I hadn’t heard much about this film until I saw the trailer a couple of months ago. Apparently it was based on a section at Disney theme parks, featuring attractions that depict views of the future. The movie opens in the mid 60s with a young boy Frank Walker (Thomas Robinson) who made his way to a New York World Fair, feverishly excited to show off his flying jetpack invention that reminds me of something out of Disney’s The Rocketeer. It’s not working properly yet and so a renowned inventor David Nix (Hugh Laurie) rejected it.
Despite his failure, Frank’s enthusiasm caught the attention of a mysterious young girl named Athena, and that’s how he ended up in this amazing futuristic city that seem to exist in a parallel dimension. I was caught up in that sense of wonder as the buildup promises something that would totally blow me away. The movie seems to have a lot going for it – an intriguing sci-fi mystery concept, a talented director and big name star. It also boasts some spectacular and imaginative visuals, which is to be expected from a budget of nearly $200 mil. Alas, I kept waiting to be completely in awe of the movie right up until the end, but that moment never came.
The only times where the movie REALLY tickle my curiosity is in that first 10 minutes with the young Frank when he first saw the futuristic city. There’s also the first few minutes after a young teen named Casey (Britt Robertson) found the mystifying pin that upon touching it transports her into the spectacular universe filled with futuristic skyscrapers, connected by a sleek-looking monorail. According to this article, ILM spent 2.5 years to produce over a thousand effects shots, employing 200 employees to create that futuristic world. Was the result something that would knock your socks off? Visually, yes. But if only Disney would invest in a script that is equally awe-inspiring.
Even though the movie has a lot to say about invention and creativity, the script from Damon Lindelof and Brad Bird is largely uninspiring. It’s really a huge letdown as the build-up was so promising and I was really hoping to be wowed by it all. The uneven tone throughout the movie proved to be rather distracting and the movie never quite find its footing. Midway through the movie, when Casey entered an antique shop looking for answers about the pin, the film descend into a slapstick farce. The casting of comedians Keegan-Michael Key and Kathryn Hahn just seem out of place here, but then so is country artist Tim McGraw. By that point though, I was still keen on figuring out just what the heck is going on, and so I went along for the ride.
But the more the plot is unraveled, the more underwhelming the movie becomes. The finale is formulaic, even borderline absurd, and worst of all, preachy. I appreciate the message of optimism and the attempt to inspire youth’s imagination, but I really could do without the preachy-ness of taking better care of our world, etc. Suddenly I was given an environmental lecture from a rather lame villain who barely has any character development in the movie. I really don’t know what to make of Laurie‘s character but one thing for sure, the talented actor was wasted in this role.
George Clooney adds star power in the role of the older Frank, though he spends most of the movie being curmudgeon rather than his charming self. I was more impressed by the young actors, especially Robertson who infused the role with her buoyancy and genuine optimism. English actress Raffey Cassidy is absolutely adorable as Athena who’s perhaps the heart of the movie. Together with Robertson, the two young actresses also provide some unexpected comic relief. There are fun moments scattered throughout, like the scene involving the Eiffel Tower, but overall the movie just feels haphazard and irritatingly heavy-handed. It’s disappointing given the talents involved, especially Brad Bird who’s a creative visionary behind The Iron Giant and The Incredibles. I suppose I should’ve been worried when I saw Lindelof’s name attached to the script, given what he did with Prometheus, among other things.
Similar to another big-budget sci-fi Elysium, this movie feels like a poorly-executed ambitious concept. I wouldn’t say Tomorrowland is a terrible film or that it’s completely without merit. I think kids might still enjoy it and there are plenty of cool, shiny things to wow them. But for me, all the visual gadgetry and bombastic action involving giant robots and weird cyborgs ring hollow. At 130 minutes, there are numerous fillers that feel pointless by the end of it. It’s like an exhilarating ride that was fun for a while, then runs out juice halfway through but yet kept going on for far too long.
Have you seen Tomorrowland? Well what do YOU think?