FlixChatter Review: Blair Witch (2016)

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The original Blair Witch Project came out almost 20 years ago and it ignited the found-footage genre. Personally I was never a fan of the original movie or the genre itself. I found the concept to be idiotic and lacking creativity. Initially, I wasn’t that interested in seeing this sequel/remake but when I found out that it’s directed by Adam Wingard, I was curious. First it was titled The Woods, then a few weeks before its release date, the studio revealed that the movie’s actually a sequel to 1999 hit movie.

The setup of this new movie is basically the same as the original version. James (James McCune) discovered a video showing what he thinks is his sister’s experiences in the woods of the Blair Witch. So he and his friends Lisa (Callie Hernandez), Peter (Brandon Scott) and Ashley (Corbin Reid) decided to head out to the same location where his sister disappeared. They equipped themselves with more technology than the original group, each of them wears digital camera that’s attached to their ear and they also have a camera drone. Tagging along with them are two people who lives near the woods, Lane (Wes Robinson) and his girlfriend Talia (Valorie Curry).
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Of course once they go deep into the woods, weird things start happening. On their first night, they hear weird noises and then in the morning they see a bunch of Blair Witch sticks all around their campsite. Freaked out, they decide it would be a good idea not to spend another night in the creepy woods; they start to head back to their cars but got lost. They end up arguing with one another and more weird things start happening. So basically nothing new happened in this movie, if you’ve seen the first movie then you know what’s going to happen next.

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Adam Wingard’s previous two movies You’re Next and The Guest were very entertaining and I thought for sure he’d bring something new and creativity into this one. Sadly he just remade the original movie; there are no scares or surprises. For those hoping to see the evil witch, well you might not be disappointed. But by the time the real evil shows up, I just didn’t care and wanted the whole ordeal to be over with.

None of the actors stood out and clearly they’re all amateurs. If the actors in the original movie annoyed you, then you’re going to get annoyed by these guys too.

It’s very disappointing that the filmmakers didn’t come up with anything new since I believe they can expand the story and make it scary. I don’t remember much about the other sequel, Book of Shadows, but at least they tried to do something new with the myth of the Blair Witch.

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So have you seen Blair Witch? Well, what did you think?

TCFF 2014 Day 2 Reviews: Father-Like Son, The Last Time You Had Fun, V/H/S: Viral

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Day 3 is nearly gone and I just finally got a chance to put something together for the blog! It’s quite a whirlwind day for me today. I had a prior commitment in the AM in St. Cloud but we somehow made it back in time for the Actors Panel, one of the educational panels that I always look forward to every year. This year we’ve got three awesome guests whose films are playing tonight: Sean Maher (BFFs), Haley Lu Richardson (The Well) and Ryan Kiser (House of Manson). The panel was moderated by actress Marisa Coughlan (Super Troopers, Space Station 76). It was quite an insightful event as you learn how they got into show business, and the high/low of being an actor, etc.


And here are the reviews from Day 2…

Father-Like Son

Let’s just say the script in “Father-Like Son” doesn’t beat around the bushes. Written by and starring Mac Alsfeld and Andrew Megison and featuring Alsfeld in his directorial debut, it tells the story of Clark, a 24 year old wannabe writer living at home with his widowed mother and her new husband Dan, who happens to be Clark’s age but nonetheless aspires to be a father figure to Clark.

The first line in the movie is Dan popping into Clark’s room “Hey there dude, you got any condoms I can borrow? Your mother claims to have had a hysterectomy but I don’t buy all that science fiction bull.” And the movie goes downhill from there, resulting in an endless stream of immature, unfunny jokes.

(About 20 minutes into this movie I started thinking, “This is like The Hangover. Except not funny.”) Another scene involves Dan, a self-proclaimed “inventor,” showing off his latest creation – the Okey Dookey, a poop-shaped plastic toy you can hide a key in.

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A subplot involves Clark getting a job in a used bookstore, where we meet fellow employee Emily (Molly Canarro) and Peaches (Peaches Davis), the little old lady who owns the place. Emily’s feisty retorts playing off Peaches’s sweet charm were a breath of fresh air. The movie attempts to turn maudlin toward the end with Clark struggling to come to terms with his father’s death but it was hard to care at that point after a mind numbing parade of juvenile man jokes. (To get back at Dan, one of Clark’s friends suggests that he cut up his dog and leave body parts all over the house.)

It is shows like this that remind me of what critics sometimes say if they really don’t want people to waste their time: I watch these movies so you don’t have to. I understand that I am not the target audience for this kind of show but in my opinion I would suggest you pick another movie to enjoy at the Twin Cities Film Fest.

