Trailers Spotlight: ‘Knives Out’ and HULU’s ‘Four Weddings & A Funeral’ miniseries

Film/Show trailers come out every day, but only a few are worth posting about. Well, yesterday TWO trailers came out that caught my eye. Yes they couldn’t be more different from each other in terms of plot, tone and setting, but I’m excited for both! So let’s start with the Rian Johnson‘s star-studded whodunnit thriller…

A detective investigates the death of a patriarch of an eccentric, combative family.

I mean, just LOOK. AT. THIS. CAST.

It’s gotta be quite a feat just scheduling THIS kind of ensemble to be in the same room, dayum! Looking at some of the character names on IMDb, sounds like Captain America and General Zod are related? With the Scream Queen herself Jamie Lee Curtis, James Bond’s got his work cut out for him to solve this case, ha!

And here’s the trailer…

After directing Star Wars: The Last Jedi in 2017, writer/director Rian Johnson is now channeling Alfred Hitchcock and Agatha Christie in his family murder mystery with an amazing cast! Right off the bat it reminds me of the excellent miniseries Ordeal by Innocence on Amazon Prime starring Bill Nighy as the patriarch of a wealthy family. This one seems far more comedic, at least from the way the trailer is cut. Interesting to see Christopher Plummer co-starring with Daniel Craig in similar roles as in David Fincher’s The Girl with the Dragon Tattoo which I saw not too long ago. Apparently Craig’s character Benoit Blanc is described as an American Poirot, but what is that accent??! In any case, the scene stealer in this trailer is definitely Chris Evans, shedding his Cap’s goody-two-shoes image with his devil-may-care attitude and a potty mouth. I’m SO down for this suspenseful-but-mirthful wild ride this promises to be. I quite enjoyed Looper, though I should check out Brick one of these days.

KNIVES OUT is released on 27 November, perfect for the Thanksgiving holiday where family gatherings can be murder 😉


Maya, the young communications director for a New York senatorial campaign, receives a wedding invitation from her college schoolmate now living in London. She leaves her professional and personal life behind, in favor of traveling to England and reconnecting with old friends and ends up in the midst of their personal crises. Relationships are forged and broken, political scandals exposed, London social life lampooned, love affairs ignited and doused, and of course there are four weddings… and a funeral.

Now, normally I’m not into remakes of a classic, especially when it’s one of my all time favorites. But when I heard that Mindy Kaling is writing this miniseries AND I saw the cast includes the lovely Nathalie Emmanuel and my current crush Nikesh Patel, I’m SO down for this! Plus the original exec producer/writer Richard Curtis (who also wrote my fave rom-coms Notting Hill, Love Actually, About Time, etc.) himself is involved in this project.

I LOVE that they’re still setting this in London with a diverse cast. Ok my only gripe is the ‘Ryan Gosling dipped in caramel’ comment. Puh-leeze! The Goz wishes he’s got cut-glass cheekbones and voice like Mr. Patel! Glad Nikesh gets to use his own British accent this time, while Nathalie is playing American – not sure why, but I wonder if she’s related to Andie MacDowell’s character Carrie from the original movie who’s also part of this cast.

In any case, I’ve been enjoying the British Indian actor since my bestie Vony tipped me to watch Indian Summer (it’s on Amazon Prime, highly recommended!!). It’s like Downton Abbey but with more POC cast + more intrigue and higher stakes.  It’s time for him to shine as a romantic leading man and based on this trailer, methinks he’ll steal plenty of hearts!

Now, I suppose they could make an entirely new series that’s inspired by the 1994 classic, but considering how tough it is to launch any new tv show, sometimes leveraging something that’s beloved in people’s mind might get more attention. I don’t know what the real reason is, but in the case of this particular series, I’m willing to give this one the benefit of the doubt. A fresh new spin on a classic isn’t automatically bad, so yeah, I look forward to July 31 for the premiere!


Thoughts on these trailers, folks?

FlixChatter Review: LATE NIGHT (2019)

I watched Dame Emma Thompson on The Late Show with Stephen Colbert where she described this movie as a science-fiction given that her character is a late-night talk show host. Ba da bing! She definitely has a point there, a jab at the establishment she delivered rather stealthily the only way she could.

Thompson’s character, Katherine Newbury, is the only woman ever to have a long-running program on late night in a male-dominated field, just like real life. However, the award-winning late-night talk show host has been losing her mojo. In fact, her ratings is declining so much that her network threatens to replace her with a younger, more hip male host. Portrayed as a sarcastic British icon who’s notoriously principled and detached, she’s also, as her producer points out, has a reputation as a ‘woman who hates women.’ All her writers, which Katherine herself barely even knew, are all white males. Along comes Molly Patel (Mindy Kaling), a former quality control expert from a Pennsylvania chemical plan, who’s swiftly hired to fulfill the gender diversity quota.

