FlixChatter Review: SOUL (2020)

It’s been a while since I actually reviewed a Pixar movie. I haven’t seen COCO and while I did see Onward last Spring, I didn’t get a chance to review it. I’ve always liked movies about music and there is something so fun about SOUL that I watched it a day after its release on Disney+.

I love that Disney’s animated opening logo montage uses the music played by Joe Gardner’s (Jamie Foxx) middle-school students in his music class. It’s a fun and clever way to introduce the character in his environments. Now, it’s a special day for Joe as he’s been hired full time by the school as a music teacher. Instead of being ecstatic however, Joe actually feels down as his dream has always been to be a jazz musician. His tailor-shop-owner mother Libba (Phylicia Rashad) pressures him to accept the job as she wants him to be financially secure. As luck would have it, thanks to his former student, Joe suddenly got a chance to play in one of his favorite jazz quartet. He’s got oh-so-close to finally living his lifelong dream that night when poof! he falls into a manhole.

Pixar has always been great at defining its characters and in SOUL it’s no different. Joe is all about music… it’s in his blood, body and soul… as he says, ‘music is all I think about, from the moment I wake up in the morning until I fall asleep at night.’ So when I saw his dream slipped away from him just as he came SO close to realizing it, I couldn’t help but gasped (even though that scene is right there in the trailer).  Most of the movie happens in the afterlife, starting with Joe’s soul protesting the fact that he’s one of the poor souls heading towards the Great Beyond. Leave it to Pixar to make something quite traumatizing like death and make it cute and mirthful as Joe’s soul tries to escape the long lineup. He ends up in the Great Before, as in the pre-mortal existence before the soul enters a body. It’s classic Pixar that the visuals in each world is just spectacular to behold… gritty New York City, the dark, ominous-looking steps going to the afterlife (complete with the accountant counting every single soul), then the colorful, fluffy world of the Great Before, each one is so imaginative and wonderfully-constructed.

But the beauty of Pixar Studios isn’t just the amazing, awe-inspiring animation techniques, but the genius is in the brilliantly-witty writing, thanks to Pete Docter who co-wrote the script with Mike Jones and Kemp Powers. Somehow they could just get into the psyche of what it is to be human and can create such a family-friendly movie that actually gives you a lot of food for thought for adults. It’s when Joe meets 22 (Tina Fey), a cynical soul who has remained in the Great Before universe for a very long time and feels she’s not worthy to live on earth that most of the philosophical discussions happen. But of course, all the deep, meaningful existential conversations are delivered via one hilarious moment after another.

The soul-body switcheroo involving a therapy cat creates plenty of slapstick humor, and at times perhaps I fear that it’d get to be too much. Thankfully the writers never loses sight of what the movie is about and all the humor fits into the narrative they’re telling. There are so many great moments in this movie but I think the bit when both Joe + 22 are on earth might be my favorites. I love the bit at the barber shop… even the hilarity in that scene consist of deep moments where Joe realizes that perhaps he’s become too self-absorbed and not interested in other people’s lives. It’s these poignant scenes that Pixar is so good at making, filled with life-lessons and wisdom without getting too heavy-handed.

Of course all the characters are delightful. I love all the soul counselors, all named Jerry, voiced by Richard Ayoade, Alice Braga, Wes Studi; and the droll accountant is voiced by Rachel House (whom I love in Taika Waititi movies like Hunt of the Wilderpeople and Thor Ragnarok). As I watch Graham Norton show frequently, it’s fun to hear his voice here which I recognize right away. It’s inspired casting to have him play the character Moonwind who helps lost souls get over their obsessions. Lovely to hear Angela Bassett‘s smooth voice as the sassy Dorothea Williams and that metaphor she told Joe in the end is memorable. Hey I’d love to see a spinoff of her character as a Jazz musician/sax player.

Of course, the fact that the protagonist loves Jazz, the music is absolutely fantastic. I love that the fingers playing the piano actually play the keys correctly, courtesy of real-life musician, Jon Batiste, who composed and also performed some of the songs. The movie also included musicians Herbie Hancock, Daveed Diggs and Ahmir-Khalib Thompson aka Questlove. I actually wish Jamie Foxx would actually sing in this movie as he too has a wonderful voice!

