The fifth installment of the Jurassic franchise already made nearly half a billion bucks before it even opened here in North America (it now stands at over $700mil). So yeah, its financial prowess still prove to be monstrous, even as the power of its monsters continue to reach diminishing returns.
If you haven’t seen the movie, don’t worry about spoilers as I marked them properly. But if you have seen it, you can highlight the hidden text to read ’em.
In reply to my meh comment about the movie, my co-worker said ‘it’s a movie about dinosaurs, you can’t expect it to win an Academy award.’ True. I never expected an Oscar-caliber movie, but still, it’d be nice for a blockbuster of this magnitude to at least aim for greatness. I recently rewatched Jurassic Park and still gasped when the dinos were first revealed. Alan Grant’s and Ellie Sattler’s reactions were so infectious that we’re vicariously living through their experience and seeing those dinos for the first time through their eyes. The moment Dr. John Hammond said ‘Welcome to Jurassic Park!’ still gave me goosebumps. Well, the genuine sense wonder of the Spielberg original is gone, and so are the characters worth rooting for. This article from Decider.com is absolutely correct that every Jurassic sequel forgot what made the Spielberg original so great.
The only genuine thrill for me in this movie is the opening sequence under water which felt JAWS-like (perhaps an input from Spielberg who still serves as executive producer?) But after that it’s more like Jaws 3-D. The movie overall is practically thrill-free as nearly every sequence is predictable. In the first Jurassic World, we saw the luxury theme park/resort destroyed to bits by the dinos. Well, as soon as the movie shows news footage of it with the remaining dinos now threatened by molten lava, we know they’ll be back on Isla Nubar in no time. So thanks to Dr. Hammond’s former partner Benjamin Lockwood (James Cromwell), the film’s protagonist Claire is soon back to the island to save her precious dinosaurs.
Bryce Dallas Howard can’t seem to part w/ those darn heels, and the camera made sure (in a defiant way) that we noticed them. Never mind her choice of footwear, I just can’t fathom why Claire loves these dinos so much when she clearly didn’t mind working for a corporation which sole purpose is to profit from these creatures. But the writers didn’t bother to give any of the characters any background story or at least a semblance of real human beings. Heh, even in a fantastical universe like Star Wars and the Marvel superhero movies, you expect the characters’ drive/motivations to at least feel true. Here, the humans’ behavior are so ridiculous they should be the ones extinct!
New dinos, but same old human greed. The theme of ‘greed breeds catastrophe’ is even more derivative when the novelty factor of genetically-bred dinosaurs has worn off since the last movie. As an Indonesian, I’m quite amused they keep naming the scariest dinos with ‘indo’ Indominus Rex in Jurassic World and the new one, IndoRaptor. Spoiler alert (highlight to read): the first bidder of the dino auction is from Indonesia, too, ahah.
Of course Claire’s not going back there alone without her beefcake ex boyfriend Owen. Seriously, the movie actually refers to Chris Pratt‘s character as that, complete with eye-rolling sarcasm. There is so little chemistry between Owen and Claire, but that’s not the actors’ fault as we’re given very little reason to care for either of them. Is it just me or Pratt looks bored the entire time here? And what’s with all the squinting?? Unlike his role in The Guardians of Galaxy (or even his brief appearance in Her), Owen is devoid of the wit and playful charm Pratt is known for, but then again ‘devoid’ is the perfect word to describe this movie.
The supporting cast are basically stock characters. The wuss computer genius dude (Justice Smith) and bad ass paleo-veterinarian (Daniella Pineda), played by a black actor and a Latina actress to fulfill the diversity quota. But since the writers (Derek Connolly & Colin Trevorrow) don’t even bother to give any depth to the main characters, let alone these guys. Poor Rafe Spall and Toby Jones (more terrific Brits wasted in a giant Hollywood tentpole flick) are relegated to a vanilla run-of-the-mill corporate ‘monsters’ who merely view these dinos in terms of dollar signs.
Spoiler alert: I gotta give him points though that he somehow manage to hide some freakishly scary dino under his boss’ mansion’s basement. I mean come on! You’d think its yawning sound alone would wake up anyone within 10 mile radius?? That’s not the most absurd bit of all though, that ‘honor’ would have to go to the auction scene. I mean, a bunch of billionaires gather for dinosaur auction. We’re talking about ‘the most dangerous creature that ever walked the earth’ as the auctioneer described, on full display inside poorly-constructed cages! As if that wasn’t enough, they’re selling these for a mere $10 million dollars?? Sotheby’s auctioneers would laugh in their faces. That’s even less than a penthouse in Manhattan or the Bay Area. What is this? Dinos Rummage Sale??
Naturally plot holes abound in this movie, but I guess logic be damned when you go into a movie about dinosaurs roaming around on earth, facing yet another extinction no less. So the sheer lack of logic is not the movie’s biggest fault (after all my suspension-of-disbelief level is already in overdrive), it’s the fact that it’s a dull movie. Not only is the ‘dinos as war weapons’ plot is unimaginative (and incredibly stupid), many of the scenes are recycled material. There are countless moments that lazily mimic the original (i.e. ‘objects in mirror are closer than they appear’ in rearview mirror, the raptors in the kitchen, etc.) yet nary any of the suspense and terror of the original.
I still remember fondly, vividly, the water ripple (or even the green Jello shaking) scene because of that visceral sense of dread. Here all the dino violence and gore are on full display as they trample, maim, chomp the human victims to bits, but none of it create a genuine sense of thrilling terror. Not much of emotional resonance here either (there is one scene on Isla Nubar that tugged my heart strings a bit, but even that felt like orchestrated melodrama), as the relentless action and convoluted plot pile on. Spoiler alert: That bit about the snoopy little girl being a clone thanks to Dr. Hammond’s technology is intriguing but the movie didn’t really expand much on it at all. Instead, they borrowed a scene from Nightmare on Elm Street w/ the IndoRaptor’s trying to claw her on her bed.
I gotta mention about the music. Michael Giacchino is a great composer but the music here feels so busy. It made me miss John Williams’ spectacularly-iconic score that’s only used in bits and pieces, too brief to make any real impact.
Spanish filmmaker J.A. Bayona have proven his chops with his smaller-budget films The Orphanage and The Impossible. I think his directing is okay, I take more issue with the absurd, criminally-vapid script that no amount of flawless CGI or mechanical dinosaurs can cover up. So Claire later swapped her heels with the more sensible boots, but unfortunately the movie itself refuse to evolve from being a formulaic, engineered money-making machine for the studios. Honestly, it left a terrible aftertaste as soon as I left the theatre. It’s a franchise that’s way past its extinction date.
P.S. If you love Jeff Goldblum… spoiler alert: Yes, he’s back as Ian Malcolm but all his scenes are in the trailers and nope, he has zero interactions w/ any of the dinos. Another criminally-wasted talent, especially considering how fun he was in the recent Thor: Ragnarok. I mean why bother hiring Goldblum if you’re just gonna have him sit in a congressional hearing the entire time??
Well, what do YOU think of Jurassic World: Fallen Kingdom?