Short Film Spotlight: FORGET ME NOT + Q&A with director Nicholas Goulden & producer Angela Godfrey

As a film blogger, I’m so fortunate that I got to ‘meet’ filmmakers (whether virtually or in person) from all over the globe and help champion their work. I first learned about Forget Me Not in early 2017, right when I was I was in crazy pre-production mode working on my own short film Hearts Want. Thankfully I got in touch again with director Nicholas Goulden and producer Angela Godfrey earlier this year and got to see his wonderful, heartfelt short film set during the holiday season in London.

Alone and invisible to the world, a homeless man and the ghost of a little girl discover they are each other’s only hope of finding peace in time for Christmas.

The title of this film is most appropriate as it’s one of those films that will linger in your mind long after you watched it. It also has a very significant meaning given the story revolves around two people who are ‘forgotten’ by people, especially during the hustle bustle of Christmas at a busy London junction.

Renowned Scottish actor James Cosmo played the homeless man Benedict, with Ruby Royle as the little girl Isobel and John Heffernan as a working man who offers Benedict coffee daily. It takes a bit of time to figure out just who the little girl is and why she keeps approaching Benedict, and that’s the point. I feel like the deliberate measured pace is a contrast to the speed of how everything and everyone is moving every day, unaware of what’s happening around us as we’re so focused on ourselves.

There’s such a quiet grace in the way the story is told, with few words spoken. Yet it packs an emotional punch and the scene at the end got me all teared up. I’m not going to give anything away, as I hope one day the film would be available for public view.

The cinematography (by Chris Fergusson) and music (composed by Matthew Slater) is absolutely stunning and adds even more emotional resonance to the overall viewing experience. I adore the story that speaks about themes of hope and caring for those who are most in need around us. Kudos to filmmaker duo, director Nicholas Goulden & producer Angela Godfrey (both of them also wrote the screenplay) for creating such a beautiful film, both thematically and visually speaking.

4/5 stars


Q. What’s your background in film? And what made you decide to make Forget Me Not a short film?

Nicholas – I started at the bottom, as a runner, and worked up. I came to the film industry in my mid-twenties with the intention of telling stories that interested me, but first of all I had to learn the craft – and stay alive! While directing, writing and producing independent material, I moved up through the AD department to 1st AD, primarily on films and commercials. This experience has given me a huge wealth of knowledge which I’m able to bring to my directing work.

Regarding making Forget Me Not a short film, I guess the simple answer is we planned it that way. The short film format was perfect for the story that we wanted to tell.

Q. Angela, you’ve been involved in huge studio productions costing hundreds of millions. What’s been the most gratifying thing for you in making something much smaller on a personal level for you?

Angela – I’ve been incredibly lucky to have been involved with lots of high budget film and tv productions and I still very much enjoy being a part of them, but as a Script Supervisor I tend to only be involved in a very small way. So for me, having the chance to build a story that is important to me personally and see it grow right from a tiny seed to where it is now has been incredible.

Q. Forget Me Not is such a beautiful, poignant story. What’s the inspiration for the story? Was there a personal connection for either one of you?

Nicholas – The inspiration really came from the desire to address themes that are not only important to both of us as people but also resonate with a contemporary audience. We all go through times when life is against us and we feel lost and alone – hopeless – so telling a story that addressed different facets of that felt very worthwhile.

Angela – In doing so, we wanted above all to make as well crafted and affecting film as we could that could strike a chord with everyone who watched it. It is also a very visual and sound heavy film with minimal dialogue which means it can be enjoyed by people around the world no matter their age or language.

Q. There’s a magical realism in the story, yet it still very much grounded in the day-to-day reality. Tell me how you balance out those elements in the film, esp. for Nicholas as a director.

Nicholas – Finding that balance was really important and something we worked a lot on. I looked at it very much from the point of view of a real world where magical things happen, rather than a magical world where real things happen, so the emphasis was on a naturalistic approach. It was conceived exactly as you’ve described – grounded in reality with a touch of magic.

A still of James Cosmo as Benedict

Q. Please tell us a bit about the casting for the project, particularly James Cosmo, who’s a pretty well-known character actor even here in the States. I’d also love to hear how John Heffernan come on board.

Angela – As relatively unknown filmmakers it’s very difficult to persuade an actor who is in high demand to come and work on a short film, in the freezing cold in the run up to Christmas, so we were very lucky to have a very talented Casting Director, Rachel Sheridan, on board, who knew both James and John would be perfect for the roles of Benedict and Jack. Having Rachel behind us, helped us approach James and Jack in a professional way so that we could be taken seriously.

Nicholas – For Isobel and Owen, we contacted agents all over the country, looking at hundreds of actors, dozens of submission tapes and ultimately auditioning about thirty actors. It was a long, time-consuming process but totally worth it, bringing us the fabulous Louis and, of course, Ruby.

