FlixChatter Review: Motherless Brooklyn (2019)

Edward Norton is one of the best actors working today, but I feel like it’s been a while since I saw him as a proper leading man. This time he also takes the helm in his passion project, based on Jonathan Lethem’s 1999 novel of the same name. Norton plays Lionel Essrog, a lonesome private detective with Tourette Syndrome attempting to solve the murder of his mentor.

One thing I noticed right away was the stellar cast, so I was quite dumbfounded when I read on IMDb trivia that the principal major stars worked for free here. Bruce Willis payed his mentor Frank Minna whom we learn later has taken Lionel and his colleagues who worked for his detective agency under his wing. It’s clear that Lionel loved Frank, perhaps even idolized him. The film is set up like a whodunnit classic noir of the Hollywood Golden age, but it’s actually not hugely unpredictable. Lionel’s constant voiceover provides so much info to the audience that initially it was overwhelming. Thankfully over time I was fine with it and actually enjoyed the way the story unfolds. There’s kind of an unhurried pace the way Norton tells the story, hence the nearly 2.5-hour running time.

At a council meeting, Lionel’s investigation reveals a bigger connection to the city than he originally thought. I have to say that it’s not until Lionel meets a black community lawyer Laura Rose (played by the sublime Gugu Mbatha-Raw) that things started to get really interesting. Laura and her boss Gaby (Cherry Jones) are fighting gentrification in NYC where the poor and minorities are being driven out of the city by a development tycoon Moses Randolph (Alec Baldwin). Baldwin relishes in playing a callous, unapologetically-corrupt, racist power broker (modeled after a real life ‘master builder’ Robert Moses) who utters lines like “Power is feeling, knowing, that you can do whatever you want, and not one fucking person can stop you,” Meanwhile, Willem Dafoe plays a rather beaten-down sort of a man who’s backed into a corner. This has been quite a year for Mr. Dafoe – his performance here might not be as memorable as the one in The Lighthouse, but he’s always fascinating to watch on screen.

As the lone female figure in a largely male cast, I absolutely adore Mbatha-Raw. I always lights up whenever I see her on screen, she’s so criminally underrated. The tentative bond between Lionel and Laura feels natural as they share something in common. Lionel friends call him ‘Freakshow’ though he’s a brilliant investigator and Laura, as a woman of color with a law degree, each have their own struggles about where they fit in. I particularly love the scene in a jazz club where Lionel slowly dances with Laura, as Michael Kenneth Williams as the Trumpet man performed on stage. It’s a sweet moment that gives us a respite from all the puzzle-solving scenarios, and it’s perhaps the first time Lionel feels ‘safe’ in the arms of a woman.

But there’s no argument that this is Norton’s film… a vehicle for his acting chops and directing endeavor. He’s in virtually every single scene… if he’s not visually on screen, his voice would be, narrating it. I find it interesting that two recent films by acclaimed actors feature characters suffering from neurological conditions. While Joaquin Phoenix’s Arthur Fleck aka Joker suffers from the Pseudobulbar Affect that caused him to laugh/cry uncontrollably, Norton’s Lionel suffers from a neurological disorder characterized by involuntary tics and vocalizations where he’d compulsively utters inappropriate words like ‘tits’ in public. I can’t comment whether his portrayal of the syndrome is accurate (I read that the Tourette’s Association of America approved of the film), but his performance at times invites laughter from the audience, and I can’t help feeling guilty every time I chuckle.

Now, as for his directing chops, I think he’s a promising filmmaker, but I think this story could’ve been much more gripping when done by a veteran director. For one, a tighter editing and more dynamic pacing would make the film feels less sluggish. But considering this is his sophomore effort, I suppose it takes time for someone to hone their craft. At least this movie isn’t boring, not to me anyway. Norton has said in many interviews that he learned from past visionary directors, the likes of Milos Forman, Spike Lee, David Fincher which eventually inspired him to direct.

It’s hard not to notice some of the timely parallel of what’s going on today… the commentary about insatiable power and that the Moses character has that Trump-like, big-bully mannerism and cockiness. According to NPR, Norton actually finished writing the script before Trump came into power, when he was just a game-show host. “I would say President Trump is a game-show host also — it’s just a more damaging game that he’s playing. …” The film is also a love letter to New York, a city Norton clearly loved. The production design, set pieces, costumes, etc. are meticulously-crafted to reflect 1950s NYC, shot beautifully by Dick Pope (whom Norton worked with in The Illusionist). The scene in the train station (apparently Norton’s crew recreated the Penn Station) look magnificent, and I love the night scenes, particularly the foggy night on the Brooklyn bridge, which shows just how dramatic and atmospheric NYC nights are depicted in the movies.

