Musings on the first trailer of the new Ben-Hur (2016)

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Most of you who’ve read my blog for a while knows I’m a huge fan of the 1959 Ben-Hur: A Tale of the Christ. I’ve listed it as one of the films that have defined me and one of my three favorite Oscar-winning films of all time. That epic masterpiece that won the most awards in its time (11 wins out of 12 noms) was actually a remake of the 1925 silent film. I always think that like Gone with the Wind, Casablanca, etc., Ben-Hur is one of those classics that ought not get remade. Alas, nothing is sacred anymore these days so we shouldn’t be surprised that nearly 60 years later, we get yet another cinematic adaptation based on Lew Wallace’s timeless novel, Ben-Hur: A Tale of the Christ.

Behold the trailer…

 

BEN-HUR is the epic story of Judah Ben-Hur (Jack Huston), a prince falsely accused of treason by his adopted brother Messala (Toby Kebbell), an officer in the Roman army.  Stripped of his title, separated from his family and the woman he loves (Nazanin Boniadi), Judah is forced into slavery.  After years at sea, Judah returns to his homeland to seek revenge, but finds redemption.

Initial impressions

The way the trailer’s cut now didn’t exactly scream epic in terms of compelling narrative and emotional gratification. Given the pedigree of the director, whose Hollywood films so far seem to be more effects-driven than anything else, this trailer certainly showcase that. Yes so at the time, the 1959 Ben-Hur was marketed as an epic that offered a spectacle like no other, and that chariot race scene alone is a reason to see it on the biggest screen possible. Even as I saw it decades later, when special effects had improved significantly, that chariot scene still left me breathless and it remained one of the most incredible scene to pull off even by today’s standard. But yet, the film was far more than just the spectacle and what stays with me more is the story, it’s the protagonist’s journey and transformation (more of that later). I suppose with 3.5 hours running time, the 1959 version could go into more depth with the story and there are richer, more complex narrative that involve more than just Ben-Hur vs Messala.

So far my impression is meh, in fact someone remarked on Twitter that this is ‘Fast and Furious: Jerusalem Drift‘ and I don’t blame them for thinking that. I mean the blaring music is so generic and has no majestic vibe at all, and way too much screaming and laden with banal dialog. But y’know what, instead of just brushing it off, I thought I’d offer some of my thoughts about some of the elements of the movie.

The cast

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Heston was so 50-years ago, we now have Huston as the new Jewish prince Judah Ben-Hur. Ok I have to admit I was inspired by this great opening line from EW.com. Jack Huston sure has quite a Hollywood pedigree – grandson of acclaimed filmmaker John Huston and nephew of Anjelica Huston, but whether or not he could step into Charlton Heston’s shoes, er sandals remains to be seen. Now, though I think Heston was great in the role that won him an Oscar for Best Actor, he’s not exactly the most expressive actor. What Heston did have in abundance is screen presence, and I’m curious to see how Huston fares in that regard in his first leading role in a big-budget film. Huston is not a household name yet but I’ve seen him in three films so far, American Hustle, Night Train to Lisbon, Pride and Prejudice and Zombies, which showed he’s a pretty versatile actor. He certainly looked more Jewish-looking, for a lack of a better word, with dark hair and dark eyes, than Heston was, though one could argue blond, blue-eyed Jews do exist.

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Morgan Freeman is the most recognizable face here as Sheik Ilderim and he naturally adds gravitas to the production. I do have a soft spot for British actor Hugh Griffith in the 1959 version though, as he didn’t take himself so seriously. He’s more of an ally than a mentor too, so it seems they’re more of equal footing in their relationship. Plus Freeman’s dreadlocks is distracting, it’s like something out of Battlefield Earth, did they just have their discarded wig or something?? It’ll be hard not to burst out laughing every time he’s on screen now, come on man, you’re supposed to add dignity not comic relief!

