Music Break: Five soundtracks from 2015 I’m currently obsessed with

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Most people who know me know I have an old school taste when it comes to music. I basically only listen to genres. One is classical music – my radio dial goes back and forth from MPR news to Classical MPR 99.5, and I’m not ashamed that I owned two Sarah Brightman CDs. The other is movie music [natch] My CD changers in my car (I’m dating myself aren’t I?) consist mostly of soundtracks (Moulin Rouge and Sense & Sensibility are on there right now). 2015 have produced some truly awesome soundtracks that I currently listen to a lot, and probably will for years to come. They’re quite an eclectic bunch, just like my taste in films, I like my period dramas to go with the high-octane action.

Mad Max: Fury Road

Composed by: Tom Holkenborg aka Junkie XL

I had never heard of Junkie XL before but man I LOVE this extremely energetic music that adds so much cool vibe to the movie. It perfectly complements all the crazy action that goes on in the movie and the music IS an integral part of the action as well w/ the guitar guy in red jumper on top of the convoy truck.

Brothers in Arms is one of my fave tracks from the album:

Mission Impossible: Rogue Nation

Composed by: Joe Kramer

I LOVE Puccini’s Nessun Dorma, which was featured in the fantabulous Vienna Opera sequence early in the film. Well, three of the tracks managed to inject the famous area beautifully and mix it with the iconic Mission Impossible theme. I just LOVE it!!

I also love the music featured in the MI5 trailer by The Fugees from the mid 90s. It works brilliantly with the trailer cut and somehow sounds like it’s made just for this movie!

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Far From the Madding Crowd

Composed by: Craig Armstrong

I’ve already dedicated an entire Music Break post of this one last September and I’m still obsessed with it.

I especially love Carey Mulligan’s rendition of Let No Man Steal Your Thyme, but this opening sequence with the repetitive piano and violin melody has such a beautiful, swoon-inducing quality.

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Cinderella

Composed by: Patrick Doyle

Speaking of swoon-inducing, that’s the one essential ingredient when you’re composing a fairy tale film. Mr. Doyle’s done some of my favorite soundtracks ever, so he’s the perfect choice for this movie. I was just listening to it last night as I was working on my script, as a matter of fact. At times I’d stop and let myself be swept away by the lush & gorgeous music, just like Cinderella was by Prince Kit 😉

Sicario

Composed by: Jóhann Jóhannsson

I just watched this recently so it’s fresh in my mind. I remember vividly how the ominous score adds so much tension to already ultra-suspenseful scenes. One of the major reasons my nerve was stretched to its snapping point was because of this brilliant music. The Icelandic composer wrote such a perfect music with his minimalist electronic style, it’s as pulsating and heart-throbbing as the film itself. I can’t imagine this movie without THIS music, it’s made all the richer because of it.

 

HONORABLE MENTION:

Girlhood

I had to include this scene from one of my top 10 films of 2015. The song Diamonds is by Rihanna who I never listen to, but somehow it’s so perfect for this scene. The first time I saw it I actually rewound it as it moved me so much. It captured the sentiment the girls are feeling… every girl, no matter what background they come from, once to get all dolled up and be glamorous once in a while.

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Hope you enjoyed this week’s music break. Which of these are YOUR favorites?

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Music Break: Far From The Madding Crowd (2015)

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I’m in the romantic period drama mood this week as I’ve been listening to the beautiful scores for Pride & Prejudice, Belle (one of my top 10 scores of 2014)… and this one. Though I wasn’t as enamored as I would have with Far From The Madding Crowd (due to the Tom Sturridge miscasting as Troy), I actually want to see this again. It’s too bad because all the promos of Bathsheba and him kissing in the woods are so breathtakingly gorgeous… I think he works better in a still shot :\

But one of the things I do LOVE about this film is the absolutely gorgeous music by Scottish composer Craig Armstrong. I’m going to have to do a separate tribute for him as I love his work, esp. for Moulin Rouge!, Love Actually and The Great Gatsby. But for now, I just want to highlight his work on this film.

Here’s Hollow in the Ferns track, which reminds me a bit of John Barry’s Somewhere in Time.

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I adore Carey Mulligan as Bathsheba, she is lovely and believable as the strong yet vulnerable heroine. I’ve been a fan of her as an actress but I also love her voice! She sang in Inside Llewyn Davis but I really, really like her singing voice here. Let No Man Steal Your Thyme is featured in the trailer as well and it’s just beautiful! I definitely would include her on my list of actors who are surprisingly good singers.

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Come all you fair and tender girls
That flourish in your prime
Beware, beware

Keep your garden fair
Let no man steal your thyme
Let no man steal your thyme.

For when your thyme it is past and gone
He’ll care no more for you
And every place where your thyme was waste
Will all spread o’er with rue
Will all spread o’er with rue.
The gardener’s son was standing by
Three flowers he gave to me

The pink, the blue, and the violet true
And the red, red rosy tree
And the red, red rosy tree.

But I refused the red rose bush
And gained the willow tree
That all the world may plainly see
How my love slighted me
How my love slighted me

 


Hope you enjoy today’s Music Break. What score(s) have you been listening to lately?