I love a good mystery film that isn’t overly grim and violent, and Motherless Brooklyn certainly fits the bill. It’s not quite as riveting nor utterly brilliant as L.A. Confidential, a 1950s neo-noir that Norton reportedly admire, but this one is still an enjoyable ride. It helps that I immediately sympathizes with Lionel, which makes me invested in his quest to solve his mentor’s murder. The revelation of what the title means is memorably poignant moment, I like that Norton isn’t afraid to wear his heart on his sleeve. So despite the overlong running time, I still highly recommend this film, and I hope Norton would continue to make films in the future.

– Review by Ruth Maramis


Have you seen Motherless Brooklyn? I’d love to hear what you think.

Valentine Special – A tribute to the film-related influences that inspire ‘Hearts Want’

Happy Valentine’s Day, everyone!

Today is actually the only night where I don’t have somewhere to be this week which is a treat for me. So my hubby and I are going to get some takeout from one of our fave restaurants (most likely Thai) while my hubby treat us w/ some chocolate-dipped strawberries for dessert. #yum

I often post something romance-related on V-day, such as favorite unconventionally-romantic films, cinematic romances or favorite romantic couples. But for this year I thought, since my short film is an indie romance, why not share some of my film influences (whether it’s authors, filmmakers, talents or films) over the years. My short film is a subset of the feature screenplay of the same name. It centers on former lovers Lily & Jacques who reunite for a play by their drama teacher after seven years apart.

If you haven’t seen it yet, below is the teaser to my short film…

Jane Austen

This is no surprise at all to those who’ve read my blog regularly or follow my filmmaking journey. I mentioned in my the film’s crowdfunding campaign that the story is partly inspired by my favorite Austen novel, Persuasion.

There’s something so timeless about long lost love and second chances… and how the heart doesn’t always fully recover no matter how long time has passed.

A man does not recover from such a devotion of the heart to such a woman… He ought not. He does not.
– Captain Wentworth

Seven years has passed when Anne Elliot were reunited with Captain Wentworth, but he hasn’t forgiven the fact that she had broken their engagement. The agony of repressed feelings and fear of losing the ones they truly love is something so relatable even in modern society… and the fact that the story is told from Anne’s perspective, a woman, makes it all the more significantly poignant.

I love that in Persuasion, Anne pointed out to Wentworth’s friend Captain Harville that many literary works in that day were all written by men. ‘Men have had every advantage of us in telling their own story’ Anne says. That’s all the more reason I wanted to tell Hearts Want from the woman’s perspective, who also has to own up to the decision she made seven years prior when she left the man she loved.

The beauty of Austen’s work is that they’re filled with wonderful, fully-formed female characters! Yes there are iconic men like Mr. Darcy and Captain Wentworth, but for me, it’s the inner strength of Anne Elliot and Elinor Dashwood that always inspire me. Their patience and endurance seems like a lost art in today’s world, but don’t let their demure demeanor fool you, nor mistake their perseverance for weakness. As I’ve mentioned in this post, Elinor loves ardently but she’s also fiercely realistic and principled, and she perseveres despite her emotional suffering. In essence, she is a survivor.


Phantom of the Opera (2004)

Though I don’t go to the theatre as much as I would have liked, I’ve always been fascinated by the world of theatre. I have seen Phantom of the Opera three times on stage, including the not-so-successful sequel Love Never Dies in Adelphi Theatre, London.

The critics panned this cinematic adaptation but I LOVE the lush visuals and sensuality of this POTO adaptation. There’s such a titillating mystery of love in a historic, vintage theatre. The setting of where a film is set can add so much to the atmosphere and mood of the film, especially in a romance. That’s part of the reason I set the love story of Hearts Want in a theatre and I insisted that we filmed it in 100+ year-old The Southern Theatre in Minneapolis. It may not look like it from the outside but the inside could’ve been an antique theatre somewhere in Europe.


Amma Assante’s Belle

As a fan of period dramas, I’ve seen a boat load of them, but it’s rare to see a strong woman of color at the center of the story. Belle is a historical romance set in 18th century England, so naturally it’s scandalous for a prominent figure in London society to take in a mixed-race girl as an adopted daughter.

Gugu Mbatha-Raw in ‘Belle’

I love that Belle is an intelligent, elegant and headstrong woman who isn’t afraid to speak her own mind. Gugu Mbatha-Raw is exquisite in the title role and her beauty definitely inspires my female protagonist Lily, who’s a mixed-race woman born in London.


Jane Eyre

True love is never easy. It doesn’t get more tumultuous than Jane & Rochester’s gothic romance. As the old adage says… “If you love someone set them free. If they come back they’re yours; if they don’t, they never were.” Easier said (or watched) than done, surely.

Every time I watched a Jane Eyre adaptations (the 1983 with Zelah Clarke & Timothy Dalton and 2006 version with Ruth Wilson & Toby Stephens are my personal faves), I’m always in awe of Jane’s resolve to stick to her principles.

Inspiration can truly come from many forms. I don’t usually listen to pop music, my car radio is always tuned to Classical MPR, so I often come across certain songs from YouTube. I remember seeing this music video of 1983 Jane Eyre set to a song called The Reason. I thought the lyrics about being sorry for the hurt one’s caused and wanting to start anew resonates with me so much… we all have made mistakes in the past, don’t we all wish we get a second chance to make things right?


