TWIN CITIES FILM FEST ANNOUNCES 2018 AWARDS FINALISTS!

Festival hits ‘Green Book,’ ‘United Skates,’ ‘Can You Ever Forgive Me?’, ‘Boy Erased’ and ‘If Beale Street Could Talk’ lead this year’s class

The Twin Cities Film Fest unveiled more than 30 finalists for top awards Thursday. Among the top contenders for Best Feature Film are the new Barry Jenkins drama “If Beale Street Could Talk,” Peter Farrelly’s “Green Book,” which recently won the People’s Choice Award at the Toronto International Film Festival, and two lauded Minnesota productions: Barry Andersson’s “The Lumber Baron” and David Buchanan’s “Black.” Limited tickets remain available for “Beale Street’s” Saturday debut.

UNITED SKATES

Other notable 2018 finalists include Joel Edgerton’s harrowing drama “Boy Erased” and Marielle Heller’s thriller “Can You Ever Forgive Me?”, both nominated for this year’s Indie Vision Award for breakthrough performance, recognizing Lucas Hedges and Melissa McCarthy respectively. (The festival has announced special encore screenings of both films this weekend).

Tina Brown and Dyana Winkler’s documentary “United Skates,” selected as this year’s closing night film, received two nominations — for Best Documentary and Indie Vision Special Achievement, recognizing Tina Brown, Matthew Peterson and Dyana Winkler’s electrifying cinematography. United Skates is playing Saturday night at 7:30PM | GET TICKETS »

Rounding out this year’s Best Feature Film nominees were Kendall Goldberg’s comedy “When Jeff Tried to Save the World,” which also received nods for director Kendall Goldberg and lead actor Jon Heder, and Ben Zuckert’s drama “Noah Wise,” which received a second nomination for musical score.

Actor Bill Murray is serving as a special guest judge for this year’s Comedy Shorts Award. Murray will be choosing his favorite comedic short from the three finalists listed below.

This year’s TCFF slate, which continues to screen in St. Louis Park through Saturday evening, is comprised of more than 130 short and feature films. In addition to staff and audience awards, this year’s Changemaker Award is being bestowed to Rachel Mairose, founder and executive director of the animal rescue nonprofit Secondhand Hounds.

See the complete list of finalists below; for more information on the films and to purchase reserved seats for the final screenings, visit TwinCitiesFilmFest.org.

2018 TCFF FINALISTS

Best Feature Film:

“If Beale Street Could Talk,” directed by Barry Jenkins; “Black,” directed by David Buchanan; “Green Book,” directed by Peter Farrelly (read FlixChatter’s review here); “The Lumber Baron,” directed by Barry Andersson; “Noah Wise,” directed by Ben Zuckert; “When Jeff Tried to Save the World,” directed by Kendall Goldberg.

Best Documentary:

“93Queen,” directed by Paula Eiselt; “Finding Hygge,” directed by Rocky Walls; “Fire on the Hill,” directed by Brett Fallentine; “Time for Ilhan,” (read FlixChatter’s review here) directed by Norah Shapiro; “United Skates,” directed by Tina Brown and Dyana Winkler; “Who Will Write Our History?” directed by Roberta Grossman.

Best Short Film:

“The American Wake,” directed by Kevin Quinn; “12 Sips to Glory,” directed by Matt Hirst; “Claire Means Well,” directed by Aaron Gervich; “Lunch Ladies,” directed by J.M. Logan; “Two Black Coffees,” directed by Michael Discoll (check out my interview with Michael about the film here); “Sexpert Franzen,” directed by Kaitlyn Busbee.

Indie Vision — Breakthrough Performance:

Adam Christian Clark (“Newly Single”); Jon Heder (“When Jeff Tried to Save the World”); Lucas Hedges (“Boy Erased”); Melissa McCarthy (“Can You Ever Forgive Me?”); Toussaint Morrison (“Black”); Sophia Mitri Schloss (“Sadie”).