Forget Me Not‘s John Heffernan gets his mic adjusted by Production Sound Mixer Malcolm Cromie before stepping onto set. Photo credit Daniel D. Moses (www.danielmoses.com)

Q. How many days did it take to shoot the film? Looks like there are mostly night shoots or was it in the wee hours of the morning?

Angela – We shot the film in 3 and a half days. We worked ‘split days’ which means our call time was later than a normal shooting day, allowing us a few hours of daylight at the start of each day and then the rest was shot after nightfall, and we’d wrap by 11pm. Having a child actor as a lead made life harder as we had very strict times that we had to adhere to, so everything was tightly scheduled.

Q. What’s your favorite part of the shoot? Conversely, any memorable on-set snafu you’d like to share?

Nicholas – My favourite part was shooting Benedict taking a bite of the cookie – his performance is delightful and still makes me chuckle. With so many emotion-laden scenes, the shoot was especially intense and that scene was always intended as a lovely moment of levity. James absolutely nailed it.

As for snafus, we had niggles but we were fortunate. Given the time restrictions everything went remarkably smoothly, which is a testament to the level of planning which went into it! But we had our moments – for example we had managed to hire the coffee cart but didn’t have transport to get it across London – the delivery costs would have blown a hole in the budget and we had no driver let alone usable van of our own. In the end, Jonathan, one of our floor runners who had come over by coach and ferry from Utrecht in Holland to be part of the shoot, cycled the thing across London through the freezing rain. It was titanic efforts like that which really held us together.

Q. The location in bustling Hammersmith is almost a character in itself. Tell us a bit about how you choose that location.

Nicholas – Angela and I were familiar with the location prior to the project. The architecture of the flyover has a brutalist beauty which really appealed to us. Also, there is a fascinating contradiction in the fact that it’s thronging with people and traffic practically 24-7 but only because people are trying to get from somewhere else to somewhere else. That makes it quite a lonely, isolating place, and the perfect mise-en-scene for our story.

Forget Me Not‘s DoP Chris Fergusson prepares with actor James Cosmo stand. Photo credit Tom Harberd.

Q. I LOVE the mood and tone of the film, brought to life by the gorgeous cinematography and score. Please tell me a bit about working with DP Chris Fergusson and composer Matthew Slater?

Nicholas – They were both fabulous to work with. We had a good run up as we waited for the right time of year, so we talked extensively with both Chris and Matthew about the mood and tone we wanted for the film to make sure we were on the same page.

Our budget didn’t allow us much shooting time given our ambitions, so with Chris we worked extensively to flesh out a tight shot list which would allow the vision to come to life despite the practical restrictions.

Angela – We spent lots of evenings inspecting the locations. Chris even made digital 3D mock-ups of the location so we could plot camera and actor positions and see what the shots would look like months in advance. This really helped when it came to the shoot because we didn’t have to waste any time on the basics, instead finessing already well thought out shots to tell the story in the most beautiful way possible.

Working with Composer Matthew Slater was incredible from start to finish. He really pushed the boundaries with the score capturing the emotion of the characters and the story perfectly. The recording took place at the infamous Studio One at Abbey Road Studios, conducted by Matthew and performed by the world renowned London Metropolitan Orchestra. We were extremely lucky to have this as it’s pretty much unheard of in the short film world and adds a whole new dimension to the finished film.

Forget Me Not Composer Matthew Slater Conducts the London Metropolitan Orchestra at Studio One Abbey Road. Photo credit Daniel D. Moses.

Both Matthew and Chris were an absolute dream to work with and both gave an incredible amount of time and expertise to the film. We hope Forget Me Not is the first of many!

Q. Lastly, what’s next for both of you? Any feature project that your prod company Keen City is working on?

Angela – We are currently developing a TV show called Lady of the Med which is about an ordinary expat mother, living on the coast of Spain who gets tied up with the local mafia and becomes a spy for the UK government, and a feature film called ‘Grace Escape’, a black comedy about an elderly grandma who wants to die her own way, so escapes her care home intending to jump off the cliff where her husband tragically died many years previous. Both very different to Forget Me Not, yet they deal with family relationships and will be very emotive and hopefully great watching!



Thank you so much Nicholas & Angela for the interview!

Musings on TV Series Recently Watched: Bodyguard & SS-GB

HAPPY NEW YEAR! (I think you can still say that until at least mid January, right?)

It’s a relatively mellow weekend for me and I realize I haven’t actually written a review in 2019 yet but I’ve been bingeing a ton of shows in the past month or so. I’ve blogged about Daredevil Season 3 in December, which I absolutely love!