Per IMDb, Docter revealed that once the filmmakers settled on the main character being a jazz musician, they chose to make the character African-American. So Joe is the first black main protagonist of a Pixar movie that serves as a fitting tribute to Jazz music as well. What a brilliant title too, a soulful film both thematically and in terms of the music genre. I’m glad Pixar once again comes up with a fresh concept. This one is perhaps most similar to Inside Out which also gives an imaginative insight into humanity in the most delightful way. It’s fitting that it’s released on Christmas day, as it celebrates the humanity of us all and what a gift life truly is, even in a year like 2020.

4.5/5 stars


Have you seen SOUL? Well, what did you think?

FlixChatter Review – Netflix’s PROJECT POWER (2020)

With the pandemic still ravaging throughout most of the world, the summer movie season has pretty much been non-existent. Thanks to streaming services, we’re able to keep entertained with shows and movies while in lockdown. Netflix in particular has been busy churning out big movies throughout the summer season. Their latest is another take on the superhero genre and it’s also the lamest title for a movie that I can remember in a long time.

In New Orleans, a drug called Power has been going around the city giving its users superpowers for about 5 minutes. The head of the distributor is named Biggie (Rodrigo Santoro), the pills is growing popular with criminals around the city and local cop named Frank (Joseph Gordon-Levitt) is fed up and wants to put an end to the madness. He enlisted the help of a small-time drug dealer named Robin (Dominique Fishback), not only is she helping him taking down small time criminals, she also supplies him with the Power drug to enhance his abilities to fight the bad guys.

One day Robin is kidnapped by an ex-ranger named The Major (Jamie Foxx), he wants Robin to take him to the head of the drug operations. As it turns out, The Major is looking for his daughter whom he believes is somewhere in New Orleans and he ended up begging Robin for help. Things didn’t go as planned when they connected with one of the top drug dealers and The Major ended up saving Robin’s life. Now that she’s knee-deep in the whole scandal, she decided to help The Major and Frank even came along to take down the mysterious corporation that’s producing the drug and it’s being led by a doctor named Gardner (Amy Landecker).

The screenplay by Mattson Tomlin is sort of an allegory to how African Americans are being treated by the government here in the States. By setting the story in New Orleans, I assume he wants the audience to remember what happened to the residents of that city when hurricane Katrina destroyed it back in 2005. Tomlin also understands that people who’ll watch this film will want to see the actual power of the drug and there’s no shortage of that. If you’re a fan of superhero films then you’ll recognize some of the powers from other superhero films that’s being shown on the screen.

Before this film, I’ve never seen any previous work of duo directors Henry Joost and Ariel Schulman. Their style is nothing new, they pretty much copied the look and feel of Michael Bay’s films. Lots flashy cuts and heavy saturated colors on the screen. This is an action film, but I thought the action were kind of lame. Joost and Schulman tried to be “creative” when they shot the action scenes but when people watches action films, they want to see the action and not trying to figure out what’s happening on the screen.

The performances by the actors were pretty good. Dominique Fishback is the actress to keep an eye out for. Robin is the heart and soul of the story and I thought Fishback was a delight to watch on the screen. Since they’re both veterans, I thought Foxx and Gordon-Levitt did a fine job in their respective roles.

Of the recent big action films that’s been released by Netflix, this one maybe the most forgetful one to me. It’s not bad but it could’ve much better. If you’re bored on a Saturday afternoon, then you might want to check it out.

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So have you seen PROJECT POWER? Well, what did you think?

Weekend Roundup – BBC’s MIRANDA series, TESLA movie + Netflix’s Project Power

Happy Sunday everyone! Hope you all had a nice weekend. I haven’t done these weekend roundup posts in ages, but maybe now that the lockdown/quarantine or whatever you call it continues, I might make this a more regular thing… we’ll see.

I couldn’t pick a more different shows/movies to watch this weekend, don’t I? 😀 Well, I like to spice things up, ahah. On Friday I had a friend over and I actually watched a couple of episodes of MEDICI: The Magnificent (again… I’m trying to convince her to keep watching this series as they’re SO good!!). So we watched the TRUST episode, which is one of my faves of season 3… and trust me when I said I’m still working on a massive MEDICI post, it might have to be broken into 2 parts as it’s really, really big!