Indie Vision — Debut Director:

Erik Bloomquist (“Long Lost”); Kendall Goldberg (“When Jeff Tried to Save the World”); Jenna Laurenzo (“Lez Bomb”); James Ojala (“Strange Nature”); Mark Taylor (“Saving Flora”); Kulap Vilaysack (“Origin Story”).

Indie Vision — Breakthrough Achievement:

Sam Boyd (screenplay for “In a Relationship”); Tina Brown, Matthew Peterson and Dyana Winkler (cinematography for “United Skates”); Roxanne Paukner (art direction for “The Lumber Baron”); Vanessa Powers (animation for “Witch”); C.J. Renner (director of “American Tender”); Ben Zuckert (composer of “Noah Wise”).

Comedic Shorts Award:

“12 Sips to Glory;” “Deep Dish Apocalypse;” “Lunch Ladies.”

2018 TCFF Changemaker Award:

Rachel Mairose, founder and executive director of Secondhand Hounds.


CONGRATS to all the nominees!!

Be sure to attend the Closing Night Party on SATURDAY NIGHT at TCFF’s Can Can Wonderlounge!

Twin Cities Film Fest’s 2018 OPENING NIGHT: Time For Ilhan Documentary & Green Book Reviews

What a day! What a night! It’s the ninth year I’m covering TCFF (yep that’s right, I’ve been with this amazing film fest since its inception) and they’ve done it again. They had not one but TWO opening night film and they’re both amazing! (scroll down to view my brief write-up of Time For Ilhan and Green Book below).

I had an early start this morning and was greeted by a beautiful blue sky in a crisp Autumn day (welcome back sunshine, we’ve missed you!!) I had a chance to hang out with Michael Driscoll, the filmmaker of the gorgeous b&w noir short film Two Black Coffees (which you can read all about it here). He’ll be here for the duration of the fest on his first visit to Minnesota! If you want to see his film, along w/ many other great shorts, be sure to get your tickets to the Thrilling, Tingling Tales on Thursday, 10/25 at 9:15pm.

Wish I still had enough energy to attend the Opening Night party… but it’s already almost 11pm by the time the Green Book screening + Q&A and I still have to do my blogging duties. Well, there’s still 10 more days left at TCFF, it certainly was off to a smashing start!!


TIME FOR ILHAN

“Time For Ilhan” is an eye-opening documentary that follows the 2016 Minnesota House of Representatives campaign of Ilhan Omar, a Somalian immigrant who sets out to unseat a 43-year incumbent and other challengers.

I love when a film title captures the essence of the film so perfectly, and Time For Ilhan is one of those films. Many of you know Ilhan Omar as the first Somali-American legislator elected to office in the United States and there are certainly many ‘firsts’ in regards to her life and career, and what she represents. In fact, one audience member asked her how it feels like to represent not just her Democratic party, but SO much larger than that… that is her Somali-American community, the Immigrant community, her race, Muslim women, and women in politics in a very much white-male-dominated world.

Interestingly though, at the time she was running in the DFL primary for the Minnesota House of Representative, she was running against a 43-year incumbent (Phyllis Kahn, who happens to be a Jewish-American) and a fellow Somali-American Mohamud Noor. Though we know the outcome already (she is now the DFL nominee for U. S. Representative), the film was still quite suspenseful as well as heart-wrenching in the way they depict a political race, especially involving the underdogs.

I appreciate and admire filmmaker Norah Shapiro‘s astute directorial sensibility in making an important film that’s also entertaining to watch. I love that aside from the political campaign, she took the time to show Ilhan’s family life… her playing with her three kids, having dinner with her family and interacting with her supportive Somali-American husband, Ahmed Hirsi. There’s more than just Ilhan the politician, but we see her as a well-rounded, complex, layered individual who has the courage and drive to fight for what she believes in. Additionally, the film also gives insights, especially for people like me who aren’t much into politics, just what goes into campaigning and how intricate that process is.

Naturally, given the nature of Ilhan Omar’s ethnic background and who she represents, this is quite an unprecedented political race that makes for a fascinating documentary. I have to give a shout out to DP Chris Newberry (who’s also the film’s producer) for the wonderful visuals showcasing the beautiful state of Minnesota.

