Five new Netflix movies to watch in November

As we enter into Novemberrrrr … with temps dipping into the 30s (Fahrenheit), I know I’m looking forward to staying in more until the rest of the year. Thankfully streaming services have a ton of new content… I know I’m anticipating WHEEL OF TIME series that’ll hit Amazon Prime on Nov. 19. Well, with Netflix, there’s never a shortage of content that sometimes it actually takes time to figure out just what to watch. So here are five movies I’m looking forward to this month (you’re welcome!) 😀

The Harder They Fall

Nov 3 (tonight!)

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When an outlaw discovers his enemy is being released from prison, he reunites his gang to seek revenge in this Western.

I’ve been wanting to blog about this but somehow I thought it’s coming out later this year. Well, it’s out tonight, and I can’t wait to watch! I’m not the biggest Western fan but with Idris Elba as a cowboy? Heck yeah!! He obviously can rock a Cowboy get-up, as he’s the only redeeming factor of The Dark Tower, ahah.

The ensemble cast here is amazing: Regina King, LaKeith Stanfield, Delroy Lindo, Zazie Beetz, Jonathan Majors, love it! The trailer promises something cool and stylish unconventional Western.

Passing

November 10

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“Passing” follows the unexpected reunion of two high school friends, whose renewed acquaintance ignites a mutual obsession that threatens both of their carefully constructed realities.

I’ve been wanting to see this Rebecca Hall‘s directorial debut for some time as I read that she was inspired by her own family history. The term “passing” refers to the practice of members of minority or oppressed races, religions, ethnic groups, etc., pretending to be white (or otherwise members of the majority culture) to escape prejudice. Hall’s own mother, opera singer Maria Ewing and grandfather who were both biracial and had ‘passed’ themselves off as white so she wanted to explore that history that she never really had access to. I LOVE this evocative trailer and anything with Tessa Thompson is great in my book!

Red Notice

November 12

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An Interpol agent tracks the world’s most wanted art thief.

Ok I have to admit there’s really not much to recommend this one other than to just ‘check one’s brain at the door’ and enjoy the ride! None of these actors are known for their dramatic acting skills but they are fun to watch. I read on IMDb Trivia that Dwayne Johnson, Ryan Reynolds, and Gal Gadot are each getting $20 million payday for their roles, dayum!! With a $200 million budget, it’s apparently Netflix’s biggest budget yet for a feature film. Man, frivolous fun sure is expensive, no wonder Reynolds can happily retire after this1

tick, tick…BOOM!

November 19

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On the cusp of his 30th birthday, a promising young theater composer navigates love, friendship and the pressures of life as an artist in New York City.

Lin Manuel Miranda is one busy guy and he continues to stretch his creative muscles. This amusingly-titled movie is his directorial debut which stars another Tony award winner, Andrew Garfield. I love that Garfield has grown to be even more of a versatile actor since I first saw him in Boy A in 2007. I remember seeing him up close at Comic-Con back in 2011 when he introduced himself as Spider-man, standing mere inches from me. He’s obviously SO much more than a pretty face. As for the subject matter, I wasn’t too fond of RENT when I saw it on stage years ago, so I’m mostly curious to see the film for Garfield’s performance.

Bruised

November 24

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A disgraced MMA fighter finds redemption in the cage and the courage to face her demons when the son she had given up as an infant unexpectedly reenters her life.

Speaking of Ryan Reynolds, well I read on IMDb that his wife Blake Lively was going to star in it under Nick Cassavetes’ direction. I haven’t seen anything with Halle Berry as the lead in ages, I think the last movie I saw her in was John Wick 3. This one is also happens to be her directorial debut. Apparently Berry is a huge UFC fan and two of the actors in this film are actually real MMA fighters!


What do you think of this Novemner lineup? Which one are you looking forward to the most?

FlixChatter Review: The Eyes of Tammy Faye (2021)

The Jim Bakker scandal is something that’s always eluded me as it happened long before I came to the US. I didn’t even realize there’s a Minnesota connection, which has become my adopted state for over 20 years. But of course over time I became familiar about them just from various news items about them, but this film is told solely from the perspective of Tammy Faye Bakker during the time she was married to Jim and part of The PTL (Praise the Lord) Club.