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Toby Kebbell seems type cast as a villain now. He’s just played Koba in Dawn of the Planet of the Apes, Doctor Doom in the um, doomed Fantastic Four movie, and now Messala. Again, I LOVE Stephen Boyd who had a great chemistry with Heston as both friend and foe. I can’t say I’m feelin’ it with these two, but then again they’ve got mundane dialog like ‘Are we having fun now brother?‘ which seems to be inspired by another sword ‘n sandal epic Gladiator‘s famous line ‘Are you not entertained?‘ but folks, it’s all in the delivery and Kebbell ain’t no Russell Crowe. That said, I also think he’s a good actor from some movies I’ve seen him in, most notably Rocknrolla, War Horse and Control.

The director

So I think the cast might turn out to be ok, but what worries me most is the director, Russian filmmaker w/ the unpronounceable name, Timur Bekmambetov. Now, I’ve seen two of his previous movies, Wanted and Abraham Lincoln: Vampire Hunter. I’ve enjoyed both in varying degrees, but he’s not exactly the name who’d be in my wish list if I were asked who I’d want to direct an epic sword & sandals masterpiece. For one thing, his films seems to be very CGI-laden, and from this trailer it looks pretty effects-heavy. Heh, I was hoping what Jack said at the IGN comic-con interview (promoting PPZ movie) were true, as he said there’ll be more practical effects and he had spent four months ‘doing everything for real’ which sounds really promising.

The core theme of the story

Now there’s the treatment of the Christ story, which is pivotal in the book, I mean the tagline IS ‘a tale of the Christ’ after all. Apparently Rodrigo Santoro is playing Jesus Christ here, as there’s a snippet of the crucifixion scene. I read that Jesus is given a bigger character arc this time around, and whilst that is a wonderful thing in my book it also worries me a little. What I love about the William Wyler version is the subtle-yet-powerful depiction of Christ whose face was never shown on film. The impact of his being was conveyed through the characters who encounter him in the film, i.e. the Roman soldier who wanted to reprimand him for giving water to Judah.

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It’s mysterious and mystical, and the faceless character had such gravitas that it’s unforgettable, especially the moment he gave Ben-Hur water when he’s chained as a slave. That scene is one of my all time favorite cinematic scenes that I could watch over and over. What the 1959 version did beautifully was that it showed how Judah’s and Jesus’ lives intersect, and the parallel of how the two men were charged and punished for a crime they didn’t commit. But in the end it was more of a story of redemption than a tale of vengeance, a theme that perhaps isn’t as cool or even marketable, but for me it leaves a much more lasting impression.

Interestingly, Bekmambetov actually said in an interview (per IMDb trivia) that he thought the 1959 version was more about revenge. Huh? Did he not stay until the end of the film?? Judah’s last line was not at all subtle about his own redemption.

Judah Ben-Hur: Almost at the moment He died, I heard Him say, “Father, forgive them, for they know not what they do.”

Esther: Even then.

Judah Ben-Hur: Even then. And I felt His voice take the sword out of my hand.

He went on to say that wanted to focus more on the forgiveness aspect of the story, he said ‘…humanity has to learn how to love and forgive.’ Well, I sure hope what he aspired to do w/ the story will actually transpire in the final film, as I’m not seeing that in this trailer. At the very least I’m hoping that the Jesus’ story be handled respectfully and that the themes of love and compassion in Lew Wallace’s novel isn’t love amidst the CGI-fest spectacle.

One last thing, I find it odd to see Judah falling from his chariot and held on to his horses, how’s he going to get back up to the chariot and win the race?? I guess we’ll find out when the movie is out on August 12, 2016.


Well, that’s my thoughts. Now, what do YOU think about the first Ben-Hur trailer?