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The Last Time You Had Fun

Story takes place in a single night, mostly in a limo rented by a guy named Will (Demetri Martin), supposedly to celebrate his college buddy Clark’s (Kyle Bornheimer) divorce. These two buddies can’t be more different from each other, even from the way they’re dressed. Will is a preppy lawyer and Clark is a teacher can’t seem to get out of his sweatpants. As we later learned, Clark’s divorce left him for another woman. Because of his friend’s persistence and his young kids’ insistence that he needs to get out of the house once in a while, Clark reluctantly agrees to go, so long as there’s no strip club involved. They ended up at a wine bar, Clark’s pick, and there they run into two sisters. Will dares Clark to pick up those women and he only agrees to do it just so he could go home.

The foursome end up hanging out together in the bar and later share a limo going as aimlessly as they go about their own lives. The two sisters are Alison (Mary Elizabeth Ellis), who appears to be the sensible one, married with a young daughter. She’s always patient to lend an ear to the drama queen of a sister Ida (Eliza Coupe), who’s in the middle of a nasty divorce.

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As the title says, most of the characters can’t seem to remember when was the last time they had fun. The bickering between four dysfunctional adults are comical in their honesty about how they feel about themselves and each other. Everyone’s got issues, one seems more messed up than the other. As the night wears on, more layers of their personality is peeled off as inhibitions slowly diminish. In fact, they go more restless, bolder and crazier, much to the chagrin of the snappy limo driver (Charlyne Yi) who have to put up with their shenanigans. One of the funniest scenes is when they try to get some weed, resulting in the most bizarre scenario of the entire film. Character actor Jimmi Simpson has one of those faces you recognize in a bunch of films/TV series. The sexual experiment scenario is played mostly for laughs but yet it’s not a throwaway scene as it’s in keeping with the adventurous theme of the story.

The film’s tiny budget shows in the production quality, but the honest, funny and engaging dialog and naturalistic performances from the entire cast make up for it. The two male actors fare slightly better IMO, you can’t help but root for them despite their flaws. There are some slow parts and some of the dialog seem clunky to me, but overall I think Mo Perkins‘ sophomore effort is a pretty good one. I like how the script by Hal Haberman plays with our perceptions/prejudices of the characters as they don’t always behave in the way they predict they would.

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V/H/S: Viral

V/H/S: Viral is the third movie in the V/H/S series that was started in 2012. The V/H/S movies are anthology films made with mostly found footage films that are edited to play together with an overarching plot that sort of works at connecting them all to play after each other. The previous two installments (V/H/S and V/H/S 2) were very enjoyable in their concept and new takes on found footage through the use of spy glasses cam and GoPro cams.

This time, the overarching plot that is seen between each short film, entitled “Vicious Circles”, is about a man on chasing his girlfriend who has been kidnapped by an ice cream truck which is also being chased by the police. This short that is broken up over the length of the film is quite good at showing the environment on how the entire city is on alert and watching this police chase.  Of the three V/H/S films this overarching plot is the weakest at not only connecting all the films together, as well as being a driving force throughout the whole film. It was different to show a bigger environment to connect rather than show people just watching the other shorts on VHS tapes as was done in the first two V/H/S movies.

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The first short is called “Dante The Great” and is the first time that breaks the complete found footage form in the V/H/S series as it is more of a mockumentary about a magician who owns a truly magical cloak. If you have been following the V/H/S series, this short can catch you off guard as it is not completely found footage and features interview throughout it while cutting to found footage. This short works really well and is the easiest to follow and was fun take on the mockumentary form.

“Parallel Monsters” is a short that involves alternate dimensions as a man opens a door to an alternate dimension that seems almost the same to ours but slowly as he explores it and switches with his alternate dimensional double, is not as similar as once thought. The characters in this short only speak Spanish which adds a new cultural flair that is done quite well. This short is the most detailed in terms of showing how weird the alternate world is that is being explored of the 3 shorts in V/H/S: Viral, not counting the overarching “Vicious Circles.”

The final short is entitled “Bonestorm” and shows some teenage skateboarders who venture down to Tijuana to film a skating video with a combination of regular video cameras and GoPro cameras. Things get out of hand when the area they are skating attracts some unwanted pagan worshippers.  This short was very action packed and didn’t have any lull points and used the short amount of time to its full potential. The actors gave great performances and the special effects that are needed later in the short are quite impressive.

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Overall, V/H/S: Viral is a good, not great, addition to the V/H/S series. While it still has a smaller distrubution method due to the studio putting it out, Magnet Releasing, which is limited on its resources on getting this movie to the public. Fans who have seen the previous two entries will enjoy this addition to the series. Those who are new to the series might need time adjusting to its scattered nature of being an anthology film that doesn’t transition easily between the stories it is telling.

V/H/S: Viral will be available on Video On Demand on October 23 and in select theaters on November 6.

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Stay tuned for reviews from Day 3 tomorrow!


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Individual tickets are on sale now at twincitiesfilmfest.org


Have you seen any of these films? What did you think?