FlixChatter Review: The Magnificent Seven (2016)

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I gotta admit, I’m not much of a Western fan. Though interestingly enough, I’ve liked three western remakes in the past decade: 3:10 To Yuma, True Grit and then this one. Confession: I have NOT seen any of the original films. Now, people who have seen the original films would likely have a different opinion about the remake. For me, I guess I get the benefit of seeing the story for the first time, with nothing to compare it with.

The main draw for me to see this is the cast. Reportedly director Antoine Fuqua pitched the film to financiers with ‘Denzel Washington in all black riding a horse.’ Well if I were one of those financiers I’d definitely say ‘hell yeah’ to that, and that is quite a sight to behold. As with a lot of Westerns, well those I’ve seen anyway, we see the lone hero riding into town on his horse before we finally see his face. It’s interesting that Denzel being Black in that era naturally drives extra attention from townsfolk, even more so as he goes into a saloon. He’s definitely got the natural charisma, and here he’s got that cowboy swagger to boot!

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In the opening scene, we see a merciless and cruel industrialist Bartholomew Bogue (a slimy Peter Sarsgaard) terrorizing and murdering people in the tiny town for their land and mines. Poor Matt Bomer barely lasted past the opening credits! The first half pretty much is a recruiting process as Denzel’s Sam Chisolm gathered enough men to fight against Bogue and his men. First one he recruited is Josh Faraday (a great name that fits Chris Pratt nicely), a strapping cowboy w/ a devil-may-care attitude. Next  are Goodnight Robicheaux (Ethan Hawke) and his partner in crime Billy Rocks (Byung-hun Lee), tall-dark-and-handsome Mexican outlaw Vazquez (Manuel Garcia-Rulfo), skilled tracker Jack Horne (Vincent D’Onofrio) and lastly, Comanche warrior Red Harvest (Martin Sensmeier). Each member of the awesomely-monikered gang has their own special skills, and given that Fuqua employed actors of various races, the skill is tailored to their heritage. Billy Rocks is a knife-wielding expert and Red Harvest is a master in archery, etc. but of course all of them are adept with guns as well. Out of the seven riders, naturally Denzel is my fave. Pratt looks like he’s having a blast here and I really like the dynamic between Hawke and Lee as the unlikely BFFs. I also couldn’t help swooning over Garcia-Rulfo, I sure hope to see more of Mexican actor in the future.


I have a great time watching this thanks to the eclectic cast. Apart from the calm and wise Chisolm, they look like they could be killing each other too and the banters are pretty fun throughout. Naturally this is not a character-driven piece, so details such as what exactly happened to Robicheaux is unclear. The only one with somewhat of a backstory is Chisolm, which isn’t revealed until the very end. Given that it’s 2016, writers Richard Wenk and Nic Pizzolatto updated the story with a strong woman in the core of the conflict. Emma Cullen (newcomer Haley Bennett) isn’t so much a damsel in distress, as she actively seeks out Chisolm to help avenge her town and she refuses to just sit and watch the battle unfolds. I think the weakest link here is Sarsgaard who is more annoying than menacing. Even the last mano-a-mano is rather lackluster as he barely hold a candle to Denzel in terms of charisma and screen presence.

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The action and shootouts are what one would expect, peppered with humor and one liners, mostly from Pratt. Some of the action is preposterous, as some of the heroes manage to stay alive despite being shot several times but they can take down their enemies with a single bullet. But hey, I was expecting a fun action comedy instead of a deep, story-driven piece, so I’m not exactly disappointed. What it lacks in genuine suspense it’s more than made up by the well-staged action and stunning cinematography. I sure hope Mauro Fiore‘s name will come up during award season as he’s done amazing work here that made me wish I had seen this movie on IMAX! He’s a longtime Fuqua collaborator who’s also the DP for Avatar.