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Jessica Chastain who not only stars in the film but also served as producer, paints a very sympathetic portrayal of Tammy Faye. Even from the poster, she is shown covering her most recognizable features, that is her heavily-made-up eyes the media dubbed ‘racoon eyes,’ but it’s enough to see part of her lid and thick layer of mascara. It seems the poster gives a bit of a glimpse of what we’re about to get in this biopic, which is based on the documentary of the same name.

The film opens with little Tammy (Chandler Head), a precocious girl who tries to be a part of the church service that she’s forbidden by her mom Rachel (Cherry Jones) to attend. She’s the only child out of Rachel’s eight children that’s born out of her marriage with her ex-husband, so as a child of divorce, she’s deemed unwelcome in the church. Despite that, Tammy Faye is portrayed to still have a close relationship with God, seen praying and even later attends North Central Bible College in Minneapolis, where she meets Jim Bakker (Andrew Garfield). I have to admit it took me a while not to focus on the heavy prosthetics both actors wear… now, I’m not saying the make-up department didn’t do a good job, I just find their altered look, especially the swollen cheeks/jawlines a bit distracting.

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Their whirlwind relationship turns to marriage, though at first they have to settle with living with Tammy Faye’s parents. Even as she’s now a grown woman, Rachel continues to be critical of her daughter and she doesn’t hide the fact that she doesn’t exactly approve of her daughter’s union with Jim. Soon, the two end up taking up the roles of traveling preachers and Tammy creating a puppet ministry for children. One fateful day while on the road, they serendipitously meet one of the producers for Pat Robertson’s The 700 Club, and thus begin their televangelism ministry preaching what’s called the ‘Prosperity Gospel.’

Director Michael Showalter and screenwriter Abe Sylvia tries to cramp a lot of information into a two-hour film, but I feel like the film doesn’t truly begin until the Bakkers begin the The PTL Club. Success soon follows, the couple live in a lavish home and Tammy would go on shopping sprees buying expensive fur coats for her and her mom. But with more popularity and wealth, the Bakkers’ marriage suffers. The film portrays Tammy as the one who is the victim here as Jim is distant and preoccupied with financial issues even as the PTL Club’s enterprise general millions of dollars (even up to $120 million annually in the 1970s). At the height of their success, the Bakkers even built a Christian retreat and theme park Heritage USA which ran for only a decade or so. 

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As for the dissolution of their marriage and Jim’s reported homosexual tendencies, the film didn’t really delve too deeply into it. Even the major rape scandal involving Jim’s former secretary Jessica Hahn (who isn’t mentioned by name here) is only mentioned briefly as Jim breaks down and confesses to his wife that he used PTL’s money to silence Hahn. I find it curious that Tammy Faye is portrayed as if she were blindsided by the fraud charges, as if she were not aware that PTL has been extorting money from their fans for over a decade. Even if she were blinded by the fame and glitzy lifestyle, it would be a stretch to imagine that she too was hoodwinked by Jim, as we’re led to believe. In any case, the collapse of the PTL is swift, and the Baptist televangelist Jerry Fallwell (Vincent D’Onofrio) ends up taking over Bakkers’ reign of the organization. 

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The major highlight of The Eyes of Tammy Faye is Chastain’s performance that sways between giddy, campy, and emotionally moving that it’s hard to take your eyes off her. She even does her own singing which further prove that she is a woman of many talents. The film does highlight an aspect of Tammy Faye that perhaps most people didn’t know, that she became quite an icon in the LGBTQ community. The scene of her interviewing a gay minister suffering from AIDS is one of the few emotional moments in the film. There’s also a scene depicting her as somewhat of a feminist icon as well, as she brazenly joins the all-male table during a luncheon at Pat Robertson’s palatial estate.

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Chastain completely embraces Tammy Faye and transformed herself to look the part. It’s apparent that the actress tackles this project as an admirer of the person she’s portraying, and the script is not subtle about it, either. Even when Tammy herself almost nearly succumb to infidelity with her recording producer Gary (Mark Wystrach), it was portrayed in a sympathetic light, that Gary is a good guy who appreciates her while Jim is too distracted to pay attention to her. The rest of the supporting cast didn’t get to shine as brightly as Chastain however. Garfield is a versatile actor but I don’t think this the script gives him much to do here and his character is portrayed as pretty one-note and even farcical. D’Onofrio’s portrayal of Falwell is bewildering, I kept thinking ‘why is he speaking like Fisk (the character he played in Netflix’s Daredevil series)?’ It’s not at all believable and his character is painted as the ‘villain’ of the piece.

