Documentary Review: My Name Is Pauli Murray (2021)

There is a saying ‘not all heroes/heroines wear capes’… well it can’t be more aptly bestowed upon Pauli Murray. Most people probably haven’t even heard of Pauli, a non-binary Black lawyer, activist and poet who influenced two former Supreme Court Justices, Ruth Bader Ginsburg and Thurgood Marshall. Now, I didn’t get to the US until college, so I’m not sure Pauli Murray is even part of US history curriculum in high school, but she should be.

Filmmakers Julie Cohen and Betsy West directed RBG in 2018, and while doing research for Bader Ginsburg, they came across information about Pauli Murray and decided to shine a light upon the multi-hyphenate civil rights activist as their next project. I’m certainly glad they did, what a fascinating, exemplary life she led, and many still benefit from her then-radical ideas.


The film gives a good context about the issues Pauli grew up on, with black/white footage showing the racial segregation in the South, and how all her life, Pauli too struggled against the racial prejudice and racist treatments. I love that Pauli herself actually narrated parts of her own story in this film. She told us that she came from a very proud people, where she grew up with her unconventional family, there’s even scenes of an educational tour to her childhood home in Durham, North Carolina.

Her aunts and her grandparents were named Fitzgerald and they were considered prestigious amongst the Black community. Some of her family members looked white (Caucasian) that they ‘passed,’ but they actually suffered prejudices from both the white and black community against their skin color. Pauli is somewhere in the middle in terms of her skin color. She uses poetry to express herself against all the injustices, some of her poems are displayed on screen in an elegant way with piano music.


Ever since she was young, Pauli knew she was different. She always preferred pants over dresses or skirts, but Aunt Pauline made her wear a dress when she goes to church. She reveled in being a tomboy, her masculine look with short hair and slight build, she’d even gave herself names like ‘Pete’ as a way to protect herself against sexual assault in trains, etc. when she’s traveling, which she did quite a bit. She wrote in her journal that she felt as if she was ‘one of nature’s experiments’ and she even told her doctor that she’s a girl who should’ve been a boy.

The film reveals some of the prominent relationships in Pauli’s life. The first one is with Peggy Holmes, whom she met at Camp Terra, one of the women’s camps established by Franklin D. Roosevelt’s New Deal. The relationship didn’t last as Holmes couldn’t accept Pauli when she insists she’d be the man and Peggy be her wife. But it’s her relationship with Renee Barlow that’s most integral to Pauli’s life–they lived like married couple despite not living together. After Renee passed away, Pauli devoted her life to the church and became the Episcopal ordained minister.


One of the people featured in the film is from the Schlesinger Library, which has 135 boxes of her papers, some hadn’t been included in her published work. Pauli reportedly became depressed as she’s dealing with her attraction to other women. A few talking heads in the film are from the LGBT community and they identify with her struggle of gender identity. Apparently Pauli never wrote about her own gender struggles in her published work and rarely talk about it with her friends. Aunt Pauline was the only one she could talk to and who understand her for who she was. 


What’s also not known to the public is Pauli’s friendship with Eleanor Roosevelt, which was borne out of her letter to FDR. She wrote to the then president as she became increasingly dismayed over his silence on civil rights issues and that he did not speak publicly against lynching. She also sent a copy to Mrs. Roosevelt who replied saying ’I understand perfectly, but great changes come slowly. The South is changing, but don’t push too fast.’ But it’s her latter letters to her that resulted in Mrs. Roosevelt becoming not just her friend, but her mother surrogate


As for her significant-but-unknown influence in the US legal system, she certainly did not get the respect and acknowledgement she deserved. The film talked about the Brown vs. Board of Education case, a major victory of the civil rights movement in 1954 that actually benefited from one of Pauli’s civil rights paper she had written a year prior. But as the film pointed out, whenever that story is told, we see a photo of Thurgood Marshall standing on the Supreme Court steps, Pauli is nowhere in view. Bader Ginsburg was interviewed talking about how she had used Pauli’s past work in the landmark Supreme Court case regarding women’s rights of Reed vs Reed, but the difference is RBG rightfully credited her.


In a relatively swift 91 minutes, I’m glad I got to know an American icon and unsung heroine who championed race and gender equity. Cohen and West’s direction paints a beautiful, moving portrait of an extraordinary life of someone who used her intellect and legal smarts for good, which still benefits many people to this day. Pauli Murray was well ahead of her time who, as one of the interviewees said was ‘tragically precluded from being a part of the institution that she wanted to be a part of and has earned the right to be so.’ As another talking head said it perfectly, one cannot teach American history without teaching Pauli Murray and she truly should have been a household name. 

4/5 stars

My Name Is Pauli Murray is available to stream on Amazon Prime.

Have you seen My Name Is Pauli Murray? I’d love to hear what you think!

On The Basis of Sex and RBG are re-released in theaters – In tribute to justice Ruth Bader Ginsburg

Los Angeles, California, September 22, 2020 – In tribute of Justice Ruth Bader Ginsburg’s life and unparalleled legacy upholding justice, Focus Features and Magnolia Pictures jointly announced that they will be re-releasing On the Basis of Sex and RBG, both films about the iconic Supreme Court Justice, this coming Friday in theaters, alongside the films’ availability via on-demand platforms. Both film companies will be donating their net proceeds from the films’ theatrical re-release to the American Civil Liberties Union (ACLU) Foundation in support of their Women’s Rights Project, which was co-founded by Ginsburg back in 1972.

