New Teaser + Poster Spotlight: A24’s The Green Knight

It’s not every week I do a post about an upcoming movie. But hey, after Oscars wrapped this past weekend, I’m just looking forward what’s in store this year. I had never even heard of this movie before, but when I saw this provocative poster came across my Insta, courtesy of A24, I knew I had to post about it!

It’s funny that I actually just talked about Dev Patel w/ a fellow blogger Brittany from Rambling Film blog and that we’re both crushing on him right now 😉 How awesome to see that he’s actually the leading man of this movie, in a Medieval fantasy no less!

Here’s the premise, thanks to Paste Magazine:

An epic fantasy adventure based on the timeless Arthurian legend, The Green Knight tells the story of Sir Gawain (Dev Patel), King Arthur’s reckless and headstrong nephew, who embarks on a daring quest to confront the eponymous Green Knight, a gigantic emerald-skinned stranger and tester of men. Gawain contends with ghosts, giants, thieves and schemers in what becomes a deeper journey to define his character and prove his worth in the eyes of his family and kingdom by facing the ultimate challenger. From visionary filmmaker David Lowery comes a fresh and bold spin on a classic tale from the knights of the round table.

Behold the new trailer!

Glad I read a little bit about the story of the poem it’s based on, Sir Gawain and the Green Knight, whose original writer is unknown. Sir Gawain is a knight of King Arthur’s Round Table, and of course King Arthur is an extremely popular literary subject that’s been adapted countless times on film and other forms of media. Right away it gives me a bit of Game of Thrones meets Tarsem’s Immortals vibe. The fact that it’s A24 developing it makes me extra excited for it… it looks ominous + mysterious, and a foreboding score. Not sure if it’s going to get an R rating, but looks like it’s likely pretty violent. Now, if only we can have Sean Harris play a mute for once? Sorry but I can’t stand his hoarse voice, ugh!


As I mentioned, I love Dev Patel’s casting, who over the years has proven himself to be a versatile actor who can play virtually any role. He isn’t the first actor I’d imagine to play a heroic Medieval knight, but why shouldn’t he be? I love how many theaters in the Twin Cities have incorporated many actors of colors in many literary classic adaptations of Shakespeare and Jane Austen, so why can’t they do the same in films and tv works? The important part is the actor captures the ‘essence’ of the character. Most recently Patel also played a famous literary character by Charles Dickens in The Personal History of David Copperfield.

The rest of the cast includes Alicia Vikander (Lady Bertilak) and Joel Edgerton (Lord Bertilak), as well as Barry Keoghan, Sean Harris, Kate Dickie, and Ralph Ineson. As for the filmmaker, I’ve only seen Pete’s Dragon (which I love) by David Lowery, but his most recent film The Old Man & the Gun starring Robert Redford is highly acclaimed by critics.

I’m glad I’ll be seeing more of Patel this Spring. The the David Copperfield movie is to be released on May 8 and per IMDb, The Green Knight is released on May 29.


What do you think of THE GREEN KNIGHT?

FlixChatter Review – Mission Impossible: Fallout (2018)

The Mission: Impossible film franchise is one of the few that somehow got better and better after its third sequel struggle to make a dent at the box office. Not only did the later sequels were financially successful, they’re also critically darlings. Looking at Rottentomatoes.com, Mission: Impossible 4-6 received mid to high 90% rating.

After a mission gone wrong and three nuclear missile heads are in the hands of a new group of terrorists known as The Apostles, Ethan Hunt (Tom Cruise) and his teammates Benji (Simon Pegg) and Luther (Ving Rhames) must retrieve the weapons. When Hunt was getting an intel briefing from his boss Alan Hunley (Alec Baldwin), as to where he can find the nuclear weapons, they’re both got interrupted by a new CIA director Erica Sloan (Angela Bassett). Sloan is upset that the IMF team lost the nuclear heads and insists that her agent August Walker (Henry Cavill) must go with Ethan to retrieve them.