Stanley Weber

Every writer needs a muse 😉 This dashing Frenchman isn’t exactly the first actor who’ve inspired me in my literary journey. A certain Scotsman actually inspired me to write a novel that I never got around to finishing.

But Stanley is the first actor who’ve inspired my first screenplay! It just so happens I had seen him in a British rom-com (Not Another Happy Ending) as I just started writing my script and I was instantly smitten.

Photo by Madame Figaro magazine

Yes, the tall, wavy-haired, blue-eyed actor is extremely easy on the eyes, but the more I learned about him, the more I was intrigued by his versatility as an actor (juggling theatre, tv and movies in his native France and beyond) as well as his zest for life. I’d think that people who has such a passion for life would just be as passionate about love when he falls for someone. The Parisian also seems like a free spirit with a voracious love for the ocean (hence the sailing scene in Hearts Want), motorbikes, and traveling. Heck even his Instagram photos are inspiring!

If I had a time machine, I’d transport myself to Théâtre de l’Atelier in Paris to see Stanley on stage in Eugene O’Neill’s Anna Christie. Interestingly enough, the play has a Minnesota roots as the protagonist is from St. Paul! There are similarities between the play’s male character Mat Burke to Hearts Want‘s Jacques, in fact, my feature script opens with a scene from this very play!

So yeah, thank you for the inspiration Stanley… he’s definitely my dream leading man if I ever get to make the full version of Hearts Want 😉

Casablanca/Roman Holiday

The ‘love is letting go’ theme is perhaps more beautiful to witness in the movies than to experience in real life. Few romances are as heart-wrenching as the love story of Rick and Ilsa set during WWII. The WWII-themed play at the beginning of Hearts Want‘s short was partly inspired by this film, though the leather bomber jacket Jacques’ sporting is directly inspired by Gregory Peck’s 12 O’Clock High.

Speaking of Mr. Peck, some of you might know I was at one time obsessed with him. In fact I still owned a bunch of his dvds. The one that gets played a ton is Roman Holiday, and that beautiful but bittersweet finale gets me every single time.

I’ve mentioned that exquisite scene in my tribute to Roman Holiday

Joe walking alone in the empty palace corridor as everyone has left, his steps echoing as he reluctantly leaves the building. As he passes the two guards, he still takes a glimpse towards the stage once more. Empty. The music swells up, forcing us to realize they’re never going to see each other again. Joe keeps on walking towards the camera and disappears, carrying the memory of that day in Rome that he too will cherish for as long as he lives. Best. Finale. Ev-er.


Her

I remember seeing this film on a nearly empty theatre at a press screening and I almost couldn’t move when the end credits rolled. It’s the story of a lonely writer dealing with an impending divorce who finds love when he least expects it. There’s such a captivating male vulnerability in Joaquin Phoenix’s soulful performance as he slowly but intensely falls for his AI Samantha (voiced brilliantly by Scarlett Johansson).

The euphoric joy and intense sadness he feels for Samantha is so palpable, it’s perhaps one of the most emotional love story I’ve ever seen. Just because the love story is not between two human beings doesn’t make it less emotional. Samantha said it best…

“Falling in love is a crazy thing to do. It’s kind of like a socially-acceptable form of insanity.”


Age of Innocence

I recall a review that says something about the spirit of the exquisite romantic pain depicted in this film. It’s certainly one of the most painfully-exquisite portrayal of unrequited love.

Newland Archer: You give me a first glimpse of a real life, and you ask me to carry on with a false one. No one can endure that.

Ellen Olenska: I’m enduring it.

This may not be a violent film from Scorsese in physical term, but it’s certainly a vicious one in terms of matters of the heart. Visually-ravishing as well as a visceral depiction of the agony of love. I guess I’m a sucker for tragic tale of impossible love, which has been done countless times, but few are as beautifully-crafted as this one.


Notting Hill

Last but not least… I have to include at least one rom-com and nobody does the genre as well as Richard Curtis! The Anglophile in me naturally gravitates towards the London scenery, which is practically a character in itself in the film! It really makes me want to set my story in England, though I ended up choosing a small seaside town south of London that has a prominent theatre Hearts Want, it’s called Chichester. There is one a similarity between Julia Roberts’ Anna Scott in that my protagonist Lily is a successful actress, but of course the circumstances of the story is completely different.

In any case, I thought the opening scene is the perfect introduction to the film’s protagonist and the world he lives in.


Ok so I don’t necessarily count Shakespeare as one of my major influences, despite having seen quite a number of his plays. But I’ve always admired playwrights, hence I have a playwright (Martin) as a prominent character in my feature script and Hearts Want is the name of his play that reunited Lily & Jacques.

The Bard certainly knows a thing or two about writing romances. As he says in A Midsummer Night’s Dream…

The course of true love never did run smooth.


Thoughts on these talents/films? What are some of your own film influences?

