Only the Brave, based on the true story of the Granite Mountain Hotshots, is directed by Joseph Kosinski (Tron: Legacy, Oblivion) and is loosely based on an article in GQ, ‘No Exit’, written by Sean Flynn. The film stars Josh Brolin, Miles Teller, Taylor Kitsch, James Badge Dale and features Jeff Bridges and Jennifer Connelly.
What most people know about the Granite Mountain Hotshots is that they are a young crew of specialist wildfire fighters, tasked with job of fighting wildfires head on.
According to GQ:
Hotshots are invariably referred to as elite firefighters, which suggests years of training, high-end equipment, and a mastery of the mechanics of wildfires. But none of that is required. The entry-level qualifications are a few dozen hours of classroom instruction and a decent level of fitness, and the primary tools are chain saws and Pulaskis, a specialty tool combining an ax and an adze. Hotshots also tend to be young…and few of them make a long career out of it.
During a routine assignment of fighting a wildfire in Yarnell, Arizona in June 2013, a total of 19 Granite Mountain Hotshots were lost to the wildfire and it resulted in the greatest loss of firefighters since 9/11. This was known as the Yarnell Hill Fire. The lone survivor from the 20-man crew was 21-year-old Brendan McDonough (Teller). The pace of the movie starts out really slow, as tells the real life story of Eric and Amanda Marsh (Brolin and Connelly), a married couple who struggle through normal relationship ups and downs, living on a ranch outside Prescott, Arizona. Eric “Supe” Marsh is the superintendent of a hotshot crew of firefighters who are training to be certified to fight wildfires for the Prescott Fire Department. His second-in-command is Jesse Steed (Badge Dale) and the young hotshot crew trusts the both of them with their lives.
After sever weeks of intense training, in walks Brendan “Donut” McDonough (Donut is the nickname given to him by the more experienced hotshots, the same way a pledge gets one from his fraternity brothers during pledging). Donut went to the firefighters post in Prescott, where the hotshots were headquartered, with a mission. He knew a couple of guys from an EMT class he’d taken at a community college and he’d overheard them mention that Granite Mountain was hiring. But he was a stoned kid, straight out of serving a three-day sentence for theft and those guys knew him, too. No jobs, they told him. The veteran yet overly cocky hotshot Chris MacKenzie (Kitsch) told him straight up, all the positions had been filed. But Eric Marsh overhead McDonough asking and offered to interview him on the spot.
You see, Marsh saw something in McDonough, something he saw when he looked at himself in the mirror — a former addict who was looking for a second chance. McDonough recently had become a father and had to clean up and take more responsibility. And with that responsibility came sacrifice. Yet little did McDonough know just how much sacrifice being a hotshot was really asking of him.
As we get ever closer to the inevitable, harrowing ending in Yarnell, we get to see the hotshots for what they were – husbands, fathers, boyfriends and members of Prescott Arizona where Duane Steinbrink (played by Jeff Bridges) is not only the wildland division chief for the city of Prescott by day, but also a mighty fine singer at night with his country band called the Rusty Pistols (yes, Jeff Bridges sings for a bit in the movie). The entire hotshot crew celebrates that night as they bask in the glory of saving the ancient juniper tree during the Doce Fire.
The standouts of the movie are Josh Brolin and Miles Teller. Both actors show a broad depth of acting superiority and might. Brolin is fierce as Marsh, the hotshot superior — tough and calculated, yet humanly fragile, especially when confronting his wife Amanda (Jennifer Connelly at her best) with issues related to spending a long time apart. Teller is the rookie hotshot, out to prove himself after being known as junkie for all of his life. He brings a tender, yet sincere face to the hotshots and makes the audience feel like they can relate to him. As Donut is tasked with being the lookout for the hotshots in Yarnell, thus separating him from the other and ultimately sparing his life, Teller draws you in and makes you feel what he is feeling, deep down in your gut.
Overall, Only The Brave is a must see movie, whether you want to honor those who gave up their lives to save others from wildfires, or whether you want to see some of the finest storytelling and acting out this year. I would be surprised if you walk out of that theater and don’t feel like you’ve been sucker punched in the gut from that real life human emotion, precisely the kind the producers and director want you to feel when it’s all said and done.
Have you seen ‘Only The Brave’? Well, what did you think?
