Guest Review: The Promise (2017)

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Directed By: Terry George
Written By: Terry George, Robin Swicord
Runtime: 2 hrs 13 minutes

It has taken more than ten years for Terry George to return from Hotel Rwanda with another sweeping historical narrative – again about genocide. The Promise is a sobering, beautiful disappointment. The film has a beautiful score and decent cinematography, but is hindered by two competing and uncomplimentary story-lines, flawed casting, and lackluster performances by usually gifted actors.
One thing that The Promise does right is its dogged determination – at least in the beginning – to accurately recreate the Ottoman Empire at its peak. The diversity of the Ottoman Empire is highlighted in the script and on the screen: crowded streets and classrooms alike brim with a rainbow of skin colors and a wide variety of clothing styles. This attention to detail falls to the wayside later on: extras become less and less Armenian with every passing scene, leaving me wondering if the casting department doubts an audience’s ability to see facial features through dirt.

That initial pursuit of realistic cultural immersion was also highlighted in moments like the one when our stars leave a stuffy party full of people in European clothing to hit up the nearby belly dancing club where they drink absinthe, sugar cube ritual and all. The effort to establish the Ottoman Empire as a progressive, inclusive, educated, and wealthy place is palpable.

Unfortunately, The Promise falls short constantly. The focus of the film is what can only be described as a love square: one man is betrothed to a woman but he falls in love with a different woman who is already romantically involved with another man, but she also falls in love with that first man. On its own, this might be a decent movie, but this love square has been placed in the foreground of a genocide. The result is a bad love story (because the backdrop is too dark) and a bad historical drama (because the love story is more carefully developed than the history).
The flashes of the Armenian Genocide that we get are stark: labor camps, cattle trains full of people, violent killings, riots, executions, people on the run and trying to hide. They deserve a telling that does not hide them behind a petty romantic squabble. This is a story that is more than 100 years old and is still illegal to tell in Turkey. 1.5 million people were killed in five years. That story can be told without a love story.

Casting was poor. Oscar Isaac is a great actor, but why a man who is nearly 40 years old is playing a medical student who is betrothed to be married in two years is completely beyond me. He also does not look particularly Armenian. Neither does Charlotte Le Bon, who plays his romantic interest. Angela Sarafyan who, is both a phenomenal actress and an Armenian was cast in a lesser role. I would have liked to see her as the leading actress and a younger, more Armenian man in the place of Isaac.

I get the feeling that this set was not especially actor friendly, which is evident in a lot of lackluster performances. Christian Bale’s character (which should not exist, but that’s a rant about American centrism that we can save for another day) had many a stale outburst. Marwan Kenzari gave a consistently mediocre performance. Charlotte Le Bon seemed out of place in the 20th Century.

It is unfortunate that The Promise fails in its execution because the film explores many prescient themes:

In what ways might people respond to an atrocity? What compromises of our own character might we make when put in a difficult situation? How do we know what side of a story is the true one, both journalistically and personally? What sacrifices might we make for the sake of our families and our friends?

I can only hope that we’ll get the opportunity to explore those questions in a different movie. With any luck, it will be about the Armenian Genocide, because clearly we still haven’t found it in ourselves to tell that story in the way it deserves to be told.


hollyHolly P. is a twenty-something millennial who enjoys shouting at people on the internet, riding her bicycle, and overbooking her schedule. She prefers storytelling that has a point and comedy that isn’t mean. Her favorite movies are Aladdin, the Watchmen (even though the book was way better), and Hot Fuzz.  She’s seen every Lord of the Rings movie at least a dozen times.  You can follow her @tertiaryhep on twitter or @hollyhollyoxenfreee on Instagram. She’s also on Tinder, but if you find her there she’ll probably ghost on you because wtf is dating in the 21st century.


Have you seen ‘The Promise’? Well, what did you think? 

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A trio of brand new trailers: FREE FIRE, LIVE BY NIGHT and THE PROMISE

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Yaaaaaaaaaaaaassss!!!

Sorry ehm, now that I got my giddy enthusiasm out of the way… [well just enough so I can actually do a post, ahah]

Well if you’ve visited my blog long enough you’ll know how much I’ve been crushing madly on Sam Riley… and he deserves every bit of my love… and then some. Anyway, today we’ve got three trailers, two of which has two Batmans AND a Scarecrow too 😀

FREE FIRE

Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival.

I’ve been waiting for this trailer since the day I heard Sam was cast in it… so that was about a year ago! I mentioned it here, can’t believe it’s been four months since we got its first official photo!

Well, today we didn’t just get ONE but TWO Free Fire trailers… the top one is the official UK trailer and below is the RED BAND trailer… more blood

Some lucky folks got to see this at TIFF Midnight Madness last night w/ the cast and crew… yes including my Sam!!


Well, early reviews have been mostly positive!

The main reason I’ve super excited for FREE FIRE is because Sam Riley‘s in it… but of course the cast is amazing! Besides Sam we’ve got Brie Larson, Cillian Murphy, Armie Hammer, Sharlto Copley, Michael Smiley, Jack Reynor, and Noah Taylor.


I know Sam isn’t in the movie much, heck he’s not even mentioned in the trailer (what a travesty), but he’s been mentioned quite a bit in the early reactions of the movie on Twitter!! I have a feeling he isn’t gonna survive in this movie, and neither is many of the cast, but from the reviews sounds like director Ben Wheatley isn’t killing people off so soon. It’s a game of survival so I guess it wouldn’t be fun if everyone dies in the first act, ahah.

People are saying it’s as violent as the promos made it out to be, but also a lot of fun. Nothing like a good sense of humor to break all the tension of a group of trigger-happy gangsters stuck in a warehouse full of guns! There’ll be gunfire alright!


I’ve actually met Jack Reynor once… now if only I could meet Sam one day!!! [I believe I will!] 😉


I hope we get this one on the big screen, no US release date yet but the lucky UK folks will get this in March 2017.


Live By Night

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A story set in the Prohibition Era and centered around a group of individuals and their dealings in the world of organized crime.

Now this one I’m actually surprised to see a trailer so soon! But hey, I love pretty much everything Ben Affleck‘s directed, especially Gone Baby Gone, so I’m excited on that front. Now that he’s Batfleck, I do keep thinking that his gangster character Joe Coughlin looks as if Bruce Wayne’s dark past prior to him finding a conscience and becoming Batman to save his city from gangsters, ahah. It looks intriguing, though I’m not crazy about Scott Eastwood’s casting. I mean everyone else is great… Brendan Gleeson, Chris Cooper, Zoe Saldana, Elle Fanning, etc. I only wish his screen time is small [I didn’t see him in the trailer but that could be my selective perception, ahah]


The Promise

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Set during the last days of the Ottoman Empire, The Promise follows a love triangle between Michael, a brilliant medical student, the beautiful and sophisticated Ana, and Chris – a renowned American journalist based in Paris.