It’s amazing how timely this film is right now, so much so that you can’t help but cringe at some of the humorous bits. Not cringing because the jokes were bad, but because they feel so true. There’s a scene when Molly came in to an office full of guys who refuse to even give her a chair to sit on that she had to sit on trash bin. Not to mention the blatant male chauvinistic remarks and how they constantly made her feel that she doesn’t belong. I find myself astonished at how Molly seems impervious to those remarks and how she’s able to deflect those harassments. But of course in real life, it’s the kind of thing many people of color have to deal with and I for one, can definitely relate to her.

The fact that Katherine and Molly are from very different backgrounds and have led extremely different lives are played to great effect here. Naturally, culture clashes is always a potent subject for comedies, and in the right hands, they can be poignant, eye-opening as well as hilarious. Thompson is a legend on and off screen and I can’t imagine a more perfect actor for the part (apparently Kaling wrote this character specifically for her). Katherine is quite a difficult person to like at first, but then again, it’s not like she gives a hoot if you actually like her or not (so long as you watch her show), yet she made you care about her journey. Molly on the other hand, is someone you utterly sympathize with from the start, but soon you realize she doesn’t want/need your pity. She doesn’t need a savior, thank you very much. A message that’s delivered brilliantly in the ‘white savior’ bit in Katherine’s show where she basically forces herself to ‘save’ people of color in various circumstances such as hailing a cab. It’s delivered with glee but the message is utterly powerful.

The world of late-night TV feels really believable. Now, I don’t know how it actually works behind the scenes with the writers, etc. but it felt like the filmmakers spent a great deal researching it to present something that felt true. Director Nisha Ganatra keeps the flow at the right pace while balancing the funny bits with genuine emotional moments. The parts between Katherine and her husband Walter is deeply moving. John Lithgow‘s performance elevates him far above the token supportive husband role. Hugh Dancy is quite convincing as the pretty boy home-wrecker, while Reid Scott and Max Casella have some memorable scenes as two of Katherine’s writers.

Kaling and Thompson plays on the the ‘odd couple’ type that you don’t often see on screen. What an intriguing and powerful new dynamic duo who actually displays character resilience and inner strength that’s truly inspiring. It’s also refreshing to see a ‘coming of age’ story about a woman in her 60s for a change. As in real life, it’s never too late to reinvent oneself and it takes courage to admit one’s mistake and own up to it. I also appreciate the ending that offers a subtle nod to the burgeoning relationship between Molly and Scott’s character, without pandering to the fact that the leading lady wouldn’t be complete without a man in her life. We need more movies like Late Night, it proves just how satisfying AND enjoyable a movie can be when women get to be in charge of their own narrative.


Have you seen LATE NIGHT? Let me know what you think!

 

FlixChatter Review: A Wrinkle in Time (2018)

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A Wrinkle in Time is a visually stunning film with a solid backbone and an incredible lead actress (Storm Reid). Due to a few unfortunate choices, it is a disappointing movie that I will nonetheless recommend to everyone.
Because A Wrinkle in Time is one of the first pieces of science fiction that I ever read, my expectations were high. I got teary watching the trailer because seeing a formative story told such amazing women was an exciting prospect.

It is hard to live up to a piece of art so steeped in nostalgia. Time and time again I was disappointed by elements of the story that were abridged or cut out entirely. Of course, the skeleton remained. A Wrinkle in Time is a fun science fiction romp through surprising landscapes that help a young person grow into herself. And I know that it is unfair to expect every page to make the final cut, but there were so many heavy handed moments where the the writers (Jennifer Lee and Jeff Stockwell) forced plot points into the mouths of characters because they must not have felt like they had the time or space to share that information with the audience.

Visually A Wrinkle in Time rivaled my childhood imagination. Costume design, CGI, and careful attention to cinematographic detail paints a moving picture that it is hard to peel your eyes away from. The costumes and makeup that Mrs. Which (Oprah Winfrey), Mrs. Who (Mindy Kaling), and Mrs. Whatsit (Reese Witherspoon) cycle through are stunning – even Mrs. Whatstit’s first outfit, which is supposedly made of bedsheets, is beautiful.