Felicity Jones as Ruth Bader Ginsburg
Felicity Jones as Ruth Bader Ginsburg in ON THE BASIS OF SEX

On the Basis of Sex and RBG were both originally released in 2018. On the Basis of Sex, which was released by Focus Features and presented by Participant, chronicled Ginsburg’s early life in law school and her groundbreaking case Moritz v. IRS, the first case ever to rule that gender discrimination is a violation of the U.S. Constitution.

The Oscar-nominated and Emmy-winning documentary RBG, directed by award-winning filmmakers Betsy West and Julie Cohen and released to theaters and on demand by Magnolia Pictures and Participant, chronicled the inspiring and personal story of Ginsburg’s rise to the nation’s highest court while becoming an unexpected pop culture icon. RBG is executive produced by CNN Films and is a Storyville Films production.  CNN is the North American broadcast distributor for the documentary.

Participant, a partner on both titles, will join the distributors on #ThankYouRuth, a social tribute campaign asking fans to share posts honoring the legacy of Justice Ginsburg.

Academy-Award® nominee Felicity Jones, who portrayed Ginsburg in On the Basis of Sex, said of her passing: “Ruth Bader Ginsburg gave us hope, a public figure who stood for integrity and justice – a responsibility she did not wear lightly.  She will be missed not only as a beacon of light in these difficult times but for her razor-sharp wit and extraordinary humanity. She taught us all so much. I will miss her deeply.”

Betsy West and Julie Cohen said in a joint statement: “From her Supreme Court chambers to her exercise room, what a privilege and a joy it was for us to train our cameras on RBG, and capture the story of this feisty, determined, brilliant woman who used her talents to make our world a better place.”

Focus Features and Magnolia Pictures said in a joint statement, “Justice Ginsburg spent her life upholding fairness, the law, and the rights of all Americans.  These films highlight only a small portion of her legacy to screen, but her vast impact on our country goes far beyond them. We hope that moviegoers are re-inspired by her passion, her courage and take that back into the world.” 

The films will be available in approximately 1,000 theaters nationwide.  Audiences should consult the guidelines outlined by the Centers for Disease Control and Prevention before watching movies inside theaters.

FlixChatter Review: On The Basis Of Sex (2018)


“You couldn’t have existed until now.”

Ruth Bader Ginsburg’s teenage daughter has just told off a cat calling construction crew. RBG stares at her daughter, who is striding into the street to call a cab. Oblivious to the rain and to the cab which her daughter is now impatiently waiting by, RBG sees her daughter with new eyes. Jane Ginsburg is an entirely new kind of woman: a woman that RBG could never have conceptualized, much less become, in her teenage years.

This is one of two running themes of On the Basis of Sex. The movie never strays from its biographical storyline, but the movie is also clearly built to remind its audience that everyone is a product of their time. Bader Ginsburg was one of the first women to ever attend Harvard and yet she found herself shocked by her own daughter’s ability to stand up to a perhaps less institutionalized part of the patriarchy. The groundwork laid by our predecessors allows us to become something that they could never have dreamed and sometimes that shocks our predecessors.

The second theme regards the importance of family and a strong partnership. Martin Ginsburg prepares meals, comforts his children, and encourages his wife to pursue her ambitious dreams. RBG also puts in her fair share of work around the house, is willing to sacrifice a degree to support her husband, and puts in twice as much work as any other Harvard students when her husband gets sick. Most notably, the give and take of the Ginsburg’s relationship is not something that the movie asks its audience to be impressed by.

Aside from Armie Hammer’s unfortunately benign interpretation of Martin Ginsburg, the cast of On the Basis of Sex is spot on. Felicity Jones’ performance (as Ruth Bader Ginsburg) is strong-willed, reserved, and funny. Her performance, which is great all around, was downright heart stopping when she curled up in a hospital bed with her husband: the love, sadness, and hope exuded in that moment has lingered in the back of my mind in the week since I saw the movie.

Jones with Cailee Spaeny and Kathy Bates

Justin Theroux excelled as an almost likable, smarmy Mel Wulf. Cailee Spaeny (as Jane Ginsburg) was a perfect teenager: self-righteous, emotional, and ultimately full of love for her family. Sam Waterston was…Sam Waterston. He was a believable Dean of Harvard, but I doubt that Waterston captured Erwin Griswold’s essence in any meaningful way.

The costume and set design were gorgeous. From the very beginning of the movie when Bader Ginsburg is highlighted as a bright blue spot in a sea of black suits, the movie is visually stunning. The clothing, furniture, and city scape of the 50s and 60s are lovingly and colorfully recreated, making the movie an absolute treat to watch.

Ultimately a feel-good movie by director Mimi Leder, On the Basis of Sex is well worth seeing. Much of Bader Ginsburg’s life and work go unaddressed, which, considering the scope of her life’s work, is to be expected, but the film paints a beautiful portrait of Bader Ginsburg and her family.

hollyHolly P. is a twenty-something millennial who enjoys shouting at people on the internet, riding her bicycle, and overbooking her schedule. She prefers storytelling that has a point and comedy that isn’t mean. Her favorite movies are Aladdin, the Watchmen (even though the book was way better), and Hot Fuzz.  She’s seen every Lord of the Rings movie at least a dozen times. You can follow her @tertiaryhep on twitter or @hollyhollyoxenfreee on Instagram. She’s also on Tinder, but if you find her there she’ll probably ghost on you because wtf is dating in the 21st century.

Have you seen ‘On The Basis Of Sex’? Well, what did you think?