First on their task is to capture and impersonate a man named John Lark (Liang Yang) and meet with a mysterious woman named White Widow (Vanessa Kirby), in Paris who has the connection to the Apostles. But when Hunt and Walker met with White Widow, she insisted that they must break out an international terrorist and Hunt’s nemesis Solomon Lane (Sean Harris) from prison or they won’t get the nuclear weapons. Of course this complicates the mission but both Hunt and Walker went along and helped Lane escaped. Along the way, Hunt ran into an old friend Ilsa Faust (Rebecca Ferguson). She’s also has her own mission and that is to eliminate Lane for good. Well, things never go as planned and Hunt must use all of his skills to try to save the world from chaos and also save those who he cares about.

For the first time in franchise history, the same director and writer Christopher McQuarrie of the previous film has returned and take charge of this new mission. To my surprise, McQuarrie has exceeded what he created in the last picture. He crafted a complexed storyline that’s full of twists, drama, humor and big action sequences. By hiring new crew members, notably a new cinematographer and composer, he was able to differentiate this film from the last one. It’s clearly that he used Nolan’s The Dark Knight as his inspiration for this outing. The film even contains a big chase that’s very similar to a chase sequence from The Dark Knight. A big bathroom brawl, a spectacular motorcycle and car chase through the streets of Paris and a helicopter chase are the highlights of the set pieces.

Cinematographer Rob Hardy is having a good year. He shot the excellent Annihilation for Alex Garland earlier this year and again for this film, he did a tremendous job. This film contains so many wide shots in the series since Woo’s Mission: Impossible 2. This is good because we the audience can actually see the action and not trying to figure out what’s going on super chaotic scenes. Shout out also goes to composer Lorne Balfe who apparently is the understudy of Hans Zimmer. So, of course this film’s score sounds like it’s was composed by Zimmer. There’s still the well know Mission: Impossible theme but Balfe made it sounded like something very original. Just a little trivia, Hans Zimmer did compose a Mission: Impossible film, he worked on the second one.

With three box office bombs in a row, Cruise poured all of his performance into this film. He did the usual crazy stunts but was willing to show his character’s age and flaws by having him get his ass whooped a few times in the film. The rest of the cast members were pretty good too. I was afraid Ferguson’s Ilsa Faust might just be nothing more than a cameo but her role was an integral part of the story and as usual she saved Hunt’s life couple of times in the film. Simon and Luthor didn’t really have much to do except to be comic relief. Luther did have a touching scene with Ilsa, I really liked that scene. I liked the addition of Alec Balwin’s character and he even got involved in one action scene with the team members. Bassett and Cavill were a nice addition and I hope we see more of Bassett’s character in the next Mission film. Kirby’s White Widow is an interesting character and I thought she played the role quite well even though she didn’t get a lot of screen time.

Having seen the film twice already, I can declare Fallout is the best Mission: Impossible film yet. It’s full of humor, great tensions and spectacular actions sequences. If there’s an IMAX, Dolby Cinema or other large vendor theater near you, go see it there. It’s definitely my favorite film of the summer and maybe even of the year.


So have you seen Mission Impossible: Fallout? Well, what did YOU think?

FlixChatter Review: Mission Impossible Rogue Nation

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I’ve been a fan of this long-standing franchise even from the first one by Brian De Palma. Looking back, it certainly was a more cerebral, somber affair as it took itself way too seriously. It might’ve been the fourth movie when the film took a decidedly lighter tone, but amped up the action to be even crazier. It’s akin to a cinematic roller coaster, a huge adrenaline rush from start to finish. You know when want to go for another round the moment you’re done with a REALLY fun amusement park ride? Well, that’s how I felt the minute the end credits roll.
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It’s to be expected that the stake of Mission Impossible movies get more and more well, impossible. But really, they’re not called the Impossible Missions Force for nothin’. This time Ethan and team take their craziest mission yet, and a personal one. If you’re familiar with the franchise, you know about the mysterious International organization the Syndicate, which is as skilled as the IMF and commited to destroy Ethan & co.

