Seems like the past few years it has been the year of Marvel comics, what with Iron Man, Thor, Captain America, Spiderman, and of course the behemoth that was The Avengers! But this week and you could say even this whole month, belongs to DC… this Man of Steel trailer is released just mere hours before I head out to see The Dark Knight Rises!! Man oh man…
You could say I’m more of a DC girl because of my long-lasting LOVE for Superman. I have mentioned it several times on this blog how I’ve been a huge fan of the character ever since I was a wee girl, my mom even bought me a Superman costume that I often wore running around in our backyard. I even said on this post that Christopher Reeve is the one and ONLY actor I have ever written to, and I got not one but TWO autographed photos from the legend himself.
So you could understand my excitement for yet another Superman movie… starring one of my favorite Brits no less. And today, WB released TWO versions of the long-awaited teaser trailers… this one has the narration of Kevin Costner as Pa Kent:
And this is the Russell Crowe‘s version as Jor-El which has the exact same footage:
It’s hard to say which one I like best, I guess the Crowe’s version has a certain gravitas, a dignified tone of a powerful leader giving his words of wisdom to his son on his ultimate providence. However, Costner’s narration provides such an emotional weight to the story. I tear up listening to Pa Kent seemingly choking up as he tells his adopted son,
“You’re not just anyone… one day you have to make a choice…you have to decide what kind of man you want to grow up to be… whoever that man is, good character or bad… he’s gonna change the world.”
I LOVE how understated, moody and unmistakably human this trailer is… well that is until that heart-pumping sonic-boom flying sequence at the end, woo hoo!! The typical fast-cuts and slo-mo action shots that you’d expect from Zack Snyder are noticeable absent. In fact, the tone is very much Batman Begin-ish in the way the origins story is handled, and with Christopher Nolan and screenwriter David S. Goyer involved, that is promising indeed!
The music may sound familiar to most of you. It’s by Howard Shore in the LOTR: Fellowship of the Ring, specifically the Bridge of Khazad Dum scene when the fellowship lost Gandalf. It’s an incredibly emotional and heroic scene of one powerful figure laying his life to save others, so I guess it’s quite appropriate. This is a teaser after all, and we still have about a year to go yet for Hans Zimmer to compose the original music for this film.
I have to say I’m beyond optimistic for this movie. Yes I know there are naysayers out there and I get it because we haven’t got a spectacular Superman movie since, well Superman II in 1980, that’s over 3 decades ago!! As I’ve mentioned here, I believe they’ve got the right actor for the job. I guess I have known that since a decade ago!!
So, what did you think folks?? You’re ready to see Superman fly again?
Film directors know that it’s hard to make movies in Hollywood; it’s even harder to actually make a successful one. So when some of them hit the jackpot and make a box office hit, studio executives and fans are expecting nothing less from them in their next film. In the last few years, some filmmakers like Spielberg, Nolan, Fincher and Scorsese seem to be able to churn out hit after hit, but for some, that’s not the case. Below are some directors who’ve had one or two box office hits but haven’t made another successful film since.
1. Andrew Davis
Davis is a native of Chicago and shot most of his films there, and he started in the 80s making small-budget films. Then he got a shot at his first action film, Code of Silence, followed by another action flick, Above the Law. The first film starred Chuck Norris and the latter was Steven Seagal’s debut film. They were modest hits but nothing spectacular. In his next film he got to work with couple of big-name stars. He made The Package starring Gene Hackman and Tommy Lee Jones, but unfortunately the film was a failure at the box office. Nevertheless, he made a name for himself with those three pictures, so he reunited with Seagal and Jones for his next film: Under Siege, his first big hit. He followed that with his biggest hit ever, The Fugitive. After The Fugitive, he was offered a lot of big tent pole projects, but he decided he wanted to make a smaller film. He didn’t know it, but that was the biggest mistake of his career. The following year he made a film called Steal Big Steal Little, a dramedy that was ignored by both the critics and audiences alike.
He went into panic mode to recover his career, and then made a very awful movie called Chain Reaction (starring Keanu Reeves who was also in a slump). Fortunately for Reeves, he bounced back a few years later with a little film called The Matrix. For Davis, on the other hand, the damage was already done and all the offers from the studios disappeared along with his fading career. I think the last film he made was The Guardian, which ironically starred another has-been, Kevin Costner.