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Casting News Roundup: Gugu Mbatha-Raw + David Oyelowo, Natalie Portman + Oscar Isaac, & Daisy Ridley

CastingNews

It’s been ages since I posted a roundup of casting news, but I have a trio of intriguing ones to share w/ you today, folks.

Gugu Mbatha-Raw + David Oyelowo to star in JJ Abrams-produced sci-fi thriller

I don’t even have to know what the premise is, I’m already sold on this casting and genre!! So Abrams won’t be directing, but he and his Bad Robot partner Bryan Burk will produce God Particle, to be directed by Nigerian-born filmmaker Julius Onah.

Oyelowo_MbathaRaw_GodParticle

Here’s the premise per The Wrap:

God Particle follows an American space station crew who, believing they have destroyed Earth via a Hadron accelerator, allow the crew of hostile nations to board their ship, with disastrous results.

I LOVE a good sci-fi and this sounds REALLY intriguing, esp. with THIS cast. Glad to see Oleyowo AND Mbatha-Raw as leads too, esp the latter. She’s been relegated to supporting roles too many times and based on Belle & Beyond the Lights alone, we know she’s leading lady material. It was Abrams who discovered her in Undercovers. So yeah, I can’t wait to hear more about this one but I’m already sold on it.

Gugu_Gina_UntamedStateSpeaking of Beyond The Lights, its director Gina Prince-Bythewood will be reteaming with miss Gugu again on Untamed State, based on a novel by Michael De Luca.

Per Deadline, the novel tells the powerful, unflinching story of a Haitian-American woman kidnapped for ransom in front of her husband and child. The novel explores the privilege that made her a target and the strength she must draw on to survive and reclaim her life. This sounds very intriguing indeed and I’m thrilled to see Mbatha-Raw getting a leading role again in this one. Of course, having a talented female director like Prince-Bythewood on board is always a welcome thing in my book!

Oscar Isaac joins Natalie Portman & the mostly-female cast of Alex Garland’s sci-fi ‘Annihilation’

So it’s Poe & Padme as married couple? Star Wars fans must be having a field day 😀 But to me, I’m super excited to see Isaac re-teaming with Garland again after the phenomenal little film Ex Machina. The premise per Tracking Board:

The story centers around a biologist (Portman) who, in seeking answers to her husband’s tragic disappearance volunteers for a government expedition into an area sealed off as an environmental disaster zone. What she discovers, however, is pristine wilderness, and a mysterious dark force within it.

Isaac_Portman_Annihilation

The rest of the ensemble cast include Jennifer Jason Leigh, Tessa Thompson, and Gina Rodriguez. Garland is set to direct his own script, adapted from the first novel of the ‘Southern Reach’ trilogy by science fiction author Jeff VanderMeer.

Based on what I’ve seen so far that’s written by Garland (including Never Let Me Go and 28 Days Later), I can’t wait for this. Glad to see him venture into directing again after his fantastic debut with Ex Machina, I’m sure he’ll do a good job in his sophomore effort.

Daisy Ridley in Talks to Star in ‘Tomb Raider’ reboot

Per THR, Daisy Ridley told the publication at the Empire Awards that there “have been conversations” about her picking up the Lara Croft reins left by Angelina Jolie, but that she hadn’t yet been offered the role. She won the Best Female Newcomer Award at the event. It’s no surprise that her Star Wars: The Force Awakens‘ co-star John Boyega, who won the male version of the Empire Newcomer Award, really wants her to get the role.

DaisyRidley_TombRaider

“I played Tomb Raider the game; it’s a new take and I think the movies are going to be based on that version,” Boyega told THR. “But I texted Daisy [and] was like, ‘This is you!’ and ‘You need to get on that because you could be Lara Croft.’ She should be.”

I’ve actually seen that game when my hubby was playing it briefly a few weeks ago and I think Boyega’s right, Ridley does seem to fit the look of the new Lara Croft. I’m not entirely sure I want to see another movie adaptation of it though, but I suppose if they must reboot it, I wouldn’t mind seeing Ridley in the role.


Ok what’s YOUR thoughts on these trio casting news? Any particular one you feel strongly about?

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Labor Day Weekend Roundup: a goofy comedy, a road trip doc + a fantasy romance

It’s been quite a nice and mellow three-day weekend for me… the calm before the *storm* as it were, as the later part of September is going to be a pretty busy one for me. Twin Cities Film Fest is just a month away, but we’ll get a preview of the film festivities this coming Friday with the Fundraising Gala. I have a friend from out of the country staying with us the following week and then we’ll be taking a trip to Sedona, AZ and hopefully meet up w/ my pal Cindy C.!

Well, a good part of my weekend is full of script writing… AND dreaming of Deauville — Deauville American Film Festival that is…

Of course THIS is who I’d most like to meet…

Deauville2015_Stanley1
One lucky lady got to meet my French crush, Stanley Weber

Anyhoo, I didn’t go to the cinema all weekend but I must say my home viewing can only be described as eclectic.