Seriously there’s barely ANY buzz on this movie! Aside from that super boring generic title, it’s got Christian Bale AND Oscar Isaac?? Bale is sporting a similar beard as in The Dark Knight Rises for some reason, and Isaac is doing a Turkish accent? Y’know what, I don’t know what to make of this trailer… it’s a love triangle set in the Ottoman Empire… sounds really juicy but somehow the trailer is just… okay. What was the promise in the title? I must’ve missed it in the trailer. Y’know generally I’m always wary of love triangles, it’s prone to clichès and schmaltziness, which is what I detect here too despite those two great actors. Montréal-based actress Charlotte Le Bon plays the woman in the center of the triangle, I’ve just seen her in Anthropoid. I’m not as impressed w/ her there as I was in The Hundred-Foot Journey. Well, I might go to the press screening if there’s one, otherwise more like a rental.


What are your thoughts on any one of these new trailers?

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Casting News Roundup: Gugu Mbatha-Raw + David Oyelowo, Natalie Portman + Oscar Isaac, & Daisy Ridley

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It’s been ages since I posted a roundup of casting news, but I have a trio of intriguing ones to share w/ you today, folks.

Gugu Mbatha-Raw + David Oyelowo to star in JJ Abrams-produced sci-fi thriller

I don’t even have to know what the premise is, I’m already sold on this casting and genre!! So Abrams won’t be directing, but he and his Bad Robot partner Bryan Burk will produce God Particle, to be directed by Nigerian-born filmmaker Julius Onah.

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Here’s the premise per The Wrap:

God Particle follows an American space station crew who, believing they have destroyed Earth via a Hadron accelerator, allow the crew of hostile nations to board their ship, with disastrous results.

I LOVE a good sci-fi and this sounds REALLY intriguing, esp. with THIS cast. Glad to see Oleyowo AND Mbatha-Raw as leads too, esp the latter. She’s been relegated to supporting roles too many times and based on Belle & Beyond the Lights alone, we know she’s leading lady material. It was Abrams who discovered her in Undercovers. So yeah, I can’t wait to hear more about this one but I’m already sold on it.

Gugu_Gina_UntamedStateSpeaking of Beyond The Lights, its director Gina Prince-Bythewood will be reteaming with miss Gugu again on Untamed State, based on a novel by Michael De Luca.

Per Deadline, the novel tells the powerful, unflinching story of a Haitian-American woman kidnapped for ransom in front of her husband and child. The novel explores the privilege that made her a target and the strength she must draw on to survive and reclaim her life. This sounds very intriguing indeed and I’m thrilled to see Mbatha-Raw getting a leading role again in this one. Of course, having a talented female director like Prince-Bythewood on board is always a welcome thing in my book!

Oscar Isaac joins Natalie Portman & the mostly-female cast of Alex Garland’s sci-fi ‘Annihilation’

So it’s Poe & Padme as married couple? Star Wars fans must be having a field day 😀 But to me, I’m super excited to see Isaac re-teaming with Garland again after the phenomenal little film Ex Machina. The premise per Tracking Board:

The story centers around a biologist (Portman) who, in seeking answers to her husband’s tragic disappearance volunteers for a government expedition into an area sealed off as an environmental disaster zone. What she discovers, however, is pristine wilderness, and a mysterious dark force within it.

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The rest of the ensemble cast include Jennifer Jason Leigh, Tessa Thompson, and Gina Rodriguez. Garland is set to direct his own script, adapted from the first novel of the ‘Southern Reach’ trilogy by science fiction author Jeff VanderMeer.

Based on what I’ve seen so far that’s written by Garland (including Never Let Me Go and 28 Days Later), I can’t wait for this. Glad to see him venture into directing again after his fantastic debut with Ex Machina, I’m sure he’ll do a good job in his sophomore effort.

Daisy Ridley in Talks to Star in ‘Tomb Raider’ reboot

Per THR, Daisy Ridley told the publication at the Empire Awards that there “have been conversations” about her picking up the Lara Croft reins left by Angelina Jolie, but that she hadn’t yet been offered the role. She won the Best Female Newcomer Award at the event. It’s no surprise that her Star Wars: The Force Awakens‘ co-star John Boyega, who won the male version of the Empire Newcomer Award, really wants her to get the role.

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“I played Tomb Raider the game; it’s a new take and I think the movies are going to be based on that version,” Boyega told THR. “But I texted Daisy [and] was like, ‘This is you!’ and ‘You need to get on that because you could be Lara Croft.’ She should be.”

I’ve actually seen that game when my hubby was playing it briefly a few weeks ago and I think Boyega’s right, Ridley does seem to fit the look of the new Lara Croft. I’m not entirely sure I want to see another movie adaptation of it though, but I suppose if they must reboot it, I wouldn’t mind seeing Ridley in the role.


Ok what’s YOUR thoughts on these trio casting news? Any particular one you feel strongly about?

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2016 Golden Globes Coverage: Thoughts on the Winners + Best & Worst Moments of the Night

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Happy Monday everyone! Did you watch the Golden Globes last night? Well it’s tradition that I watch a couple of award seasons per year and GG and Oscar are the only two televised ceremonies.

As host Ricky Gervais put it, “Nobody cares about those awards as much as you do, so don’t get emotional, ok?” Ahah, it’s funny ’cause it’s true!

MEMORABLE TWEETS

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Speaking of Oscar Isaac, he said something truly important the press room after he won for his series Show Me A Hero about the lack of diversity in the film biz. Let’s make it happen Hollywood!

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RED CARPET STUFF

I’ve only started tuning in about a half hour before the show started, but thanks to Twitter, here are some notable dresses of the night:

Best Dressed Ladies:

Now, for some reason there are plenty of white dresses and normally I’m not crazy for that color but I quite like what Lily James, Alicia Vikander & Taraji P. Henson (she wore a cape, nice!)

Most dapper guys:

When a bad dress happens to a good actress

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I love her but miss Cate, what are you  wearing???
Of ALL the dresses you could have in the world, you picked THAT?