What a treat it was for those attending the TCFF screening to see Ilhan Omar herself up on stage with director Norah Shapiro. She was as cordial and well-spoken as you see her on the media. As a woman of color and US immigrant myself, she certainly inspires me to be courageous and pursue my dream, no matter how seemingly-impossible that is.

Ilhan Omar & Norah Shapiro at TCFF Q&A after the screening

Check out the TCFF red carpet interview with Ilhan Omar:


GREEN BOOK

A working-class Italian-American bouncer becomes the driver of an African-American classical pianist on a tour of venues through the 1960s American South.

I have to say that this film had me hooked right from the poster and the trailer. But when I first saw that the director is Peter Farrelly, I had to do a double take. I mean he’s known for his comedies like Dumb & Dumber, Something About Mary, etc. and I expected this to be a drama. Well, this is one of those films that play with your expectations… and Farrelly certainly succeeds in finding the perfect balance of comedy and drama in capturing a poignant and heart-warming true story.

The film is based on a screenplay written by Nick Vallelonga, who happens to be the son of Tony Lip, one of the two protagonists of the film. It’s a tale of unlikely friendship as they embark on a journey that changes their lives forever. I knew that they had a winner when they cast Viggo Mortensen (a Danish thespian who’s completely believable as an Italian) and the oh-so-regal Mahershala Ali as a Jamaican-American classical pianist Don Shirley, a musical genius. The title refers to an actual book, a road-trip guide to services and places that’s open to Blacks during a time of pervasive racial discrimination. Without giving too much away, the film touches on the reason Shirley chose to do the tours in the Deep South in the 60s, when he could’ve easily chosen to stay relatively safe in the North. I’m not going to write the line here as it’s better for you to discover it for yourself when you watched it. It’s one of the moments I teared up in this film.

The racial injustices Shirley face is a deeply serious subject that’s maddening and heartbreaking, and the film doesn’t shy away from that. Yet there’s a lightness to the film that comes from the script AND the performances of the two actors. Some scenes, like the KFC scene in the car, is a riot. Yet the hilarity doesn’t undermine the gravity of the subject matter. There are many memorable moments where these two extremely-different people clash day in and day out. But much to their surprise, each of those moment actually brought them closer to each other. Each of them is a changed-man after the trip, and that transformation feels real and believable, not at all tacked-on.

It’s the kind of film that sparks conversations about race and economic disparity, even ‘class’ system if you will, without being too heavy-handed. One thing that touches me deeply is how the film depicts loneliness. As they say, it’s ‘lonely at the top’ but it’s even more lonely for those who don’t feel like they belong anywhere. Despite his amazing talents and accomplishments, and also because of it, Don Shirley never felt like he can fit in any racial group, and that’s harrowing to watch. It’s one thing to depict racial inequality by presenting facts, which is all fine and good, but it’s truly a moving experience when it’s told in such a personal level and see how hearts are being transformed by personal relationships.

Producer Jim Burke spoke at the Q&A afterwards and shed a light about some details about the film. One thing that caught my eye in the credits is that Octavia Spencer is listed as Executive Producer. Well, Burke said that she was asked to collaborate given that she grew up in the South during that era, in order to give an authentic depiction of the story. Burke also mentioned that Mahershala Ali gave a lot of input about the ending, which is definitely a memorable one.

Go see this movie when it comes out near you. You’ll laugh, you’ll cry, sometimes both at the same time… but one thing for sure, you’ll come away feeling grateful you get to know a little bit about Don Shirley and Tony Lip, and their incredible journey together.


Check out the TCFF red carpet interview with producer Jim Burke:


Any thoughts about the two films I mentioned above? Let’s hear it!

TWIN CITIES FILM FEST 2018 tickets on sale today! 20 of My Most-Anticipated Selections

October is already here! And most of you know it’s always an exciting month for me thanks to TCFF!

Well, TICKETS ARE ON SALE NOW… so if you haven’t looked at the diverse and inspiring lineup yet, you better get them asap before they sell out!