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I have to mention the fantastic music as well. The late James Horner wrote seven pieces of the score before he died, so this was his last project. His wonderful score still has a bit of the iconic theme by Elmer Bernstein, and I love that they used the rousing original score (which I called the Marlboro score as it’s used in its commercial) at the end of the movie. I’m definitely going to do a Music Break on it as my hubby and I’ve been listening to the soundtrack all weekend!

I’m glad I saw this movie and it’s one I don’t even mind seeing again. I can’t tell you if it’s as magnificent as the original, but if you’re looking for a fun ride full of entertaining characters, you could do far worse than this remake. In fact, my hubby and I are contemplating about seeing this again on an IMAX screen, it just might be the first Western I’m willing to see twice on the big screen!

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Have you seen this movie? Well, did you like it more or less than I did?

Eclectic Weekend Roundup: Great Expectations (1998), About A Boy (2002), Under the Cherry Moon (1986)

Well there goes the weekend… it seems to fly by so fast as it always does. I’m super excited for my upcoming trip to Montréal next week, we’ll be there for four nights and then three nights in Québec City. The Airbnb flats we’ll be staying at are gorgeous and they’re both right downtown too! I’ll be doing a Canada-related post next week just before my temporary blogging hiatus.

Well, this weekend I ended up watching quite a bit of movies! Two of them are ones I thought I had seen before, but when I saw it I realize I had not seen them. Have that ever happened to you? Maybe it’s my hapless memory playing tricks on me, as I remember some scenes vividly but maybe I just saw clips of them a long time ago. Anyway, here’s my quick thoughts on those films.

Great Expectations (1998)

GreatExpectations1998Somehow I didn’t realize this Charles Dickens’ modern adaptation was directed by Alfonso Cuarón. Believe it or not but I’ve never read Dickens’ novel but I knew they had made a ton of liberties with this adaptation, even changing the protagonist’s name from Pip to Finn and instead of becoming a wealthy Gentleman, he became a successful artist. But the essence of the story remains, as was the plot about unrequited love between Finn and Estella (Ethan Hawke & Gwyneth Paltrow).

I think both are perfectly cast. Hawke’s got that pinning look down pat every time he looks at Paltrow, and she definitely captured that ‘icy rich girl’ aura. The entire ensemble is stellar, with Chris Cooper, Anne Bancroft, Robert De Niro rounding up the cast. The cinematography was gorgeous and of course when I looked it up it was done by the genius Emmanuel Lubezki. My favorite part is definitely the music by Patrick Doyle which I have highlighted in this post.

I think the film itself was good but not as great as I had hoped considering the talents involved. It does make me want to see the more conventional adaptation set in the same era as it is in the book, thankfully there’s the 2012 BBC version with Ralph Fiennes and Helena Bonham Carter on Netflix!

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About A Boy (2002)

AboutABoy2002I seem to have a distinct memory of having seen this one so I might have a long while ago but my memory of it is scant so it feels like I had just seen it for the first time. This is a coming-of-age story with a twist as the 12-year-old Marcus is the one who helped 38-year-old Will grow up.

Hugh Grant is wonderful as Will, a cynical, immature young man who holds no job whatsoever and is living off of the royalty of her dad’s famous Christmas song. It’s so cute to see Nicholas Hoult as a dorky kid back then, as he’s now grown up to be a tall and good looking young man. I love the two female cast here too, Toni Collette as Marcus’ unstable hippie mom and Rachel Weisz as Will’s love interest.

Based on a novel by Nick Hornby and directed by brothers Chris & Paul Weitz, I really enjoyed this one. Yes there are predictable moments throughout, but it’s got genuine humor and a big, big heart. 

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Under the Cherry Moon (1986)

UnderCherryMoon1986Now, I saw this one simply because Prince had directed AND starred in it. My pal Becky (Prairiegirl) lent me the dvd she rented from Netflix and though the movie’s *won* a bunch of Razzies, I simply had to see it out of sheer curiosity.