2. Michael Cimino
Cimino’s career started out on a high note. He first wrote a screenplay to Dirty Harry’s sequel Magnum Force, and he then directed Clint Eastwood and Jeff Bridges in Thunderbolt and Lightfoot (a much underrated film from the 70s). His next film, The Deer Hunter, turned out to be his biggest hit. Not only was the film a box- office success, but it also won best picture and Cimino took home the best director award at the Oscars in 1979. Unfortunately for Cimino, his next picture was his downfall, the godfather of all box office failures, Heaven’s Gate (one of Hollywood’s ‘forgotten’ misfires). The film not only destroyed Cimino’s career, but it also bankrupted the studio that financed it, United Artists. Cimino did a few films after the Heaven’s Gate fiasco, but he couldn’t recover his career. He’s now pretty much disappeared from Hollywood.
3. Kevin Costner
This might be a controversial pick since Costner only directed three films. Well, he also directed parts of Waterworld after that film’s original director walked off the set. Anyhoo, his first directing gig turned out to be his biggest box office hit: Dances with Wolves earned close to $200 million at the box office and won several awards at the Oscars—including best picture and director. Unfortunately for Costner, his next directing gig, The Postman, was one of the biggest box office duds of the decade. His next film, Open Range, was very good but it didn’t earn a lot of money and it earned little respect from top critics. He’s currently attached to direct a film called A Little War of Our Own. Since his leading man status is way behind him, he should just focus on directing films. Who knows? He might have a big comeback with his new film.
4. Antoine Fuqua
Fuqua started out directing music videos, and then made a couple of low-budget action films. His breakout film was Training Day; it’s still his highest-earning film. Unfortunately for Fuqua, his next two films, Tears of the Sun and King Arthur, were box office misfires, and they cost a lot of money to make. He was supposed to direct American Gangster right after King Arthur, but he was fired from that picture because he demanded more money and wanted to shoot the film entirely in NYC. The studio wasn’t willing to oblige him since his previous films were huge failures. Currently he’s attached to a few projects, and he’s not sure if any of them will make it to the big screen. I don’t know if he’ll ever have the success he had with Training Day. I think he’s a capable director—but nothing special.
5. Renny Harlin
Harlin’s biggest hit was Die Hard 2; he followed that up with Cliffhanger, which was a modest hit. In 1995 he made Cutthroat Island, and that is still considered one of the biggest box office flops of all time. The film cost more than $100 million, but it only earned about $10 million. The next year he made The Long Kiss Goodnight, another big-budget action film that tanked. Even though his two previous films failed at the box office, Warner Bros. still gave him $80 million to direct Deep Blue Sea. It opened in the summer of 1999 and was considered a modest hit. In 2001 he reunited with Stallone and made Driven, another $70 million picture. Unfortunately the film only earned about $30 million, and Harlin’s career was pretty much in the dump. He made a few films after Driven, but most of them either went directly to DVD or never opened in American theaters.
6. Jan De Bont
Jan De Bont started out in the film industry in the 1960s as a director of photography. Some of the famous films he shot were Die Hard, The Hunt For Red October, Basic Instinct and Lethal Weapon 3. His directorial debut was a 1994 summer flick, Speed, and it turned out to be a huge hit. He followed that up with another summer flick, Twister, and again it was a huge hit. So with two huge box office hits in a row, studio executives were kissing his butt and he decided to do Speed 2. Well, as it turned out Speed 2 was his kryptonite. The film cost more than $160 million to produce and reportedly De Bont was a mad man on the set. He and his leading man Jason Patric were constantly fighting during the shoot. The film opened in the summer of 1997, the critics tore it to pieces and most people ignored it. The film ended up being one of the biggest box office busts of the 90s.
De Bont had a couple of big films he intended to direct after Speed 2. One was a huge budget action-adventure picture about a group of elite special forces hunting down the world’s worst terrorists. Joel Silver (Lethal Weapon films, Die Hard films, The Matrix films) was going to produce and they were eyeing either Eddie Murphy or Wesley Snipes for the lead role. For the younger readers out there, Murphy and Snipes were quite big stars back in the 90s. The other project was the Godzilla remake. If I remember correctly, De Bont asked Sony to give him $200mil to make the film. Of course he didn’t get to direct either of those since Speed 2 was a huge failure and studio executives didn’t want him to be in charge of their tent-pole pictures anymore.