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FlixChatter Review: Pride and Prejudice and Zombies (2016)

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Jane Austen’s brilliant work has endured over two centuries so far and it’s as relevant as ever. I’m not a purist Austen fan, as I actually enjoy alternative/re-imagining of her work, i.e. Lost in Austen, Bride & Prejudice, Bridget Jones Diary, Austenland, etc. But none are as outlandish as what Seth Grahame-Smith’s done in his book. I hadn’t read it, but when I first heard of the film adaptation back when Natalie Portman was supposed to play Elizabeth Bennet, I was already sold. Fast forward 6 years later, Portman is still attached as a producer but this time we’ve got an ensemble of up-and-coming British actors.

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As with any mashup, it ought to offer a good balance of the two genres. Whilst I think it has a good mix of both, I do think that this might offer more for fans of period dramas as it might not be bloody/gory enough for zombie lovers. It’s heavy on action with a few jump scares and less on the horror side, which suits me just fine. It’s especially thrilling that director Burr Steers (who also wrote the script) is loyal to Austen’s text and the story is grounded in the timeless romance of Lizzie and Darcy. The social class commentary is also preserved, but of course we’ve got yet another layer beneath the lowest class, that is the undead.

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The movie opens with the dashing Mr. Darcy (Sam Riley, perfectly-brooding AND bad-ass) who’s now a Colonel, visiting a wealthy estate in search of recently-turned zombies hiding amongst the living. Within minutes, we see Darcy’s decapitating an undercover zombie in his typical unperturbed stoicism. That scene is followed by a crafty storybook opening credit sequence that explains the fact that in lieu of the Napoleonic Wars, 19th century England is now overrun by hordes of the undead. In this universe though, people who’ve been bitten by the undead don’t immediately turn into full-on zombie until they’ve consumed human brains, hence they can still somehow hide in plain sight.

In order to survive in the world plagued by zombies, they had to be trained in weaponry and martial arts. Apparently the upper class folks have been trained in Japan, whilst those of lesser means, like the Bennet sisters, were trained in China. There’s an amusing bit where Lizzie speaks in Chinese to prove to Darcy that she’s read the proper text of The Art of War. As they say, all is fair in love and war, and thus the zombie apocalypse certainly ups the stakes for everyone involved.

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Faithful to the Pride & Prejudice text, the film still has the scenes that Austen fans would expect to see. We still have the Bennet sisters spending time with the family, except that instead of knitting, they’re polishing their muskets and swords. “My daughters are trained for battle… not the kitchen,” Mr Bennet says at one point, played with dignified grace by Charles Dance. We’ve also got the formal ball where Lizzie and Darcy first meet, and it’s played out just like in the original in that they did not get off on the right foot. I must say Lily James is one formidable Lizzie Bennet, even if she is still too pretty for the role just like Keira Knightley was. Miss Bennet is already a feminist icon to begin with, here the female empowerment element is pumped up even more as she’s a Kung-fu warrior who defiantly says that she’d “never relinquish her sword for a ring” and that the right man wouldn’t ask her to.

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But of course, the two headstrong pair soon find themselves attracted to each other. It’s crucial in any Pride & Prejudice adaptation that Lizzie and Darcy has chemistry and here they have that in spades. Lizzie is no damsel in distress, and by the time she and her four sisters slash a throng of zombies in slo-mo fashion, it’s Darcy who’s hyperventilating. The entire Bennet sisters are pretty bad ass, even Jane (lovely Bella Heathcote) is no shrinking violet and gets to save Mr. Bingley’s (Douglas Booth) life here. The numerous battle of wits are intact, with some intense physical battles thrown in to spice things up even more. The epic duel between Lizzie and Darcy is definitely my favorite part of the film, it’s immensely fun to watch these typically demure characters kick and hit each other senseless, and undoubtedly release their repressed sexual frustration in the process.