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Thoughts on Winners/Losers 

But before I get to that…

 

Best Motion Picture – Drama

  • Carol
  • Mad Max: Fury Road
  • The Revenant (WINNER)
  • Room
  • Spotlight

I was rooting for Mad Max: Fury Road and Spotlight, but I kind of have a feeling The Revenant would win. I sure hope Fury Road would get an Oscar nomination though.

Best Motion Picture – Musical/Comedy

  • The Big Short
  • Joy
  • The Martian (WINNER)
  • Spy
  • Trainwreck

Ok so I’m over the fact that this musical/comedy category is just hilarious but it’s funny that even Matt Damon & Ridley Scott who won for acting and directing are obviously amused by it.

Best Performance by an Actor in a Motion Picture – Drama

  • Bryan Cranston, Trumbo
  • Leonardo DiCaprio, The Revenant (WINNER)
  • Michael Fassbender, Steve Jobs
  • Eddie Redmayne, The Danish Girl
  • Will Smith, Concussion

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I haven’t seen The Revenant yet but seems that Leo did an amazing performance. Will that elusive Oscar is finally within reach for him? I guess we’ll see this Thursday when Oscar nominations are announced.

Best Performance by an Actress in a Motion Picture – Drama

  • Brie Larson, Room (WINNER)
  • Cate Blanchett, Carol
  • Rooney Mara, Carol
  • Saoirse Ronan, Brooklyn
  • Alicia Vikander, The Danish Girl

I was rooting for Saoirse but really, Brie was terrific in a difficult role in Room, so yeah I’m happy for her that she won!

Best Performance by an Actor in a Motion Picture – Musical/ Comedy

  • Christian Bale, The Big Short
  • Steve Carell, The Big Short
  • Matt Damon, The Martian (WINNER)
  • Al Pacino, Danny Collins
  • Mark Ruffalo, Infinitely Polar Bear

I predicted Damon to win and I think he did a good job here, so no complaints from moi on this one.

Best Performance by an Actress in a Motion Picture – Musical/ Comedy

  • Jennifer Lawrence, Joy (WINNER)
  • Melissa McCarthy, Spy
  • Amy Schumer, Trainwreck
  • Maggie Smith, The Lady in the Van
  • Lily Tomlin, Grandma

Ok, I’ve only seen one performance here (McCarthy in Spy) but is Lawrence really the best of this category??

Best Performance by an Actor in a Supporting Role in Any Motion Picture

  • Paul Dano, Love & Mercy
  • Idris Elba, Beasts of No Nation
  • Mark Rylance, Bridge of Spies
  • Michael Shannon, 99 Homes
  • Sylvester Stallone, Creed (WINNER)

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2016 must be the COME BACK year. Christian Slater had won earlier for Mr. Robot, then Stallone won for Creed, yes!! Oh, even Mel Gibson is presenting the Golden Globes.

Best Performance by an Actress in a Supporting Role in Any Motion Picture

  • Kate Winslet, Steve Jobs (WINNER)
  • Jane Fonda, Youth
  • Jennifer Jason Leigh, The Hateful Eight
  • Helen Mirren, Trumbo
  • Alicia Vikander, Ex Machina

I was rooting for Vikander here as she was excellent as the robot in Ex Machina, but Winslet was a pleasant surprise in Steve Jobs.

Best Director

  • Todd Haynes, Carol
  • Alejandro G. Inarritu, The Revenant (WINNER)
  • Tom McCarthy, Spotlight
  • George Miller, Mad Max: Fury Road
  • Ridley Scott, The Martian

I was soooo rooting for George Miller! I mean, in a year of comebacks, it’d be lovely to see him win this thing. Seems that Fury Road and The Revenant had incredibly grueling shoots.

Best Screenplay – Motion Picture

  • Emma Donoghue, Room
  • Tom McCarthy, Josh Singer, Spotlight
  • Charles Randolph, Adam McKay, The Big Short
  • Aaron Sorkin, Steve Jobs (WINNER)
  • Quentin Tarantino, The Hateful Eight

Interesting that Steve Jobs bombed at the box office but was a pretty big winner tonight. I do think Sorkin’s script was fantastic, the dialog was so absorbing, that is if you’re willing to overlook the fact that um, most of the events never took place in real life.

Best Animated Feature Film

  • Anomalisa
  • The Good Dinosaur
  • Inside Out (WINNER)
  • The Peanuts Movie
  • Shaun the Sheep Movie

I really like Inside Out but I didn’t love it the way I loved other Pixar movies like the Toy Story trilogy, Finding Nemo, Monsters Inc, Brave, etc. but I’m still glad a Pixar movie won. I for one am not enamored w/ Anomalisa as most people are.

I barely watch any TV so not much commentary on the TV front, but LOVE seeing Oscar Isaac won for Show Me A Hero.


Best Performance by an Actor in a Miniseries or Motion Picture Made for Television

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Random Commentaries

Ok so I’m not the best Gervais’ fan but there were a few that did make me LOL!

“GG doesn’t have an In Memoriam segment to depress you all, that’s why we have the president of the Hollywood Foreign Press for that.”

When introducing Matt Damon…

“He’s also the only person that Ben Affleck hasn’t been unfaithful to…”

When introducing Ken Jeong and Kevin Hart…

“When Brad and Angelina see Kevin Hart and Ken Jeong, they’re gonna want to adopt them.”

Most Worthy Award of the Night

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Amazing body of work this man had… and he’s one of the classiest actors in Hollywood.

BEST MOMENTS

Leo vs Gaga

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Leo’s expression just cracks me up every time!

Taraji P. Henson winning Best Actress in a Drama Series in Empire

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WTF MOMENTS

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As if Channing Tatum’s horrifying hairdo wasn’t enough, Jonah Hill was poking fun at the bear in The Revenant.

“I’m a two-year-old bear from the Sierra Mountains, and you took a chance on me”

Jane Fonda was NOT impressed.
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Quentin Tarantino was elated when Ennio Morricone won Best Score for The Hateful 8, but in comparing him to Mozart, Beethoven, and other classical composers, he pretty much said he doesn’t deserve to be stuck in the “ghetto” of film scorers. WOW!

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When Brad Pitt and Ryan Gosling tried to be funny whilst introducing The Big Short. Meh.

Same with these guys. Their schtick just falls flat.

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Gender inequality is no laughing matter, and Gervais poking fun at the huge pay gap between men & women in Hollywood is such poor taste. “I’m being paid the same as Tina and Amy last year. It’s not my fault if there’s two of them, and they want to share the money!” Oh and that jab about the Ghostbusters’ all-female remake isn’t funny either.