Somehow De Bont was able to get $80 million from Dreamworks to make The Haunting, another bad film. It wasn’t as big a failure as Speed 2, but by this time it’s clear De Bont’s not in the A-list director class anymore. The last film he directed was Lara Croft Tomb Raider: The Cradle of Life, another bad film that tanked at the box office. That was the last film project he was involved in, and he hasn’t done anything since.
Article edited by Bob Filipczak
Well those are some directors who have had one or two hits in their resume, only to watch their career fizzle after one bad movie. It goes to show how tough it is to stay on top of your game in Hollywood. Now some of these directors might have another hit in the future. If I was a betting man, I would pick Kevin Costner as the one with the best shot of returning to the top again.
Happy Monday, folks. My friends in the East Coast, I hope y’all stay safe. I was glued to the TV screen Saturday night watching all the coverage and reading people’s tweets about Hurricane Irene, wow, I definitely don’t take this beautiful weather in Minnesota for granted. We are very blessed indeed.
Well, looks like even the 50+ MPH wind doesn’t dampen The Help‘s box office take, earning over $14 mil to take the top spot for the 2nd week in a row. It’s made almost $100 million total which is very impressive! In fact, female stars dominated box office this weekend, Zoe Saldana’s Colombiana takes the #2 spot with about $10 mil (per BoxOfficeMojo). Granted it’s a pretty slow week and the crazy storm in the East Coast surely makes a dent in box office revenue.
I didn’t make it to the movies as it was quite a hectic weekend w/ my hubby doing his third (and last) triathlon of the year on Saturday, but we did manage to see The Company Men we got from Netflix. Here’s my review:
The Company Men (2010)
This is one of those movies I wanted to see because of the cast, but the timely subject matter about corporate downsizing certainly piqued my interest as well. The story revolves around the employees of the ship-building corporation called GTX who must face the ramifications of being laid off from their lucrative jobs. Bobby Walker (Ben Affleck) is the first ‘victim’ who once earned $120K plus bonuses and stock options as a sales executive. Then when the second round of downsizing takes place, Gene McClary (Tommy Lee Jones) and Phil Woodward (Chris Cooper) got let go as well.
Each of these guys deal with their job loss in their own way, but one thing they have in common is how they didn’t see it coming and they live well beyond their means. Right from the start, the film shows us just how these people live in giant homes (Gene’s house is practically a mansion!), dressed in expensive suits and driving luxury cars. The lay off was a huge wake-up call for Walker, the quintessential cocky ‘suit’ whose mantra is ‘I have to look successful.’ He drives a Porsche which is obviously more than he can afford given he’s got two young kids and a stay-at-home wife. It’s quite a contrast to Kevin Costner’s character Jack Dolan, Walker’s brother in-law who lives in modest home working as a carpenter. [My hubby couldn’t help notice the Superman connection between the two — Costner is playing Pa Kent in the upcoming Man of Steel, and Affleck played George Reeves in Hollywoodland] 😀
The film offers a poignant message about corporate greed as well as what happens when one puts one’s self worth in their careers and personal wealth. The entire identity of these men are tied to their jobs, no worse, what they earn from those jobs. It’s a painful topic that’s relevant to everyone living in this dismal economy, even if we’re blessed enough not to get laid off, we’re affected by it in one way or another. The movie also shows the effect not just on the adults but on the kids whose parents lose their jobs. Walker’s son was shown to have given up his X-Box because he knew his parents can’t afford it at this time… it’s at this moment where it’s clear that Walker realizes he too has to make some drastic changes and stop being delusional about his situation.
I like this film more than I thought though it’s certainly not without flaws. It could’ve been more tightly-written and less predictable, and it could also do without the rosy Hollywood ending. But I appreciate the honest and almost its matter-of-fact-ness of John Well’s directing. Wells also wrote the script based on the real-life experience of one of his family members, combined with research/interviews with people suffering from corporate downsizing.