I was a little nervous to write this review. My first two posts for FlixChatter (Ouija and The Eyes Of My Mother) were for horror movies-a genre I enjoy and feel comfortable writing about- so being assigned a movie outside of my wheelhouse was a little daunting, especially considering this one is a boxing movie. I am not remotely a sports person. When I voiced my concerns to my sister, she pointed out that regardless of the subject, a good movie should make me empathize with the main character. I should be able to relate to their struggle and their eagerness to achieve their goals. Was I able to do that in Bleed for This? No. Not really. And for a movie like this, that is really a problem.
Bleed for This tells the true story of Vinny Pazienza (Miles Teller), a world champion boxer who suffers a near-fatal car crash, breaking his neck and being told he may never walk again, let alone fight. Despite this major injury, concern from his parents (Katey Sagal and Ciaran Hinds), and lack of support from his manager (Ted Levine), he works relentlessly to not only heal, but return to his former strength and fight again.
A story like this should be tense and emotional, but it was surprisingly underwhelming. This mostly has to do with poor pacing. A substantial amount of the first half of the movie was dedicated to introducing Vinny and establishing his identity as a boxer, but the events following his car crash-specifically, his journey to recovery- were rushed, showing very little of his physical challenges or his emotional turmoil over potentially never boxing again. We see him struggle to lift a barbell in his parents’ basement which created a moment of suspense (would he be able to even move it? Would he injure himself further?), but the subsequent training montage with trainer Kevin Rooney (Aaron Eckhart) is brief and shows virtually no extreme effort, so when he finally enters the ring again, it doesn’t feel like as enormous of an achievement as it should.
Vinny’s feelings about his boxing career possibly ending could have been addressed better as well. Before the accident, his manager suggests he consider retiring, infuriating Vinny; he can’t imagine ever not being a boxer, but when he’s presented with that very real possibility after the car crash, we don’t really see him explore his feelings about it, which seems strange after making such a big deal about his commitment to boxing in the first act.
That’s not to say the movie didn’t have its good points. It had a strong cast, and the chemistry between Teller and Eckhart was especially impressive. There were a few moments of genuine tension toward the end of the film- but not enough to save it from being boring overall.
I’m sure the real Vinny Pazienza’s recovery was incredibly difficult. I’m sure the training was exhausting and painful and required unbelievable self-discipline, and the idea that he might not reach his goal was probably terrifying. But if none of that is conveyed, what’s the point of making a movie about it at all?
Laura Schaubschlager is a Winona State University graduate with a B.A. in English, which is seldom put to use in my health insurance career (outside of cringing at the grammatical errors my superiors make in their emails). I’m an avid horror fan (movies, novels, video games- anything that makes me hesitate when I go to turn off the light at night), and I’m always looking for writing opportunities, although my current portfolio is made up of partially-completed short stories and an occasionally-updated blog: schaublahblah.wordpress.com.
Have you seen ‘Bleed For This’? Well, what did you think?
I thought I’d post a double reviews as we have different perspectives coming into the film. Ashley has read the book by Veronica Roth, but I haven’t. Did we end up with the same or very different conclusions? Read on.
Set in a post-apocalyptic Chicago, society has been divided into five factions based on virtues: Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). Someone is considered divergent when the results of their required aptitude test show that they don’t fit neatly into one faction, which is considered a threat by the leaders who want to maintain a perfectly controlled society. When Beatrice ‘Tris’ Prior (Shailene Woodley) finds out she is divergent, she’s warned by the test administrator (Maggie Q) to keep it a secret. On Choosing Day, where every 16-year-old must choose which faction to belong to, Tris chooses to be in Dauntless. The film pretty much focuses on how Tris and fellow new faction members undergo the extreme physical and psychological training in Dauntless, the military-like group that’s assigned to defend threats from outside the city walls.
It’s a lot to take in but somehow director Neil Burger makes it quite easy to follow. It also helps to that right away I can identify with Tris, thanks to Woodley‘s engaging portrayal. Though in the promo materials she’s shown like this tough, bad ass heroine in skin-tight outfit, she actually appears far more human and therefore relatable in the film. The long exposition does a sufficient job developing the main characters, that is Tris and her mysterious faction trainer called Four (Theo James). ///
I like the fact that Tris is realistically shown as being vulnerable and out of her element, as one would imagine if you’re thrown into a faction like Dauntless. There’s an interesting dynamics between Tris and fellow Dauntless members, most notably the bully (Miles Teller, who interestingly played her love interest in The Spectacular Now), and the best friend (Zoë Kravitz). Thankfully the romance didn’t become the main focus in the film, and I’m glad Tris wasn’t made out to be this clingy, lovelorn ingenue. There’s enough chemistry between Woodley and James, and if the romance feels unconvincing at times, I think it’s intentional as the characters are still trying to trust each other.