Well, when we’re done with a couple of episodes, my friend tried to convince me to binge LUCIFER (why? well… have you LOOKED at Tom Ellis?? If you know me at all, I have a penchant for Welshman, and he practically looks like a young Timothy Dalton!). As it turns out, I find LUCIFER rather meh, I just cannot get into it at all… but we thought about checking out what other series Tom E. has been in, thus… MIRANDA!! And guess what, I was completely hooked right away!!

I’d been a fan of Miranda Hart for a while, she’s so hilarious in SPY, EMMA. and all her Graham Norton’s appearances. But for some reason I just never got around to seeing her popular BBC sitcoms that ran from 2009-2015. Per Wiki, developed from Hart’s semi-autobiographical BBC Radio 2 comedy Miranda Hart’s Joke Shop (2008), the situation comedy revolves around socially inept Miranda, who frequently finds herself in awkward situations. Even her opening sequence is simply adorable!!

So I’ve finished season 1 and 2 (I even tolerated the ads on IMDb TV!) this weekend and SO looking forward to season 3! I’m hoping I could find the Christmas special and other special episodes. I can’t get enough of Miranda… and the funniest & most adorable moments are between her & Gary… I mean we’ve all been there, making a fool of ourselves in front of our crushes!

Here’s the very first episode if you’re curious… the scene of her with Gary (5:50 and 12:20) are hilarious!! I love it when characters break the fourth wall in such a fun way, and Miranda does it a lot!

Of course any sitcom has to have a great cast to support the main star and this show is chock full of the best British comedians … Sarah Hadland, Patricia Hodge, Sally Phillips, James Holmes. Of course the best part of the show is Miranda herself… she’s just a naturally funny and the show is absurd but yet relatable. It’s been a while since I watch anything w/ a laugh track, and it takes a while to get used to, but here, I was laughing along with them every time that soon it didn’t bother me. Ok, here are some hilarious bloopers… man I wish this show is still around, I just can’t get enough!

So thanks Lucifer for introducing me to Gary AND Miranda… funny how you end up finding certain shows. Oh well, better late than never!


Now, the other show I watched this weekend was Netflix’s PROJECT POWER.

An ex-soldier, a teen and a cop collide in New Orleans as they hunt for the source behind a dangerous new pill that grants users temporary superpowers.

It’s got a great cast of Jamie Foxx and Joseph Gordon-Levitt, but it’s newcomer Dominique Fishback who’s the scene stealer. The movie is pretty cool with sleek visuals and dynamic direction, but I feel that overall it’s more style than substance type of action thriller. There are some really dumb, cheesy moments that threaten to ruin all the good things about it, especially in a particularly bombastic scene towards the end… not to mention the undercooked superhero-twist plot, scratch-your-head logic (well lack thereof) and caricature villains.

Ted S. will review it fully sometime later, so stay tuned for that.

Oh, I also watched the new TESLA movie starring Ethan Hawke as the visionary inventor Nikola Tesla, his interactions with Thomas Edison and J.P. Morgan’s daughter Anne, and his breakthroughs in transmitting electrical power and light.

It’s a rather unusual take on a biopic, employing surrealistic technique in its narrative. The filmmaker bills it as a distinctly modern voice to a scientific period drama which, like its subject, defies convention. Stay tuned for my full review later this week.


So, what did you watch this weekend? Anything good?

 

You can watch JUST MERCY for FREE during the month of June

Hello friends… pardon the lack of posts and engagements on the blog lately. I had been doing a lot of reflections lately and kind of avoiding social media. There’s only so much one can take before information overload sets in… it’s a delicate balance between wanting to keep updated about what is going on and processing everything we see & hear and let them sink in.

While protests about George Floyd’s horrendous killing is still going on, with many countries across Europe and Canada showing solidarity with Black Lives Matter, one word we hear more and more lately is systemic racism. Per Wiki…

Institutional racism (also known as systemic racism) is a form of racism expressed in the practice of social and political institutions. It is reflected in disparities regarding wealth, income, criminal justice, employment, housing, health care, political power and education, among other factors.

Well, one of the recent films that highlights systemic racism dramatically is JUST MERCY, and if you have not seen it yet by now, Warner Bros has made it available to stream for FREE for the month of June.

Per Variety, WB released this statement: “We believe in the power of story… Our film ‘Just Mercy,’ based on the life work of civil rights attorney Bryan Stevenson, is one resource we can humbly offer to those who are interested in learning more about the systemic racism that plagues our society. For the month of June, ‘Just Mercy’ will be available to rent for free across digital platforms in the US.”