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Overall, I find the story fascinating, but a bit indulgent in its adulation over its subject matter. Showalter is known for rom-coms such as They Came Together, The Big Sick, so it’s a bit of an odd choice to direct this biopic. As I mentioned above about the poster, I don’t feel like we get the full picture of Tammy Faye. Yes the film depicts her as having prescription drug addiction, but otherwise she’s portrayed as a blameless woman. It doesn’t help that the film ends with a fantastical musical number that looks like something produced by PTL itself. Thus, despite the extensive amount of screen time, in the end it’s a pretty thin character study, as I don’t think I know that much more about Tammy Faye than I did before I saw the film.

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Have you seen THE EYES OF TAMMY FAYE? I’d love to hear what you think!

Highlights from TCFF 2017 Opening Night… BREATHE, THE FLORIDA PROJECT & THE YEAR OF SPECTACULAR MEN

It’s that time of the year again folks! Yep, it’s the time when I basically made Showplace ICON at the West End as my second home for the next eleven days. And for the eighth year in a row, Twin Cities Film Fest always opens up with a bang! This year we’ve got such a strong line up that there are not one, not two, but three strong films playing on opening night… Breathe, The Florida Project and The Year of Spectacular Men.

I saw Breathe and The Year of Spectacular Men practically back to back, but before I get to the films, I also got to interview talents (one of the major perks of a blogger’s life!), and even better if the talents are your friends!

I haven’t got a chance to transcribe the interview just yet (I got home around 11:30 and had to work the next day), but for sure it’ll be posted in the next few days. Congrats Jack & Kitty! How awesome that director Sean Baker himself picked the four songs they wrote to be in The Florida Project! Stay tuned on how that came about in the interview!

I wish I could be at two places at the same time! I was hoping I could do the red carpet interview w/ Lea Thompson and her two daughters, Madelyn and Zoey Deutch, but I was still in the theatre for Breathe. Thankfully, my guest blogger Andy Ellis was able to do it… so hopefully we’ll get the interview in the next few days.


Films based on a true story is a dime a dozen in Hollywood, but once in a while comes along one that truly tugs your heart strings. Breathe is Andy Serkis‘ directorial debut, who’s best known for his mo-cap work for Lord of the Rings and the ‘Apes’ films. Featuring two extremely talented performers, Andrew Garfield and Claire Foy, this film not only inspires but also sweeps you off your feet with its beauty. Beauty in terms of the visuals of the English countryside and Kenyan landscape, but also the beauty of the human heart.

Garfield portrays Robin, a man stricken by polio at the age of 28, which left him paralyzed. But with the help of his loyal wife Diana and his caring family and friends, Robin is able to not only survive but truly live. The film perhaps feels decidedly old school and unabashedly sentimental at times, but I was engrossed throughout by the performances. It’s not all gloom and doom despite the protagonist’s grim prognosis, thanks some bits of humor peppered throughout. I enjoyed Tom Hollander‘s performance as well playing Diana’s twin brothers.

I wouldn’t be surprised at all to see Garfield as another Oscar contender next year, it was such a genuinely moving performance given the confines of his physical limitations.


The Year of Spectacular Men

I remember chatting to Lea Thompson last year when she came to visit TCFF and how excited I was when she said she’s making her first film! Well here we are… it’s so cool that TCFF goers are the first ones to see this. It’s so new there’s not even a trailer yet!

Talk about #womeninfilm… not only did Lea directed this, it’s also a family project with her two daughters Madelyn and Zoey Deutch. Madelyn wrote, star and scored the film as well, and her husband Howard Deutch produced the film. The story is about a young girl struggling to navigate life after graduating from college. So it’s a Millennial movie, but the themes of ‘trying to find answers’ and ‘wanting real human connections’ are something we can all relate to no matter how old we are.

The script is brutally honest and not afraid to show the pain and absurdity of millennial dating life. The two sisters have an effortless chemistry together, and the the joy and pain of sisterhood is genuinely moving. I like the scene towards the end where the two sisters laid down on concrete in front of their apartment and yelled out things that have caused them pain. During the Q&A, Lea revealed that is her favorite scene to shoot.

Madelyn’s certainly a talented writer, and like their mother, both Madelyn and Zoey have good comic skills. It’s so inspiring to see a family come together and make art together, it’s fun seeing the three of them come up for Q&A after the film. What a great film to end a strong opening night… I love that TCFF continues to support and encourage women filmmakers!