The performances are definitely worth a watch, Affleck doesn’t quite shine in his more subtle performances but he’s affecting enough and the drastic shift in his character’s demeanor is quite believable. Jones and Cooper are in top form as always and their scenes together are memorable, but Costner is a bit underused here though his character is supposed to represent the blue-collar workers in this story. The actor also doesn’t age gracefully, I almost didn’t recognize him from the trailer as he looks like he’s well over 60!
I think my favorite character is Rosemary DeWitt as Affleck’s supportive and sensible wife. I like DeWitt’s performance and her character Maggie who keeps the family together. I love that Wells wrote such a strong female role and hire the right actress for the job, though the rest of the female characters are far from being commendable. I just have to comment about Maria Bello, must she take her clothes off in every film?? Seems so unnecessary in this film that I find it very jarring. Oh and I also have to give a shout out to Eamonn Walker, who I thought was Idris Elba at first, apparently he’s also a Londoner. I LOVE his character Danny who becomes friends with Walker, their scene on the roof is pretty comical.
So overall this was well worth a rent. Too bad it bombed at the box office, but at the same time it didn’t quite have the same ‘oomph’ as Up in the Air which deals with a similar subject matter.
Well, what movie(s) did you watch this weekend? If you’ve seen The Company Men, I’d love to hear what you think.
With the recent release of Rise of the Planet of the Apes, a prequel to Planet of the Apes, it got me thinking of films with twist/surprise/shocking ending. Since the original 1968’s ‘Apes’ movie was the godfather of twist ending, I figure I should list my favorite films that has a surprise ending. Don’t worry, there won’t be any mentions of M. Night’s films, I think that’s too obvious to name one of his films here. Although I still think Unbreakable’s ending was pretty cool and shocking (well it was shocking to me when I first saw it anyway).
— Spoiler alert! — If you haven’t seen some or any of the films listed below, I’d recommend you don’t read any further. Unless you don’t intend to see any of these films (or don’t mind the spoiler), then by all means read on.
So here are the films with ending I didn’t see it coming:
1. Planet of the Apes (1968)
Why not start with the godfather of shocking ending right? The original Planet of the Apes ending’s wasn’t as true to the novel but it’s way better than the Tim Burton’s 2001 remake. Throughout the film, Charlton Heston’s character believed he was on a different planet that‘s ruled by apes, well the last shot of the film showed the floating head of the Statue of Liberty on the beach and he realized he’s already home. Classic!
2. No Way Out This underrated and little-seen suspense thriller from 1987 was truly nail-biting and had a nice twist ending. Kevin Costner starred as a Navy Officer who was working under a powerful Secretary of Defense, played by Gene Hackman. Costner’s character had an affair with Hackman’s mistress, played by Sean Young. About 30 minutes into the film, Hackman’s character accidentally killed his mistress. So in order to cover up the murder, Hackman’s right hand man, played brilliantly by Will Patton, cooked up a story of how she was having an affair with a Russian spy named Yuri and Yuri was the one who killed her. They’ve decided to bring in Costner’s character to lead the investigation, the two of them doesn’t know that Costner was having an affair with Young‘s character. So upon finding out Young’s character was killed, not only did Costner have to find this so-called spy Yuri, he must also try to keep his boss from knowing that he was the one who’s been sleeping with his mistress!
Before I give away the twist ending, I really hope those who’ve never seen this film to check this out. It’s really a great suspense thriller and all the performances were quite great, especially Costner, Hackman and Patton.
So after everything happened in the film, we found out at the end that Costner’s character was actually a Russian spy named Yuri and his mission was to have an affair with his boss’ mistress. I know it might not make much sense for those who’ve never seen the film, but you’ll know what I mean when you see it.
3. Sleepaway Camp This film came out in the early 80s, the time when slasher horror flicks were everywhere. What sets this one apart was the shocking ending. I mean seriously the first time I saw it, the ending freaked me out. The story is about a young shy girl who was sent to a camp and suddenly people in the camp were being killed one by one. Well, we find out the killer was actually the shy girl and she is actually a he. Trust me, when you see the film, you’ll understand why it freaked me out. Do check it out if you’ve never seen it.
4. Memento Chris Nolan’s second film was probably one of the best films of 2000s in my opinion. I won’t go into the plot since I believe most people have seen this film already. I do want to know though, if you’re a fan of this film, what do you think of the ending? Personally I think it was great, here’s a guy who believed that he has this “disease” and will do whatever it takes to make people believe that he has this short term memory. Truly a classic suspense thriller that will have people talking for years to come.
