa Coughlan – Moderator, Space Station 76, Freddie Got Fingered, Super Troopers
I hope you’ll stop by FlixChatter in the next couple of weeks as a team of bloggers bring you TCFF coverage. I’ll be interviewing some of the talents, starting with Haley Lu Richardson on Friday AM. So stay tuned! 😀
On top of the studio releases such as Men, Women & Children, The Imitation Game and Wild, there are a boatload of intriguing indie narratives you absolutely should check out! I’ve highlighted seven of them already [you can see all the trailers here], but there are so many more, starting with this latest addition:
Laggies (Sat, Oct. 25th, 3:00pm)
Director:Lynn Shelton Cast: Keira Knightly, Chloe Grace Moretz and Sam Rockell
In the throes of a quarter-life crisis, Megan panics when her boyfriend proposes, then, taking an opportunity to escape for a week, hides out in the home of her new friend, 16-year-old Annika, who lives with her world-weary single dad.
Big Significant Things (10/17 – 3:00pm, 10/24 – 2:30pm)
Director: Bryan Reisberg Cast: Harry Lloyd, Krista Kosonen, Sylvia Grace Crim
A week before they move across the country together, Craig lies to his girlfriend in order to go on his first road trip — to the south. Alone.
Old Fashioned (10/18 – 2:00pm, 10/22 – 4:30pm)
Director:Rik Swartzwelder Cast: Rik Swartzwelder, Elizabeth Roberts, LeJon Woods
A former frat boy and a free-spirited woman together attempt the impossible: an “old-fashioned” courtship in contemporary America.
BFFs (Sat, 10/18 – 6:00pm)
Director:Andrew Putschoegl Cast: Tara Karsian, Andrea Grano, Sean Maher, Larisa Oleynik
Kat and Samantha have been best friends for years. Kat is given a couples weekend workshop as a birthday gift by her mother (never mind that her relationship with her ex-boyfriend has been over for six months). Samantha never seems to have a problem finding men to date -they just never seem to last. Samantha convinces Kat to take advantage of the idyllic retreat by pretending to be lovers – how hard could it be? They expect some down time by the pool and maybe a few good stories to bring home with them. What they don’t expect is to get immersed in a world where they are surrounded by couples who are fighting to keep their relationships strong, and by default, make Samantha and Kat face their own shortcomings as they find themselves having to work on their relationship that isn’t really a relationship.
The Young Kieslowski (Sun, 10/19 – 3:00pm)
Director:Kerem Sanga Cast: Ryan Malgarini, Haley Lu Richardson, Joshua Malina
Audience Award Winner, Los Angeles Film Festival: Grand romantic gestures need not apply in this comedic tale of star-crossed young love. Instead, freshman Brian Kieslowski displays endless reserves of bumbling awkwardness as he goes home with a girl for the first time… and then learns that he got her pregnant… with twins… all while she’s going through a rather inconvenient Christianity phase. Could it be that being the good guy and doing what’s right are two very different things? With writer/director Kerem Sanga presenting a seriocomic gauntlet for them to negotiate, Ryan Malgarini and Haley Lu Richardson deliver delightfully nimble performances, hitting all the right off-notes as two kids in just over their heads, whose luck seems as bad as their instincts. The fates may have conspired to prematurely drag them into adulthood, but they intend on going kicking and screaming.
Wild Canaries (Sun, 10/19 – 6:00pm)
Director:Lawrence Michael Levine Cast: Lawrence Michael Levine, Sophia Takal, Alia Shawkat
A Brooklyn couple suspects foul play when their rent controlled neighbor suddenly drops dead.
Solitude (Tues, 10/21 – 8:45pm)
Director:Taylor Scott Olson and Livingston Oden Cast: Armin Habibovich, Victoria LaChelle, Brent Latchaw, Alex Cotant, Glen Stone, Kelly Lavasseur, Amy Correll
After his mothers death, James Erikson discovers an old storage locker she had, that is filled with journals and newspapers of his family’s history. As he researches it, he finds out about the evil that his family has tried to contain for several generations.
Comet (Wed, 10/22 7:00pm)
Director:Sam Esmail Cast: Emmy Rossum, Justin Long
Set in a parallel universe, Comet bounces back and forth over the course of an unlikely but perfectly paired couples six-year relationship.