As the male lead, 29-year-old Theo James proves to be another fetching, crush-worthy Brit who projects a ‘manly tough guy with a heart’ persona. I’ve only seen him as the indelible Mr. Pamuk who seduced Lady Mary in Downton Abbey, but I certainly would like to see more of him in Hollywood. Ansel Elgort is quite effective in his brief scene as Woodley’s brother Caleb who chooses to be in Erudite. The ‘faction over blood’ revelation is handled quite nicely here in their brief but important scene together. The supporting cast are pretty good overall. The casting of Ashley Judd as Woodley’s mother is so spot on as they have such a strong resemblance, and their scene together toward the end is perhaps one of the most heart-wrenching in the film.
The third act is the most action-packed, involving hostile coup d’etat by drugged-up troops, as well as hand-to-hand fight sequences. A lot of it reminds me of the futuristic actioner Equilibrium in which independent will/thought is forbidden under an authoritarian government, but without the over-the-top Gun Kata martial arts that ended up taking over the story. The filmmaker seems to care and respect Roth’s vision of a flawed dystopian society, instead of just setting out to make a cool action adventure. The cinematography is quite beautiful, especially the scenes from above the Ferris Wheel. Plus, as I’ve visited Chicago often, it’s nice to see it being prominently featured on a film as the city itself, instead of as a sub for something else, i.e. Gotham.
Now, the main issue I have with the film is the pacing. It starts rather too slow for my liking and it didn’t quite pick up until the third act. The script by Evan Daugherty and Vanessa Taylor spends most of the film expounding the idea of what these factions is all about and Tris’ struggle to find her identity. I don’t know if the book is the same way, but the film barely explains the bigger picture of the society we’re dealing with and what’s outside the city walls. We’re only told briefly that wars have destroyed most of the world, but how and what really happened was never mentioned. Another weak aspect is the main villain Jeanine Matthews (Kate Winslet), an Erudite leader who adamantly believes Divergents must be eradicated. Now, I’m a fan of Winslet as an actress, and granted she has the presence to elevate the material, yet I don’t find her to be menacing nor sinister enough to be effective. In a story like this, I think a strong adversary would help convey what’s really at stake for these characters.
In the end, it’s the earthy and affable Woodley that keeps the film afloat because I’m invested in her story and her journey. It’s inevitable that given the young adult target audience, the dystopian setting and the fact that it also features a young female protagonist, Divergent will always be compared to The Hunger Games. But having seen the film, I think it has enough distinguishing features to set itself apart and stand on its own two feet. It’s by no means perfect, but despite the flaws, I quite enjoyed it. The ending explicitly sets up a sequel and you know what, I’m actually curious to see what happens next for Tris and Four.
Giveaway Details:The first 50 people who leaves their email address in the comments will be put into a drawing to win the prize pack. The sole winner will be notified via email on Monday March 24. Contest closes on Sunday March 23, 11:59 pm CST. Contest opens to Minnesota residents only. Contest is now closed. Winner will be notified by Monday 3/24 at 6pm CST.
Just a fair warning, I tried my best to keep my indifferent feelings about the novel separate from my feelings about the film adaptation. While the film followed the novel fairly closely, I wasn’t blown away by their interpretation. When I saw Catching Fire I felt so engrossed in the world and drama, it felt like I was actually right there with Katniss and Peeta; however, in Divergent I truly felt more like a spectator rather than a participant. I’ve decided to break my review into three points: casting, score and cinematography.
This was my first encounter with Shailene Woodley (Beatrice Prior) and I have to say I was really impressed. Divergent explores the limits of a person’s mental and physical toughness, so needless to say they needed someone who could portray Tris’ struggles as she begins her training. In the novel Tris is described as being physically weaker than her other initiates and, according to her, plain. While I wouldn’t call Woodley plain, I think she fit the bill perfectly. I was continually surprised by Woodley’s range of emotions. She proved she can handle comedy by delivering perfect biting one-liners, we see raw and tender moments as it becomes clear she’s not the ultimate warrior (quite the opposite from Hunger Games) and her struggles to separate herself from the connection to her previous faction (Abnegation). However, I wasn’t convinced by her romantic portrayal with Four/Tobias (Theo James).