5. Don’t Look Now This 1973 thriller was probably one of the best of the genre I’ve ever seen. Again if you’ve never seen it, please check it out before reading my spoiler. The film is about a couple who are living in Venice, Italy and grieving the death of their daughter. The husband, played by Donald Sutherland, starts seeing a series of disturbing and fragmented premonitions which coincides with a series of murders in the city. He also sees a little figure who wears the same red-hooded cloak that his daughter wore when she died of drowning. He decides to follow this person who’s wearing the red cloak, a decision he’d surely regret.
When Sutherland’s character finally caught up with the little hooded figure, he turns out to be the little person who was responsible for the murders in the city. And of course Sutherland was killed by this little murderer. I know it doesn’t sound as shocking when you read about it now, but when you see the entire thing, you’ll know why I put this film on this list.
Well those are some of my favorite twist ending films. Name yours in the comments below.
With the news that Costner will play Jonathan Kent in the new Superman film, Man of Steel, I thought I should write up about his rise to super-stardom and his fall from that status.
You see I never thought of Costner as good actor and yet I’ve seen every single film of his from 1985 to 2003, starting with Silverado and end with Open Range. It’s kind of ironic since both the first and last film I saw him are both Westerns.
To me, Costner was never a strong leading man, even though a lot of his films in the late 80s and early 90s were box office hits. Don’t get me wrong, I like a lot of his early films, The Untouchables, Field of Dreams, Revenge and Dances with Wolves were quite good. In those films, he just never stood out; I felt like he was there but not really ‘carried’ the movie but somehow he made it worked. Especially in Revenge, I always thought had someone like Bruce Willis or Tom Cruise starred in it, the film could’ve been even better.
I’ll list the films that made him a superstar and films that ruined his career as a leading man. Here goes:
This was his first starring role in a big summer movie, co-starring with Robert De Niro and Sean Connery. The movie was a big hit at the time and catapulted Costner into an A-list leading man status. Looking back, this was a big gamble for Paramount, having a relatively unknown actor as the leading man for a summer film. Of course it paid off for both the studio and Costner, it didn’t hurt that they surrounded him with veterans like Connery and De Niro. …
No Way Out
This film also came out in the summer of 1987, two months after The Untouchables, in fact. Even though it wasn’t a huge box office hit, it cemented Costner as a sex symbol to a lot of his female fans. I saw this film when I was in my early teens and I fell in love with Sean Young, who’s quite sexy in the film. …
Now that he’s an elite leading man, Costner decided to tackle romantic comedy and his first baseball theme film. This film was released in the summer of 1988 and again it was a box office hit. I didn’t particular like this movie, I thought the chemistry between Costner and Susan Sarandon didn’t really click. …
Field of Dreams
Costner decided to do another baseball theme film and I thought this one was much better than Bull Durham. Again this one was a box office success and Costner can pretty much do whatever he wanted in the Hollywood. …
After two lighter films, Costner decided to star in a dark thriller and this was his first box office misfire since becoming a Hollywood star. I did like this film but I thought Costner was wrong for the part. He just wasn’t strong enough for this role and apparently many people agreed since the film barely made more than $20mil at the box office. Also, I think maybe because of the film’s violent content, it might’ve turned off many of his fans. …
Dances with Wolves
He turned down the role of Jack Ryan in The Hunt for Red October so he could star and direct this Western. Well, I guess it was great a move on his part because the film made close to $200 mil at box the office and won him an Oscar for best director. (Scorsese should’ve won that year, but that’s another debate at another time.) …
Robin Hood: Prince of Thieves
By this time, Costner was on the top of world and it seemed everything he touched turned to gold. This film came out in the summer of 1991 and again it was a huge hit. …
In this film he teamed up with another A-lister, Oliver Stone, the film did pretty well in theaters and also got several Oscar nominations. I thought this was a very good movie, just a tad too long in my opinion. …
After several serious films, he decided to come back and make a romantic-themed film. He teamed up with Whitney Houston (she was a huge pop singer at the time) and of course the film was a box office gold. I really hated this movie, the chemistry between Costner and Houston just didn’t click and the plot was more of a TV movie of the week than a big screen film. …
A Perfect World
