FlixChatter Review: MISTY GREEN—Rosalind Eleazar sashays in her first feature leading role; alas, the script is far from being rock-solid

Hollywood has always been obsessed with itself. Just look at the last decade—there are tons of movies about the industry in every genre you can think of, from historical dramas to funny satires to biopics. Misty Green is the newest addition to that pile, marking Chris Rock's fourth feature that he wrote and directed. I …

Continue reading FlixChatter Review: MISTY GREEN—Rosalind Eleazar sashays in her first feature leading role; alas, the script is far from being rock-solid

FlixChatter Review: TONY (2026)–A24’s unflinchingly honest portrait of culinary legend Anthony Bourdain as a brash, brilliant young lout

I always find it fascinating when well-known artists, like actors and musicians, mention in interviews that they never intended to end up in their current careers. Whether it’s due to an injury, unexpected life events, or simply a change of heart, at some point, they shifted to the profession they’re now recognized for. This was …

Continue reading FlixChatter Review: TONY (2026)–A24’s unflinchingly honest portrait of culinary legend Anthony Bourdain as a brash, brilliant young lout

Guest Review: How to Make a Killing (2026) – Powell is good as an everyman type protagonist, but it’s Qualley & Henwick who delivered killer performances

Hollywood is desperate to find their next big superstar to lead big blockbuster films. The current crop of super stars are getting older; many of them are already in their 50s and 60s. They have been trying to turn actors and actresses into super stardom for almost two decades now, and so far, only a …

Continue reading Guest Review: How to Make a Killing (2026) – Powell is good as an everyman type protagonist, but it’s Qualley & Henwick who delivered killer performances

FlixChatter Review: SORRY, BABY (2024) – Eva Victor’s unapologetically wry, quirky yet tender tragicomedy 

Something unfortunate occurred with Agnes. But life continues on - at least for everyone else around her. The logline doesn’t reveal exactly what that unfortunate event is, and neither does the movie itself. Presented in a non-linear way, the movie is broken up into chapters with titles that begin with ‘The year where [something happened]’, …

Continue reading FlixChatter Review: SORRY, BABY (2024) – Eva Victor’s unapologetically wry, quirky yet tender tragicomedy 

FlixChatter Review: Death of a Unicorn (2025) – a creative and enjoyable horror comedy with plenty of laugh-out-loud moments

Written & Directed by Alex Scharfman In Death of a Unicorn, father and daughter Elliot (Paul Rudd) and Ridley (Jenna Ortega) are visiting the remote mountain lodge of an insanely rich pharmaceutical CEO and his family in the hopes of Elliot attaining a partnership in the company. On the drive to the mansion, the duo …

Continue reading FlixChatter Review: Death of a Unicorn (2025) – a creative and enjoyable horror comedy with plenty of laugh-out-loud moments

FlixChatter Review: A24’s JANET PLANET (2024) – Annie Baker’s kooky but tender mom-daughter drama starring the criminally underrated Julianne Nicholson

There have been some memorable parent-child films I’ve seen of late: Nowhere Special, Ezra, and Ghostlight, to name a few. Here we have a single mother named Janet who lives with her 11-year-old daughter Lacy in rural Massachusetts. What really drew me to this film is its connection to the theater world, as it's directed …

Continue reading FlixChatter Review: A24’s JANET PLANET (2024) – Annie Baker’s kooky but tender mom-daughter drama starring the criminally underrated Julianne Nicholson

FlixChatter Review – Alex Garland’s CIVIL WAR (2024) – an intense, gripping dystopian thriller that doesn’t take political sides

When writer/director Alex Garland announced that his next film was about a civil war in the United States, I was a bit concerned. Considering how divided we are as a country; I didn’t think a film about civil war in this country would be a good idea. When a trailer was released, I was still …

Continue reading FlixChatter Review – Alex Garland’s CIVIL WAR (2024) – an intense, gripping dystopian thriller that doesn’t take political sides