No trailer available but here’s Emmy’s interview at LA Film Festival:
Ink & Steel (Sat, 10/25 – 5:30pm)
Director:Jonathan Ehlers and Patrick Ward-Perkins Cast: Marc Basch, Jason Beckmann, Dennis Blazek, Molly Ryman
In this upstate New York drama, when a turf war engulfs the city, aging mob enforcer Michael retrieves the Don’s troubled son from his college partying. After they survive an attempted hit on the road home, Michael seeks refuge at a rural farm, imposing on a single mother and her teenage son living there. As violence escalates in the city, Michael is ordered to wait it out, keeping the boss’ son safe while coexisting as unwelcome house guests. But, when dark pasts threaten to collide, Michael, a man more comfortable solving problems with force, must find a way to keep the peace, and decide if he should break the Don’s son free of the cycle of violence which has haunted the family for generations.
I always catch some intriguing docs during film festivals and this year is no different. I’ve mentioned three documentaries I’m planning to see, here are two more exciting ones I’ll be checking out:
Where The Trail Ends (Thurs, 10/23 – 5:00 pm)
“Where the Trail Ends” is a film following the world’s top free-ride mountain bikers as they search for untraveled terrain around the globe, ultimately shaping the future of big mountain free riding. This unparalleled story, told in glorious, gobsmacking high-definition, documents man’s challenge of mother nature and himself showcased through a cast of colorful characters. One of the most ambitious extreme sports documentaries ever attempted.
Kumiko: The Treasure Hunter (Thurs, 10/23 – 8:30pm)
Director:David Zellner Cast: Rinko Kikuchi, Nobuyuki Katsube, Shirley Venard
Kumiko lives in a cluttered, cramped apartment in Tokyo with her pet rabbit, Bunzo. She works as an office lady, robotically preparing tea and fetching dry cleaning for her nitpicky boss. But on her own time, she obsessively watches a well-known American film on a weathered VHS tape. Rewinding and fast-forwarding repeatedly, she meticulously maps out where a briefcase of castaway loot is buried within the fictional film. After hours of intense research—convinced that her destiny depends on finding the money—Kumiko heads to the United States and into the harsh Minnesota winter to search for it.
And look who’s the new kid on the block this year! It’s Josh from JJames Reviews who’ve been long absent from the blogosphere [we miss you man!]. Well, he’s helping me review a whole bunch of indie films this year, woo hoo!
And of course, yours truly 😉
TCFF’s Silver, Gold & Platinum Passes are now available!
(Silver and Gold Packages do not include Opening or Closing Tickets).
Woo hoo!! Twin Cities Film Fest (TCFF) is less than a month away, showcasing some award-season heavyweights that’s been generating tons of buzz! From October 17 – October 26, Kerasotes ShowPlace ICON at The Shops at West Endwill be the place to be at for movie fans, I know I’ll be there! TCFF and Renters Warehouse, the official theater sponsor, will feature a total of 40 full-length films and 37 shorts.Filmmaker and talent attendance will be announced in the coming weeks.
I’m especially thrilled that one of my most-anticipated Fall films will be showing in the second week, I think you’ll know which one it is 😀 Here’s a sampling of the awesome lineup this year, for full showtimes & full info, check out the Films page of the TCFF official site.
Men, Women & Children (Thurs 10/16)
Director: Jason Reitman Cast: Emma Thompson, Jennifer Garner, Rosemary DeWitt, Judy Greer, Ansel Egort, Adam Sandler
A group of high school teenagers and their parents attempt to navigate the many ways the Internet has changed their relationships, their communication, their self-image, and their love lives.
This one definitely looks intriguing and what a great cast! Ok so I never in a million years thought I’d see Emma Thompson and Adam Sandler in a movie together, ahah. But hey maybe in a more serious role, Sandler could be bearable. The premise reminds me a bit of Disconnect which I saw last year, but hopefully not as bleak.
TheImitation Game (Fri, 10/24)
Director:Morten Tyldum Cast: Benedict Cumberbatch, Keira Knightley, Matthew Goode, Mark Strong, Allen Leech
Benedict Cumberbatch stars as Alan Turing, the genius British mathematician, logician, cryptologist and computer scientist who led the charge to crack the German Enigma Code that helped the Allies win WWII. Turing went on to assist with the development of computers at the University of Manchester after the war, but was prosecuted by the UK government in 1952 for homosexual acts which the country deemed illegal.