But nothing is more cringe-worthy than the whole exchange between Gervais and Mel Gibson. The whole thing just reeks of mean-spiritedness, ugh.

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In any case, now we’ve got the Oscar nominations coming Thursday. All I’m hoping for is for Fury Road and Spotlight to get their chance to shine this time!

 


So, what are YOUR thoughts on the 2016 winners & best/worst moments of the night?


Musings on Star Wars: The Force Awakens (2015)

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I wasn’t going to blog about Star Wars as I didn’t think I’d have time before my East Coast trip on Tuesday. But you know what, I can’t help it. Hubby and I actually watched the original trilogy a few weeks ago, just to refresh my memory as I barely remember any of the story. We even watched the last half hour of episode III around the time the final duel between Anakin Skywalker & Obi-Wan Kenobi and Anakin becoming Darth Vader.

Well, naturally there’s a feverish anticipation to The Force Awakens, a decade after Episode III: Revenge of the Sith in 2005. I’m glad the film is finally here so I can actually talk about it and not worry about spoilers. Given the behemoth box office take of $238+mil, surely most of you have seen it by now? I pretty much avoided reading a lot of reviews and articles before this weekend and I’m glad I did. Well, this post is not a review per se, more of my random thoughts about the film and the franchise as a whole, so SPOILER ALERT if you haven’t seen it yet.

A balance of homage & re-imagining

After refreshing the sci-fi classic Star Trek, it’s incredible that JJ Abrams ended up getting the torch to refresh yet another beloved franchise. In a way he’s the right man for the job, and he’s dealt with audience’s passion AND wrath for some of his own creation, i.e. LOST. It’s crazy to think that this is only his fifth feature film as he mostly serve as producers in a plethora of film and TV series.
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Abram’s revealed that it’s nerve-wracking to be helming such a massively popular franchise with such ardent fans who are quite tough to please. So I can see why he sort of played it safe with Episode VII and the plot was a nice continuation from where Return of the Jedi left off three decades earlier. The trio of writers, Abrams, Lawrence Kasdan and Michael Arndt, were respectful to the original story whilst making it current in terms of tone and narrative for the new generation of fans.

The one major update seems to deal with the Force itself. In The Phantom Menace, the Force was measured by Midi-chlorian counts found in the cells of a human being. Anakin had a high amount of that and that’s why Qui-Gon Jinn deemed him to be the Chosen One. But he had to be trained to be able to use the force optimally, but now it seems that the Force-sensitivity is more of a mythical thing that isn’t quantifiable, as the case with Rey who doesn’t require much training to use it (more of that later).

After the Galactic Empire was defeated, a new threat emerged in the galaxy, this time it’s called the First Order. Its similarities to the Third Reich is palpable once again, down to the army formation, uniform, etc., led by the Supreme Leader Snoke (Andy Serkis). It’s clear from the start who the good and evil parties are, which kind of takes away the suspense.

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What I like about it

There’s plenty of familiar faces that’s thankfully more than just for nostalgia sake, as the major players Luke & Leia Skywalker and Han Solo’s are integral to the plot. But the fresh faces add a dose of new energy to the story, and the female-driven plot is a welcome but not-surprising move coming from Abrams.

The adventure pretty much began the moment we meet Rey (Daisy Ridley), a scavenger in the desert planet Jakku and Finn (John Boyega), a stormtrooper who found his conscience and escaped from the First Order headquarter. I love both Ridley and Boyega as the two young fresh faces, that’s inspired casting there to cast two unknowns who have a nice chemistry together. Ridley’s given the most to do here as the Chosen One character, both in terms of physicality and emotionally. I think overall she pulled it off. Boyega is an effortlessly likable lead who’s got a pretty strong screen presence, too. They’ve signed on to multiple Star Wars movies and I certainly welcome seeing more of them.

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Both of them have some funny and even sweet moments with the original cast, especially Harrison Ford who have the most screen time compared to Carrie Fisher and Mark Hamill, the latter had no speaking part at all. Like an old shoe, Ford filled his role of Han Solo effortlessly, complete with his curmudgeon attitude and dry wit. His loyal companion Chewie was right there beside him up until the end and perhaps the only moment I choked up a bit was when Chewie witnessed his BFF being murdered right in front of him.

Lupita Nyong’O, whose face was never seen, added gravitas as the wise Maz Kanata, a petite pirate of some kind who’s lived a thousand years. It’s a memorable motion-capture performance and her character is a pretty important one as she seems to know the whereabouts of Luke and also has his lightsaber.

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Like in Abram’s Star Trek films, there’s an underlying humor throughout. The banter between Rey, Finn and Solo are a hoot when they’re trying to operate (and fix) the archaic Millennium Falcon. I also find Kylo Ren (Adam Driver) hilarious when he’s angry. The dude has major anger management issues as he’d blast an entire control panel with his lightsaber upon hearing some bad news, ahah. He does have great hair though and what’s the secret to him NOT having helmet hair? Now that‘s a secret worth knowing about 😉 I think between him and resistance fighter Poe Dameron (Oscar Isaac), they can practically do a Pantene commercial!

My new fave characters are definitely Rey, Finn AND the spherical droid BB 8. It’s the most adorable droid yet and he’s an absolute blast to watch! Just like Baymax in Big Hero 6, I had a big smile in my face every time the droid appeared on screen and it even knew how to give a thumbs up!! So yeah, thanks Abrams for introducing such a fun new character that made me forget about that super annoying amphibious whose name rhymes with jinx.

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When I learned that the film is 2 hrs and 15 minutes long, I was worried I’d be bored stiff but I’m glad that’s not the case at all. In fact, the film felt like a breeze thanks to the dynamic pacing and fun action scenes, especially the flying sequences. That said, I didn’t think the special effects were THAT spectacular as some people have been saying. I mean, it’s to be expected from a modern movie with a humongous budget of $200 mil. It wasn’t as jaw-dropping as Mad Max: Fury Road which was made with $50 mil less and it didn’t feel so CGI-heavy as this one.

Lastly, I have to mention about John Williams‘ score which was still as awesome as the first time I heard it. The new score is wonderful and rousing as well, which mixes the old and the new, just like the film itself.

What I’m not crazy about

I mentioned the lack of suspense, well that’s how I feel throughout the movie. I can’t tell you a moment where I was genuinely surprised, let alone shocked by it. It’s also very predictable, which takes away the impact of some of the big moments of the film. I could see the death of a major character from a mile away, and I didn’t shed a single tear when it happened (and I’m a cryer!). So you could say that the film wasn’t as emotionally gratifying as I had expected.