As much as I enjoyed James for the eye candy (you’ll know when you see it), I honestly felt like he was too old. Especially since they tried to make Woodley look very frail and innocent, their pairing just seemed creepy. Here’s where the novel and film have a major difference. We’re given more scenes, stolen looks and inner dialogue to see a romantic relationship start to bud, but in the film everything felt forced, awkward and rushed.
I agree with Ruth about Kate Winslet’s performance (Jeanine). In the novel she’s supposed to be a threatening and controlling totalitarian leader, but instead Jeanine comes across as arrogant. I didn’t have the same fear instilled in me like I did with Donald Sutherland’s portrayal of President Snow.
Another big miss was the tension between Eric (Jai Courtney) and Four. In the film Eric is portrayed as this meathead, where in the novel he’s much lankier and values brains over brawns. We learn the rules for Dauntless initiation are changing and are more cut-throat, leaving the unsuccessful factionless. Four is a big proponent of the traditional ways, but in the film we only see glimpses of their discord. Not enough to justify Eric’s attempted murder towards the end of the film.
Score vs. soundtrack I thought the techno-vibe score (composed by Junkie XL) was well done. It really seemed to match a futuristic setting and the sometimes abrasive mannerisms of the Dauntless. However, I had some qualms about the soundtrack. I’m a big fan of Ellie Goulding and realize she was selected to help produce the soundtrack, but it was Goulding overload. I enjoy her music but after featuring three or four songs, it felt like I was listening to her on repeat. It was enough to pull me out of the film. This might not matter so much to you, but I’m a big believer in a score or soundtrack’s ability to intensify a film’s emotions. To me it’s just as important as acting.
While there aren’t as many fantastical scenes as The Hunger Games trilogy, I think it could’ve been very easy to create the action scenes in CG, and I’m glad they refrained. There are still some elements, but I felt like they relied upon unique camera angles and amazing props instead. And it paid off. However, the film’s pacing felt rather slow. I can understand they were trying to adhere to the novel as much as possible, but I didn’t start to feel engrossed until 2/3 of the way in.
One particular scene that comes to mind is when Tris takes her aptitude test. She awakes in a room made entirely of floor length mirrors. I thought this was brilliantly done because each time Tris turned, multiple versions of herself would appear, slowly, which really added to the panic, claustrophobia and confusion this scene was trying to convey. I was really impressed by how the film handled the fear landscape simulations. Again, this could’ve been very cheesy, but it definitely lived up to my imagination. I think fans of the novel will appreciate it as well.
As far as young adult dystopian film adaptations go, I felt like the Divergent did a really nice job of incorporating the big elements from the novel. I was really excited to see how they handled Tris begin her training in Dauntless, the Ferris wheel war games scene and finally the fear landscape simulations. To be fair, I think this is one of those films where it’s better upon second review (as was my first impression with The Hunger Games). Overall, I think this captured the tone of the novel and leaves you with anticipation with what’s to come.
Well, that’s our thoughts on Divergent. Let us know what YOU think of the movie.
It’s always fun when as a blogger I get to talk to some of the talents involved in a movie. I think it’s especially awesome when I get to chat with an author of a best-selling series like Divergent. As part of the press tour nationwide, author Veronica Rothand cast member Ansel Elgort (who played Caleb Prior, Shailene Woodley’s brother in the movie) walked down the red carpet and greeted a throng of fans at Mall of America theaters. I only went to the screening right after that, but here are some pics from the festivities, courtesy of Zimbio:
Now, I haven’t got a chance to read any of the books before I saw the movie but I did go to the screening the night before the interview and I really dug it. It has similarities to Hunger Games in terms of having a strong female protagonist and that the story would appeal to adults as well as the targeted demographic of young adults. Yet I do think the story is quite different and a pretty compelling one too I might add. I’ve come to like Shailene Woodley a lot more after this (I’ve only seen her in The Descendants). I’ll definitely check out her next movie The Fault of Our Stars out this Summer, which also stars Elgort as Woodle’s love interest.