Q&A following the screening


What’s in store for Day 2

Well I’ll be seeing A Midsummer Night’s Dream, starring another actress from Minnesota, Rachael Leigh Cook. It’s a Shakespeare adaptation set in modern-day Hollywood, where bold declarations, idiotic miscommunications and wandering amorous eyes feel right at home. That’ll be quite a contrast to the documentary A Human Flow which centers on the global refugee crisis – the greatest human displacement since World War II.

So, stay tuned to more daily TCFF coverage!


FlixChatter Review: Martin Scorsese’ SILENCE (2016)

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To close out his trilogy of religious theme film that includes The Last Temptation of Christ and Kundun, Martin Scorsese has spent over 20 years on trying to bring his latest picture to the big screen. Based on the novel by Shusaku Endo and technically a remake of a Japanese film that was directed by Masahiro Shinoda from the early 1970s, it’s his most passionate film and will test the patience of many of his devout fans.

After receiving a letter from Father Ferreira (Liam Neeson), detailing his difficult times in Japan when he and other priests were trying to bring Christianity to that land in the 1600s. His two students Rodrigues (Andrew Garfield) and Garrpe (Adam Driver) decided to make a trip from Portugal to the Far East in order to find out what happened to their mentor. Upon arriving in Japan, the young priests are exposed to a secret world of local Christians who has to keep their faith under wraps because it’s consider a crime to believe in Christ. Both Rodrigues and Garrpe need to stay in low profile to avoid being seen by the Japanese authority. But soon Rodrigues was captured by local shoguns and brought before Inoue (Issei Ogata), an inquisitor who insists the priest renounce his faith by stepping on bronze image of Jesus. Refusing to break as he searches for Ferreira, Rodrigues is exposed to many horrors and extended captivity, left with only his searching, questioning mind to keep him focused on God’s love.

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Clocking in at nearly 3 hours long, it may test the patience of some of the most devout Scorsese’s fans out there. The film does feel slow at times and about 20 minutes could’ve been cut out. But on an artistic level, it might be Scorsese’s best work since The Age of Innocence. It’s beautifully shot and he even decided to not use any music in any of the more dramatic scenes, in fact I don’t recall hearing any theme music in the entire film. Anyone expecting to see some kind of graphic violent sequences will be sorely disappointed. He wisely focuses on the emotional suffering of the characters as opposed to showing the tortures in graphic details.

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Performances by the actors were great; Garfield seems to be on a roll this year. He’s been asked to carry the entire film and I thought his performance was superb. Here’s a man who truly believe in his faith and yet he has to witness some of the most horrific things that people would ever do to one another. It’s an emotional performance that I don’t believe many young actors in his generation can achieve. Driver has a smaller role and he’s decent here as a priest who seems to be questioning the existence of God. Issei Ogata gave an interesting performance as the aging shogun, he’s truly believes in his mission to eradicate any western influences to his homeland. Yôsuke Kubozuka also was very good as the slimy character that betrayed Rodrigues several times yet asked for his forgiveness. Asano Tadanobu showed up later in the film as the interpreter and tried to convince Rodrigues to renounce his faith. Lastly, Neeson gave a kind of laid-back performance but I think it fits what his character went through.

This is a heavy film and Scorsese doesn’t bring his usual stylistics to the picture, remaining more observational, relying on editing to experience the journey. Filled with beautifully-shot sequences and great performances, it’s a film that deserves to be seen but I wouldn’t call it an entertaining one.

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So have you seen SILENCE? Well, what did you think?

FlixChatter Review: Hacksaw Ridge (2016)

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It’s been ten years since Mel Gibson‘s last directed a film; the violent adventure Apocalypto was a mild success for the controversial actor and director. Many thought that film would be a comeback for Gibson, but then his personal life took another controversial hit and he’s been out of the limelight for a few years. He’s now back with another violent film that’s based on a real life WW2 American Army named Desmond Doss, who became the first Conscientious Objector in American history to be awarded the Medal of Honor.

Doss (Andrew Garfield) who grew up in the Blue Ridge Mountains of Virginia, learned the true impact of violence at a young age. During a scuffle with his older brother, Doss almost killed his sibling and after that he sworn not to hurt or kill another human beings. His alcoholic father Tom (Hugo Weaving), who happens to be a war veteran himself, tends to physically abuse his mom Bertha (Rachel Griffiths), also made him despise violence. During a visit to a local clinic, Doss’ eye catches Dorothy (Teresa Palmer), a nurse who takes a shine to his humble-but-determined ways, with the pair eventually getting engaged to be married.