Now, my main *quibble* that I discussed on my way home with my hubby was the fact that there are more questions than answers after seeing it. I read this article on Tech Insider on 11 biggest questions after seeing the movie and I agree with all of them. The main one is about the protagonist Rey, who we knew nothing about when the film started and she remained a mystery up until the end. Why is she force sensitive? How does the force work within her without ANY kind of training? Yes of course given that Disney is going to milk this franchise for all its worth, I said to my hubby that we probably won’t know much about her until Episode XII! Heh.

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The other main issue I had was that it was never explained why Kylo Ren had such a major beef with his parents? I’d think they’d mention a bit of that when Han and Leia talked about him, but no, we only learned that he had been trained by Luke but then got seduced by the dark side like his granddad. I kept thinking how this seems akin to those parents who learned that their sons had secretly joined ISIS. Ren himself is far from the great villain Vader was (which is obviously the point I guess, hence his constant self doubts), and he’s far too emo and prone to tantrum-throwing to be effective as an evil leader. It made me wonder how he got to be in such a high position to begin with, is it because Snode saw a potential in him given that he’s Vader’s grandson? As much as I enjoy seeing his gorgeous hair though, I think Ren should’ve worn his mask more often as he’s not at all menacing when he takes it off.

“A soap opera about family, not spaceships”

That’s a quote from George Lucas himself I read in this article. “People don’t actually realize it’s actually a soap opera and it’s all about family problems — it’s not about spaceships.” Well, that is fine and dandy because even stories that take place in space have to be somewhat relatable for it to resonate with audiences. But do they need to have familial link for every single character though?? I think if Kylo had been someone NOT blood-related to any of Star Wars’ major character, but that he somehow received training from a Jedi (Luke), I doubt that it’d make that much of a difference in the story. Yes obviously having Han being killed off by his own son, instead of some stranger baddie who happens to be a Vader groupie, has a bigger shock value (though I wasn’t all that shocked, to be honest).

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In any case, I do think the Star Wars saga is NOT just about spaceships. It’s got some Biblical values of good and evil, generational sins, and a good message about self-control, self-sacrifice and what it means to be a hero. It’s also a story about loyalty and friendship, as with Han and Chewie, as well as those droids being so loyal to their masters. The Force Awakens introduce new best friends too, Rey and Finn, Finn and Poe, and even Rey and Chewie?

So is it a perfect film?

Well, the short answer to that is NO. As I mentioned above, Abrams took a pretty safe path and made it more of an homage with a few new things added and so I feel that it’s a bit derivative and even predictable. Just as the original trilogy were best appreciated as a whole, as a stand-alone film, The Force Awakens is good but not spectacular, but it works as a continuation of a larger story. The finale hints that Luke would have a larger role in Episode VIII alongside Rey, so it’ll be interesting where the story goes from here.

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Yes it is indeed better than the prequels, and the dialog has more zing and not cringe-inducing, thank goodness. I’m glad I saw it and I think having just seen the original trilogy helped with my enthusiasm for this new film. Having said that, my hubby and I didn’t absolutely LOVE this enough to see it again on the big screen though. We might rent it again later once it’s on Blu-ray. Thus, as entertaining as The Force Awakens was, I’m actually looking forward to talking about other movies other than Star Wars in the new year.


Well, what did YOU think? Did you share my thoughts about Episode VII?

Five for the Fifth: SEPTEMBER 2015 Edition

FiveForFifth2014

Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. Since this is Back to School week for many of you, or will be after Labor Day weekend, I figure I’ll borrow the question of this week’s Thursday Movie Picks topic. Since I didn’t participate, I figure I’d name three movie teachers who made an impression on me:

  • Mr. Keating (Robin Williams) – Dead Poets Society
  • Jean Brodie (Maggie Smith) – The Prime of Miss Jean Brodie
  • Albus Dumbledore (Richard Harris/Michael Gambon) – Harry Potter series

So what’s your favorite teacher(s) in movies?

2. September is a boon for film lovers as there are a plethora of film festivals going on. The big ones like TIFF, Venice, Telluride, etc. are going on this month, but this one you might not have heard of: The Deauville American Film Festival (Festival du cinéma américain de Deauville). It started on the day I was born, 1975, and took place in Deauville, the closest seaside resort to Paris in Northwestern France.

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I actually heard of this film fest thanks to my dahling Stanley Weber who’s a member of the The Révélation Jury this year. There are tons of my most-anticipated films premiering there as well: Knight of Cups, 99 Homes, Sicario, Everest, etc. I had to laugh at their picks of this year’s honorees though. I mean Michael Bay?? Orlando Bloom?? Seriously?? Though I have no problem that they’re honoring Keanu Reeves though.

What’s your most memorable film and/or moment at a film festival? Local or otherwise.

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3. FIRST LOOK of a couple of films I can’t wait to see that I’ve talked about off and on on this blog. First, we’ve got the trailer of the sci-fi romance comedy The Lobster starring Colin Farrell, Rachel Weisz, Léa Seydoux, John C. Reilly and Ben Whishaw.

In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.

The trailer made me laugh so hard! The idea is absolutely bonkers which would make for an amusing comedy, so hopefully the funniest bits aren’t all in the trailer. I’m especially curious to see Weisz, Seydoux and Whishaw who I normally associate with serious films.

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Now, the Terrence Malick drama Knight of Cups that I’ve been waiting for over four years now is getting closer to be released. Well by close I mean within a year, we are talking about Malick after all. A new featurette is just released, including interviews with some of the cast, but no Christian Bale who’s the lead.

Rick (Bale) is a screenwriter living in LA tries to make sense of the strange events occurring around him.

In typical Malick fashion, the movie looks exquisitely-shot, again working with his regular DP, Emmanuel Lubezki. Per IMDb trivia, there was apparently no script and all of the scenes were improvised. Only Malick could get three Oscar winners to do his movie with no script, wow! So does that mean the film would not be eligible for a Best Screenplay award then? Not that I’m suggesting there’s ever a chance it would be nominated. I just think it must be quite an adventure working for this eccentric filmmaker, but hey, it’s got Bale AND Cate Blanchett so I’m still highly anticipating this one. Plus Bale looks so damn hot in this film, ehm 😛

So what are your thoughts on either one of these films?