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This review from SFGate remarked that the zombies give Darcy a reason to brood about, and I wholeheartedly agree. I have to admit one of the issues I have with Mr. Darcy is that he’s just so enormously wealthy that he doesn’t need to work, and has little reason to justify his somber mood. But here, the titular character is given an intriguing backstory that naturally made him seem less preoccupied with finding a wife given the matters of life and death he has to face daily. There’s also an even more compelling reason why he absolutely detests these zombies (AND Mr. Wickham). I’ve never been one of those Mr. Darcy groupies, but THIS leather-clad, Samurai-wielding zombie killer extraordinaire is a hero worth swooning for, ehm. Speaking of Mr. Wickham (a charming Jack Huston), I think the major twist in Austen’s text involves his character. I won’t go into detail about his character but lets just say he’s quite um, friendly with the zombies. Heck, he even took Lizzie to a church where the patrons are not entirely alive.

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I do have a few quibbles about the poor action sequences though. The blurry sequence during the zombie attacks/fight scene get irritating after a while, and there is some inconsistencies about the nature of the zombies as some can seem less *dead* than others. I also think Charles Dance wasn’t given enough to do and neither was his Game of Thrones’ co-star Lena Headey as eye-patch wearing Lady Catherine du Bourgh (Darcy’s aunt). She’s made out to be a fierce zombie warrior, yet we didn’t see a single scene of her battling zombies! The whole sequence of her going after Lizzie in protest of her union with Darcy is rather silly as she brought along a henchman. You’d think a woman of such stature would never be in need of one.


Despite those flaws, overall I had a lot of fun with this one. The actors are fully committed to their roles and they play it straight throughout, no wink-wink nudge nudge as if they’re doing a SNL skit. The deadpan humor is interwoven in the inherently bizarre plot and I was more than along for the ride. I think you’d enjoy this movie more if you accept the sheer audacity of mashing up these two genres from the get go. The fact that the most preposterous scenes are done with a straight face makes them even funnier. Matt Smith steals every scene he’s in as the ridiculous Mr. Collins, though he’s playing him far more flamboyantly than the previous versions. There’s always been a hint that Collins might have a thing for Darcy and it’s played up even more in this movie.

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The set pieces and gorgeous costume design by Julian Day is delightful to look at. The soundtrack by Fernando Velázquez is also suitably elegant but with a touch of ominous brood. For fans of rom-coms, this is one where there is both romance AND comedy in equal measure. I definitely will watch this again, and on the big screen! I’m glad the movie ends on a cliffhanger as I wouldn’t even mind seeing a sequel, but only if we have Lily James and Sam Riley back as Lizzie and Darcy. I like James more here than in Cinderella and she certainly can handle the action as well as the drama. I thoroughly enjoyed Sam Riley‘s portrayal of Darcy, he might not be as refined as Colin Firth but he plays up the strong-silent-type hero perfectly. He’s said in interviews that if Firth is the Sean Connery of Darcys, he’s the Roger Moore. But considering his bad-assery and special skills in weaponry, he’s more akin to Daniel Craig’s Bond mixed with Taken‘s Bryan Mills!

So yeah, I find this unlikely mashup more than a little agreeable. I do think the reason this movie works is a testament of the genius of Austen’s writing. Not only does it stand the test of time, the core of the story is intact no matter what backdrop it’s set against.

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Have you seen this movie? I’m curious to hear what YOU think!

Five new-to-me actors I’d love to see more of – based on 2015 viewings

I saw this list on Variety on 10 Actors To Watch in 2015 and I realized I dropped the ball on this Actor Discoveries post last year. I mentioned in the first post back in 2012 that one of the joys of watching movies is discovering new talents. I planned on making this post an annual thing but alas, the last time I did this post was in 2013.

On that list, I included Lake Bell, Daniel Brühl, Riz Ahmed, Andrea Riseborough and David Oyelowo. Since then, most of them have been getting more prominent roles, with the exception of Riseborough which I think is so criminally under-utilized. Since I didn’t make a list last year, certainly Gugu Mbatha-Raw and Sam Reid would’ve made my 2014 shortlist.

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So, based on this year’s viewings (not exclusive to movies released last year) , here are five new-to-me actors I’d like to see working more in Hollywood.