Check out the full lineup »
Click on the Buy Tickets button on its individual film page.

Once again, the 11-day film festivities runs from October 17-27 at Kerasotes ShowPlace ICON Theatres at The Shops at West End with ICON•X. Click the handy schedule grid below in PDF format.

Now, it’s hard to pick just a few to get excited about as there are simply too many great ones premiering at this year’s fest. So I come up with twenty of must-see movies, broken down by two categories. I’ve also posted the list of the daily schedules below. Films by female filmmakers are marked with an asterisk (*).

Indie and MN-connected Features:

Time For Ilhan*

Director: Norah Shapiro
An eye-opening documentary that follows the 2016 Minnesota House of Representatives campaign of Ilhan Omar, a Somalian immigrant who sets out to unseat a 43-year incumbent and other challengers.

As an immigrant living in Minnesota, this film obviously resonates with me. It’s a film by women AND about women. But surely this is an important film regardless of your background, and I’m thrilled to see this documentary be a part of this year’s TCFF!!

Inventing Tomorrow*

Director: Laura Nix
“Inventing Tomorrow” follows six young scientists from Indonesia, Hawaii, India and Mexico as they tackle some of the most complex environmental issues facing humanity today – right in their own backyards. Each student is preparing original scientific research that he or she will defend at ISEF, the Intel International Science and Engineering Fair. Framed against the backdrop of the severe environmental threats we now face, the audience is immersed in a global view of the planetary crisis, through the eyes of the generation that will be affected by it most.

I love docs that highlights young people, especially young people of color! Yes the fact that I’m from Indonesia and there’s a student from my homeland immediately appeals to me but really, this sounds like an inspiring doc that would make us hopeful about our future.

Rich Kids*

Director: Laura Somers
A group of troubled teens from a low-income community break into “Los Ricos”, the local mansion with a border fence, and spend the day pretending to be rich in order to forget their difficult lives.

It’s another film by a female filmmaker which subject matter intrigues me. Who hasn’t tried to escape from difficult circumstances in our lives? But for these kids, that escape seems more elusive than most.

Noah Wise

Director: Ben Zuckert
As a saxophonist’s quartet comes to an end, he meets a singer-songwriter whose career is just beginning.

I love indie movies that deals with music/musicians. The preview just looks like something I’d enjoy. It reminds me a bit of the indie romance Dust Storm from a years ago that premiered at TCFF, and the storyline also has a bit of that A Star Is Born vibe to it.

Origin Story*

Director: Kulap Vilaysack
Twenty years after learning about her biological father, Kulap Vilaysack finally asks the questions that will lead her to him.

As someone who grew up without a dad, I feel fortunate that at least I knew who my dad was even if he didn’t raise me. I can’t imagine the intricate and likely painful journey of those trying to track down their biological parent. This sounds like a heart-warming tale that’ll sure to linger after the end credits roll.

Lez Bomb*

Director: Jenna Laurenzo
A comedy about a young woman who struggles telling her overbearing mother that the friend she brought home for Thanksgiving is actually her girlfriend.

Thanksgiving with family can be a wonderful as well as stressful time, and that’s why it always makes for an intriguing subject matter. This comedy will sure resonate with anyone who’s ever had a trepidation about sharing a secret with a family member, especially during the holidays.

Sadie*

Director: Megan Griffiths
“Sadie” is the story of a girl who will stop at nothing to preserve her father’s place on the home front. Sadie (Sophia Mitri Schloss) is the daughter of a soldier and models herself after his military example. When her mom (Melanie Lynskey) begins dating a new man (John Gallagher, Jr.), Sadie vows to drive him out by whatever means necessary. He is the enemy, and if she’s learned anything from the world she inhabits, it’s that the enemy deserves no mercy. Also starring Tony Hale, Danielle Brooks, Tee Dennard and Keith L. Williams.

I LOVE Melanie Lynskey and so I’m glad to see her in a film in this year’s fest! But sounds like Sophia Mitri Schloss is the breakout star here in this emotional family drama.