Zoolander (2001)

At the end of his career, a clueless fashion model is brainwashed to kill the Prime Minister of Malaysia.

ZoolanderFinally got around to seeing this movie. I’m familiar w/ the premise and it’s become such a pop culture phenomenon of sort that a sequel is in the works. I thought I’d watch it before it comes out next year. Crazy that it’s been 15 years since this came out and I think both Ben Stiller and Owen Wilson still look pretty much the same.

They’re both hilarious in this satire of the fashion modeling industry. There are actually some famous male models, like the outrageously gorgeous Tyson Beckford and Claudia Schiffer. In fact, this movie is worth seeing just for the cameo, esp. David Bowie! I expected it to be goofy good fun and it certainly didn’t disappoint. 

3halfReels

Long Way Round (2004)

This documentary series follows actors Ewan McGregor and Charley Boorman on a motorcycle trip around the world. The two friends will travel through such places as Siberia, Kazakhstan, Mongolia, and Alaska, before finally ending the journey in New York.

LongWayRoundMy hubby was watching this when I went downstairs to our entertainment room and we ended up watching a couple of episodes. I thought it was fascinating AND quite hilarious as the Scottish actor and his buddy prepare to go on this crazy motorcycle journey around the world for three months!

They also interviewed their wives (as well as their parents) and their reaction of this trip. But the funniest bits are all the challenges of all the logistics and training (medical, even self defense) as they’d go into some dangerous territories like Ukraine.

Of course the main draw initially is the fact that Ewan is a big film star, but after a few minutes we forget about that as he’s such a real and down-to-earth guy and this film is as much about Ewan & Charlie’s friendship as it is about the motorbike roadtrip.

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The Age of Adaline (2015)

AgeOfAdaline

A young woman, born at the turn of the 20th century, is rendered ageless after an accident. After many solitary years, she meets a man who complicates the eternal life she has settled into.

I’ve been wanting to see this film for ages. There’s something about this romantic premise that beguilles me. I’m a huge fan of period dramas a la Jane Austen, so more on the old school romance so long as it doesn’t have the name Nicholas Sparks attached to it [shudder]. I have my full review ready so I’ll post that sometime this week.
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BELLEmovie_Gugu_Sam

I also rewatched BELLE on Labor Day as I’m in the mood of period dramas. I absolutely LOVE this movie. I’ve seen it a dozen times and it gets me every single time… I have SO many favorite scenes from this film, I wish I could find the one where Davinier declared passionately, ‘I love her, I love her with every breath I breathe!‘ in that carriage [swoon] 😛

But I also LOVE this scene between Belle and John… Gugu Mbatha-Raw and Sam Reid are absolutely perfect together [le sigh]


Well, that’s about it for my weekend. How ’bout you? Seen anything good?

Five new-to-me actors I’d love to see more of – based on 2015 viewings

I saw this list on Variety on 10 Actors To Watch in 2015 and I realized I dropped the ball on this Actor Discoveries post last year. I mentioned in the first post back in 2012 that one of the joys of watching movies is discovering new talents. I planned on making this post an annual thing but alas, the last time I did this post was in 2013.

On that list, I included Lake Bell, Daniel Brühl, Riz Ahmed, Andrea Riseborough and David Oyelowo. Since then, most of them have been getting more prominent roles, with the exception of Riseborough which I think is so criminally under-utilized. Since I didn’t make a list last year, certainly Gugu Mbatha-Raw and Sam Reid would’ve made my 2014 shortlist.

five_newtome_2015

So, based on this year’s viewings (not exclusive to movies released last year) , here are five new-to-me actors I’d like to see working more in Hollywood.

[In alphabetical order]

Carmen Ejogo

Ejogo

The Oscars not only dropped the ball on several counts when it comes to SELMA last year. Much was made about the omission of Ava DuVernay and David Oyelowo from the nomination list, but I think Carmen Ejogo was equally deserving to be amongst the Best Supporting Actress nominees.

Like his co-star, she’s from the UK but she effortlessly portrayed an American. She’s been working in a variety of TV and film, so I feel kinda bad that I hadn’t seen her until this year. There’s a certain elegance and tortured soul about her that makes her so intriguing to watch. I’m hoping her career would benefit from the Oscar buzz and that she’d be getting more and more prominent roles.

What’s Next: Jazz biopic Born to Be Blue with Ethan Hawke

Jack Huston

Huston

I noticed Jack Huston when I saw American Hustle, but it wasn’t until Night Train in Lisbon that I became a fan. Huston has quite a Hollywood pedigree, being the grandson of famed filmmaker John Huston and nephew of Anjelica Huston. But the 32-year-old Londoner is a talented actor in his own right.

I like that he has one of those *ethnically hard to pin down* look about him that makes him suitable to play different kinds of ethnicity. In Night Train to Lisbon he played a Portuguese doctor and an American mobster in American Hustle. As many actors who grew up in the UK, he’s got a knack for accents which makes him even more versatile. I wasn’t thrilled at all when they announced they’re remaking Ben-Hur, but since they cast Huston in the titular role, I’m actually intrigued! I’d love to see more of him in a variety of roles, as he’s far more interesting to watch than a lot of Hollywood A-listers working today.