Gigolo Christopher Tracy (Prince) and Tricky (Prince’s real-life pal Jerome Benton) are two friends from Miami who’s scamming rich women in the French Riviera. But of course Christopher and Mary, one of the girls he was supposed to scam end up falling in love. The story is so cheesy and inherently silly, but it’s still amusing to watch simply because it’s Prince!

As a huge fan of Kristin Scott Thomas, it’s also fun to see her in big screen debut at the age of 26. She looked so gorgeous and fresh, and though she and Prince didn’t really have a good chemistry together, the moment the two characters saw each other for the first time was quite a hoot. She was draped in a bath towel in the middle of her own lavish birthday party and Prince was dressed in one of his extravagant suits that shows his lower back.

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Though I can’t say it’s a good movie, I still think it’s quite watchable and you could even say this is one of those so-bad-it’s-good variety. There are scenes of Prince playing piano, singing and dancing, so it’s definitely well-worth a watch for his fans. Though he did direct another feature film after this one (the sequel to Purple Rain), I’d say filmmaking wasn’t really his forte. Even Kristin herself didn’t speak kindly of this movie (per IMDb trivia) and I can’t say I blamed her. Oh, apparently Terrence Stamp was going to play Kristin’s dad but he was replaced by Steven Berkoff (Bond nerds like me would know him as a Bond villain in Octopussy).

All in all I didn’t regret watching this one. The retro costumes and Mediterranean scenery are beautiful. Apparently it was shot in color but presented in black & white.

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Besides these three films, I also rewatched Captain America: Civil War again in IMAX 3D and I actually like it even more. I appreciate the stuff I enjoyed from the first viewing even more so this time around, and I wasn’t as bothered by the slow start.


So what did YOU watch this weekend? Anything good?

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Five for the Fifth: APRIL 2016 Edition

Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. Ok let’s start off with some on-set photos from Doctor Strange that have been bombarding my Twitter feeds this weekend…

Honestly I don’t know much about this character at all, but given the cast I’m intrigued. No I’m not one of the Cumberbitches, though I think Benedict Cumberbatch is a good actor. But I do love Chiwetel Ejiofor and Mads Mikkelsen so their involvement made me more excited about this project. The Jedi-inspired costumes are, well, interesting… they looks so bright and colorful in these pics but I’m sure they’ll darken it in post-production.

So are you excited for Marvel’s ‘Doctor Strange’ and do you think Cumberbatch is a good casting choice?
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2. A couple of intriguing new trailers that caught my eye…

The Lost City of Z

Based on the 2009 nonfiction by David Grann, the story centers on early 20th century explorer Percy Fawcett (Charlie Hunnam), who disappeared while searching of the lost city in the Amazon in 1925, and Grann’s attempts to find out what happened to Fawcett, by visiting the Amazon himself (per Screenrant).

The pairing of Hunnam and Robert Pattinson as Grann is intriguing, both are good looking Brits who’s not afraid to take riskier roles.

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Pattinson especially is keen in hiding his looks, this time under hideous facial hair. Sienna Miller plays his wife and Spider-man du jour Tom Holland also stars. Not too familiar w/ director James Gray‘s work however, as I’ve only seen The Immigrant which was pretty good but a little on the slow side.

Elvis & Nixon

Now this one I’ve blogged about back in February when the first still was released. Apparently the Nixon & Elvis photo was the most-requested photo from the US Archive. Now we’ve got a trailer! I don’t know about you, but this is the kind of movie to see just for this duo alone.

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Ok so neither Kevin Spacey nor Michael Shannon really resemble the real people they’re portraying, esp. Shannon as Elvis, but like Michael Fassbender with Steve Jobs, the most important thing is he captured the essence of the character. It’s also directed by a woman, Liza Johnson, which is always a big plus in my book.

So what are your thoughts about either one of these trailers?