Humor Me

Director: Sam Hoffman
“Humor Me” is a heartfelt father-son comedy about a struggling playwright who is forced to move in with his joke-telling dad in a New Jersey retirement community and learns, as his father often says, “life’s going to happen, whether you smile or not.”

I feel like this ‘down on his luck guy moving back in with his parents’ story has been told many time before, but it instantly feels fresh with Jemaine Clement, one of the awesome musical duo of Flight of the Concords and of course, my all time fave vampire comedy What We Do in the Shadows!

American Tender

Director: C.J. Renner
It was never just a date.

I’ve become a fan of MN filmmaker CJ Renner since I saw his innovative noir GUNN (see my interview last year with him here). He said this one sort of ‘sneaked up on him’ as he seemed to have shot this film fairly quickly. I was immediately hooked by the cool, mysterious trailer!

When Jeff Tried to Save the World*

Director: Kendall Goldberg
Starring Jon Heder in attendance (Napoleon Dynamite) & Jim O’Heir (Parks & Recreation): When the manager of an old-school bowling alley discovers the owner’s plans to sell, saving Winky’s World means pulling himself out of the gutter, too.

Can you believe ‘Napoleon Dynamite’ was 14 years ago?? I really enjoyed that one when I first saw it. Well, Jon Heder is back and he’ll actually be in attendance in October!! This sounds like another comedic winner that sure to warm the hearts.

Sammy Davis Jr.: I’ve Gotta Be Me

Director: Sam Pollard
The first major film documentary to examine Sammy Davis, Jr.’s vast talent and his journey for identity through the shifting tides of civil rights and racial progress during 20th-century America.

I love Sammy Davis Jr.’s voice and music but I don’t know anything about his life. Given the era when he grew up, this sure to be a fascinating documentary not to be missed!

Point of No Return

Director: Noel Dockstader and Quinn Kanaly
Two pilots attempt to fly their fragile, experimental solar airplane – Solar Impulse – around the world to prove the potential of clean energy.

I love docs about innovative technology and this looks amazing visually plus the idea of solar plane is just so darn cool! 

 

Studio Features:

Green Book

Director: Peter Farrelly

A working-class Italian-American bouncer becomes the driver of an African-American classical pianist on a tour of venues through the 1960s American South.

Viggo Mortensen and Mahershala Ali is a cinematic duo I didn’t think I need but now I can’t imagine living without. Last time I saw Ali was in the phenomenal Oscar-winner Moonlight (which I also saw at TCFF!) and Viggo was in the excellent family drama Captain Fantastic. Together they’d surely electrify the screen!

A Private War

Director: Matthew Heineman
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.

I’ve been a long admirer of Rosamund Pike, long before she starred in career-turning Gone Girl. This sounds like an Oscar-worthy performance from the versatile and talented Brit.

The Favourite

Director: Yorgos Lanthimos
In early 18th century England, a frail Queen Anne (Colman) occupies the throne and her close friend Lady Sarah (Weisz) governs the country in her stead. When a new servant Abigail (Stone) arrives, her charm endears her to Sarah.

Whenever Yorgos Lanthimos directs something, it seems to always get tongue wagging. ‘The Lobster’ is one of those bizarrely-wonderful movie that makes you go ‘just what the heck is going on?’ This time he seems to apply that same strange sensibilities to a royal family period drama.

Can You Ever Forgive Me?*

Director: Marielle Heller
Lee Israel (Melissa McCarthy) who made her living in the 1970’s and 80’s profiling the likes of Katharine Hepburn, Tallulah Bankhead, Estee Lauder and journalist Dorothy Kilgallen. When Lee is no longer able to get published because she has fallen out of step with current tastes, she turns her art form to deception, abetted by her loyal friend Jack (Richard E. Grant). An adaptation of the memoir Can You Ever Forgive Me?, the true story of best-selling celebrity biographer (and friend to cats).

Melissa McCarthy is tackling a dramatic role in this biopic that’s originally supposed to star Julianne Moore. I’m even more intrigued the fact that she’s the lead here, and for me, I’m always intrigued by films about writers.