My one beef with the visual element of the movie is the giant, flying, lettuce shaped thing that Mrs. Whatsit transformed into. It is mind bogglingly bad in both execution and premise. Especially when you know that Mrs. Whatsit was supposed to be a centaur. Let me repeat that. Witherspoon was supposed to be a centaur and they made her an oversized piece of lettuce. I understand modesty concerns for a kid’s movie, but a bra flew across the screen when she transformed, so good luck convincing me that they couldn’t have put a bra on their centaur and called it a day.

Despite a cast that looks good on paper, I was mostly disappointed. At the top of my list of disappointments was Zach Galifianakis, who actually put on one of my favorite performances as the Happy Medium. In an otherwise incredibly diverse, female-focused cast, it was a disappointing surprise to see Galifianakis playing a role that was written as female originally.

On top of that, the school teachers were some of the worst featured actors I have ever seen, Mindy Kaling barely had any material to work with, Witherspoon turned a character I remember imagining as a likable but very oblivious person into a pretty rude character, and Deric McCabe was the most sympathetic of train wrecks.

No one wants to shit on a kid’s performance, but McCabe (playing Charles Wallace) left a lot to be desired. Charles Wallace is unique: a highly intelligent, empathetic kindergartner with a major shift in character toward the end of the movie. McCabe’s performance is passable early on, but at he seems visibly uncomfortable on screen. It is so disappointing that he, a nine year old, did not get better coaching for scenes that clearly stretched his acting ability.

Storm Reid redeemed everything else, though. She gave an incredibly riveting performance as Meg. I cannot wait to see what she does in the future: she clearly has the skills to have a long career if she wants it. In spite of its flaws A Wrinkle in Time is a beautiful story about loving yourself even if you don’t feel lovable. Meg is relatable: a teenager who hasn’t quite figured out how to love herself and has absorbed the meanness of her peers. The diverse cast and inspiring take away, described by is well worth supporting and the gorgeous set and costume design are well worth the price of a movie ticket.


hollyHolly P. is a twenty-something millennial who enjoys shouting at people on the internet, riding her bicycle, and overbooking her schedule. She prefers storytelling that has a point and comedy that isn’t mean. Her favorite movies are Aladdin, the Watchmen (even though the book was way better), and Hot Fuzz.  She’s seen every Lord of the Rings movie at least a dozen times. You can follow her @tertiaryhep on twitter or @hollyhollyoxenfreee on Instagram. She’s also on Tinder, but if you find her there she’ll probably ghost on you because wtf is dating in the 21st century.


Have you seen ‘A Wrinkle In Time’? Well, what did you think? 

Trailer Spotlight: Ocean’s 8

It’s the last week before Christmas and the present comes early! I’ve been excited for this all-female Oceans flick for some time. Normally I’d say we don’t need another reboot/sequel/spinoff what-have-you… but y’know what, this year (well, any year really), an extra dose of girl power is extra awesome. 2017 is the year of Wonder Woman, and 2018 will be the year of Wonder Women. I mean this is as close as we’re probably gonna get to an all-female Avengers flick!

This is the one to watch just for the cast. Bullock + Blanchett + Bonham Carter … just those three alone is enough to shell out full price cinema ticket (if I had to pay that is). My hubby and I watched this right after dinner and he’s as pumped as I am to see this [is it any wonder I love my man?]

So Sandra Bullock is playing Danny Ocean’s sister Debbie, I wonder if this all-female Oceans flick idea happened when she and George Clooney were filming Gravity four years ago. In any case, buh-bye Clooney, Pitt, Damon & co. and hell-o ladies!! Fresh out of prison, Debbie Ocean plans a big heist at the Met Gala in NYC. What a team she’s put together: Lou (Cate Blanchett), Nine Ball (Rihanna), Amita (Mindy Kaling), Constance (Awkwafina), Rose (Helena Bonham Carter), Daphne Kluger (Anne Hathaway), and Tammy (Sarah Paulson). Too bad Elizabeth Banks dropped out of the cast, though I don’t mind Jennifer Lawrence isn’t in this (apparently she was offered a part).

Per IMDb, the eight main cast has won four Oscars, two Emmys, eight Grammys, six Golden Globes, five BAFTAs, and 10 SAGs combined. Woo wee! #girlpower

I totally forgot about Richard Armitage in this, he didn’t have a single line in the trailer so I have no idea who he’s playing. I barely noticed James Corden either until I saw it a second time. No matter though, forget the boys, it’s all about the ladies whoopin’ it up!

Not sure how involved Steven Soderbergh is on this spinoff, but given his track record with bad ass female in his movies I’d imagine he’d approve. This time we’ve got Gary Ross (Hunger Games, Seabiscuit) in the director’s chair and he wrote the script with Olivia Milch (one of Variety’s 10 screenwriters to watch in 2016).

