Guest Post: Sundance review of SLOW WEST

Special thanks to Iba from I Luv Cinema for her Sundance review!

Ah, the western – on its surface, it would seem it is not to my favorite cinematic genre. But upon further examination, I must admit it has produced some of my all time favorite films (High Noon, Unforgiven, The Searchers, The Ox Bow Incident). At their best, westerns have the potential to provide an insightful glimpse into the human condition. Or, they could just simply be well executed, rock-em, shock-em, shoot-em-ups.

I am still not sure that Slow West will enter the pantheon of the films in this genre that I hold in the highest of regards, but I will concede that I enjoyed the film.

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Set in the sweeping expanse of the western frontier of 19th century America (but shot in New Zealand), Slow West is the journey of young Scot nobleman Jay Cavendish (Kodi Smit-McPhee) as he leaves his homeland in search for his love Rose Ross (Caren Pistorius). Along the way, he runs into a variety of characters – most importantly Silas (Executive Producer Michael Fassbender), who is to be his guide. It is clear that Silas is an opportunist of sorts, but how far down the rabbit hole is the question we will ask ourselves, and later discover over the course of the film.

Slow West combines the wild serenity of the environs, with moments of explosive (and sometimes surprising) violence – even by Western standards. And, in the midst of all this, the film finds instances of irony that will make you laugh out loud – seriously, I laughed for at least two prolonged periods.

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While this film may not lay out the big moral questions of those previously mentioned films that I love so much, there is a sequence at the end, which, based on how you view it, may serve as a reminder of what has been gained and lost on this journey propelled by young love.

In addition to the love story, the “stranger in a strange land” theme pervades throughout – so it is apropos that the film is lensed by a “stranger” of sorts – Scottish-born, BAFTA-award winning writer-director John Maclean (Pitch Black Heist). Slow West marks his full-length feature (and Sundance) debut.

It would be remiss of me not to credit the work of all the actors involved for a job well done. Mind you, Smit-McPhee and Fassbender are the central protagonists, but the film felt like a truly collaborative experience.

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In the end, I feel that Slow West is a film that is accessible even if you are not a particular fan of the genre. Or, if like me, you have yet to truly discover how much the genre has to offer you cinematically.

* Slow West was the 2015 Sundance winner of the World Cinema Jury Prize: Drama.

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Review by Iba @
ILuvCinema


What do you think of Slow West? Are you keen on seeing it when it’s released near you?

Guest Post: Sundance review of Z for Zachariah

Special thanks to Iba from I Luv Cinema for her Sundance review!

ZforZachariah1Boy the things you learn when you decide to just hop in and catch a film. For instance, I did not know that there was a source material to this three-hander, post-apocalyptic drama. Z for Zachariah, directed by Sundance veteran Craig Zobel, is based on the same-named sci-fi novel written (and published posthumously) by young adult author Robert C. O’Brien. With a big screen adaptation penned by Nissar Modi, the film stars Chiwetel Ejiofor, Margot Robbie and Chris Pine. Yup, that is it. No one else. So you better like them, because for the duration of the film’s 95 minute running time, they (and a dog) are all we have to entertain us.

ZforZachariah3From jump, we know something is horribly wrong, as the world (or at least this part) appears to have gone to waste. However, among these ruins, we also land in an ‘Eden” – a spot that seems untouched by the chaos. Ann Burden (Margot Robbie) is our guide through these landscapes. She is alone, that is until she comes across Loomis (Chiwetel Ejiofor), a scientist, who until fairly recently, has lived underground. Circumstances will necessitate that they work together to build a life; I mean, really it makes sense that when you find someone, they should become an ally. Or will they? Because just as we get comfortable with these two and the bond they are forming, in walks Caleb (Chris Pine) an enigmatic crasher to their party of two. Immediately tension enters our idyllic hideaway as the two men contend for Ann.

In a slight deviation from the source material, I find it interesting that the filmmakers decided to essentially split the Loomis character from the novel into two people. In doing so, it ratcheted up the tension, thus creating a post-apocalyptic love triangle. This definitely presents an interesting dilemma for her as she sees these two men essentially duking it out for her as the prize. They could not be any different in their approaches – there is the soft, slow burn of her relationship with Loomis starkly contrasting the raw urgency of her interactions with Caleb.

ZforZachariah2Aside from romantic complications, we also have before us a story with heavy biblical references; set in a paradise (lost) of sorts, there is a Cain versus Abel-like battle waging between the two men. Oh well, maybe it’s just me …

Overall, I would say Z for Zachariah was an interesting cinematic exercise. If you are a lover of a well-crafted love story set in the blight of an apocalyptic fallout, I suggest you take a look-see. It is indeed beautifully shot and well acted. In fact, the film did hold my attention until that very (ambiguous) end – which when you think about it, maybe was not so ambiguous after all …

It is ultimately up to us to decide.

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Review by Iba
ILuvCinema


What do you think of this film? Are you keen on seeing it when it’s released near you?