In case you haven’t read the books, here’s the plot of Divergent: The story takes place in the city of Chicago in the near future. The city is divided into 5 factions: Abnegation, meant for the selfless; Amity, meant for the peaceful; Candor, meant for the honest; Dauntless, meant for the brave; and Erudite, meant for the knowledgeable. On a given day each year, all 16-year-olds take an aptitude test that will tell them for which faction they are best suited. After receiving the results of their test, they must decide whether to remain with their family or transfer to a new faction.
Thanks ALLIED for co-ordinating the interview roundup. There are six interviewers in the roundtable so below are all the questions, I marked MY questions with an (*) in front of it.
Here’s the transcript from the interview:
Q (for Veronica): I work with 8th-graders and quite a few of them are into the books and the movie. What can kids like Tris who feels that they’re outsiders can take away from this?
Veronica: Gosh, I mean I’m a little afraid of messages, especially for young people. I just hope that the book entertains but also provokes questions that I hope they can find their own answers to them. But as far as kids who don’t fit in, I feel that what Tris ultimately learns is even though she can’t fulfill the expectations of her society, she can find belonging with people that she loves who can take care of her and whom she loves. That’s sort of the *message* that she embraces, which is that love and loyalties are more important than other categories.
Q (for Ansel):Do you have a favorite scene to shoot and why it’s your favorite?
Ansel:Well I have to mention two scenes for two different reasons. I’ve never done an action film before or something that had action in it, so chasing after the train and jumping off to it was pretty cool. Just ’cause like I’ve never done that kind of thing but now I got to do it for my job for the day. And the other one is the scene inside the Abnegation house as it was shot inside this gigantic studio and when you walk in, there’s this little house that’s so detailed, the floors are made out of this mosaic, wood tiles, I’ve never seen anything like it. The lights are like this [pointing to the bulb in the meeting room at Graves Hotel] except without the shade so it’s just the Abnegation-style light bulb and we did this scene, which was like the last supper before we leave our faction, it’s a pretty significant scene for my character and for Beatrice, too. I was in the kitchen, cleaning up and I say y’know, ‘Don’t forget, think about yourself tomorrow.’ So I enjoyed doing that scene… it was a nice scene to do.
[At this point Veronica turned to Ansel and said, ‘That was a good scene,’ as if to compliment him]
Q (for both Veronica and Ansel): Presuming that both of you are divergents, which category would you choose for yourself?
Veronica:That is a great question because everyone always asks which factions, and it’s like ‘no, no one should be in a faction!’ Everyone has multiple aptitudes. [turns to Ansel, do you know? Do you have yours? You can answer this as I have to think about this]
Ansel: I always answer this the same way, everyone has divergent, I think a little bit, so I don’t think anyone should have to choose. Like yesterday I said that I would be Amity, but sometimes I would want to be in Dauntless, it’s always changing. I’m not even 16, I’m 19, obviously I don’t know where I should go for the rest of my life, let alone a 16-year-old. That’s why it’s a super flawed system.
Veronica: [turning to Ansel] It doesn’t change when you turn 25 either. Hmmm, aptitudes. Well, if I had to pick them, I don’t know, I feel like I’d sound like a jerk if I say, ‘well let me tell you my strength’ … I’m all of them … some more than others probably. [She then starts to mention all the factions slowly one by one] A little like Tris in that way but not in most other ways.
*Q (for Veronica): How much input did you have going into this, and how open was the studio/director to your suggestions?
Veronica:From the get-go, we have a very friendly relationship and part of that is I think that… the second the book came out, I kind of let it go. I think it belongs to the readers so much more than it belongs to me now. I mean I’ve always wanted it in a particular way, but everyone gets to interpret it in their own way and form their own opinion, so I already let it go repeatedly over and over again, even before it got to me. So I really trusted them for their respect for it and their enthusiasm for it, so I just said, ‘ok guys do what you do best.’ So I think that creates a good dynamic, like a mutual trust kind of thing, I was really open every time [director] Neil Burger or screenwriter Evan Daugherty came to me with questions. I talked to Neil throughout the process of making the movie. As far as control, I don’t even think that came up, that wasn’t an issue as I was writing my third book and that was what I wanted to be doing, so yeah.