I’m always up for a heist flick and this seriously it looks like a riot! The worst thing about this is the wait… June 8 can’t come soon enough. Well now I now what I’ll be anticipating come Summer movie season!


What say you? Thoughts on Oceans 8’s first trailer?

Five for the Fifth: OCTOBER 2016 Edition

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Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. Well, it’s October and a lot of bloggers are dedicating their sites to horror films for the entire month. If you’ve been on this blog often enough you’ll know that isn’t going to happen here on FlixChatter. I have such feeble nerves that I almost always avoid horror films, even though I have appreciated some horror films in the past, i.e. The Sixth Sense, Silence of the Lambs, Devil’s Advocate, etc.

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A scene from Byzantium

I actually quite like vampire films, i.e. Interviews With the Vampire, Byzantium, Daybreakers, etc. But seeing The Exorcist back in college still terrified me to this day so I generally avoid anything dealing with people being possessed. But I might be persuaded to see something once in a while if it isn’t overly gory or extremely disturbing.

So my first question to you is… what horror/scary thriller would you recommend to someone like me who aren’t into the genre? 

….
2. As for the trailers I’m highlighting in this edition, let’s start with the Kristen Stewart‘s movie that was booed at Cannes: Personal Shopper. Interesting because just the year before, she became the first American actress to win a Cesar [for Best Supporting Performance] for Clouds of Sils Maria which was also directed by Olivier Assayas. It’s been five months since Cannes and now we finally got the trailer:

I have to admit I wasn’t Kirsten’s biggest fan, but I thought she’s terrific in Clouds of Sils Maria, so I might check this one out. I know I just said I’m not into horror films, but this one felt more like a mysterious ghost story involving her dead twin brother than a bloody/gory horror flick.

Woo hoo!! Clive Owen is back as The Driver in BMW short film The Escape trailer!

The short film is presented as an homage to the 15th anniversary of the original BMW Film series, and it also stars Dakota Fanning, Jon Bernthal, and Vera Farmiga. It’s directed by Neill Blomkamp (District 9, Elysium). I’ve highlighted some of my fave BMW films here. The Escape will premiere on Sunday, October 23, 2016 at 6:00 p.m. EST on BMWFilms.com.

Thoughts about either one of these trailers?

3. It’s gotta be good to be Christopher Nolan. Per THR, the British auteur is said to be getting $20 million upfront and 20 percent of the gross for his upcoming World War II epic Dunkirk. Considering that the average director salary for a studio film is in the $750,000 to $1.5 million range, depending on the number of past credits, the $20 mil payday is astounding.

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But hey, I think Nolan deserved it, though he’s already one of the wealthiest filmmakers working today thanks to the over $1 billion gross of his Batman trilogy alone.

I’ve posted the Dunkirk teaser trailer here and it looks epic! I guess we’ll find out on July 2017 just how epic it will be.

Thoughts on Christopher Nolan huge payday?
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4. This edition’s casting news feature a double from Emma Thompson and having just finished my review of Bridget Jones’ Baby this weekend (it’s still in my draft folder), we definitely need more of her in movies!

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Let’s start with the first project which will have Emma teaming up with Mindy Kaling. What a duo it’ll be! Though I actually haven’t seen her show The Mindy Project, I really like her and I’m glad she’s making her foray into films!

The story follows a venerated late-night talk show host, played by Thompson, who’s in danger of losing her long-running show right when she hires her first female writer, played by Kaling. Sources describe the film as The Devil Wears Prada meets Broadcast News. I’m so there!

Source: Variety

The second project is an adaptation of author Ian McEwan’s novel.

Thompson plays Fiona Maye, an eminent judge in London presiding with wisdom and compassion over ethically complex cases of family law. But she has paid a heavy personal price for her workload, and her marriage to American professor Jack (Stanley Tucci) is at breaking point.

Filming will take place on location in London from mid-October. Also starring is newcomer Fionn Whitehead, who appears in Christopher Nolan’s upcoming Dunkirk. I love Stanley Tucci too, he’s a terrific character actor, so this is another screen match up I look forward to seeing.

Source: Variety

Thoughts on these possible new projects for Emma Thompson?