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However, before they’re eloped, Doss enlists in the army, uncomfortable with the idea of staying behind while others fight for their country. When he arrives for basic training, Doss, a Seventh-day Adventist, proclaims his interest in being a combat medic, refusing to take part in gun training. Frustrating superiors Howell (Vince Vaughn) and Glover (Sam Worthington), Doss’ faith is put to the test through hazing and menial labor, making an enemy out of Smitty (Luke Bracey). When the unit is finally shipped over to Japan to take Okinawa, the ferocious battle of Hacksaw Ridge presents Doss with a supreme challenge of survival and duty.

Gibson, who I believe is an excellent director, didn’t really do anything new when it comes to storytelling. We get the usual romance montage between Doss and Dorothy, Doss being resented by his peers when he refused to pick up a weapon. But when the battle starts, here’s where Gibson shine as a director. Since he had appeared in several action films, Gibson knows how to staged some of the most intense and bloodiest war battle sequences ever put on film.

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Even though his Southern accent were inconsistent, Garfield’s performance is very good here. He’s a man of faith and really stick to his principles. I was quite surprised by the effective performances by Vaughn, Worthington, Bracey and Palmer. Weaving’s drunken father character is a bit more clichéd, but it’s nice seeing ‘Agent Smith’ playing something other than a bad guy.

It may not be in the same class as other great WW2 pictures like The Thin Red Line or Saving Private Ryan, but I was glad Gibson decided to tell this story. I’ve never heard of Desmond Doss before and after seeing this film, I have nothing but respect for late war veteran.

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Have you seen Hacksaw Ridge? Well, what did you think?

FlixChatter Review: 99 Homes (2015)

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Right from the moment this film was announced, I was immediately hooked by the timely premise and the cast. Set in Orlando, Florida and loosely based on a real-life events, Andrew Garfield plays a twenty-something single dad Dennis Nash who’s been struggling to find decent work as a construction worker. His family gets evicted from his family home where he’s lived since he was a kid, where he lives with his young son and hairstylist mom. Right away I sympathize with Nash as he just can’t seem to catch a break no matter how hard he tries.

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On the other end of the spectrum, we’ve got a shrewd, wealthy real estate broker Rick Carver, played with steely gaze and gravitas by Michael Shannon. The actor is a towering figure already at 6’3″ but there’s something inherently ominous about him that makes him so perfect for this role. It’s easy to think of Carver as nothing but a greedy bastard who’s all about making money off of other people’s misery. I mean, when he drives around the block of certain neighborhoods in his fancy car, all he sees is what profit he could make from these homes. Yet as the film progress, we see that he’s not a one-dimensional villain and there is a reason behind his madness.

Filmmaker Ramin Bahrani tackled the subject of the housing crisis with such astute and empathetic eye. The way he filmed the eviction scene is truly heartbreaking and the actors portray the grief and outrage convincingly. I read that Bahrani apparently used some non-actors playing people being evicted from their homes, but he didn’t tell the lead actors in order to get an authentic response from those scenes.

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The film is tense and suspenseful despite not having much action going on. I felt that under a lesser director, they’d probably sensationalize this story with unnecessary shoot-outs or sex scenes to drive the point across. But thankfully Bahrani chose subtlety and infuse the film with nervous energy that keeps building until a boiling point in a riveting finale. He’s definitely a director to watch and no wonder Roger Ebert called him ‘the new great American director’ in this piece from 2009. “His films pay great attention to ordinary lives that are not so ordinary at all,” the article says, and indeed he accomplished that in 99 Homes. I think being the son of Iranian immigrants gave him a unique perspective on American culture and events that shape Americans.

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The strength of the film also lie in the two leads Shannon and Garfield. It’s interesting that both have just recently done a superhero movie(s), Man of Steel and Spider-Man, respectively. But you won’t even associate either of them with those roles, which is a testament to their fantastic performance and versatility. Garfield captured the anguish of his character perfectly, and he makes for a convincing young dad. There are some emotional scenes between him and his son (Noah Lomax, who bears a striking resemblance to Garfield), as well as his mom (the always watchable Laura Dern). He has a great rapport with Shannon and they play each other off so well. I have to mention Tim Guinee as well who has a small but memorable supporting role as a friend of Nash who’s driven to extremes by circumstances.