I’m beyond thrilled to see we’ve got this film! As you know it’s on my most-anticipated Fall movies list, and the film’s been getting a ton of buzz lately. Seems like a shoo-in for the awards race from this year. I LOVE the cast [obviously] and it’s such an intriguing and important film, so I’m glad it’ll have a regional premiere at TCFF before it opens in November! ……
Wild (Sat, 10/25)
Director:Jean-Marc Vallée Cast: Reese Witherspoon, Laura Dern, Gabby Hoffman
A self-destructive woman (Witherspoon) attempts to leave behind her years of drug abuse and reckless sex with a solo, 1,000-mile hike along the Pacific Crest Trail, in this adaptation of Minnesota-native Cheryl Strayed’s best-selling memoir from director Jean-Marc Vallée (“Dallas Buyers Club”).
Given the success of Dallas Buyers Club last year, naturally people are curious if Vallee can continue his critical streak with this one. The premise doesn’t immediately grab me but when handled well, stories like this can be quite powerful.
There are a plethora of indie films this year, more than a dozen to be exact. There are a variety of genres featuring new and familiar faces. There’s even a directorial debut from Courtney Cox. Here are just a select few that piqued my interest:
The Last Time You Had Fun (10/17 & 10/24)
Director:Mo Perkins Cast: Kyle Bornheimer, Eliza Coupe, Mary Elizabeth Ellis
When Clark and Will meet Alison and Ida in a wine bar, the foursome struggle to have the most fun that four, bickering, barely married, pre-middle-aged, decidedly dysfunctional adults are capable of having.
The Well (10/18 & 10/22)
Director:Thomas S. Hammock Cast: Haley Lu Richardson, Booboo Stewart, Max Charles
At the edge of a barren valley, all that remains of the Wallace Farm for Wayward Youth is a few hollowed-out husks of buildings and the memories of Kendal, a seventeen-year-old girl who can barely recall when the valley was lush. It’s been a decade since the last rainfall, and society at large has dried up and blown away. Only Kendal and a few others remain, barely scraping by while dreaming of escape. When a gang leader named Carson lays claim to what little precious water remains underground, Kendal must decide whether to run and hide or bravely fight for what little she has left in this post-apocalyptic thriller.
3 Nights in the Desert (Sat, 10/18)
Director: Gabriel Cowan Cast:Wes Bentley, Vincent Piazza, Amber Tamblyn
At a remote desert property, three estranged friends and former bandmates reunite to celebrate turning thirty. Travis, the wild man of the group, obsesses over producing revolutionary new music. So he has a plan in mind for his two friends: Barry, now a married lawyer, and Anna,back from years in Asia as a budding solo act. Travis leads his friends to a cave, promising that if they enter, it has the power to give them what they need. Barry and Anna laugh off Travis, still the mythmaker of the crew, but over the weekend unsettling desires rise to the surface. Soon the friends begin to wonder if it’s the power of suggestion that affects them or if the cave has a real power to threaten all they hold to be true.
House of Mansion chronicles Charles Manson’s life from childhood up until his arrest following the raid on Barker Ranch months after the infamous Tate/LaBianca murders that sent a shockwave not just through Los Angeles, but throughout the entire world.
The Heart Machine (10/18 & 10/24)
Director:Zachary Wigon Cast: John Gallagher Jr., Kate Lyn Sheil, David Call
This modern mystery tells the story of Cody (John Gallagher Jr., from TV’s “The Newsroom”) and Virginia, who start talking while he is in Brooklyn and she is in Berlin. It is a romance that could only happen online, and they’re happy together, though they’ve never physically met. Once Cody becomes suspicious that Virginia may not be in Berlin at all, he becomes obsessed with finding the truth. Tracking two parallel journeys that show how technology complicates modern love, “The Heart Machine” explores the evolving relationships among physical and emotional intimacy, isolation in the urban hive, and the seduction of hiding behind a screen.
Time Lapse (Sat, 10/25)
Director:Bradley King Cast: Danielle Panabaker, Matt O’Leary, George Finn
Three friends discover a mysterious machine that takes pictures 24hrs into the future and conspire to use it for personal gain, until disturbing and dangerous images begin to develop.