Lucy_Desi4. Gotta have a casting news update on FFTF, especially when it concerns the incomparable miss Blanchett! Per Variety, she’s set to play the comedic icon Lucille Ball in a biopic that’s being produced by her two children, Lucie Arnaz and Desi Arnaz Jr. Aaron Sorkin is in talks to pen the script, which will center on Ball’s 20-year marriage to Desi Arnaz. She eloped with the Cuban bandleader in 1940, and the two created the massively successful sitcom “I Love Lucy” — in which she won four Emmys — in 1951 through their Desilu Productions.

I think this is great casting as Blanchett can pretty much tackle any role. They haven’t cast the actor to play Desi yet but I’d LOVE to see Guatemalan-born Oscar Isaac in the role. I think the role should be filled by a Latin actor and I’d love to see Isaac do a comedic role. Plus I think he’d be smokin’ paired up with Blanchett. Both are massively talented actors, so please Hollywood, make it happen!

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Thoughts on Blanchett’s casting and who should play Desi?

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5. 
This month’s Five for the Fifth’s guest is Margaret from Cinematic Corner!

Margaret was inspired by the fact that Mad Max: Fury Road finally won something and soon it’s gonna be Oscar season.

Are people going to forget all about the great movies we had in the first 9-10 months of the year? So before the Oscar season starts, I thought it would be fun if everyone shared their line up for Picture and Actor/Actress/Supporting Actor & Actress categories before the big Oscar baits start premiering.

So if the Oscars were to be handed out this month, which film and the four major acting awards would you pick to win?


Well, that’s it for the September 2015 edition of Five for the Fifth, folks. Now, please pick a question out of the five above or better yet, do ‘em all! 😀

Weekend Roundup + Casting news I’m excited about

Hello everyone! I’ve been away for most of the weekend and away from my laptop so not much to report here in terms of movie watching. My mother in-law and brother in-law are visiting in town so we’ve been playing tourist around MN since Friday. I was able to finish my Jurassic World review before they arrived though, but I did not see a single thing since Thursday night when I saw Me and Earl and the Dying Girl.

I don’t know when I’ll have time to reviewMeEarlDyingGirl_Pic it, but I urge you to check it out if it’s playing in a theater near you. It was a Sundance hit, winning the Grand Jury Prize and Audience Award, and rightly so. You’ll laugh, you’ll cry and you’ll definitely appreciate life as you have it and the friendship you have in your life. Plus, if you love foreign movies, you’ll absolutely adore this movie!

Well, even though I didn’t have much time to watch movies nor blog this past few days, I did make a bit of progress on my next novel or more appropriately, my narrative endeavor. I’m not revealing any details just yet as it’s still in its infancy, but I’m happy just to be working on something new as it’s been over three years since I came up with this movie pitch! Let’s just say my crushing on Stanley Weber hasn’t been in vain as it’s mostly inspired by him, as well as my girl crush Gugu Mbatha-Raw 😉

Instagram_logoOh and I also joined the Instagram party just for the heck of it. So if you have an IG account, let’s connect there!

Ok, so here’s the casting news I’m super excited about!

Per TheWrap, Christian Bale and Oscar Isaac will star in The Promise, an epic love story that Oscar-winning filmmaker Terry George (Hotel Rwanda) will direct from a script he co-wrote with Robin Swicord (Memoirs of a Geisha).

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Heh, they should do something about that name eh? It’s so darn generic and wasn’t there a period piece with a similar name just released a couple of years ago with Alan Rickman & Rebecca Hall? I blogged about it here but doesn’t look like anyone (including me) saw it.

In any case, I do love the gist of this upcoming project:

Set during the last days of the Ottoman Empire, “The Promise” follows a love triangle between Michael, a brilliant medical student, the beautiful and sophisticated Ana, and Chris — a renowned American journalist based in Paris. Bale will play Chris, an AP reporter in love with both a woman and the danger of being in a combat zone amidst a world that is falling apart. Isaac will play Michael, a medical student in love with the same woman but conflicted by old-world traditions and his heart.

The Ottoman Empire was dissolved in 1922 following the Armenian Genocide of 1915, which resulted in an estimated death toll of between 800,000 and 1.5 million people. The subject has been near and dear to George, who in March 2013, was a guest of the Armenian State Pedagogical University, where the Irish filmmaker compared the Armenian genocide to the Rwanda genocide that he chronicled in Hotel Rwanda.

Boy, who’s going to be the lucky lady who will be *trapped* in THIS juicy love triangle? Whoever it’ll be, I’m already sold on the two male leads who are both gorgeous AND talented. I’m glad Isaac’s career is on fire right now and he’ll get his own Oscar to go with his name very soon too I hope.

JackHustonOn the flip side, I just learned on TheWrap as well that Jack Huston is no longer attached to play The Crow in the remake. Now, I think Brandon Lee had huge shoes to fill in the role and it’s going to be tough to top that film, but I like Huston and I think he could do a fine job. Plus I’d love to see him on screen with Andrea Riseborough who’s cast to play Sgt. Albrecht.

I’ve only seen him in American Hustle and Night Train to Lisbon, but most of you who watch Boardwalk Empire would notice him as Richard Harrow. I’m not too sad about it though, Jack is a talented young actor whom I hope would go on to star in better things. I’m looking forward to seeing him as Ben-Hur as well as Mr. Wickham in Pride and Prejudice and Zombies next year!

 


So that’s my weekend & casting roundup. How about you, seen anything good?

FlixChatter Review: Ex Machina

ExMachinaPosterThere have been a plethora of films about man and machine or man vs machine in Hollywood. From cult classics like Blade Runner, Terminator to most recent ones like Robot & Frank, Chappie, etc., clearly not all are created equal. I’d say that this Alex Garland‘s original story has some striking similarities to the 2013 tiny-budgeted British indie The Machine, given that the creator and the machine are the main key players of the film. However, Ex Machina explored the eternally-fascinating topic of ‘what it means to be human’ in a much deeper and more immersive way.

The film started out with Caleb (Domhnall Gleeson) being dropped by a chopper into this secluded estate of a billionaire scientist in the side of a Norwegian mountain. He’s supposed to spend a week with the CEO of a large internet search engine company, but other than that Caleb has no idea what’s in store for him. As it turns out, he’s invited to participate in a breakthrough experiment in testing artificial intelligence. After meeting the mysterious tech baron Nathan (Oscar Isaac), things just seem to be even more cryptic. I love the initial interaction between the two actors and the unpredictability and suspense of it all. First time director Alex Garland infused the scenes with a sense of appropriate eeriness, as well as a dose of humor that prevents the film from being too heavy handed or frigid.