Right from the opening sequence with the highly-publicized plane sequence where Tom Cruise was hanging out on the side of the plane, a stunt the superstar himself performed no less than 8 times, you’ll know what you’re in for. But you’ve got to have a lot more tricks up your sleeve if you show THAT scene early in the movie. Thankfully that is the case here. If you love chases of any kind, whether it be on foot, car, motorbikes, etc. you’ll find them here. It’s as if each action scene tries to one-up the other and I have to say each one is as exhilarathing as the last.

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My favorite scene is the one within the Vienna Opera House, with stunning camera work in the narrow, shadowy corners. The fight scenes are jaw-droppingly spectacular, even more so against the classic aria of Nessun dorma. It’s truly the spectacle to watch going into a movie like this and it looks amazing on the big screen.

Early in the film, we’re introduced to a new character Ilsa Faust (Rebecca Ferguson), but THIS is her moment to shine. She’s my favorite female character in ALL of the Mission Impossible movies so far. I’d vote to have Ilsa replace Ethan Hunt in future MI movies or have her star in a MI spinoff movies. She’s THAT great. I love the fact that she’s a formidable character who’s no bimbo, and on top of being Ethan’s equal in the action scenes, Ilsa actually has a compelling character arc.

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The relentless logic-defying stunts are electrifying, but I like the fact that director Christopher McQuarrie actually includes one scene that show Ethan is human after all. I won’t mention the scene as to not spoil it for you, but I actually feared for his life for once, even for a moment. There is also an emotional connection between the characters, especially when it comes the dynamic of Ethan’s core group: Benji (Simon Pegg), William (Jeremy Renner), and Luther (Ving Rhames). The camaraderie works well and it’s easy to root for this group.

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Humor is another recipe for success in this franchise. The high-octane stunts are matched with crackin’ wit, mostly from the resident comedian Pegg, but Renner also made the franchise’s oft-used line “I can neither confirm nor deny any details without the secretary’s approval” to hilarious effect. There’s also a particularly humorous scene involving the British PM towards the end. Nice to see Alec Baldwin as another CIA officer, 25 years after playing Jack Ryan in The Hunt for Red October.

If I have one quibble though, it’d be the villain (Sean Harris). I don’t know why the filmmakers think a weird & creepy bad guy is more effective than a normal-looking one. I’d think that a perfectly normal character with a ruthless agenda can be just as menacing, so long as they cast the right actor. Harris just seems more of a damaged, eccentric psychopath than a really scary villain worthy of a super spy like Ethan.

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Thankfully, the rest of the cast delivered and the movie is as fantastically entertaining as ever. Just like the unstoppable franchise, Cruise clearly still has plenty of energy to make us believe he IS Ethan Hunt, he made even James Bond seems rather tame. He’s starting to look older but young enough to pull off the relentless action and even the shirtless scenes. Still I’m thankful there’s no unnecessary romance that’d make me cringe.

I enjoyed the heck out of MI: Ghost Protocol and I remember thinking, boy how’d they top that Burj Khalifa scene?? Well, not only does Rogue Nation manage to top THAT scene, but the movie as a whole. This one now stands as my favorite of the franchise. I rarely say this about any movie, but I hope they continue to make more Mission Impossible movies and hopefully McQuarrie will be back for at least the next one. This is only his third film, and I actually quite like his previous film with Tom Cruise, Jack Reacher. He also wrote the screenplay for Edge of Tomorrow, so it seems that his collaboration with Cruise has been a rewarding one. Joe Kraemer who worked on the score for Jack Reacher also did a great job scoring this one.

I can’t wait to see this again, next time at IMAX. It’s an escapism sort of movie and Rogue Nation delivers on that front, and more.

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So have you seen MI: Rogue Nation? Well, what did YOU think?

