Guest Post: Musings on the casting for the upcoming ‘Wicked’ The Movie

Hello everyone! Today we’ve got a guest post from across the pond. Simon Harding is a blogger w/ Theatre Breaks website who writes about London’s Theatreland. As FlixChatter is primarily a film blog, today’s post relates to an upcoming musical adaptation.


‘Wicked The Movie’ On Its Way!

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We can hardly contain our excitement at the thought that one of the most popular musicals ever, Wicked, will soon be making the transition from stage show to the silver screen. The project was given the go-ahead by producer Marc Platt back in November last year, although he was definitely a bit cagey about when the movie would get the great Hollywood treatment… but no matter. It’s enough to know right now that the film will get here eventually, even if it’s in a few years’ time.

[According to IMDb, the movie’s to be directed by Stephen Daldry (Billy Elliot, The Hours) – ed.]

But who’s going to bag the main parts? Who are we most likely to see claiming the roles of Glinda and Elphaba?

Names like Samantha Barks, Kristen Bell, Meryl Streep and Anna Kendrick have all been bandied about for the main parts in the film, and now the original Glinda – actress Kirstin Chenoweth – has chimed in with who she thinks would be ideal for some of the roles.

According to Movie Pilot, Kirsten would like to see young actress Dove Cameron take on the part of Glinda and Lea Michele tackle Elphaba if the cast is going to be on the young side. If the producers decide to cast people in their 30s instead, Kirstin would be happy to see Beth Behrs be Glinda and Zooey Deschanel come on board as Elphaba.

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Emily Blunt & Reese Witherspoon

Here at Theatre Breaks, we’d happily see Emily Blunt claim the part of Elphaba for her very own, and Reese Witherspoon as Glinda. Did you catch her turn in Walk the Line? The girl can sing!

Anyhoo, it’s a long way off yet until December 2019, so we’re sure more rumours will abound as to who will take the main parts.


If you’d like to book tickets to a Wicked theatre show in the UK, check out the prices and seat availability on the Theatre Breaks website.


Who would you like to see take on the roles of Elphaba and Glinda? Let us know who your picks would be in the comments below.

Five Favorite Music of the 2012 Olympics Musical Director David Arnold

In just a matter of hours, the opening ceremony of the 2012 Summer Olympics in London will be underway. So have you been following the Olympics coverage? It’s interesting how a lot of film folks are involved in the ceremony. British directors Danny Boyle (28 Days Later, Slumdog Millionaire)and Stephen Daldry (Billy Elliot, The Reader) have been tasked to conceptualize the Games’ opening ceremony, which reportedly will  be heavily influenced by Shakespeare’s play The Tempest. Now, serving as the musical director is renowned British composer David Arnold.

So I thought it’d be fitting that for this week’s music break, I shine the spotlight on Mr. Arnold and five of my favorite scores from his collection. But before I get to that, here’s some info about the 50-year-old composer:

Arnold made his debut into writing music for film in 1993 with The Young Americans, which was directed by his college friend Danny Cannon. He then went on to working on Stargate, amongst others, which led to him scoring two more films of Roland Emmerich: Independence Day and Godzilla. He’s perhaps known for his work on many James Bond films. As I’ve mentioned on my previous music break post Casino Royale, Barry was impressed with Arnold’s James Bond music album that he recommended him to Barbara Broccoli to work on the music for Tomorrow Never Dies. He has since scored four more Bond movies: The World Is Not Enough, Die Another Day, Casino Royale and Quantum of Solace.

He won’t be scoring the next Bond film Skyfall, but it’s not because of his Olympics 2012 commitment. As quoted in the Cultbox.com interview, Arnold said, “My availability wasn’t an issue. [The film’s director] Sam Mendes wanted to continue his working relationship with Thomas Newman.”  He is however, involved in the super massive James Bond 50th Anniversary movie box set, it might actually take 50 years to watch everything on that monstrous amount of content!

In any case, here’s five favorite David Arnold scores, and it’s no coincidence that his work I LOVE most is from a Bond movie! 🙂

Casino Royale

You’ve perhaps listened to the City of Lovers score which is my favorite of the entire album. But related to that is this Vesper theme:

The Word is Not Enough

Yes, another Bond movie. But I absolutely LOVE this title song performed by Garbage. Arnold co-wrote the song with Don Black, who’s also no stranger to the Bond franchise, having worked on music from Thunderball to Tomorrow Never Dies. The movie is terrible but I can listen to this over and over again. It’s cool, modern but also has a certain emotional feel to it. Too bad the movie itself doesn’t live up to this awesome song.

Here’s the gorgeous score itself which I quite like:

Independence Day

I’m not a big fan of Roland Emmerich’s work but ID4 is undeniably still one of the best alien-invasion disaster movie to date. In fact, it’s become a traditional viewing every 4th of July for a lot of people, and you don’t have to be Americans to cheer to Bill Pulman’s rousing speech as the US president: ‘…today we celebrate Independence Day!” One of the best things about that movie is the equally patriotic and heroic score, it even has that unabashedly defiant tone. Whenever I hear this end title score, I could imagine Will Smith punching the slimy alien with that smug look on his face! 🙂

The Chronicles of Narnia: The Voyage of the Dawn Treader

I didn’t like the third movie of the first one [maybe I just miss Mr. Tumnus, ehm] But I LOVE the majestic score. It has that epic, mythical feel to it which is perfect for the film, but yet it’s warm and heartfelt, I like the subtle sound of children choir in the background as well.

BBC Sherlock

One of the things I notice right away when I watched this marvelous BBC series is the lively theme song! It just fits the tone and this contemporary re-imagining of Sherlock of the 21st century. It has a bit of an ethnic feel to it and I love how fabulously whimsical and witty it sounds, just like the dialog. The music is composed by Arnold with his long-time collaborator Michael Price.



So do you enjoy any of these? Now tell me, what’s YOUR favorite work from David Arnold?