Trailer Spotlight: HBO’s THE NEVERS (2021)

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I LOVE period dramas and the superhero/fantasy genre, so The Nevers seems to have been made for me! I saw the teaser a few weeks ago and was like, WHOA!! It’s like Jane Austen meets Marvel… ok that’s an oversimplification as Jane Austen stories are set in Regency, not Victorian era… but in any event, you get the point.

So here’s the full trailer:

So apparently the original show-runner is Joss Whedon who left back in November 2020. Per Variety, he cited that he couldn’t meet the physical challenges of making such a huge show during a global pandemic. Well, can’t say I’ll miss him. He’s been replaced by Philippa Goslett, British screenwriter who’s developed shows for networks such as FX, BBC and Channel 4, but this marks her first time as a show-runner.

Thanks to HBO’s official show page, here’s the full synopsis:

August, 1896. Victorian London is rocked to its foundations by a supernatural event which gives certain people — mostly women — abnormal abilities, from the wondrous to the disturbing. But no matter their particular “turns,” all who belong to this new underclass are in grave danger. It falls to mysterious, quick-fisted widow Amalia True (Laura Donnelly) and brilliant young inventor Penance Adair (Ann Skelly) to protect and shelter these gifted “orphans.” To do so, they will have to face the brutal forces determined to annihilate their kind.

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Judging from the trailer, looks like it’ll be an action-packed series with [hopefully] some thought-provoking commentary about the societal issues of the time. Despite having a woman reigning as monarch, that is Queen Victoria women did not have the right to vote, sue, or own property… women are basically property of their husbands. So seeing them take charge and even banding together to save the world is surely revolutionary. The trailer show these women being persecuted, well, naturally the men would be threatened by powerful women and they’d do whatever it takes to maintain status quo (what else is new?)

The cast looks amazing!! I recognize a bunch of them from previous British series/movies: Olivia Williams, Nick Frost, James Norton, Eleanor Tomlinson, Ben Chaplin, and Tom Riley. (see below for the complete list). I also noticed Jodie Comer from Killing Eve, but her name is not on the list in Part 1 of IMDb. Now the reason for that is that this is a two-part series, which is similar to Netflix’s LUPIN.

Part One of the first season debuts on April 11, 2021 with six-episodes on HBO Max. Part Two’s six episodes will follow at a later date, to be announced.

There are SO many things to look forward to in this fantasy series! A terrific ensemble cast with a diverse set of women, beautiful costumes + set pieces, striking cinematography… and gadgetry? Well one of the main character is an inventor, so she might’ve invented this steampunk vehicle which would be handy to outrun all those nefarious guys trying to imprison them!

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So here’s the full list of cast + who they’re playing:

Olivia Williams (The Ghost Writer) as Lavinia Bidlow, the wealthy benefactress funding the orphanage for Amalia’s outcasts, who are also known as the Touched.

Nick Frost (Shaun of the Dead) as feared criminal overlord Declan “Beggar King” Orrun.

James Norton (Little Women) as Hugo Swann, the rich and irreverent proprietor of a den of iniquity.

Tom Riley (Da Vinci’s Demons) as Augustus “Augie” Bidlow, Lavinia’s sweet, awkward, younger brother with a secret of his own.

Pip Torrens (The Crown) as Lord Gilbert Massen, a high-ranking government official leading the crusade against our heroines.

Ben Chaplin (The Thin Red Line) as Inspector Frank Mundi, who’s torn between his police duties and moral compass.

Denis O’Hare (American Horror Story) as Edmund Hague, a deranged doctor searching for the source of the powers.

Amy Manson (Once Upon a Time) as the tortured, murderous Maladie, who derives power from pain.

Rochelle Neil (Terminator: Dark Fate) as the fire-wielding Annie “Bonfire” Carby, one of Maladie’s motley gang.

Zackary Momoh (Seven Seconds) as orphanage doctor Horatio Cousens, whose turn equips him with healing powers.

Eleanor Tomlinson (The Illusionist) as Mary Brighton, a broken and resilient performer pursuing her dream of singing on stage.

Elizabeth Berrington (In Bruges) as Lucy Best, adaptive and streetwise, her quick-wit and high spirits mask the pain of a tragic past.

Anna Devlin (All the Money in the World) as Primrose Chattoway who, at ten feet tall and a dreamy demeanor, wishes to be an ordinary girl not taking up too much space.

Kiran Sonia Sawar (HBO Max’s Pure) as Harriet Kaur, a young Scottish Sikh and aspiring lawyer, determined to live her life as she planned.

Viola Prettejohn (The Witcher) as Myrtle Haplisch, a middle-class girl rescued from a family who cannot understand her – literally, as she can no longer speak any form of language they understand.

Ella Smith (Ray & Liz) as Désireé Blodgett, a prostitute with a power that gets her in trouble and a six-year old son who never speaks.

Vinnie Heaven as Nimble Jack, a rakish and charming young thief and an expert at breaking and entering.

So yeah, I know what I’ll be watching in April!! Perfect timing as I need something to fill the void of LUPIN and Ted Lasso, two of my new favorite shows.


Are you excited for THE NEVERS?

Rental Pick: LOVING VINCENT (2017)

In a story depicted in oil painted animation, a young man comes to the last hometown of painter Vincent van Gogh to deliver the troubled artist’s final letter and ends up investigating his final days there.