Tube Watch: 11 Great TV Series You Should Be Watching Right Now

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Dave, aka ackackattack, here. Last year I wrote about two tremendous, international TV series, Broadchurch and The Returned (Les Revenants). Ruth kindly asked that I write a guest post about what I’ve been watching lately.

TVWatchingRemoteIn America it’s said we’re living in a ‘golden age’ of television here starting with The Soprano’s and The Wire going on all the way up to Breaking Bad and True Detective. Well frankly across the pond they’ve been having their own renaissance with their own original TV programming too. Especially of note is what is coming out of Britain, Sweden and Denmark. For those of you willing to brave thick accents, subtitled dialogue, different cultures and original programming you will be greatly rewarded. If you haven’t noticed, we Americans seem to be stealing remaking foreign programs more and more lately… and not doing it nearly as well. Case in point FOX’s Gracepoint (Broadchurch), FX’s The Bridge (Bron/Broen), AMC’s The Killing (Forbrydelsen) and ABC’s Resurrection (Les Revenants).

In my 40+ years of consuming entertainment it’s getting harder and harder find original, challenging programming with well-drawn characters and compelling storylines. Especially in a world of sequels, franchises and remakes where the bottom line ultimately rules the day. But rather than be frustrated it just means is that I sometimes have to look outside the box to find what moves me. It just so happens that a lot of great content comes from TV these days… and not just here in America.

Some of these shows mentioned can be a challenge to find so I listed where they might be found at the end of each synopsis.

1. Rita

RitaRita stars the fabulous Mille Dinesen who plays a rebellious, flawed Danish schoolteacher trying to “save the children from their parents”. As a single mother of three older children she juggles everything to raise them the best that she knows how. Supposedly they remade it as a pilot for Bravo with Anna Gunn (Breaking Bad) that didn’t get picked up. It’s hard to imagine the US remake touching this lighthearted dramedy with its mature themes that Europeans are so comfortable with that we Americans are so afraid of confronting. Curiously enough Dinesen is a dead ringer for Linda Hamilton. I swear you’ll say that to yourself, in your head, at least once an episode. Seriously.(US/Denmark/Sweden Netflix.)

2. Happy Valley

HappyValleyIt’s the story of a kidnapping gone wrong not unlike Fargo but without the all the “you betcha’s”. Actually the tone of Happy Valley is actually more reminiscent of Broadchurch. Sarah Lancashire stars as Catherine Cawood, the police sergeant of a small English valley, who gets caught up in this twisted case. Ratcheting up the tension more is someone from her past who turns up, complicating matters all the more for Catherine. It’s a standout performance from Lancashire that is well worth your time. (US Netflix)

3. Black Mirror

BlackMirrorIt’s like a very dark, twisted version of The Twilight Zone crossed with Tales of the Unexpected. If you’re a fan of those shows you will love this. Being an anthology series there’s a different cast, setting and even reality for each show which makes it palatable in small doses. It should came as no surprise that Robert Downey’s production company has optioned one of the episodes to be made into a feature film. The first of six episodes in this series, entitled The National Anthem, is one for the ages. It will certainly test your mettle. All I can say is you have to see it for yourself. (UK Netflix)

4. The Bridge (Bron/Broen)

TheBridge_OriginalYou might know this series which was remade by FX with Oscar nominees Diane Kruger (Inglourious Basterds) and Damon Bichir (A Better Life). This is the original Swedish/Danish co-production titled Bron/Broen starring the wonderful Kim Bodina (Nicholas Winding Refn’s Pusher). The body of a Swedish politician is found, cut in half and deliberately placed in the middle of a bridge connecting Sweden and Denmark. Falling under the jurisdictions of both countries, two detectives must work together to solve this mysterious murder. Later it is found out that the corpse is from two separate bodies. Chaos ensues. (Denmark/Sweden/UK Netflix)