5. This month Five for the Fifth‘s guest is Jay from the awesome blog Assholes Watching Movies!

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I saw Miss Peregrine’s Home for Peculiar Children this weekend and wasn’t overly impressed. It pairs well enough with Tim Burton’s visual style of story-telling, big on surrealism and whimsy but a little lacking in actual story. Overshadowing the film, however, are Burton’s recent comments about diversity in film, and in his films in particular. As wildly inventive as some of Burton’s creations are, his films remain peopled by white characters. Casting non-whites is where his imagination draws a line in the sand, apparently. Dude with scissors for hands? Sure. Talking caterpillar? Demon barber? Obsessive candy man? All okay. Black guy playing any of those? Don’t be crazy. Or as Burton put it himself “Things either call for things, or they don’t” – meaning, if a script says “African American”, he’ll cast an African American. But if a script says “person”, Burton reads it as “white person.” And that’s exactly the kind of inherent bias we most especially have to watch for. There’s no reason why all the peculiar children were white, no reason at all. Perhaps the script did not demand it, but society does. Audiences are as diverse as they come and deserve to see themselves represented on screen. Lazy racism like Burton’s is no excuse; it’s 2016 and it’s time to stop casting like movies are segregated. Samuel L. Jackson has a sizable role in Miss Peregrine’s Home for Peculiar Children – Jackson being the first person of colour to take on a lead role in any of Burton’s films. I’d celebrate that more if he wasn’t playing a villain.

As if Burton’s all-white IMDB listing isn’t damning enough, he’s nailed himself into his own coffin with these words:

I remember back when I was a child watching “The Brady Bunch” and they started to get all politically correct, like, OK, let’s have an Asian child and a black — I used to get more offended by that than just — I grew up watching blaxploitation movies, right? And I said, that’s great. I didn’t go like, OK, there should be more white people in these movies.

Never mind that Blaxploitation movies were born in response to systemic racism and preached empowerment. Let’s just take his statement for what it is: white privilege, white ignorance, and an embarrassing amount of #alllivesmatter racist thinking. Tim Burton needs to pull his white head out of his white ass, and we all need to hold him accountable.

Have you seen ‘Miss Peregrine’? What do you think about Tim Burton’s racist remarks?

 


Well, that’s it for the OCTOBER edition of Five for the Fifth, folks. Take part by picking a question out of the five above or better yet, do ‘em all! 

Everybody’s Chattin’ and Teaser Trailer Spotlight: Pixar’s Inside Out

EverybodysChattinWinterHello all! It’s yet another combo post today, as I want to highlight some of my favorite posts from fellow bloggers as well as highlight a brand new teaser trailer from Pixar. I was going to do a Music Break of Into The Woods since I’m going to the press screening tonight, but I’ll save it ’til next week. I’m also going to the Night at the Museum: Secret of the Tomb screening early Saturday morning. I haven’t seen the first movie but hey Dan Stevens is playing Lancelot!

I might be blogging about my reaction to the SAG and Golden Globes noms, boy they all seem to be coming out at once! Oh and stay tuned for Ted’s review of Exodus tomorrow. If you’ve read yesterday’s post, you might’ve guessed what he thinks of it 😉

So here are what blogger’s been chattin’ about this past week:

CR_FelixLeiterAfter having finished the audio book Carte Blanche (read by my dahling Toby Stephens, natch!), Michael talked about one of Bond’s most loyal allies: Leiter, Felix Leiter.

One of my fave bloggers Cindy B. always have such insightful and perceptive posts. Her latest is on the point of view of Books vs Films and why the latter often doesn’t live up to its source material.

A few month-in-review posts are still trickling in. Kristin and Eric just posted what they’ve watched last month… and Kristin also talked about what she’s anticipating in December.

Those with music in their minds … Josh posted his list of Top 25 Songs of 2014, whilst Chris picks his Top 100 songs in batches.

Lots of great reviews of movies I haven’t seen yet:

Mark reviewed Whiplash, Stu reviewed Calvary, and Zoë reviewed FURY. Meanwhile, Mikey and Katy are both impressed by the movie I wish I had seen: Nightcrawler.

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Last but not least, check out these two great lists … Alex picks his Top 10 Conrad L. Hall films, whilst Dan/Top10Film‘s contributor listed Top 10 Horror Films from the USA.

 


Now time for that awesome teaser trailer …

I hadn’t been following Pixar’s next project but oh, I absolutely LOVE this story concept! Inside Out is Pixar Animation Studios’ fifteenth feature film and glad they’re going back to an original story since Brave in 2012.

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Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters.



Now I’m not too crazy about the name (wonder what other titles were tossed around). But hey, the premise does sound promising and the trailer definitely grabbed me. This looks like it could be right up there with Toy Story and Wall•E, both of which are written by Pete Docter and he also directed Monsters Inc. and UP for Pixar. Docter is the sole screenwriter of Inside Out and he’s also one of the co-directors. I quite like the voice cast too: Diane Lane, Amy Peohler, Kyle MacLachlan, Mindy Kaling, and Bill Hader. So color me excited for this one!


What do you think of ‘Inside Out?’