ExMachina_Still3It’s when we meet the subject of the Turing test, a luminous female A.I. named Eva (Alicia Vikander), that things starts to get REALLY interesting. Even though Eva’s robotic parts are visible, unlike some other films where the droid looks fully human on the outside, she is as fetching as ever. It sparks intriguing questions about why Nathan created her with sensuality, with the ability to flirt and emote. The unhurried pace allows for a lot of reflective moments, thanks to the sharp and focused script by Alex Garland himself.

“One day the AIs are gonna look back on us the same way we look at fossils and skeletons in the plains of Africa” Are the arrival of droids and drones mean we’re on the verge of extinction? That seems far-fetched perhaps, but the way Garland made this film, this scenario seems almost entirely plausible. His idea of the future is ‘ten minutes from now’ and companies like Google or Apple are certainly capable of creating the future we see in this film even today.

The spirituality aspect, whether intended or not, is one of most thought-provoking aspect I’ve seen in a sci-fi film in a long time. Humans may think they can replicate ourselves and build something with *consciousness,* but is a soul something we can create? What these sci-fi films prove is the always-present and increasing desire of humans to become God.

ExMachina_Still1I’ve been a fan of Garland’s work as a screenwriter (especially 28 Days Later and Never Let Me Go), so we know he’s a master storyteller. But I think he has a gift behind the camera as well, and perhaps because of his writer background, he’s more concerned about letting the story flow and immerse people into a certain realms, instead of bludgeoning us with action, action, action. Plus he’s got an International cast formed by three accomplished young actors to tell his story.

Guatemalan-American Oscar Isaac has been churning out one fantastic performance after another. He’s truly one of the most fascinating actors working today and it’s such a joy watching him mature even more as a performer. The best scene of the film, and one of my favorite scenes of the year, is the dance scene that’s both unsettling but hilarious. Isaac certainly has screen presence to match his acting chops.

ExMachina_DanceScene Irish Domhnall Gleeson is perfectly captures the naive curiosity of Caleb, as well as the young man’s intelligence and vulnerability. He’s effortlessly likable and you immediately projects yourself into his character as he navigates into this new environment he’s thrown into. Isaac and Gleeson have a good rapport together, and the human relationships are just as intriguing as that between man & machine. In the key role of Eva, Swedish actress Alicia Vikander couldn’t be more perfect in the role. There’s a certain innocence and fragility about her, but yet you know she’s far more sly than you think.

The film is appropriately R-rated for the graphic nudity. Now, I’d be the first to tell you that most of the time, nudity in movies is unnecessary and gratuitous. But I have to say that it’s not the case here, it feels integral to the plot. For the most part, Ex Machina is a quiet, reflective film. It did veers into mystery thriller territory towards the end but it’s a natural progression of the story instead of a forced divergence. It’s definitely a great film to see on the big screen and be fully immersed in the story and the characters’ journey.

Despite the relatively low budget (under $15 mil), the production values are fantastic. From Nathan’s state-of-the-art estate and his lab where he builds these machines, as well as the mountain scenery, it’s a good looking film. I also love how atmospheric the film is, thanks to the cool, ethereal-sounding soundtrack and resplendent cinematography. But the most striking of all is the robotic look of Eva, which is both mechanical as well as organic, you simply can’t take your eyes off her. We’re as drawn to her as Caleb was in the film.

ExMachina_Still2But as evident in films like Elysium, visual flair alone does NOT make a movie. Ultimately what you remember is the story and how it affects you as you watch it, and this film certainly offers plenty for the senses. There are so many scenes that linger long after the end credits role, such as one where one of the characters has a moment of doubts about himself as a human. It’s got such a haunting quality about it that adds another layer of intrigue on the human/machine exploration. It’s further proof that one doesn’t need an astronomical budget or big stars to tell a compelling and memorable story. Dazzling, provocative and haunting… everything you’d expect from a futuristic sci-fi film. An outstanding directorial debut from Alex Garland, I’m curious what he’d tackle next, both as a writer AND as a director.

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Have you seen Ex Machina? Well, what do you think?

Weekend Viewing Roundup + The Two Faces of January (2014) review

Well last Friday was the first weekend of Spring but Winter’s still not done with us yet as it was the Winter Wonderland again Sunday night. I didn’t think the snow was going to stick but here’s what my neighborhood looked like as I left work this morning! I do love those snow-covered branches!

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Skipped the cinema again this weekend, but rented a few things from Netflix: Shaft (the 2000 version with Samuel L. Jackson – review upcoming) and The Two Faces of January. Apparently The Phantom of the Opera (2004) w/ Gerry Butler and Emmy Rossum is now on Netflix streaming so of course I had to rewatch that again. In fact, I also watched half of the 2006 BBC Jane Eyre w/ my dahling Toby Stephens. Wintry night in is meant for viewing indulgences 😉

RoyalDeceitOh, on Thursday night also rented what’s supposed to be a Danish re-telling of Hamlet called Royal Deceit. I couldn’t believe how horrible it was, it’s simply ghastly in terms of direction, script (if you can even call it that), production design, as well as acting. I only saw it because of the stellar cast: Gabriel Byrne, Christian Bale, Helen Mirren, Brian Cox, Tom Wilkinson AND a young Any Serkis (this was apparently his film movie), all of them were absolutely wasted in one cringe-worthy scene after another. I honestly thought the cast might’ve lost a bet or something to star in this movie, what a criminal waste of talents! If I were to rate it, it’d get a big fat ZERO reel as there is nothing redeemable about it.

Anyway, here’s my review of …

 The Two Faces of January

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A thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.

This film seems to have the making of a great psycho thriller, given that it’s from the writer of great mystery thrillers The Talented Mr Ripley Strangers on a Train. I haven’t read Patricia Highsmith‘s novel, but I’d think the book might’ve been more exciting. It has its moments but it suffers from a rather sedate beginning and sluggish second act before it finally picks up in its third act.

I haven’t seen Viggo Mortensen in anything new in a while so it’s always nice seeing him here, playing an older, elegant businessman Chester Macfarland traveling with his young wife Colette (Kirsten Dunst). Mortensen is a solid actor and he does a great job here, but I find myself drawn to the tour guide/con-artist Rydal (Oscar Isaac) with his brooding good looks and dark, enigmatic eyes. There’s a palpable sexual chemistry between Isaac and Dunst, and Isaac also has some great dramatic scenes with Mortensen, especially towards the end.