[In alphabetical order]

Carmen Ejogo

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The Oscars not only dropped the ball on several counts when it comes to SELMA last year. Much was made about the omission of Ava DuVernay and David Oyelowo from the nomination list, but I think Carmen Ejogo was equally deserving to be amongst the Best Supporting Actress nominees.

Like his co-star, she’s from the UK but she effortlessly portrayed an American. She’s been working in a variety of TV and film, so I feel kinda bad that I hadn’t seen her until this year. There’s a certain elegance and tortured soul about her that makes her so intriguing to watch. I’m hoping her career would benefit from the Oscar buzz and that she’d be getting more and more prominent roles.

What’s Next: Jazz biopic Born to Be Blue with Ethan Hawke

Jack Huston

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I noticed Jack Huston when I saw American Hustle, but it wasn’t until Night Train in Lisbon that I became a fan. Huston has quite a Hollywood pedigree, being the grandson of famed filmmaker John Huston and nephew of Anjelica Huston. But the 32-year-old Londoner is a talented actor in his own right.

I like that he has one of those *ethnically hard to pin down* look about him that makes him suitable to play different kinds of ethnicity. In Night Train to Lisbon he played a Portuguese doctor and an American mobster in American Hustle. As many actors who grew up in the UK, he’s got a knack for accents which makes him even more versatile. I wasn’t thrilled at all when they announced they’re remaking Ben-Hur, but since they cast Huston in the titular role, I’m actually intrigued! I’d love to see more of him in a variety of roles, as he’s far more interesting to watch than a lot of Hollywood A-listers working today.

What’s Next: Pride & Prejudice & Zombies (as Mr. Wickham) and the Ben-Hur remake

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Rebecca Ferguson

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My friend Ashley had told me about the Starz’s miniseries The White Queen a while back, but I haven’t got around to seeing it. Well, it’s on the top of my Amazon Prime queue now after I saw Rebecca in Mission Impossible: Rogue Nation. I really couldn’t shut up about how impressed I was with her in that role. It was surely a kick-ass performance but she didn’t just pull off the physicality of the role, but she elevates the role into so much more. She’s equally as intriguing as Tom Cruise if not more so, and no doubt she’s the most memorable part about that film.

As I’ve blogged about here, I’m thrilled to see her cast in The Girl on the Train and I’m glad she didn’t end up becoming Channing Tatum’s love interest in Gambit. She’s so much more interesting to be pigeonholed into action roles, and so I hope Hollywood realizes that.

What’s Next: She’ll be in the upcoming espionage drama Despite The Falling SnowShe’ll be starring with Sam Reid, wahoo!!
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Sarah Snook

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Sometimes it only takes a single film for you to become an instant fan of a performer. That’s the case with Sarah Snook, who single-handedly stole the time travel sci-fi film Predestination with her outstanding performance.

As I mentioned in my review, it was a revelatory performance from the Aussie actress whose educated at National Institute of Dramatic Art in Sydney. It’s quite a complex role with multiple layers but it’s so rewarding to see how she tackles each one convincingly and with so much heart.

What’s Next: She has a small role in the Aussie-set drama starring Kate Winslet, The Dressmaker. She’s also in the Steve Jobs film with Michael Fassbender. I hope she lands a leading role soon, she deserves it!
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Stanley Weber

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Well I think this one doesn’t need much introduction if you’ve been reading my blog this year. I have mentioned him practically every week since I discovered him on April 5 in the Scottish rom-com Not Another Happy Ending (yes I even remembered the date!). It’s one of those spellbound moments that doesn’t happen very often, but once it did, well, it’s REALLY hard to snap out of it 😛

I’ve posted a full tribute for him here that list five of my favorite roles of his so far. It takes more than a pretty face for me to be obsessed with someone, and Stanley certainly is a dedicated actor who can handle stage, TV AND film roles, in fact that’s what he’s juggling this year alone. I LOVE actors who loves to mix things up and not afraid to look unglamorous for a role. It’d be tough to make this Frenchman look ugly though, I mean he’s still so beautiful even with THIS haircut for his upcoming role as a Jesuit priest in Pilgrimage.