Q (for Veronica): I’m curious about writing about kind of your own dystopian fantasy. What’s it like seeing in the film that it was projected on your hometown [Chicago]?
Veronica:It was incredibly meaningful I think. I was so proud, when they were shooting, all the jobs that was created in the area, it was the most beautiful parts of the process for me in to know that you’ve contributed in some small ways for people getting work is really wonderful. And to see Chicago on the screen. I mean movies are shot in Chicago sometimes, but they’re rarely supposed to be in Chicago, they’ll be like Gotham … so to have it be Chicago, I mean dystopian Chicago is also incredibly cool so people can see how beautiful my city is.
Q (for Veronica): What are you working on next?
Veronica:I have these four stories written from Four’s perspective, there are four of them actually. It’s coming out in July, it’s in a collection called Four. Three of them takes place before Divergent chronologically, but the fourth one sort of overlaps significantly, which was really fun ’cause it’s like writing a little love story backwards, so that’s gonna be out in July so I’m just finishing up. I don’t know what the future holds, maybe a nap …
[turns to Ansel] You need a nap too, you’ve had a very busy year. A long nap
Ansel: A long nap …
Q (for Ansel): Are you working on your next film?
Ansel: Yeah. Never mind, we don’t get a nap as we have to go to the next movie. We’ll do Insurgent in May or June. That’s the hope, You never know, I mean you really don’t know, but I’m gonna be optimistic. I saw the movie and it’s good, right… you guys saw it, and it’s not like a bad movie at all, it’s a good movie… I mean if the movie sucks I’d be like, I don’t know, but they’re gonna make another one as it’s a good movie … It doesn’t have to be the biggest movie of the year, it just have to do well and I think it will.
Q: What’s it like to be successful at such a young age?
Ansel: Oh I don’t know. I haven’t got time to think about ‘oh I’m successful now’ yet. It sort of happened in the last year. Ah yeah, I guess I’m successful, it’s nice [laughter] I worked really hard. I went to an acting high school, acting middle school and I never wasn’t in a show for like 9 years of my life. And just, after school programs, Summer camps, whatever. And suddenly it sort of turned to be in real movies and stuff. Carrie [the 2013 remake] was the first one like I’ve been in anything with a camera in it, it was insane.
Veronica: [To Ansel] You said you worked really hard. But you’re also very lucky. Because to say that ‘Oh I worked hard and so I earned it or whatever’ is kind of lame because there are so many very, very talented people who worked very, very hard for a very long time and it just doesn’t happen. The timing of it I think is a big part of it, so I feel very fortunate. And also know that I have to work harder every day to become a better writer, because to say that you peak at your writing skills at 25, that’s kind of sad. So my goals is just to improve.
Ansel: I think luck is when opportunity meets preparation.
Veronica:Oh, nice. Whose quote is that?
Ansel: Not mine, I tell you that. Someone else told me that but now it’s mine [laughter]
Q (for Veronica): Out of all the human characteristics in the world, how did you choose the five of that you choose to represent the factions?
Veronica: Because they’re very personal to me. I think um, because a lot of it was writing this series was examining my own tendencies, which y’know, I, like a lot of people, categorize other people easily. And I think when we find those categories, you find it easier to dismiss people. So writing the books was a little bit, it was deeply convicting for me to examine my own tendencies to do that. So when I was creating the system, that’s kind of how I thought of it as very personal, which qualities that I think would form like a functional society, but also tackle most of the areas that I think are deeply problematic in human nature. So Dauntless was first, Candor was last. That’s why Candor was a little bit like, ‘What did I do again?’ [laughter] Now I know what Candor does, but in the first book I was like ‘Hmmm, hmmm…’ But yeah, that’s how I chose those factions.
Q (for Ansel): Can you talk a little bit about “Ansolo”?