Widows

Director: Steve McQueen

“Widows” is the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms.

When I first saw this trailer, I knew I had to see it!! I mean Viola Davis going full bad-ass mode a la Liam Neeson in ‘Taken’, and hey he actually played her husband!! Then I saw Steve McQueen directing… so yeah, bring. it. on!!

If Beale Street Could Talk

Director: Barry Jenkins
“Widows” is the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms.

I mentioned one of TCFF’s gala films ‘Moonlight’ earlier. Well glad to see Barry Jenkins’ follow-up feature made it to TCFF this year. This looks like a tear-jerker and absolutely heart-wrenching. I was instantly smitten by the two young leads KiKi Layne and Stephan James.

Saving Flora

Director: Mark Taylor
An unbreakable bond between an elephant and girl is put to the test, How far will you go to save a friend?

A family drama about a kid bonding with an elephant? Well this looks like a heart-warming and less-fantastical version of ‘Dumbo’ that’s out next year. Glad to hear David Arquette and Tom Arnold might attend the premiere on October 22!

Chef Flynn

Director: Cameron Yates
Ten-year-old Flynn transforms his living room into a supper club using his classmates as line cooks. With sudden fame, Flynn outgrows his bedroom kitchen, and sets out to challenge the hierarchy of the culinary world.

This doc about young culinary whiz will sure wet our appetite and wish you had even an iota of his talents around the kitchen! So interesting that he even involves his classmates as cooks. Renowned chef Andrew Zimmern who’s now based in MN is scheduled to make an appearance on Thursday, Oct. 25’s premiere!

Films directed by women


Great things come in small packages! Don’t forget about the wonderful short films selections. Check out what’s playing in the seven SHORT BLOCKS that’s been curated by TCFF programmers!


…..