What’s Next: I can’t freakin’ wait to see Stanley in STARZ’s Outlander season 2, the adventure drama Pilgrimage, and the French WWII drama L’origine de la violence. Hopefully all of them will be out next year!!
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Honorable Mentions:

I hadn’t heard of any of these five impressive performers prior to 2015, but I’m glad I saw them and I hope they continue to find prominent roles in Hollywood.

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Alicia Vikander (Ex Machina)

The Swedish actress seems to have had quite an astronomical rise to stardom in Hollywood. She had been working in her native country until about 2012 when she was cast with Mads Mikkelsen in A Royal Affair. I didn’t see Anna Karenina until earlier this year on the plane, in which she had a small role, but it wasn’t until Ex Machina that I really took notice of her. She has this delicate physique but a formidable screen charisma that makes her so lovely to watch. It’s no surprise she is one busy girl, with three more films scheduled to open later this year, as well as the untitled Bourne film with Matt Damon next year.

Grigoriy Dobrygin (A Most Wanted Man)

As I was watching the John le Carré spy drama, one of the performances that intrigued me was by the actor who portrayed the mysterious Issa Karpov. I found out later that Dobrygin is a Russian actor who’s a classically-trained ballet dancer. He apparently won a Silver Bear award for Best Actor at Berlin Film Festival for Russian film How I Ended This Summer.

I definitely would love to see more of him in Hollywood, hopefully he will continue acting and not go back to go back to ballet. Per The Guardian, he has just finished on Susanna White’s Our Kind of Traitor, with Ewan McGregor, Damian Lewis and Naomie Harris.

Karidja Touré (Girlhood)

Another French actor who caught my eye and this was her feature film debut! The 21-year-old has that undeniable charm and screen presence on top of her acting talent. Her parents are from the Ivory Coast but she was born in France and grew up in Paris. I hope she’d get the same opportunities as fellow French actor from north African origin, Omar Sy, who had a breakout role in The Intouchables. He’s gone to big budget route such as Jurassic World, but I’d like to see Touré in smaller films that would offer her a chance to show what she’s capable of.

Maika Monroe (The Guest)

The Guest feature two awesome performances from relative newcomers. I’m already familiar with Dan Stevens from his period drama days in the UK, though most Americans probably saw him here for the first time. I hadn’t seen Monroe before however, and right away I thought she has an uncanny resemblance to Gwen Stefani. She also has that cool factor, that effortless swagger of a rock star that makes her fun to watch. She’s also in the buzzed-about horror flick It Follows, so I think the 22-year-old Californian has a long career ahead of her.

Taron Egerton (Kingsman)

Speaking of swagger, there’s plenty of that to be found on the 25-year-old Welsh native. There’s a devil-may-care attitude in him that I find endearing, which reminds me a bit of Tom Hardy when I first saw him on screen. I haven’t seen him in a serious drama yet so I’m curious to see how he fares in that. Hollywood’s certainly taken notice of him, as he’s been cast as the Robin Hood reboot. We’ll also see him along with Hardy in LEGEND later this year.

Matthias Schoenaerts (Far from the Madding Crowd)

The Belgian actor has been working pretty steadily since the early 2000s but for some reason I just never got around to seeing any of his films until earlier this year. I have to admit I wasn’t expecting him in the role of Gabriel Oak, a classic romantic hero in Victorian England, but he won me over with his sensitive portrayal. He’s all doe-eyed with a hint of smolder… not the steamy kind of smolder, but one infused with such sincerity that makes it easy to root for him. I said in my review that he reminds me a bit of Viggo Mortensen, and that’s a good thing. Curious to see what role he’d tackle next, but I probably should go back and check out his older films.


Thoughts on any of these actors? Are you a fan of their work?