So after a few box office hits, he decided to team up with another A-lister, Clint Eastwood and make this film. I believe this is the film that started his downfall as a box office leading man. The film didn’t do well in theater and it didn’t receive any praises by the critics. I’m sure the studio executives probably thought, hey we got Eastwood who’s just won an Oscar for Unforgiven and a young hot box office star, it’s a sure box office gold. Well it didn’t turn out that way and the film got zero Oscar nominations. Personally I thought the film was okay, the plot’s really uneven and again Costner just wasn’t a strong enough leading man to carry the film. …
After the disappointment of A Perfect World, Costner’s back doing a Western. This time he played the title character and it’s a big budgeted summer film. Unfortunately most people have already seen a similar film a few months earlier, Tombstone. So this movie barely made back it’s $60-mil plus budget and again Costner’s bankable leading man status went down fast. Now I actually like this film better than Tombstone, I know I can’t believe it either, I really dug the whole back story of the Earps family and I thought Dennis Quaid played Doc Holliday in a more realistic way than Val Kilmer’s version. …
Even though his last two films were box office duds, Universal still believed Costner was a bankable star, so they greenlit this $100 mil plus action/sci-fi film. The film was in trouble right from the beginning, Lawrence Fishburn left the project a few weeks before shooting starts and they had to scramble to find his replacement. Dennis Hopper ended up with the role. Then just a few weeks into shooting, a hurricane destroyed the sets and so they had to rebuild them. By now the film’s budget had ballooned up to $150 mil, some even said the film’s final budget was somewhere between $170 to $200 mil, this was the mid-90s when that kind of numbers was unheard of. …
Then towards the end of shooting, director Kevin Reynolds and the studio people were in disagreement over the tone of the film. The studio wanted him to cut down the violence so it could get a PG-13 rating; Reynolds on the other hand wanted a more gritty and violent film. Costner stepped in and sided with the studio and Reynolds left the film before editing even started. He still received a directing credit even though Costner finished the movie in post-production. The film opened in the summer of 1995 and of course it tanked big time and pretty much ruined Costner’s cred as a bankable leading man. …
After a string of box office misfires, Costner decided to go back and starred in another romantic comedy. The film opened in the summer of 1996 and it did a pretty decent business at the box office. I actually enjoyed this film quite a bit, probably because I was madly in love with Rene Russo at the time and not because of Costner. A lot of people in Hollywood around this time still think that he’s a bankable star. Which explained why his next film got made. …
Warner Bros. somehow believed that Costner could still open a movie with just his name alone, why else would they give him $80 mil to shoot this movie, right? This film was based on some little-known novel of the same name, which I had never heard of the book until they announced the movie. I assumed Warner Bros. thought Costner can make another Dances with Wolves since they scheduled the film to open on Christmas Day of 1997. …
Well, a few months prior to the film’s release date, the trailer was shown and a lot of people in theaters around the country laughed out loud at the title and the test screening didn’t go too well either. A friend of mine got selected to the test screening at the Mall of America theaters and he told me to stay away from it at all cost. I didn’t listen and went to see the movie anyway; after I saw it I wish I’d listened to him. A few months before the film open, it got such a bad word of mouth that Warner Bros. decided to not to even spend big money promoting it. The film made about $17 mil and pretty much destroyed Costner’s career as a bankable leading man. …
After The Postman, Costner made a few films with similar genre that made him a big star in the first place but none of them were big hits. By the late 90s and 2000s, leading men weren’t really necessary to open films anymore, people went to see big films for only certain genres. Of course, some big-named stars could still open films on their names alone, i.e. Tom Hanks, Jim Carrey, Will Smith and Tom Cruise, just to name the few. But around this time, it’s clear that Costner is not in that club anymore. As I mentioned earlier, the last film of his that I saw was Open Range and I thought it was great. It didn’t wow many people so it didn’t really help Costner’s career at all. …
I’m curious to see how big a screen time he’ll get for the new Superman film, it’s hard to believe how his career has fallen so fast as it did. [rtm’s note: Deadline has just reported yesterday that he’s working on a TV miniseries for the History channel]
What do you think of Kevin Costner? Are you a fan or do you feel the same way as I do that he’s just not a strong leading man?