What’s Next: Pride & Prejudice & Zombies (as Mr. Wickham) and the Ben-Hur remake

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Rebecca Ferguson

Ferguson

My friend Ashley had told me about the Starz’s miniseries The White Queen a while back, but I haven’t got around to seeing it. Well, it’s on the top of my Amazon Prime queue now after I saw Rebecca in Mission Impossible: Rogue Nation. I really couldn’t shut up about how impressed I was with her in that role. It was surely a kick-ass performance but she didn’t just pull off the physicality of the role, but she elevates the role into so much more. She’s equally as intriguing as Tom Cruise if not more so, and no doubt she’s the most memorable part about that film.

As I’ve blogged about here, I’m thrilled to see her cast in The Girl on the Train and I’m glad she didn’t end up becoming Channing Tatum’s love interest in Gambit. She’s so much more interesting to be pigeonholed into action roles, and so I hope Hollywood realizes that.

What’s Next: She’ll be in the upcoming espionage drama Despite The Falling SnowShe’ll be starring with Sam Reid, wahoo!!
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Sarah Snook

Snook

Sometimes it only takes a single film for you to become an instant fan of a performer. That’s the case with Sarah Snook, who single-handedly stole the time travel sci-fi film Predestination with her outstanding performance.

As I mentioned in my review, it was a revelatory performance from the Aussie actress whose educated at National Institute of Dramatic Art in Sydney. It’s quite a complex role with multiple layers but it’s so rewarding to see how she tackles each one convincingly and with so much heart.

What’s Next: She has a small role in the Aussie-set drama starring Kate Winslet, The Dressmaker. She’s also in the Steve Jobs film with Michael Fassbender. I hope she lands a leading role soon, she deserves it!
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Stanley Weber

Weber

Well I think this one doesn’t need much introduction if you’ve been reading my blog this year. I have mentioned him practically every week since I discovered him on April 5 in the Scottish rom-com Not Another Happy Ending (yes I even remembered the date!). It’s one of those spellbound moments that doesn’t happen very often, but once it did, well, it’s REALLY hard to snap out of it 😛

I’ve posted a full tribute for him here that list five of my favorite roles of his so far. It takes more than a pretty face for me to be obsessed with someone, and Stanley certainly is a dedicated actor who can handle stage, TV AND film roles, in fact that’s what he’s juggling this year alone. I LOVE actors who loves to mix things up and not afraid to look unglamorous for a role. It’d be tough to make this Frenchman look ugly though, I mean he’s still so beautiful even with THIS haircut for his upcoming role as a Jesuit priest in Pilgrimage.

What’s Next: I can’t freakin’ wait to see Stanley in STARZ’s Outlander season 2, the adventure drama Pilgrimage, and the French WWII drama L’origine de la violence. Hopefully all of them will be out next year!!
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Honorable Mentions:

I hadn’t heard of any of these five impressive performers prior to 2015, but I’m glad I saw them and I hope they continue to find prominent roles in Hollywood.

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Alicia Vikander (Ex Machina)

The Swedish actress seems to have had quite an astronomical rise to stardom in Hollywood. She had been working in her native country until about 2012 when she was cast with Mads Mikkelsen in A Royal Affair. I didn’t see Anna Karenina until earlier this year on the plane, in which she had a small role, but it wasn’t until Ex Machina that I really took notice of her. She has this delicate physique but a formidable screen charisma that makes her so lovely to watch. It’s no surprise she is one busy girl, with three more films scheduled to open later this year, as well as the untitled Bourne film with Matt Damon next year.

Grigoriy Dobrygin (A Most Wanted Man)

As I was watching the John le Carré spy drama, one of the performances that intrigued me was by the actor who portrayed the mysterious Issa Karpov. I found out later that Dobrygin is a Russian actor who’s a classically-trained ballet dancer. He apparently won a Silver Bear award for Best Actor at Berlin Film Festival for Russian film How I Ended This Summer.

I definitely would love to see more of him in Hollywood, hopefully he will continue acting and not go back to go back to ballet. Per The Guardian, he has just finished on Susanna White’s Our Kind of Traitor, with Ewan McGregor, Damian Lewis and Naomie Harris.

Karidja Touré (Girlhood)

Another French actor who caught my eye and this was her feature film debut! The 21-year-old has that undeniable charm and screen presence on top of her acting talent. Her parents are from the Ivory Coast but she was born in France and grew up in Paris. I hope she’d get the same opportunities as fellow French actor from north African origin, Omar Sy, who had a breakout role in The Intouchables. He’s gone to big budget route such as Jurassic World, but I’d like to see Touré in smaller films that would offer her a chance to show what she’s capable of.