I had the privilege of seeing this film at TCFF last year and posted this review. This is an excerpt from what I wrote…

It’s the kind of film that gets you riled up for the blatant racism and injustice that sadly still hasn’t been completely eradicated to this day. The scene where attorney Bryan Stevenson (Michael B. Jordan) first met Walter McMillian’s (Jamie Foxx) family, greeted warmly by his wife who’s astounded that he’d bother to visit them packs an emotional punch. The film made me want to learn more about the McMillian’s case and others similar to his, as well as the Equal Justice Initiative that Stevenson founded in 1989. For that reason alone, the filmmakers and cast did an admirable job.

I hope you’ll take the time to watch this if you haven’t already… or if you have, this is a film worth rewatching. The topic can’t be more timely than it is now… though learning about such an important history shouldn’t just be confined to when there’s a devastating incident.

To make it easy, I thought I’d embed this YouTube link so you can watch it here:


In addition to sharing about this film, USA Today also shared a list of books for kids and adults alike to learn more about anti-racism. I think we all can always benefit for learning more about each other, and make sure these kinds of centuries-old practice of injustice don’t keep getting passed down through generations.


Have you seen JUST MERCY? Let me know your thoughts!

FlixChatter Review: JUST MERCY (2020)

I saw Just Mercy at Twin Cities Film Fest last October, but finally just got around to reviewing it. It ends up being perfect timing given today is Martin Luther King Jr. Day (MLK Day as it’s known in the States), celebrating Dr. King’s birthday. This year it happens to be the 25th anniversary of the day of service that celebrates the Civil Rights leader’s life and legacy.

Just Mercy is an extraordinary BOAT (based on a true story) film. Not only because of the powerful and thought-provoking subject matter, but the story is based on a memoir of attorney Bryan Stevenson who’s depicted in the film, with Stevenson himself served as an advisor. That aspects lends authenticity to the story, plus there’s two powerhouse actors bringing it to life: Michael B. Jordan as Stevenson, and Jamie Foxx as Walter McMillian, a wrongfully imprisoned black man who’s on death row.

The story starts with Stevenson after graduating from Harvard Law School. Naturally the bright young lawyer could’ve taken a number of lucrative jobs in a big city of his choice. But instead he drives to Alabama to work on people who are wrongly-condemned and not afforded proper representation. His only ally is Eva Asnley (Brie Larson), a young mother working to match lawyers with death row inmates. She was about to give up when she got a call from Stevenson looking to start a legal center for inmates on death row.

As far as legal/courtroom dramas goes, Just Mercy perhaps isn’t the most accurate. I talked to an attorney friend of mine after the screening and he noticed a bunch of glaring inaccuracies in the courtroom scenes. Be that as it may, for most people who aren’t in the legal field, I don’t think we’d ever notice those. What the movie has going for it is the emotional impact. The flashback scene that shows an encounter between Walter and the town sheriff who obviously deems Walter guilty before he does or say anything. “You don’t know what you’re into down here in Alabama, when you’re guilty from the moment you’re born.” – it’s just one of Walter’s gut-wrenching quote that stays with me. By the time we see him in the film, Walter’s already served several years on Alabama’s Death Row, having been accused of murdering an 18-year-old white dry-cleaning clerk.

It’s the kind of film that gets you riled up for the blatant racism and injustice that sadly still hasn’t been completely eradicated to this day. The film mentioned the fact that Walter had an affair with a white woman automatically made him a suspect, despite having a strong alibi that he was nowhere near the location of the crime, and dozens of witnesses were with him at the time of the murder. The scene where Bryan first met Walter’s family, greeted warmly by his wife who’s astounded that he’d bother to visit them packs an emotional punch.

Both Jordan and Foxx did an astounding job in their respective roles. It’s clear that the subject matter is personal to them, and it shows. Foxx has shared in several talk shows that his own father was wrongly jailed for seven years for having $25 of illegal substances. What’s most heartbreaking to see is how Walter sort of resigned himself to a death sentence. Even when Bryan assured him he could get an appeal, Walter thought a death sentence a foregone conclusion. It’s no surprise given just how much the rigged system is stacked against them, and that what really happens have no bearing on the jury’s conviction.