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The breathtaking cinematography in Athens and Crete is practically a character in itself and it serves as a fine distraction during some of the film’s slower parts. The finale’s foot-chase scene in Istanbul was stylishly shot and that’s definitely the most exciting part of the entire film. Iranian director Hossein Amini made this film with a Hithcockian flair to it, and the use of light is quite dramatic, especially in the night time scene in a Greek ruin. Apparently this is Amini’s feature film debut so that might explain the uneven tone, but I think he did a pretty good job for a first timer and I’m curious what he’d do next.

I think the strength of the film lies in Mortensen and Isaac, and the film’s main conflict is ultimately between these two. Mortensen convincingly displayed the jealousy and paranoia that constantly haunted Chester, whilst Isaac’s character couldn’t seem to shake his lust for Colette that sucked him deeper and deeper into this dangerous predicament. I’ve been a fan of Isaac for some time and I sure hope he’d get more leading roles as he’s got such an effortless screen magnetism.

Given the intriguing plot and the cast, this could’ve been a really compelling and riveting noir thriller. As it is now, the film dragged in parts and felt longer than its 96-minute running time. It’s also hard to care about the unlikable characters, even if there’s a hint of redemption in the end. But overall I still think it was well-worth renting, especially if you’re a fan of Highsmith and Hitchcock and/or any of the cast.

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So did you see anything good this weekend? If you’ve seen The Two Faces of January, I’d love to hear what you think!

Five for the Fifth: DECEMBER 2014 Edition

FiveForFifth2014holiday

Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

Since this is the last FFTF of the year and award season has kicked into high gear, the questions will revolve around film awards and your choices of ‘best of’ or favorite in both films and TV. So let’s get started, shall we?

1. First off, I’m going to talk about A Most Violent Year, which was recently voted Best Picture by The National Board of Review. The NBR president Annie Schulhof was quoted as saying “‘A Most Violent Year’ is an exhilarating crime drama with a compelling story, outstanding performances and an elegant cinematic style,” per LA Times. I posted the trailer in the last Five for the Fifth post and it certainly does look VERY good, but also very intense. NBR also awarded its stars Oscar Isaac and Jessica Chastain in Best Actor and Actress category respectively, two extremely talented actors who are fellow Juilliard graduates.

AMostViolentYear

I was quite surprised by this pick, but at the same time, not really. I mean, sure it hasn’t gained as much traction as other films such as Birdman, Boyhood or The Imitation Game, but writer/director J.C. Chandor was an Oscar nominee for Margin Call so this could very well be Oscar’s dark horse. I read somewhere that this film is like Wall Street meets Scarface, hmmm I probably just rent this later as it might be way too violent for me.

So what’s your thought on MBR’s pick of Best Picture? Do you predict it’ll be nominated for Oscar too?

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2. You might not know who she is yet, but I’ve mentioned Gugu Mbatha-Raw quite a few times in my blog based on her two excellent performances I saw this year in Belle and Beyond the Lights. In fact, I’d be sorely disappointed if she didn’t get at least a nomination for BAFTA’s Orange Rising Star Award next year, I mean she should have won one already by now.

I have only heard of her prior to this year from the JJ Abrams’ show Undercover that was canceled pretty quickly. I haven’t seen a single episode but I’d have watched it for Gugu! In fact, she makes my Honorable Mention on my list of 10 Actresses I’d Watch in Practically Anything.

So which actor/actress you’ve never seen prior to 2014 who left a huge impression on you this year?

3. Ok so the ‘Best of’ lists have started to pop up and though I’m still not sure what my Top 10 would look like, there is at least a few that I know WILL make the list: Belle, Captain America: The Winter Soldier and X-Men Days of Future Past.

Say what you will about Wolverine but Xavier + Magneto are what the X-Men prequels are all about for me
Xavier + Magneto are what the X-Men prequels are all about for me

Now my Top 10 is a personal one as it’s usually comprised of films that I both admire AND enjoy watching that I’d buy the Blu-ray, not something I appreciate but won’t ever want to see again. So it’s not always the most critically-acclaimed films out there, though these three are actually on Rotten Tomatoes’ Top 100 so far.

So I’m curious, tell me at least ONE film that surely will end up on your Top 10 of the year?
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4. Now switching gears to those that won’t make your Top 10 list, unless it’s the WORST or Most Disappointing list of the year. I was actually making a list of ‘movies everyone seem to love that leave me cold’ from classic to contemporary movies. I’m excluding 2014 films as the one film that disappointed me most hasn’t even opened yet in most cities. But if I were to include it, WILD would make the list as it just bored me to tears.

WildMovieI was flabbergasted how high the rating is for that one and the fact that it’s been taunted as an Oscar contender just boggles my mind.

Now I’m curious which critically-acclaimed 2014 movie you didn’t enjoy or disappointed you most?

5. This month Five for the Fifth’s guest is Mark from Three Rows Back!

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Inspired by yesterday’s announcement of SPECTRE, Mark has Bond on his mind. Now this topic has been discussed before even though Daniel Craig is still under contract to do one more Bond film after Spectre. I’ve listed some of my – and my pal Ted’s – choices of who we’d like to say play 007, but hey, there’s no reason why we can’t talk about it again. Here’s what Mark’s idea of who he thinks should be considered:

I would rule out a Yank to play the part; Bond is quintessentially British.

Much as I liked him, I would have discounted Tom Hardy until I saw him in ‘Locke;’ an underrated performance full of range in my book, so he would be right up there for me. I’ve always loved Idris Elba too; that guy hasn’t found his true calling yet and Bond could well be it.

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Tom & Idris in Rocknrolla!

I LOVE both Hardy and Elba (hey both are Rocknrolla alums!), but I give Elba the edge as he’s tall. I dunno, I kind of prefer Bond to be at least 6 feet tall. Nothing against Craig as he does a great job in the role, but I wish the next Bond actor would be tower above most people. Heck I don’t care what race, I mean I think the world is ready for a Black Bond (I wanted Colin Salmon as Bond at one point), heck even Asian Bond, someone like British/Korean actor Daniel Henney who’s 6’2″ and is a decent actor. As for the argument that Bond actor should be British, I can see that and I have no problem with that though for me, if another non-Brit can pull off a British accent convincingly, it doesn’t bother me. In fact, I did put Danish actor Nikolaj Coster-Waldau on my wish list.

So, Mark [and I] would like to know … who would you like to see replace Craig after he hangs up his Walter PPK?


Well, that’s it for the last Five for the Fifth edition of the year! Now, please pick a question out of the five above or better yet, do ‘em all! 😀