A beautiful orange tree… a boy lying in the grass, we’re treated to extreme close-ups and upside-down views in the opening of Nickel Boys. While unconventional camera work can be gimmicky, writer/director RaMell Ross shot the film in a first-person POV to get viewers to see the world through the characters’ eyes. Set in the …

Continue reading FlixChatter Review: NICKEL BOYS (2024) – A unique approach to evocative storytelling that packs an emotional wallop