The third act consists of conventional courtroom drama stuff. It gets a bit schmaltzy and even plodding at times, but director Destin Daniel Cretton manages to keep the emotional quotient high. Jordan and Foxx really shine on and off the courtroom scenes, but I have to give props to supporting actors Herbert Richardson as Walter’s fellow death-row inmate and Tim Blake Nelson as a career criminal whose false testimony incriminated Walter. Rafe Spall, an underrated English character actor,  is also pretty effective as the District Attorney for Monroe County, a key figure in Walter’s appeal process. If I have to nitpick however, aside from one brief conversation with his mother about wanting to fight injustice, we don’t really get to see just who Bryan Stevenson is and what is he about as a person. I suppose the film’s focus in the fight to free Walter McMillian, but I think his character (and Larson’s) could use some more depth.

Overall, the talented cast elevates Just Mercy slightly above a run-of-the-mill social justice drama. Stylistically, this film is pretty subdued, no dazzling cinematography or cutting-edge camera work to speak of. Even the music isn’t particularly memorable. But in the end, it’s Walter McMillian’s narrative that takes center stage, as it should be because it’s an inspiring, timely story and one that needs to be told. The film made me want to learn more about the McMillian’s case and others similar to his, as well as the Equal Justice Initiative that Stevenson and Eva Asnley founded in 1989. For that reason alone, the filmmakers and cast did an admirable job.


Have you seen JUST MERCY? Well, what did you think?

Weekend Roundup: Quick review of BABY DRIVER (2017)

Happy [almost] Fourth of July weekend! It’s not really a long weekend for me as I’ll be working both Monday AND Wednesday, though the office is pretty much dead today with everyone taking a day off.

Last week was a pretty hectic one, hence I hadn’t even posted anything other than my short film update. Well, as if making movies wasn’t nerve wracking enough, I also launched a crowdfunding campaign is Kickstarter campaign last week. We had a good start but we still have a long way to go before we reach our goal.

Shout out to Paula, Shivani, Mark, and Nostra for your tremendous support on various social media channels!

This weekend I did manage to fit in a movie night… and it was a ton of fun!

Move over Guardians of the Galaxy. I think the movie w/ the best retro soundtrack this year belongs to Baby Driver. It’s also one helluva heist action flick that gets your blood pumpin’ from start to finish.

I like Edgar Wright and his Three Flavours Cornetto film trilogy (especially Hot Fuzz!) but for some reason I haven’t been paying much attention to Baby Driver. I think I only read an article a while back when it was a hit at SXSW and then of course I was intrigued by the stellar reviews (97% on Rotten Tomatoes!) So naturally I had a high expectations going into this movie. Fortunately it didn’t disappoint!

I dig car chases!! I grew up w/ two brothers and played with matchbox cars instead of Barbie dolls as a kid so I always enjoy a thrilling car chase in the movies! Man, what an opening scene!! You can watch how they made it in this featurette. That’s perhaps one of the best car chases since the first Transporter flick, but this time we’ve got a kid at the wheel with a cutesy name Baby (Ansel Elgort). Yep it’s B-A-B-Y. Hence the title.

It’s obvious Wright himself is a big fan of heist movies and crazy car chases, and it shows. He’s also got an ear for music, and music is truly the fuel for this exciting ride. You go see this for the action, but there’s also a pretty compelling story and a character worth rooting for. Elgort isn’t the most charismatic young actor but he acquits himself well here and it’s easy to root for Baby who’s had a tragic past and wants out of the crime business. He’s surrounded by a fun supporting cast: Kevin Spacey, Jamie Foxx, Jon Bernthal, Jon Hamm, Eiza González, and Lily James as Baby’s love interest. I’d say it’s quite inspired casting, especially in regards to Jon Hamm. The romance between Lily and Ansel seems deliberately too cutesy, cheesy even, but it’s kind of sweet, too.

In a way, Baby Driver is a heist flick & coming-of-age movie in one. And that makes it refreshingly original, as we see this kid who gets picked on and taken advantage of finally breaking free and coming into his own. The rather restrained ending is quite a pleasant surprise to me given how many blockbusters seem to go for deafeningly-bombastic finale.

So if you’re in the mood for fun music, crazy action and some sweet little romance, you can’t go wrong with Baby Driver.This movie’s also got heart to go with all the cool moves. And of course, plenty of Wright’s cheeky brand of humor too.

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Have you seen ‘BABY DRIVER’? Well, what did you think? 