2018 TWIN CITIES FILM FEST DAILY SCHEDULE

Wed – October 17

5:45p.m.: Time for Ilhan, Noah Shapiro*

8:15p.m.: Green Book, Peter Farrelly*

Thurs – October 18

1:30p.m.: The Eyes of ThailandWindy Borman

2:00p.m.: Lez BombJenna Laurenzo

3:30p.m.: After Hours TradingFredrick Johnson

4:00p.m.: Inventing TomorrowLaura Nix

6:15p.m.: Point of No ReturnNoel Dockstader and Quinn Kanaly

7:00p.m.: American TenderC.J. Renner*

8:40p.m.: Time TrapMark Dennis & Ben Foster

9:15p.m.: Laugh ’til You DIE ShortsVarious

Fri – October 19

2:15p.m.: Nor Any Drop to Drink, Cedric Taylor

3:00p.m.: Coby, Christian Sonderegger

5:00p.m.: The Shingle Life, Peter Marcy

5:15p.m.: One Bedroom, Darien Sills-Evans

7:20p.m.: When Jeff Tried to Save the World, Kendall Goldberg

9:35p.m.: Strange Nature, Jim Ojala

9:45p.m.: In This Gray Place, R.D. Womack II 

Sat – October 20

10:00a.m.: Through the Windmill, Amanda Kulkoski

11:45a.m.: Kids Incorporated Shorts, Various

12:00p.m.: F.R.E.D.I, Sean Olson

1:45p.m.: Not in My Lifetime, Pam Colby

2:30p.m.: Chasing the Thunder, Mark Benjamin Rhino ShieldBilly Ward

3:45p.m.: Noah Wise, Ben Zuckert*

5:10p.m.: Summer ’03, Becca Gleason

6:15p.m.: Widows, Steve McQueen*

7:30p.m.: Black, David J. Buchanan

7:30p.m.: Humor Me, Sam Hoffman

9:10p.m.: Long Lost, Erik Bloomquist

9:45p.m.: Gags, Adam Krause

Sun – October 21

10:10a.m.: Rich Kids, Laura Somers*

11:00a.m.: Belong to Us, Patrick Rea

12:30p.m.: Regarding the Case of Joan of Arc, Matthew D. Wilder

1:30p.m.: Life in the Doghouse, Ron Davis

3:00p.m.: Operation Wedding, Anat Zalmanson Kuznetsov

5:00p.m.: The Testament, Amichai Greenberg

7:00p.m.: Homeward Bound – Shorts, Various

7:30p.m.: 93Queen, Paula Eiselt

9:30p.m.: Two in the Bush: A Love Story, Laura Madalinski

Mon – October 22

3:45p.m.: The Push, Grant Korgan and Brian Niles

4:00p.m.: Special Ed, Frank Anderson

6:00p.m.: Saving Flora, Mark Taylor

6:30p.m.: The Lumber Baron, Barry Anderson

7:00p.m.: Sadie, Megan Griffiths

9:15p.m.: We Can Relate – Shorts, Various

9:20p.m.: All Square, John Hyams 

Tues – October 23

2:45p.m.: Fire on the Hill, Brett Fallentine

5:00p.m.: The Skin of the Teeth, Matthew Wollin

5:10p.m.: Finding Hygge, Rocky Walls

7:00p.m.: Can You Ever Forgive Me? Marielle Heller

7:30p.m.: Across the Water, Nicolo Donato

9:30p.m.: Wunderland, Steven Luke

9:40p.m.: JackRabbit 29, Kyle Klubal

Wed – October 24

2:45p.m.: American Tender, C.J. Renner

3:15p.m.: Sadie, Megan Griffiths

3:45p.m.: The Lumber Baron, Barry Anderson

5:00p.m.: The Prodigal Dad, Robert Wenzek

5:45p.m: Big Dream, Kelly Cox

6:30p.m.: Legend of Cambria, Alexei Tylevich

7:10p.m.: Passionate Voices – Shorts, Various

8:00p.m.: Who Will Write our History, Roberta Grossman

8:15p.m.: The Best People, Dan Levy Dagerman

9:25p.m.: Witch, Vanessa Magowan Horrocks Powers 

Thurs – October 25

2:45p.m.: Chasing the Thunder, Mark Benjamin

5:00p.m.: Song of Back and Neck, Paul Lieberstein

5:10p.m.: Artistic Expressions – Shorts, Various

7:05p.m.: Chef Flynn, Cameron Yates

7:15p.m.: Shoelaces, Jacob Goldwasser

9:15p.m.: Thrilling, Tingling Tales – Shorts, Various

9:25p.m.: Newly Single, Adam Christian Clark 

Fri – October 26

10:00a.m.: Noah Wise, Ben Zuckert

10:30a.m.: Time Trap, Mark Dennis & Ben Foster

12:15p.m.: In This Gray Place, R.D. Womack II

12:45p.m.: The Prodigal Dad, Robert Wenzek

5:00p.m.: Electric LoveAaron Fradkin

5:30p.m.: Generation StartUp, Cynthia Wade, Cheryl Miller Houser

7:00p.m.: Boy Erased, Joel Edgerton

7:45p.m.: Lez Bomb, Jenna Laurenzo

9:45p.m.: Muse, John Burr 

Sat – October 27

10:00a.m.: Origin Story, Kulap Vilaysack

10:10a.m.: The Push, Grant Korgan and Brian Niles

12:20p.m.: In a Relationship, Sam Boyd

12:30p.m.: DocuMNtary: The Story of Tech in MInnesota, Nick Roseth

2:00p.m.: Zeroes, Charles St. John Smith III

2:45p.m.: The Favourite, Yorgos Lanthimos

4:30p.m.: A Private War, Matthew Heineman

5:30p.m: If Beale Street Could Talk, Barry Jenkins

7:00p.m.: United Skates, Tina Brown & Dyana Winkler

8:15p.m.: Doubtful, Eliran Elya



Festival Passes breakdown:

  • Silver Pass – $50 (5 pack of non-Gala tickets)
  • Gold Pass – $80 (10 pack of non-Gala tickets)
  • Platinum Pass – $120 (12 pack of non-Gala tickets + 2 Gala tickets)
  • Gala Pass – $100 (6 tickets to any Gala Film)
  • All Access Pass – $500 (Guaranteed seat in premiere row at ANY screening +more!).