So here’s my quick thoughts on these four series I saw in the past couple of months…

BODYGUARD (2018)

Right after Daredevil Season 3, my hubby and I actually binged on BBC’s Bodyguard which is the perfect show to watch after ending on such a fantastic series!

Police Sergeant David Budd, a heroic British Army war veteran suffering from PTSD, who is now working as a specialist protection officer for the Royalty and Specialist Protection Branch of London’s Metropolitan Police Service. He is assigned to protect the ambitious Home Secretary Julia Montague, whose politics stand for everything he despises.

Right from the first episode where Budd foils a female suicide bomber’s plot to blow up the train he’s riding on, the intensity of the show never lets up. I love that right away we see a flawed protagonist, as Budd is dealing with PTSD and is separated from his wife. Richard Madden just won a Golden Globe for his portrayal of Budd and it’s a well-deserved win, perhaps a high in his relatively-young career. Yes I think there ought to be a category for ‘Best Jawline on TV’ as Budd oozes so much sex appeal even just standing there guarding his client (those secret agent earpiece never looked so sexy on a man).

Also kudos to Keeley Hawes as the conservative MP Julia Montague, torn between her high-profile political career and her undeniable attraction to Budd. Boy, the chemistry between these two is quite scorching!

Yet the series smartly plays on the ‘opposites attract’ theme and able to keep the tension high from one episode to the next, making this one of the most intriguing and addictive psychological thriller. I think the political plot is pretty absorbing, but it’s the character-driven storyline, portrayed wonderfully by the key cast, that makes this such a satisfying show to watch. Bring on season 2!!

 

P.S. I knew that as soon as I saw Madden on this show he’d go on to be the frontrunner for the next Bond. Heck, why not?? He’s definitely got the looks and can balance the sex appeal + grit for the role. Plus, I’d love to see another sexy Scotsman as 007!


SS-GB (2017)

Speaking of James Bond, SS-GB is written by British screenwriters Neal Purvis and Robert Wade, who co-wrote the six James Bond films from The World Is Not Enough to Spectre.

Set in a 1941 alternative timeline in which the United Kingdom is occupied by Nazi Germany during the Second World War. Detective Superintendent Douglas Archer, of the London’s Metropolitan Police is called in to investigate a murder in a flat in Shepherd Market.

The series is based on Len Deighton‘s novel of the same name, which was a pretty intriguing read despite being overly too-detailed for my liking. I always love alternative universe, and this series share major similarities with Amazon’s Man In The High Castle except instead of US, it’s set in Britain. I’m also a huge fan of Sam Riley who I think is an underrated actor, so I’m convinced I’d LOVE this series.

Alas, despite its gripping premise, there’s something so lackluster in the way the show is written and directed (by German director Philipp Kadelbach). Yes I know London is mostly grey and perhaps even murky, but must everything be so drab and dour? And the pacing just lacks energy. At first I was intrigued by its quiet intensity and smoky atmosphere (literally, as Archer lights a cigarette every few seconds!), but after a while it just feels too sluggish with only a handful memorable moments that are too few and far between. Now, I love Riley’s gorgeous profile, but I feel like the close-up shots of him are way too indulgent that it starts to look like a photoshoots for Burberry coats and Fedora.

I expect a lot from the writers of Bond movies, but then again they’ve made duds like Quantum of Solace and Spectre. I have to say that the production design and set pieces made for a convincing look of alternative Britain under Nazi occupation, and everyone looked appropriately grim. Yet there’s no sense of real urgency to the whole thing, and there’s few heart-wrenching moments that make you care for the characters. I do like James Cosmo as Detective Sergeant Harry Woods, Archer’s friend and colleague, just wish there were more memorable scenes of these two.

My least favorite character is Barbara Barga, an American reporter played by Kate Bosworth. I think she is a bit miscast here, not to mention lacking chemistry with Riley. I think she’s actually a tad more convincing as Lois Lane in Superman Returns, though a far cry from the spunky Margot Kidder in the role. I was quite intrigued by Standartenführer Oskar Huth (Lars Eidinger), an SS officer newly-arrived in London who initially made Archer’s life a living hell. Eidinger is a brilliant actor that has some memorable moments, but I think he’s far more interesting in the book. The same with the entire series, I find Deighton’s novel far more engrossing by a long shot. Ultimately it’s a thriller that lacking any real thrills, which is a shame considering the talents involved and promising source material. That said, if you like these types of alternative WWII stories, it’s still worth renting.

 

 

P.S. Given the Bond connection, at one point people were talking about Sam Riley as a possible candidate for the next 007. Hey, I’d be down for that. At this point though, I think Madden certainly has more edge to play the role.


Have you seen either one of these series? I’d love to hear what you think!