New Releases Double Reviews: World War Z & White House Down

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WORLD WAR Z

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Based on a popular novel by Max Brooks, this big budgeted film was plagued with troubled production and ran well over its original budget, reportedly somewhere around $170-200 mil (the original budget was set around $150 mil). The film was scheduled to open last December but because of rewrites and reshoots of the film’s third act, it got delayed for six months. Now it’s ready for audiences all over the world to see. I want to mention that the film doesn’t have anything to do with the book, besides the title and premise the film has nothing to do with its original source. Just thought I mention that for fans of the novel.

The film opens with Gerry Lane (Brad Pitt) and his family going to some family trip. While stuck in traffic on the streets of Philadelphia, suddenly chaos broke out. If you’ve seen the countless trailers and clips, you already know what happened. The scene was pretty intense and exciting to watch. Gerry and his family was able to escape and drove all the way to New Jersey.

Later on Gerry got a call from his former colleague, Theirry Umuntoni (Fana Mokoena), he explained what has been happening all over the world and needs Gerry’s help. Gerry agreed and Theirry told him to wait somewhere overnight and in the morning he’ll send over a helicopter to pick him up. Gerry and his family found a refuge with a family who still lives in an apartment building in New Jersey. After Gerry and his family were rescued, they were flown to a ship outside of the States where the US Navy set up their command post. He found out that US President was killed and most of the government officials have either died or missing. Since Gerry has experience in working all over the world, he’s been asked by the US Navy Captain to help them find out what cause the outbreak. First he was hesitant because he didn’t want to leave his family but after the Captain told him that the only reason he and his family are on the ship was because he’s useful to them, if he doesn’t want to help, he and his family have to leave. I don’t like to give out too much plot points on my reviews so I’ll just say that for the rest of the film, Gerry went on an adventure trying to find out what cause people to turn into zombies.

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As I mentioned earlier, the film doesn’t have anything to do with the book, but they did include sequences that were similar to some section from the book, some fans might appreciate that, I know that I did. I’m not the biggest fan of Marc Forster but I thought he did a really good job of staging some really cool action set pieces and even made me jump a few times. I thought the first half of the film was pretty great, I was involved in the story and thought it could one of the best films of the summer. Unfortunately the film’s second half was a letdown.

There were five screenwriters who were credited on this film and I blame all of them for the lackluster second half. Apparently studio folks weren’t too thrilled with the first cut that Forster had delivered to them and hired Damon Lindelof to rewrite the ending and order re-shoots. Unfortunately what he came up with was pretty lame in my opinion, of course I won’t spoil it but it’s clear they want sequels. In fact, Brad Pitt said in an interview that he wants to turn this film into a trilogy. I think had they stuck with the original ending, the film might work out better. I hope they include that original ending on Blu-ray/DVD or better yet, integrate it into the eventual director’s cut release. If you want to find out what the original was like, go and read this excellent article that chronicled the film’s troubled production.

Performance-wise, Pitt was pretty decent in the lead role. Make no mistake, this is his film. He appeared on the screen pretty much 99% of the time. Mireille Enos who played his wife had some good scenes in the first 30 minutes or so but unfortunately her role was reduced to just being the worried wife while her husband was out saving the world. The only other major character in the film was an Israeli soldier played by Daniella Kertesz, she sort of became Pitt’s sidekick throughout most of the film.

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I was a bit disappointed that they decided to make it a PG-13 zombie movie. I’m not a gore freak but I expected to see blood and some gore when it comes to film about zombies. I know that when they agreed to turn the book into a movie, it was under contract that it couldn’t be R-rated, that’s one of the reasons why they had to change the original ending. Apparently it’s too violent and the film would’ve gotten an R-rating. I understand it’s done for financial reasons but seriously, there was a scene in the film where Pitt’s character chopped another character’s hand off but we didn’t see anything because they had to cut away. Also, if you cut someone’s hand off, there would be blood everywhere! The film couldn’t show that of course. Just a minor complaint though, there were many intense scenes that worked despite its PG-13 kid friendly rating.

Even with the lackluster second half and lack of blood and gore, I still recommend it. I think some of the big spectacle sequences should be seen on the big screen and the 3D effects were pretty good. This coming from a guy who doesn’t care about 3D. Also, I thought the soundtrack was pretty great, especially the theme song by Muse.