3. Ok I already mentioned this on my March recap post, but right now I’m about halfway done with the Len Deighton spy novel SS-GB that’s similar to Amazon’s Man in the High Castle but set in London. It’s an alternative history novel and the novel’s title refers to the branch of the Nazi SS that controls Britain. It’s a real page-turner and I absolutely can’t wait to watch the BBC’s 5-part miniseries with Sam Riley as the protagonist Douglas Archer, a British homicide detective assigned to Scotland Yard.

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The spy-pedigree is a strong one given that the miniseries is written by Neal Purvis and Robert Wade, who’ve written a bunch of Bond movies. I do hope it’s more Casino Royale than Spectre though. It’s got a largely European cast, but Kate Bosworth has joined the cast as an American journalist who’s also Archer’s love interest. I’ll be sure to blog more about this once the trailer’s been released.

Of course there are a plethora of other projects out there based on a novel.

So which book adaptation currently in development are you looking forward to the most?
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4. It seems there are a lot of music biopics released around the same time. Last night I finally saw the Chet Baker biopic Born to Be Blue. The internet connection at home was terrible so the online screener kept stalling but I stuck it out and my patience was rewarded. It’s an affecting and beautifully-acted biopic, featuring stellar performances from Ethan Hawke and Carmen Ejogo. Interestingly enough, his rival Miles Davis’ is getting a cinematic treatment as well with Don Cheadle as Miles. Both Born to Be Blue and Miles Ahead are unconventional biopics that don’t try to cram the entire span of their lives but focused on a certain timeframe.


There are female music icon biopics as well. We’ve got the documentary AMY last year and the Nina Simone movie NINA which controversial casting has been all over the media recently. Not sure what’s behind the biopic boom but I think music biopics have always been marketable.

So which musical artist do you wish would get their own biopic?

5. This month Five for the Fifth’s guest is Table9Mutant from Cinema Parrot Disco blog! Well, as The Walking Dead finale just aired this weekend, and a lot of you are likely to be anticipating the latest season of Game of Thrones, it’s most appropriate to have a TV-related question this month.

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Now, as those two shows are known for killing off its characters, we’d like to know…

Which character would you most like to see killed off in any current TV show?


Well, that’s it for the April edition of Five for the Fifth, folks. Now, please pick a question out of the five above or better yet, do ‘em all! 😀

Thursday Movie Picks #53: Science Fiction Movies (No Space/Aliens)

ThursdayMoviePicksHappy Thursday everyone! This is another entry to the weekly Thursday Movie Picks that’s spearheaded by Wandering Through the Shelves Blog. Here’s the gist:

The rules are simple simple: Each week there is a topic for you to create a list of three movies. Your picks can either be favourites/best, worst, hidden gems, or if you’re up to it one of each. This Thursday’s theme is… 

Science Fiction Movies (No Space/Aliens)

It’s interesting that the requirement for this sci-fi genre is no space/aliens as a lot of my favorites in this genre aren’t the ones with aliens in them. In fact, I love sci-fis that don’t look or feel science fiction-y, in fact, intriguing sci-fis are those with rich layers of human drama that remind us what it means to be humans.

I immediately thought of including Ex Machina here, but I decided not to include something from this year. Instead, I’m selecting three from the past few years that have a small/modest budget (under $25 mil) that have made a big impression on me:

Predestination (2014)

The life of a time-traveling Temporal Agent. On his final assignment, he must pursue the one criminal that has eluded him throughout time.

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As I mentioned in my review, the less you know about the plot the better the experience. Since I was just talking about directing duos, I have to mention the Spierig Brothers who also made this vampire sci-fi Daybreakers. The premise is rather bizarre and definitely not an easy one to grasp, but it’s well worth a watch. I like how the film started out with a bang but then the pace slows down considerably in the first act as we’re introduced to the characters played by Ethan Hawke and Sarah Snook. The odd pacing seems deliberate and I actually think it’s pretty effective and engrossing in getting us to care about their journey. Snook is quite a revelation here and I kept hoping to see her getting prominent roles.

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HER (2013)

A lonely writer develops an unlikely relationship with his newly purchased operating system that’s designed to meet his every need.