Billed as the world’s first fully painted animation feature, naturally each scene is worth framing. It’s a gorgeous film that leaves my mouth agape as I kept wondering ‘how did they do THAT?’ Well, per IMDb trivia, each of the film’s 65,000 frames is an oil painting on canvas, using the same technique as Van Gogh himself, created by a team of 100 painters. It’s fitting then that title is Loving Vincent as his art was treated with such care.

Now, the story itself surprised me. I didn’t know much about Van Gogh but the ‘fact’ that he killed himself in his 30s was well-known. But did he actually commit suicide? The film traced the last days of Vincent’s life through the eyes of a young man (Douglas Booth), who happens to be the son of Vincent’s postman. The film’s filled with plenty of familiar faces (at least to me as I’m into British shows/films) portraying people in Vincent’s life (Saoirse Ronan, Helen McCrory, Eleanor Tomlinson and her Poldark‘s co-star Aidan Turner).

Written and directed by Dorota Kobiela and Hugh Welchman, it’s really quite an endeavor and astonishing to behold. It’s not the strongest film in terms of narrative however, but still it’s an incredible feat to accomplish. It’s quite something to want to tell an artist’s story through his painting, to actually do it–and done it well–is astounding. Well-deserved of its Golden Globe and BAFTA nominations, I was also rooting for it to win an Oscar in Best Animated Feature category. It’s definitely a must-see for art fans or really anyone up for something you’ve never seen before.

Loving Vincent left me in awe of Van Gogh‘s talents but also saddened by his troubled life. I think most artistic genius are tortured souls and he’s definitely one of them.


Have you seen Loving Vincent? I’d love to hear what you think!

FlixChatter Review: Jack the Giant Slayer

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I’ve actually never seen any Jack and the Beanstalk movie before, but of course I’m familiar with this bedtime story. I was curious enough about this one given that it’s directed by Bryan Singer.

It starts unpredictably enough, with Jack’s father reading him a bedtime story and of course Jack always believed it’s not just a myth. Fast forward to a decade or so later and Jack’s now living with his farmer uncle. After his father’s death and on the way of selling his horse to make ends meet, he inadvertently comes into possession of the magic beans that has the power to open the gateway between human race and giants. “No matter what you do, makes sure you don’t get these wet,” said the man who gave Jack those beans. Well, that’s exactly what happen when one of them fell underneath Jack’s house and rain poured heavily one fateful night. That one small bean ends up growing into a giant beanstalk that shoot up and up to the sky… and soon, all hell break loose.

You can pretty much guess what’s going to happen next. In fact, this movie has zero intrigue as it’s as if you’ve seen this story played out in your head. Now, there are a lot of fairy tale movies where you know the story by heart but yet the fresh adaptations still manage to surprise and entertain you (Tangled is one that comes to mind, which is based on the classic fairy tale of Rapunzel). Alas, this film is NOT one of them.

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Neither the adventure nor the romance is the stuff of legend as it were, in fact, if you’re older than say seven or eight, you’ll likely be bored watching this movie. The British pair Nicholas Hoult and Eleanor Tomlinson as Princess Isabelle barely has any chemistry despite their best effort, but then again they never stood a chance when their dialog is so uninspired. I guess I shouldn’t be surprised this was written by Christopher McQuarrie who gave us the abysmal The Tourist!!

This film has all the elements money can buy, what with the computer-generated giants and impressive effects of the beanstalk forming all the way up to the sky, but clearly money doesn’t buy great scripts. I mean it SHOULD, but for some reason, studios seem intent on squandering their money on CGI and elaborate set pieces instead of a story and characters worth caring for.

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It’s a big waste of talents too. I mean, I think 23-year-old Hoult is a pretty decent actor and has enough leading man charisma, but for some reason he’s just not all that interesting to watch here. Tomlinson looked like she’s about to cry at every moment it’s irritating, I don’t really know if that’s the director’s fault or that’s just her acting style.

The supporting cast is an even bigger waste! Ian McShane, Stanley Tucci, and Ewan McGregor are so grossly underutilized here it’s criminal! Even McShane seems bored and uncomfortable under that gold full plate armor and the only funny part involving Tucci you’ve already seen it in the trailer. The CGI giants look realistic enough, which I’m sure that’s where most of the gigantic budget cost went to, but despite their size they have no personality whatsoever other than the stereotypical gross, uncivilized behavior. They remind me of the goblins in The Hobbit, only much less amusing. The 3D is just fine, not distracting, but it doesn’t add much either. Once again it’s just another studio gimmick to extract more money when a regular format would do just fine.

Sounds like box office forecast already predicted that this movie would NOT slay the box office (it only grossed a measly $7 mil on Friday). That’s got to be a major blow for the studio, especially since this movie was supposed to open last June 2012!

Final Thoughts: I wasn’t expecting a masterpiece, but I’d think Bryan Singer could’ve delivered a much more compelling and entertaining movie. After all, this is the director who brought us the excellent X-Men franchise before all the superhero movies came along. He’s proven that a comic book movie could be more than just fluff, you’d think he could do the same with a fairy tale story.

Unfortunately, this film is such a giant waste of $190+ mil to me. Overused plot lines, cliched characters and dialog, and every joke and line seems to have been recycled from things we’ve seen before. Kids might enjoy the CGI wonders… but adults will realize it’s a soulless piece of cinema.


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Has anyone seen this one? Do share your thoughts of this film.