5. The Killing (Forbrydelsen)

TheKilling_DanishThe Danish strike again with The Killing (Forbrydelsen). In what would be remade by Showtime, whose US creator drastically changes some of the story (and not for the better), this where it all began. Detective Sarah Lund is looking forward to her last day in Copenhagen before she moves to Sweden when a high profile rape and murder case comes up. Over the next 20 days, with implications reaching high up into government, she decides to stay and delve into the case of a particularly dangerous and intelligent murderer. (Denmark/UK Netflix)

6. Borgen

Borgen_DanishBorgen, which is Danish for ‘The Castle’, is from the producers of The Killing (Forbrydelsen). It’s the story of a charismatic, female Danish prime minister faced with suddenly coming into power. It’s been favorably compared to the best seasons of The West Wing. Stephen King named it his favorite piece of pop culture of 2012. I know this is hard to believe but HBO is in the works to develop this series. (Available through Link TV on satellite via Dish Network or DirecTV)

7. Southcliffe

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Sean Durkin follows up his impressive debut film, Martha Marcy May Marlene (Elisabeth Olsen, John Hawkes), with this British series Southcliffe. It tells the nonlinear story of a series of deadly shootings in a fictional, rural English town. Starring Shirley Henderson (Trainspotting, Intermission), the truly underrated Eddie Marsan (The World’s End, Happy Go Lucky) and Sean Harris (Prometheus, Showtime’s The Borgias) who won a BAFTA for his chilling portrayal of the shooter Stephen Morton. (US/UK Netflix)

8. Hit & Miss

HitAndMissIt’s a British drama, set in Yorkshire, about an Irish, transgender contract killer. The story begins when he comes to England after finding out he’s been named guardian of a son that he didn’t know he fathered. Despite its implausible sounding premise the show is remarkably quite compelling. It’s anchored by Chloë Sevigny (Boys Don’t Cry) who does the best work of her career here. Guys out there, be forewarned, it’s quite conflicting watching the lovely Sevigny play a pre-op transgender woman in this (think The Crying Game). LOL. (US Netflix)

9. Orphan Black

OrphanBlack_TatianaIt’s hard to avoid seeing Tatiana Maslany’s name on the internet these days. Particularly for how she’s been snubbed by the Emmy’s for her work on this fascinating sci-fi show hailing from Canada on BBC America. The writing/directing team from the movie Ginger Snaps, Karen Walton and John Fawcett, created this fun, smart sci-fi series about cloning. To watch Tatiana Maslany portray no less than 7 distinctly different clones and then have them pretend to be one another while still in their original character is something you have to see. As one reviewer put it “she’s her own special effect.” BBC America On Demand. (UK/Denmark/Sweden Netflix)


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Lastly I wanted to highlight two US shows that are excellent in their own right and are truly like nothing else currently showing on American TV.

10. Transparent

TransplantJeffrey Tambor should be on the Emmy shortlist next year for his performance as a father that comes out as transgender to his severely dysfunctional family. Amazon Prime has really stepped up with its first original series. Based on the life experiences of creator Jill Soloway’s (Six Feet Under) family. The large cast is quite extraordinary. It’s as unique as anything you’ll see this year. (Amazon Prime Video)

11. Rectify

RectifyTo say there is nothing like Rectify on American TV is an understatement. It’s a deliberately paced, southern Gothic story of redemption and the loss of one’s self. After 19 years on death row, Daniel, who was convicted of sexually assaulting and killing his 16 year old girlfriend, is released from prison after new DNA evidence surfaces. Struggling to fit into a small town that doesn’t want him and a family that doesn’t know how to accept him, he tries to adjust to his new found surroundings. Did Daniel actually do it? You won’t find out until well into the series and it’s really beside the point anyway. I can’t recommend this sleeper enough. Created by the actor Ray McKinnon who was best known as Rev. H. W. Smith on Deadwood. (The Sundance Channel OnDemand and Netflix)


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Special thanks to our new *official* TV contributor Dave W (aka Ackackattack) whom many of you have *met* on the comment section here at FC 😀 Check out Dave’s profile and see if you share his fave movies and/or filmmakers/actors.


So have you seen any of these shows? Well, which one(s) are your favorite?
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