Oh and as if great films aren’t enough for the 11-day festivities, check out the amazing lineup of FREE EDUCATIONAL events!!


So which of these film(s) are YOU most excited about?

TWIN CITIES FILM FEST announces a star-studded 2018 lineup!

TCFF announces a diverse and inspiring lineup of films for their 2018 festival, to be held October 17-27 at Kerasotes ShowPlace ICON Theatres at The Shops at West End with ICON•X. Coming off of a successful September Gala that honored Steve Zahn with the Lifetime Achievement Award and Rachel Mairose from Secondhand Hounds with the Changemaker Award, this year’s festival will officially open their ninth year with Peter Farrelly’s Green Book (November 21, Participant Media and DreamWorks Pictures).

When Tony Lip (Viggo Mortensen), a bouncer from an Italian-American neighborhood in the Bronx, is hired to drive Dr. Don Shirley (Mahershala Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that were then safe for African-Americans. Confronted with racism, danger—as well as unexpected humanity and humor—they are forced to set aside differences to survive and thrive on the journey of a lifetime.

Green Book recently won the Toronto International Film Festival’s coveted People’s Choice Award this past week! Producer Jim Burke, Academy Award nominee for “The Descendants,” will be attending.

Opening night festivities will also include a screening of Time for Ilhan, a documentary about State Representative and Federal House candidate, Ilhan Omar, who will be in attendance along with director Norah Shapiro and cinematographer Chris Newberry.

The Centerpiece Highlight on Friday, October 19 is the Newport Beach Film Festival hit comedy When Jeff Tried to Save the World starring Jon Heder (“Napoleon Dynamite). Heder and director Kendall Goldberg will be in attendance. United Skates, a documentary about roller skating and a community’s battle to save an underground subculture will close out the festival on October 27, with producer and Minnesota native Tiffany Fisher-Love in attendance.

Other visiting guests this year include David Arquette and Tom Arnold with the U.S. premiere of Saving Flora, the story of a 14-year-old girl who kidnaps an elephant from a circus to take it to a nature reserve, screening on October 22. Chef Andrew Zimmern will also be in attendance on Thursday, October 25 for the Midwest premiere of Chef Flynn, a documentary about a ten-year-old who transformed his living room into a supper club and achieved sudden fame.

TCFF is also thrilled to feature Widows (20th Century Fox) a modern-day thriller from Steve McQueen starring Viola Davis and Liam Neeson, Can You Ever Forgive Me? (Fox Searchlight Pictures) starring Melissa McCarthy, Boy Erased (Focus Features) starring Joel Edgerton and Nicole Kidman and The Favourite (Fox Searchlight Pictures) starring Emma Stone and Rachel Weisz.

In addition to their regular programming this year, TCFF is pleased to collaborate with the Jewish Film Festival and the Northstar Science Film Festival, showing a slate of thought provoking films while launching a brand new initiative, TCFF Tech. TCFF Tech is a one-of-a-kind 3-day event spotlighting the impact of technology on social issues, innovation, and entrepreneurship.

I’ll post the complete schedule later with some of my most-anticipated selections!

Tickets are on-sale this weekend for TCFF Members and will be open to the public next week beginning Friday, September 28th, 2018. Ticket prices are $12 for General Admission & $20 for Gala Tickets.

Festival Passes can also be purchased as follows: Silver Pass – $50 (5 pack of non-Gala tickets); Gold Pass – $80 (10 pack of non-Gala tickets); Platinum Pass – $120 (12 pack of non-Gala tickets + 2 Gala tickets); Gala Pass – $100 (6 tickets to any Gala Film); and the All Access Pass – $500 (Guaranteed seat in premiere row at ANY screening +more!).


To learn more about TCFF, events, film submissions or to donate, visit the newly-redesigned twincitiesfilmfest.org

 


Oh and as if great films aren’t enough for the 11-day festivities, check out the amazing lineup of FREE EDUCATIONAL events!!


So yeah, TCFF 2018 can’t come soon enough!