Just Before I Go* (Fri, 10/19)
Director:Courtney Cox Cast: Seann William Scott, Kate Walsh, Olivia Thirby
Starring Minnesotan Seann William Scott, Directing debut of actress Courtney Cox. The story focuses on Ted, a man who decides to end his mediocre life. But before doing so, he returns to his home- town to revisit the demons of his past: the cruel school teacher; the relentless bully; the girl who got away. While staying with his brother and his dysfunctional family, he makes an unexpected connection with a girl who decides to document his last few days. A motley cast of characters helps Ted realize that life is complicated for everyone and the memories of the past can be reinterpreted.
* No trailer yet, so I will add that as soon as I have it
I always catch some intriguing docs during film festivals and this year is no different. I LOVE documentaries as they immerse you in a world that are often so different from your own. You’re likely entertained whilst you learn and experience something that’d make a lasting impression.
Hunger in America (10/22)
Minnesota filmmakers will again be featured among award contenders, including 2014 TCFF Centerpiece film Hunger in America, a powerful documentary tackling the hunger epidemic in the US. The film’s produced by Minneapolis’ own Tim VandeSteeg and narrated by James Denton. VandeSteeg and Denton will appear at the special benefit with partial proceeds being donated to the St. Louis Park Foodshelf, an organization battling hunger in the Twin Cities Community.
Stray Dog (10/20 & 10/23)
From the director of “Winter’s Bone” — Ron “Stray Dog” Hall lives in Southern Missouri where he owns and operates the At Ease RV Park. After seven years of living with four small dogs as his only companions, he is adjusting to life with his wife, Alicia, who is newly arrived from Mexico. Anchored by his small dogs and big bikes, Stray Dog seeks to strike a balance between his commitment to his family, neighbors, biker brotherhood, and fellow veterans. As part of the legacy of fighting in the Vietnam War, he wrestles with the everlasting puzzle of conscience, remorse, and forgiveness. With Stray Dog as our guide, we experience the restlessness of ex-warriors as he tries to make peace with what he can’t change and weathers the incomprehension of those who have never been to war.
Flying Paper (Mon, Oct 22)
Flying Paper is the uplifting story of Palestinian children in Gaza engaged in the fascinating culture of kite making and flying.
The film follows Musa, a charismatic teenaged kite-maker in the village of Seifa, and Abeer an aspiring young journalist in the Jabalya refugee camp. They join a remarkable quest, along with thousands of other children, to shatter the Guinness World Record for the most kites ever flown.
It showcases the creative resilience of these children making and flying kites despite the difficult realities they face in their daily lives. The film has been co-produced with young Palestinians in Gaza trained by the filmmakers through a youth media program called Voices Beyond Walls. Through the perspective of children and young people comes a story of determination and artistic expression as the youth in the film work together to achieve a shared goal.
I think it’s cool that TCFF gives a venue for shorts filmmaker to showcase their work. I saw a bunch of great ones last year, including one from Conor Holt who’s now part of TCFF staff called A Better Life. The short films are offered in a block of a half dozen or so, grouped together based on its themes.
Women in Charge (Sat, 10/25)
Run Time: 77 Minutes
We celebrate the advancement and impact of women in this eclectic group of narrative shorts. All of these films in Women in Charge block are either produced or directed by a woman, have a strong lead female character, or both. Whether it’s a clever romance, ageless love, mystery, or a kick ass heroin, you’ll enjoy this diverse journey lead by women. Films Include:
Lust, Love and Lost (Fri, 10/24)
From the first sparks of attraction to the depths of a long term relationship, Lust, Love, and Lossshort block examines the complexities of the significant relationships in our lives with both ourselves and with others. How do we grieve? What is the truth? How often should a couple have sex? Films include:
How ‘Bout Now?!
The Cat’s Cradle
TCFF’s Silver, Gold & Platinum Passes are now available!
Silver $50 for 6 films; Gold $70 for 10 films; or Platinum $120 for 12 films + 2 tickets to Opening or Closing; Documentary Pass $45 for 8 select films; Gala Pass $80 for a 5 pack of tickets to one gala film of choice (Silver and Gold Packages do not include Opening or Closing Tickets).