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WHITE HOUSE DOWN

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The second film about the White House under attack this year is now ready for audiences everywhere, the first being Olympus Has Fallen which opened back March. This one stars Channing Tatum as the reluctant hero who has to save the day and Jamie Foxx as the POTUS. The premise is pretty much the same with exception that the villains in this film were domestic terrorists while the bad guys in Olympus were foreigners. I would say White House Down really reminded me of Michael Bay’s The Rock, which was basically Die Hard at Alcatraz.

The setup for these kind of films are pretty similar, we were introduced to the main characters who will be involve in the story. There’s the hero John Cale (Channing Tatum), he’s basically a bodyguard to The Speaker of House, Eli Raphelson (Richard Jenkins). Then there’s the President (Jamie Foxx), head of the security in the White House Martin Walker (James Woods), secret service agent Carol Finnerty (Maggie Gyllenhaal), Vice President Alvin Hammond (Michael Murphy) and Cale’s daughter Emily (Joey King). The story begins as Cale is taking his daughter to the tour of the White House, we learn that he and his daughter aren’t that close and she’s sort of hate his guts. So in order to impress her, he told her that he’s being interview for a position as secret service agent. You see his daughter is somehow crazy about politics and she even has her own political blog and she also loves the President.

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Once they got to the White House, Cale got call in for the interview and found out Carol will be the one who’s interviewing him for the job. Apparently the two of them had some of history back in college and she thinks of him as a loser. Of course he didn’t get the job but he lied to his daughter that he might get it. By now we get to see some of the potential bad guys have also arrived at the White House and gearing up for their attack. The group’s leader is Emil Stenz (Jason Clarke). Later on, the bomb went off at the Capitol Building and Emil’s group started killing all the security people at the White House. During this attack, Cale was able to rescue the President and the film became sort of buddy action. There were lots of shoot outs, hand to hand combats and of course big explosions. If you’ve read my reviews on this site then you know I don’t like to give out plot points and you know what, the plot for these kind of films aren’t that important. You’ve seen them many times before and you just have to go along with the ride and I can tell you it’s a fun ride.

The film was directed by Roland Emmerich who seems to love to blow up Washington DC buildings in many of his films and well he did the same thing here. But unlike his other disaster spectacle films, this one was his first shoot’em up action flick since Universal Soldiers. I thought he did a great job of building up the tension and staged some really cool and fun action set pieces. There’s a big car chase that took place in front of the White House’s lawn, it’s the most ridiculous action scenes I’ve seen in a while but it’s fun nonetheless. He also understands that he’s making an action movie so he kept the tone light and not make it overly serious.

As for the actors, I thought everyone did a good job, although Foxx tried a bit too hard to imitate our real President Obama. Tatum was good as the not-so-smooth action hero, he’s more goofy than most action heroes. I was surprised Cale’s daughter played a big role in the movie and the young Joey King did a pretty good job as the know-it-all kid. I give the casting director big props for finding a young actress who actually looks like Channing Tatum. The rest of the cast did pretty well too, again thanks to Emmerich’s direction, none of them took their part too seriously.

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So how does it compare to Olympus Has Fallen? Well in my opinion this one was a much better film because it didn’t try to be more than an action summer flick. I thought Olympus took itself way too seriously, it tried too hard to be dark, edgy and violent as opposed to just being an action movie. Also, the effects in this film were much better than Olympus’, well to be fair White House Down has a bigger budget. But still Olympus’s budget was around $80mil and yet the effects in the film looked like something from the late 90s.

Of course there were some flaws in this film, I was expecting some new motivations from the villains, not the same old thing we’ve seen in the past. Even though I enjoyed the action scenes, I thought the hand to hand combats were badly-staged and the always bloodless violence sort of bug me a bit. When people get shot or blown up, there should be blood everywhere. Also, there’s a scene during the climax of the film that involved Cale’s daughter and a flag that was kind of odd and I wish they’d rewrite that sequence. I think people will either laugh out loud or just go WTF!? I think you might agree with me when you see it.

Overall I thought the film was a lot of fun and it’s one of the best action films I’ve seen in a while. If you’re a fan of Die Hard, The Rock or Olympus Has Fallen then you’ll enjoy this one.

Three and a half stars out of Five
3.5 out of 5 reels


– Reviews by Ted S.


Have you seen either one of these? Let us know your thoughts in the comments.