Maika Monroe (The Guest)

The Guest feature two awesome performances from relative newcomers. I’m already familiar with Dan Stevens from his period drama days in the UK, though most Americans probably saw him here for the first time. I hadn’t seen Monroe before however, and right away I thought she has an uncanny resemblance to Gwen Stefani. She also has that cool factor, that effortless swagger of a rock star that makes her fun to watch. She’s also in the buzzed-about horror flick It Follows, so I think the 22-year-old Californian has a long career ahead of her.

Taron Egerton (Kingsman)

Speaking of swagger, there’s plenty of that to be found on the 25-year-old Welsh native. There’s a devil-may-care attitude in him that I find endearing, which reminds me a bit of Tom Hardy when I first saw him on screen. I haven’t seen him in a serious drama yet so I’m curious to see how he fares in that. Hollywood’s certainly taken notice of him, as he’s been cast as the Robin Hood reboot. We’ll also see him along with Hardy in LEGEND later this year.

Matthias Schoenaerts (Far from the Madding Crowd)

The Belgian actor has been working pretty steadily since the early 2000s but for some reason I just never got around to seeing any of his films until earlier this year. I have to admit I wasn’t expecting him in the role of Gabriel Oak, a classic romantic hero in Victorian England, but he won me over with his sensitive portrayal. He’s all doe-eyed with a hint of smolder… not the steamy kind of smolder, but one infused with such sincerity that makes it easy to root for him. I said in my review that he reminds me a bit of Viggo Mortensen, and that’s a good thing. Curious to see what role he’d tackle next, but I probably should go back and check out his older films.


Thoughts on any of these actors? Are you a fan of their work?

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Weekend Roundup + Casting news I’m excited about

Hello everyone! I’ve been away for most of the weekend and away from my laptop so not much to report here in terms of movie watching. My mother in-law and brother in-law are visiting in town so we’ve been playing tourist around MN since Friday. I was able to finish my Jurassic World review before they arrived though, but I did not see a single thing since Thursday night when I saw Me and Earl and the Dying Girl.

I don’t know when I’ll have time to reviewMeEarlDyingGirl_Pic it, but I urge you to check it out if it’s playing in a theater near you. It was a Sundance hit, winning the Grand Jury Prize and Audience Award, and rightly so. You’ll laugh, you’ll cry and you’ll definitely appreciate life as you have it and the friendship you have in your life. Plus, if you love foreign movies, you’ll absolutely adore this movie!

Well, even though I didn’t have much time to watch movies nor blog this past few days, I did make a bit of progress on my next novel or more appropriately, my narrative endeavor. I’m not revealing any details just yet as it’s still in its infancy, but I’m happy just to be working on something new as it’s been over three years since I came up with this movie pitch! Let’s just say my crushing on Stanley Weber hasn’t been in vain as it’s mostly inspired by him, as well as my girl crush Gugu Mbatha-Raw 😉

Instagram_logoOh and I also joined the Instagram party just for the heck of it. So if you have an IG account, let’s connect there!

Ok, so here’s the casting news I’m super excited about!

Per TheWrap, Christian Bale and Oscar Isaac will star in The Promise, an epic love story that Oscar-winning filmmaker Terry George (Hotel Rwanda) will direct from a script he co-wrote with Robin Swicord (Memoirs of a Geisha).

Isaac_Bale_ThePromise

Heh, they should do something about that name eh? It’s so darn generic and wasn’t there a period piece with a similar name just released a couple of years ago with Alan Rickman & Rebecca Hall? I blogged about it here but doesn’t look like anyone (including me) saw it.

In any case, I do love the gist of this upcoming project:

Set during the last days of the Ottoman Empire, “The Promise” follows a love triangle between Michael, a brilliant medical student, the beautiful and sophisticated Ana, and Chris — a renowned American journalist based in Paris. Bale will play Chris, an AP reporter in love with both a woman and the danger of being in a combat zone amidst a world that is falling apart. Isaac will play Michael, a medical student in love with the same woman but conflicted by old-world traditions and his heart.

The Ottoman Empire was dissolved in 1922 following the Armenian Genocide of 1915, which resulted in an estimated death toll of between 800,000 and 1.5 million people. The subject has been near and dear to George, who in March 2013, was a guest of the Armenian State Pedagogical University, where the Irish filmmaker compared the Armenian genocide to the Rwanda genocide that he chronicled in Hotel Rwanda.

Boy, who’s going to be the lucky lady who will be *trapped* in THIS juicy love triangle? Whoever it’ll be, I’m already sold on the two male leads who are both gorgeous AND talented. I’m glad Isaac’s career is on fire right now and he’ll get his own Oscar to go with his name very soon too I hope.

JackHustonOn the flip side, I just learned on TheWrap as well that Jack Huston is no longer attached to play The Crow in the remake. Now, I think Brandon Lee had huge shoes to fill in the role and it’s going to be tough to top that film, but I like Huston and I think he could do a fine job. Plus I’d love to see him on screen with Andrea Riseborough who’s cast to play Sgt. Albrecht.