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This film certainly doesn’t paint the real estate system in a flattering light, but yet somehow Bahrani manage to present the story as it is. It’s not a preachy piece that push a certain agenda. It’s more about two characters from two opposite real estate spectrum, and how their lives end up affecting each other in ways they’d never imagine.

Like any formidable house, 99 Homes is built on a strong foundation of a sharp script and held up by intuitive direction and powerful performances. A timely drama that will linger long after the closing credits. I can’t recommend this one enough. I definitely look forward to more films by Ramin Bahrani and more intriguing roles for both Garfield and Shannon.

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Have you seen 99 Homes? Well, what did you think?

Thursday Movie Picks #53: Science Fiction Movies (No Space/Aliens)

ThursdayMoviePicksHappy Thursday everyone! This is another entry to the weekly Thursday Movie Picks that’s spearheaded by Wandering Through the Shelves Blog. Here’s the gist:

The rules are simple simple: Each week there is a topic for you to create a list of three movies. Your picks can either be favourites/best, worst, hidden gems, or if you’re up to it one of each. This Thursday’s theme is… 

Science Fiction Movies (No Space/Aliens)

It’s interesting that the requirement for this sci-fi genre is no space/aliens as a lot of my favorites in this genre aren’t the ones with aliens in them. In fact, I love sci-fis that don’t look or feel science fiction-y, in fact, intriguing sci-fis are those with rich layers of human drama that remind us what it means to be humans.

I immediately thought of including Ex Machina here, but I decided not to include something from this year. Instead, I’m selecting three from the past few years that have a small/modest budget (under $25 mil) that have made a big impression on me:

Predestination (2014)

The life of a time-traveling Temporal Agent. On his final assignment, he must pursue the one criminal that has eluded him throughout time.

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As I mentioned in my review, the less you know about the plot the better the experience. Since I was just talking about directing duos, I have to mention the Spierig Brothers who also made this vampire sci-fi Daybreakers. The premise is rather bizarre and definitely not an easy one to grasp, but it’s well worth a watch. I like how the film started out with a bang but then the pace slows down considerably in the first act as we’re introduced to the characters played by Ethan Hawke and Sarah Snook. The odd pacing seems deliberate and I actually think it’s pretty effective and engrossing in getting us to care about their journey. Snook is quite a revelation here and I kept hoping to see her getting prominent roles.

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HER (2013)

A lonely writer develops an unlikely relationship with his newly purchased operating system that’s designed to meet his every need.

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Once in a while, a film you hadn’t heard much about suddenly sneaked in and took your breath away. In 2013, that film for me was HER. That’s what I wrote in my review over a year ago, and there’s still very few films that affected me emotionally the way this one did.

There are many robot/human *love* stories that’s been done time and again but what Theodore Twombly (Joaquin Phoenix) experienced with Samantha (voiced brilliantly by Scarlett Johansson) is quite unlike any other. For one, there’s no physical presence of Samantha in the film but yet her presence is felt so viscerally. I’m going to borrow my from my own review… This is the kind of thought-provoking science fiction story that I wish Hollywood would make more of. Sci-fi is not always about aliens or cool-looking futuristic equipments or cars or what have you, but a good sci-fi should actually makes us ponder about our own humanity. I realize this film isn’t for everyone as there are a few people I recommended this to that aren’t wowed by it. That said, I think you owe it to yourself to at least give this one a shot.

Never Let Me Go (2010)

A love triangle develops between three friends who came of age at a mysterious, secluded boarding school and are destined to lead brief lives.

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This is another film where the less you know about the plot the better. If you just look at still photos or even the poster (which you can see on my review post), you’d never thought this is a sci-fi. It looks more like a mystery drama, and I think that’s the vibe director Mark Romanek was going for. Working from Alex Garland’s script, who later made his directorial debut in Ex Machina, the pace is decidedly slow and graceful in the way things unfold. The romantic drama sensibilities offer a stark contrast to the cerebral sci-fi nature of the story. I really need to watch this again, but I remember being really absorbed by this film. Carey Mulligan and Andrew Garfield are excellent here, it’s still one of my favorite performance from both of them even after seeing more of their work. It’s also exquisitely-shot in muted hues that perfectly match the somber tone of the film.

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What do you think of my sci-fi picks this week? Have you seen any of these films?