Directed by: Chris Addison
Written by: Stanley Shapiro, Paul Henning, Dale Launer, and Jac Schaeffer
The Hustle follows two con artists: bold and brash Penny (Rebel Wilson) and cool, calculating, professional Josephine (Anne Hathaway). The two meet when Penny travels to the glamorous French Riviera town where Josephine lives in the hopes of scoring some bigger cons, and Josephine feels there isn’t room for the both of them. The two make a bet on which one can scam a young tech millionaire, Thomas Westerburg (Alex Sharp) out of $500,000 within a week to prove which con artist reigns supreme-and Penny has learned more of Josephine’s tricks than Josephine might realize.
My biggest gripe about The Hustle is that the story it delivered wasn’t the story that was advertised; from the IMDB plot summary to the TV and radio commercials, the movie was described as being about “female scam artists […] who team up to take down the men who have wronged them,” and that really doesn’t happen at all. That would have been an interesting twist on the con artist movie trope, especially considering this movie is already a remake of a remake (1988’s Dirty Rotten Scoundrels, which is a remake of 1964’s Bedtime Story). Firstly, the two barely team up; Josephine briefly trains Penny in her more sophisticated scamming ways, and the pair does scam a handful of men out of expensive engagement rings, but the team-up portion of the movie doesn’t last long; most of the focus is on the two women competing, which is a pretty tired relationship dynamic. Secondly, the women don’t target “men who have wronged them.” While Penny does focus on men who are exceptionally shallow, and Josephine briefly mentions that men underestimate women, which is why it’s easy to scam them, none of it is personal; they’re just doing it for the money and the jewelry, which, again, isn’t exactly a fresh motivation for a con artist story.
The leading ladies are the movie’s saving grace; while the material isn’t brilliant, Rebel Wilson and Anne Hathaway do a spectacular job with what they’re given. Rebel has proved her comedic skills time and time again, and her performance in this movie is no exception. Anne is hilarious as well, especially when she’s pretending to be someone else for a con (her German doctor persona toward the end cracked me up), although as just Josephine she is a bit one-note. The supporting cast is good as well; Alex Sharp is genuinely likable as Thomas Westerburg, and Nicholas Woodeson as Albert, one of Josephine’s employees, gives an especially funny performance despite having next to no dialogue.
While the plot and dialogue are pretty forgettable, the acting is enjoyable, so while I wouldn’t say The Hustle is worth seeing in theaters, it might be worth a watch if it’s available on Netflix or any other streaming service.
Have you seen the latest THE HUSTLE? Well, what did you think?