I’ve only seen him in American Hustle and Night Train to Lisbon, but most of you who watch Boardwalk Empire would notice him as Richard Harrow. I’m not too sad about it though, Jack is a talented young actor whom I hope would go on to star in better things. I’m looking forward to seeing him as Ben-Hur as well as Mr. Wickham in Pride and Prejudice and Zombies next year!

 


So that’s my weekend & casting roundup. How about you, seen anything good?

Thursday Movie Picks #37: All in the Family Edition – Mother-Daughter Relationships (Biologically Related)

ThursdayMoviePicks

Happy Thursday everyone! This is another entry to the weekly Thursday Movie Picks that’s spearheaded by Wandering Through the Shelves Blog. Here’s the gist:

The rules are simple simple: Each week there is a topic for you to create a list of three movies. Your picks can either be favourites/best, worst, hidden gems, or if you’re up to it one of each. Every last Thursday for the first nine months of 2015 I’m running the All in the Family Edition and today the theme is… 

Mother/Daughter Relationships (Biologically Related)

This week’s TMP topic is a bittersweet one for me. I had a loving, albeit brief relationship with my late mother. In fact, we were very close up until she died on my 16th birthday. I have to admit at times I feel a pang of sadness whenever I see a mother and daughter depicted on screen, I often still wonder how life would be life if she were still around. In any case, for my three picks, I try to have a variety of mother/daughter relationship, so here are my three picks:

BRAVE (2011)

Brave_Queen_Merida

Pixar’s first *Princess* movie centers on a headstrong n spirited girl who like many of today’s girls her age tend to rebel against what’s expected of her. I love that the movie is centered on her relationship with her equally headstrong mother, Queen Elinor, instead of the typical romantic pursuit. I LOVE Kelly Macdonald and Emma Thompson who provide the voice work for Merida and Elinor. In case some of you still has seen this movie, let’s just say there’s a magical physical transformation that happens that drastically changes how they have to relate to one another. Through it all, the two end up forging a bond that’s even stronger than ever before. It’s quite an adventure that’s full of humorous & even peculiar moments, but also poignant ones that made me laugh and cry. It’s definitely one of my fave cinematic mother/daughter relationship that truly moved me.

1000 Times Good Night (2013)

1000TimesGoodNight_MomDaughter

Juliette Binoche plays a war photographer who often risks her life on the job, but even after a nearly fatal accident, she still can’t give up her career. Her eldest daughter Steph looks up at her and is obviously drawn to her mom’s globetrotting career that certainly looks cool and glamorous on the outside. The daughter in this film is a young teen and so immediately picture myself in her shoes, as my late mother was an amateur photographer. She kind of had the same free spirit personality and I always thought my mom was fearless. One key scene is when she ended up tagging along with her mom to Africa, much to the chagrin of her marine biologist dad. A traumatic incident made Steph realize just how dangerous her profession really is. The mother/daughter moments in the scene that followed really connected with me, and there’s a wonderful chemistry Binoche and Lauryn Canny who plays Steph. Here’s my full review of the film, which is now on Netflix.

August Osage County (2013)

AugustOsageCounty_Family

Now this is an example of the kind of mom I’m glad I didn’t have. Meryl Streep‘s Violet Wetson is a venom-spewing, pill-popping mother of three daughters who seem hellbent on driving a stake between her and everyone around her. That also includes her own husband, and the film takes place during his funeral. Violet has mouth cancer, partly due to her years of chain smoking, but even so it’s really hard to sympathize with her. Out of the three, Julia Roberts’ Barbara is the one who has the biggest conflict with her mother. The fact she herself is dealing with her own issues with her estranged husband and angsty teenage daughter adds to her exasperation. The Wetson family is as dysfunctional as they come  – they constantly bicker with each other, and the more things are said, the more secrets are revealed that made things worse. The screaming match are quite overwhelming, and it made me appreciate my own family. The craziest scene is when Barbara literally hurls at her mother trying to prevent her from taking any more pills, it was pretty bizarre and quite hilarious. I think it’s an especially interesting film to watch for mother and daughter, if anything, it’d make each of them think of what NOT to do to one another.

BONUS PICK:

Beyond the Lights

BeyondTheLightsMotherDaughter

This is one of my fave films I saw last year, and the casting of Minnie Driver and Gugu Mbatha-Raw as mother/daughter is one of the reasons I love it. Glad Paskalis included this movie on his list, I couldn’t believe I almost didn’t include that here. An ambitious and driven single mother who wouldn’t take failure as an option, Macy succeeds in turning her daughter into a star. But at what cost? Macy’s controlling behavior ultimately drives Noni away and there’s a heart-wrenching moment when Noni finally said enough is enough. It’s not that Macy didn’t love her daughter, but sometimes, some people just don’t know how to love. Apparently, writer-director Gina Prince-Bythewood‘s search for her own birth mother was the catalyst of the mother/daughter story in the film (per this indiewire article).


What do you think of my picks? Have you seen any of these films?