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Once in a while, a film you hadn’t heard much about suddenly sneaked in and took your breath away. In 2013, that film for me was HER. That’s what I wrote in my review over a year ago, and there’s still very few films that affected me emotionally the way this one did.

There are many robot/human *love* stories that’s been done time and again but what Theodore Twombly (Joaquin Phoenix) experienced with Samantha (voiced brilliantly by Scarlett Johansson) is quite unlike any other. For one, there’s no physical presence of Samantha in the film but yet her presence is felt so viscerally. I’m going to borrow my from my own review… This is the kind of thought-provoking science fiction story that I wish Hollywood would make more of. Sci-fi is not always about aliens or cool-looking futuristic equipments or cars or what have you, but a good sci-fi should actually makes us ponder about our own humanity. I realize this film isn’t for everyone as there are a few people I recommended this to that aren’t wowed by it. That said, I think you owe it to yourself to at least give this one a shot.

Never Let Me Go (2010)

A love triangle develops between three friends who came of age at a mysterious, secluded boarding school and are destined to lead brief lives.

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This is another film where the less you know about the plot the better. If you just look at still photos or even the poster (which you can see on my review post), you’d never thought this is a sci-fi. It looks more like a mystery drama, and I think that’s the vibe director Mark Romanek was going for. Working from Alex Garland’s script, who later made his directorial debut in Ex Machina, the pace is decidedly slow and graceful in the way things unfold. The romantic drama sensibilities offer a stark contrast to the cerebral sci-fi nature of the story. I really need to watch this again, but I remember being really absorbed by this film. Carey Mulligan and Andrew Garfield are excellent here, it’s still one of my favorite performance from both of them even after seeing more of their work. It’s also exquisitely-shot in muted hues that perfectly match the somber tone of the film.

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What do you think of my sci-fi picks this week? Have you seen any of these films?

 

Question of the Week: Which movie(s) are you looking forward to in March?

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Now that award season is officially over… we can all look forward to what else 2015 has in store for us. February is practically dead in terms of new releases, in fact I only saw Jupiter Ascending & Kingsman in the theater. But there are more intriguing stuff coming next month. I have rsvp-ed for The Second Best Marigold Hotel and Cinderella‘s screenings and Ted will be going to Chappie & Run All Night in the next couple of weeks.

I might rent Get Hard and Serena, but I have zero interest in seeing yet another Taken variation that Liam Neeson is doing, Run All Night. I mean it just looks so darn awful from the trailer, oh why’s Ed Harris doing in there?? [face palm] Oh and Sean Penn’s The Gunman is directed by the first Taken‘s director too, and so he apparently wants a piece of the action moolah from that bankable violent thriller. As for Insurgent, well I’ve completely lost interest in that Divergent franchise even though I quite like the first movie. So maybe I’ll rent that on a slow night.

Anyway, you can check out the full March Release schedule here over at IMDb, but here are some of the movies I’m looking forward to seeing:

The Second Best Exotic Marigold Hotel

As the Best Exotic Marigold Hotel has only a single remaining vacancy – posing a rooming predicament for two fresh arrivals – Sonny pursues his expansionist dream of opening a second hotel.

I LOVE the first movie, the ensemble cast is simply splendid. I mean you can’t beat Maggie Smith & Judi Dench, two of my favorite Dames, together again in a movie. This time we’ve got Richard Gere to spice things up 😉

Cinderella

A live-action retelling of the classic fairy tale about a servant step-daughter who wins the heart of a prince.

I grew up w/ Disney Princess movies so naturally I’m drawn to this. Plus I quite like Kenneth Branagh as director so he’s another draw for me to see it!

The Riot Club

Two first-year students at Oxford University join the infamous Riot Club, where reputations can be made or destroyed over the course of a single evening.