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Weekend Roundup + Casting news I’m excited about

Hello everyone! I’ve been away for most of the weekend and away from my laptop so not much to report here in terms of movie watching. My mother in-law and brother in-law are visiting in town so we’ve been playing tourist around MN since Friday. I was able to finish my Jurassic World review before they arrived though, but I did not see a single thing since Thursday night when I saw Me and Earl and the Dying Girl.

I don’t know when I’ll have time to reviewMeEarlDyingGirl_Pic it, but I urge you to check it out if it’s playing in a theater near you. It was a Sundance hit, winning the Grand Jury Prize and Audience Award, and rightly so. You’ll laugh, you’ll cry and you’ll definitely appreciate life as you have it and the friendship you have in your life. Plus, if you love foreign movies, you’ll absolutely adore this movie!

Well, even though I didn’t have much time to watch movies nor blog this past few days, I did make a bit of progress on my next novel or more appropriately, my narrative endeavor. I’m not revealing any details just yet as it’s still in its infancy, but I’m happy just to be working on something new as it’s been over three years since I came up with this movie pitch! Let’s just say my crushing on Stanley Weber hasn’t been in vain as it’s mostly inspired by him, as well as my girl crush Gugu Mbatha-Raw 😉

Instagram_logoOh and I also joined the Instagram party just for the heck of it. So if you have an IG account, let’s connect there!

Ok, so here’s the casting news I’m super excited about!

Per TheWrap, Christian Bale and Oscar Isaac will star in The Promise, an epic love story that Oscar-winning filmmaker Terry George (Hotel Rwanda) will direct from a script he co-wrote with Robin Swicord (Memoirs of a Geisha).

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Heh, they should do something about that name eh? It’s so darn generic and wasn’t there a period piece with a similar name just released a couple of years ago with Alan Rickman & Rebecca Hall? I blogged about it here but doesn’t look like anyone (including me) saw it.

In any case, I do love the gist of this upcoming project:

Set during the last days of the Ottoman Empire, “The Promise” follows a love triangle between Michael, a brilliant medical student, the beautiful and sophisticated Ana, and Chris — a renowned American journalist based in Paris. Bale will play Chris, an AP reporter in love with both a woman and the danger of being in a combat zone amidst a world that is falling apart. Isaac will play Michael, a medical student in love with the same woman but conflicted by old-world traditions and his heart.

The Ottoman Empire was dissolved in 1922 following the Armenian Genocide of 1915, which resulted in an estimated death toll of between 800,000 and 1.5 million people. The subject has been near and dear to George, who in March 2013, was a guest of the Armenian State Pedagogical University, where the Irish filmmaker compared the Armenian genocide to the Rwanda genocide that he chronicled in Hotel Rwanda.

Boy, who’s going to be the lucky lady who will be *trapped* in THIS juicy love triangle? Whoever it’ll be, I’m already sold on the two male leads who are both gorgeous AND talented. I’m glad Isaac’s career is on fire right now and he’ll get his own Oscar to go with his name very soon too I hope.

JackHustonOn the flip side, I just learned on TheWrap as well that Jack Huston is no longer attached to play The Crow in the remake. Now, I think Brandon Lee had huge shoes to fill in the role and it’s going to be tough to top that film, but I like Huston and I think he could do a fine job. Plus I’d love to see him on screen with Andrea Riseborough who’s cast to play Sgt. Albrecht.

I’ve only seen him in American Hustle and Night Train to Lisbon, but most of you who watch Boardwalk Empire would notice him as Richard Harrow. I’m not too sad about it though, Jack is a talented young actor whom I hope would go on to star in better things. I’m looking forward to seeing him as Ben-Hur as well as Mr. Wickham in Pride and Prejudice and Zombies next year!

 


So that’s my weekend & casting roundup. How about you, seen anything good?

Guest Post @ Digital Shortbread Blog – My review of Night Train to Lisbon (2013)

This review is my contribution to Bite Sized Reviews over at @ Digital Shortbread Blog

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Night Train To Lisbon is a historical-tinged drama where a chance meeting leads a Swiss Professor to embark on an adventure of a lifetime. Based on a best-selling novel by Pascal Mercier and directed by Danish director Bille August, the film stars Jeremy Irons in an understated yet engaging performance.