All those gorgeous British boys doing VERY bad things. I dunno about you but that intrigues me 😉 Plus I’ve had a crush on Sam Reid ever since BELLE (he’s in the far right in the pic below), and Jeremy Irons’ hunky son Max is in the main cast, too. It’s from the director of An Education, which I like, so hopefully it’ll be good!

RiotClubBoys

Seymour

Director Ethan Hawke explores the life and lessons of piano teacher Seymour Bernstein.

I heard about this after I saw Predestination and it sounds like a great doc! I love that Hawke is doing a personal project like this, I hope this arrives on Netflix soon.

Chappie

In the near future, crime is patrolled by an oppressive mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.

I proceed this one w/ caution even though I LOVE sci-fi that deals w/ man vs robot relationships. I was quite disappointed w/ Neill Blomkamp‘s Elysium so hopefully this has more of an engaging and emotional story like District 9.


So which March movie(s) are you most excited about folks?

Weekend Roundup: Quick thoughts on BAFTA 2015 + review of Predestination

Happy Monday everyone! Well it’s quite a busy weekend for me but I got to see two new-to-me movies, yay. I also got two reviews done on Sunday, so expect to see a review of Jupiter Ascending tomorrow.

BAFTA

Here are my top five things I’m happy about from 2015 BAFTA Awards:

  • Emmanuel Lubezki winning Best Cinematography for Birdman
  • The LEGO Movie winning Best Animated Film
  • The Grand Budapest Hotel winning Best Original Screenplay
  • Citizenfour winning Best Documentary
  • Alexandre Desplat winning Best Original Music for The Grand Budapest Hotel

But really, who cares about the winners, check out these dreamy guys at the BAFTAS 😉

Ehm, okay so Boyhood wins big at the BAFTAS including Richard Linklater winning Best Director. But hey, Alejandro González Iñárritu won Best Director at Directors Guild Award so there’s still a chance Birdman comes out on top come Oscar. Boy the race is REALLY neck and neck between the two movies. Both has the same one-word title with exactly six letters too, that’s gotta be a first. The THE EE RISING STAR AWARD went to Jack O’Connell whose work I still need to see. It’s a bummer that Gugu Mbatha-Raw didn’t win but I hope one day she’d win an actual BAFTA!



PredestinationBnr

The life of a time-traveling Temporal Agent. On his final assignment, he must pursue the one criminal that has eluded him throughout time.

I was intrigued to see Predestination as I was impressed by the Spierig Brothers’ previous film Daybreakers. It offers a novelty twist to the popular vampire genre and this time, they tackled another popular Hollywood theme, time travel. This is my impression after I saw it:

I’m not going to say much about the plot as the less you know about it the better the experience. All I’m going to say is that it’s based on Robert A. Heinlein’s short story All You Zombies. I thought at first there’s some similarities to Minority Report about the preventing-a-future-crime from-happening plot, but the story is completely different. In fact, it makes that Spielberg film seems more straight-forward if you can believe that. I like how the film started out with a bang but then the pace slows down considerably in the first act as we’re introduced to the characters played by Ethan Hawke and Sarah Snook. The odd pacing seems deliberate and I actually think it’s pretty effective and engrossing in getting us to care about their journey.

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Hawke is solid here once again, as he was in Daybreakers. I always think he’s an underrated actor as though he’s not the most charismatic actor but he’s always reliable. There’s something soulful about his performance and he’s not afraid to show his vulnerable side. But it’s Snook who’s quite a revelation here. I’ve never seen the Aussie actress before but she is absolutely astounding. It also helps when she’s given a strong character arc here, and she tackled her role as The Unmarried Mother, which is the name of her magazine column she writes for. It’s quite a complex role with multiple layers but it’s so rewarding to see how she tackles each one convincingly and with so much heart.

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There’s also Noah Taylor as the enigmatic Mr Robertson but for the most part, the story revolves around Hawke and Snook’s characters. This film will leave you scratching your head, as most stories dealing with time travel paradox often do. But how the plot unravels is captivating, keeping you guessing whilst you try to grasp just what you’re actually witnessing.

If you like sci-fi AND time travel movies, this one is a must-see. The cinematography and art direction is wonderful, featuring unique camera angles and excellent production design. It’s impressive considering the relatively tiny budget (about $5 mil according to Deadline, as it’s part of a three-picture deal worth $17 mil). It’s another proof that one doesn’t need an astronomical budget to tell a good story. I’m curious to see what the Spierig brothers will tackle next!

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So what did YOU see this weekend? Anything good?

Rental Pick: Daybreakers (2009) – a novelty twist in a classic genre

I’m not into horror flicks but I kind of have a penchant for the vampire genre (the proper kind, NOT Twilight!) so when I saw the premise of this last year, I was intrigued. It took me a while to finally see it but I’m glad I did.

DAYBREAKERS (2009)

In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.

This is one genre that’s been done to death that very few of them lack bite anymore, pardon the pun. But with Daybreakers, the filmmakers managed to have deliver new to say on this genre. Glad to see that it’s not the classic vampire/human gothic romance but more of a survival story, not just for the humans but for the vampire as well as blood is scarce. On TV we heard a Senator said that humans had been offered a chance to assimilate but because they refused, they’re now considered enemies of the state and will be captured and farmed for blood supply.

These vampires live in a world just like ours — they work in offices, they drive cars or take the subway, etc. They even line up to buy coffee in the morning (albeit with a percentage of blood in it). In fact, as the human blood supply gets lower and lower, so is the percentage amount in their coffee, and there’s an interesting scene where a riot broke out out of their frustration.

The protagonist is Edward Dalton (fortunately this Edward doesn’t sparkle!), a hundred-something year-old vampire who works as a hematologist at a Bromley Marks pharmaceutical corporation ran by Charles Bromley (Sam Neill). Dalton has been working on finding an artificial blood supply but when they finally tested it on one vampire, it didn’t work, leaving the subject in pieces, literally. The situation is pretty dire as the lack of human blood on these vamps eventually turn them into these horrifying creatures (basically a human bat) that would prey on anything and everything, even their own kind. Edward and his brother had a terrible encounter with one of them one night and it turns out that creature used to be one of the gardeners!

Edward detests being a vampire and he’s resentful that his brother turned him many years ago. So when he somehow encounter a group of humans who trusted him enough to take him to their hideaway, Edward was more than willing to help. The rest of the film becomes a cat and mouse game between the vampires and the small group of humans.

This film has some truly gory parts so it’s definitely not for the faint of hearts. I had to cover my eyes in some parts, especially the devouring scene at the end, but overall I really like this film. Ethan Hawke has the soulful, deeply forlorn look to him that suits his role perfectly. Nice to see Sam Neill playing the baddie and Willem Dafoe as a good guy for once. I really thought that when I saw Dafoe in the cast that he would be the lead vampire, ahah! The actress playing Dafoe’s cohort is amateurish however, I wish they had cast someone far more expressive in that role. Hawke and Dafoe are the only American actors as the cast are mostly from Down Under.

The cinematography set in Queensland Australia is quite beautiful, I think the filmmakers did a good job in creating a realistic-looking dystopian future (albeit it takes place only 10 years from now) that feels eerie and sinister. I also appreciate the small details like the lack of reflection of Edward in his car’s rear view mirror and how his house and car are styled to be sunlight-proof. Not bad for only the second feature film from Aussies Michael and Peter Spierig, known as the Spierig Brothers.

This dystopian horror thriller is definitely worth a rent if you’re looking for a novelty twist in a classic genre. I find the whole social satire idea more arresting than I expected. Strangely enough, at times I find myself rooting for some of the vampires, as just like in the human world, corporate greed abounds and the strong prey on the weak. After watching this, it actually makes me think about our own society and the idea of how a limited supply of precious resources does to people. I mean, just look at what happens with the gas shortage post Hurricane Sandy!

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Thoughts on this movie? Those who’ve seen this one, curious to hear what you think.