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Though Iron’s Raimund is the protagonist, it’s Jack Huston who’s also a standout in the film. He’s fantastic as the young doctor Amadeu as there’s a mysterious quality about him, and there’s quite an alluring chemistry between him and Mélanie Laurent. The always enchanting Charlotte Rampling is marvelous as a woman who’s personally connected to Amadeu and fiercely protective of their past.


Check out my full review by clicking the image below

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Question of the week: Which casting news are you excited about from the past few weeks?

Hello everyone! I’m planning of launching a Casting News Roundup series in the coming weeks, something I’d update a couple times a month. I even made the banner already 😉

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Casting can make or break a film and to me, casting is a big part of whether I want to see a certain film or not. Of course the story and genre are essential, and sometimes the directors are the ones that get me to see a certain movie. But for the most part, the actors have the biggest influence in the movie selling process to me.

Well, let me start off with a couple of casting news that piqued my interest. One is a remake of one of my favorite films of all time: Ben-Hur. I’ve blogged about the rumor that Tom Hiddleston was offered the role, well it seems that he’s passed on it and now Jack Huston has been cast as the Jewish prince Judah Ben-Hur.

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Now I would’ve loved to see Hiddles in this role and that’d undoubtedly put my butt on the seat but y’know what, I don’t mind seeing Huston in this role. I’ve only seen him in American Hustle, but TV fans are likely familiar with him from his role as the scary-looking Richard Harrow in Boardwalk Empire. Huston’s got quite an acting pedigree, being the grandson of director John Huston and nephew of Angelica Huston. I like that he’s got one of those chameleon-like face, he reminds me of a young, pre-Jack Sparrow Johnny Depp. I’m curious to see what he could do with the role and what that means for his career.

TobyKebbellMessalaNow the Messala casting came soon after, with Toby Kebbell (Mr. Rocknrolla himself) taking on the friend-turned-foe Roman soldier. I like Kebbell, he was pretty good in War Horse and he did a terrific mo-cap work as Koba in this year’s Dawn of the Planet of the Apes.

Well, so far I like the casting of these two young Brits, they may not be as well-known yet but they’ve churned out pretty good performances so far. Before these two main castings were announced, Morgan Freeman was cast as Ilderim [renamed Ildarin in the new film apparently] as the Arab sheik whose chariot Ben-Hur rode in the epic chariot race. I LOVE Hugh Griffith in the original, but think Mr. Freeman would add the right amount of gravitas for the role. I just hope the film itself will prove to be a swords & sandals epic worthy of the cast and the incredible story it’s based on.


Well, TV fans should know by now about this news. More and more film actors are now coming to TV, in fact I think the lines between TV and Film actors are blurred now, and I personally think a good actor should be able to juggle multiple mediums. A lot of my fave actors balance stage, film, and TV work seamlessly.

In any case, so Colin Farrell has now joined True Detective 2.

ColinFarrell_TrueDetective2He’s quoted at Buzzfeed as saying:

I know it will be eight episodes and take around four or five months to shoot. I know very little about it, but we’re shooting in the environs of Los Angeles which is great. It means I get to stay at home and see the kids.

The article also says that Rachel McAdams and Elisabeth Moss are apparently vying for the role opposite him. I still need to see this series [yes I know, I should get on that!], but I knew it’d be tough to follow up Matthew McConaughey and Woody Harrelson. Colin’s been in a bunch of hit and miss projects but generally I like him, I think he is a talented actor and he should do well in this series.


Other casting news: Apparently former Dr Who Matt Smith is going to play Mr. Collins in the Pride & Prejudice & Zombies. WOW, how long has that movie been in development hell?? I blogged about it back in 2009 when Natalie Portman was attached to play Lizzie Bennet.

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So what do you think of these casting choices? If you have other casting news you’re excited about, do share!