[Per Wikipedia, Ansel started a soundcloud account and a facebook account a while ago with the name of “Ansolo”, the alter-ego that he uses for DJ and producer of House/Dance Music. He does remix of popular songs like Lana Del Rey´s Born to Die. He plays has a DJ in times in different clubs. Check out his music on Soundcloud]
Ansel: Yeah, yeah, y’know, the last thing that I write was like 6 months ago, but now I have about 4-5 original records that are releasing. I’ve signed with a top agent too for music, it’s going really well. That’s the thing… I don’t want to just be an actor my whole life. I mean I do want to be an actor my whole life but not only an actor, I want to be an artist. Before acting I was really into painting miniatures, when I was a kid I told my mom I wanted to be a miniature painter and she’s like, ‘that sounds good.’ I’m lucky that I have supportive parents and they’ve supported me in anything I want to do. Right now music is what I spend a lot lot lot of time on… specifically on dance music. Before dance music, I was just writing music on the piano and singing, like John Legend kind of like soul music. Then my friend showed me electronic dance music, and how you can produce music on a computer. It’s like our generation’s music and I was so into it and now I do it non-stop. My record should be coming out in about a month in a UK label, I’m excited to announce it and it’s gonna be cool. And yeah, all originals.
*Q (for Ansel): You’ve played Shailene Woodley’s brother in Divergent, but in your next one, you’ll be playing her love interest in The Fault of Our Stars. How’s the transition going, as you’re doing that in the same year, with the same co-star?
Ansel:It’s great. I took that as a huge, huge compliment. I mean of course there are people who aren’t actors, even people at the studio who I know were a little hesitant to cast me. But the fact that they put me with Shailene Woodley in two movies in a row. And I think Shailene is one of the best young actresses around right now, is a huge compliment to me. I was like ‘Damn that’s crazy, and of course I want to be in both movies.’ The fact that they overlooked that is great. But it should be overlooked. I mean Miles Teller was just in a movie with Shailene where they played lovers [in The Spectacular Now] and here [in Divergent] he’s Peter, who’s not exactly Shailene’s love interest in this movie. So that’s part of acting. I think back to in high school, for four years you’re with the same ensemble of actors playing Shakespeare, musical theater and all this different things, so it’s kind of cool that in the actual industry that I feel like I have this acting ensemble with Shailene and we’re really good friends, I hope that I’ll do ten movies with her before I die, y’know.
Q (Caleb): One of the more interesting things in the film is when Tris came to see Caleb and Caleb turned his back on her. Now, I was wondering about the motivation for Caleb, was he strong in his conviction or did he do it out of fear?
Ansel:No I think he was strong in his conviction at that point. I think in Abnegation in the beginning of the story, when Beatrice didn’t help the [faction-less] woman with the bags, he said, ‘What’s your problem?’ He plays by the rules, he’s a model citizen in any system he lives in. He leaves Abnegation because he wants to know more. But once he’s in Erudite, he’s proud to be there and he’s excited, he definitely believes in ‘Faction before Blood,’ He’s systematic and he goes with that, it’s pretty straight forward.
Veronica: I think it’s very logical, his Abnegation side. Ok I will follow the rules, it’s like what you’re supposed to do, I’m going to do it.
Ansel: There’s a woman with the bags, I go help her. That’s why he’s a lawyer in Erudite to begin with. [When Beatrice] says, ‘Our parents are in trouble, they’re gonna take over Abnegation’ And I said, ‘I know, I know they’re up to something, we should take over, Erudite should be in charge.’ Yeah I think it’s tough moment, you have to get yourself in that mindset, it’s a turning point in their relationship where she realizes there will be ‘faction before blood.’ It foreshadows what’s going to happen in the future.
Q (for Ansel): When you did your research for this book, did you talk to Veronica and say hey, this is what I see…
Ansel: No, we didn’t talk. I mean, now that we’re on a press tour together we talk about Caleb. It’s very beneficial to have the author, the creator of the character to be able to talk to you. But I did most of the figuring out for myself, and with Neil, because a lot of the times, the writer isn’t even on set. Or they give away, they sell the rights of the book and they’re off, they’re not part of the process at all.
Veronica:I was there.
Ansel:Yeah she was there.
Veronica:Pretty frequently, but for some reason less when Ansel was around.
Ansel: We almost never ran into each other, that’s why we didn’t talk. Otherwise we definitely would have as the talk we have was very beneficial.
Veronica: When I was on set, I’d just sit there and watch. If anyone had questions then I’d try to answer them It’s the actor’s job to breath life into the characters and to interpret them even if it’s different from the way I’d interpret them, because the character is theirs, in a way. So for me, it’s important for me to let them do their work, just like I would want someone to let me do what I do best. You know, so that’s kind of my policy. Besides, you have the source material. You have everything I think about Caleb, it’s right there. I don’t have much to add, well except for the series. But then we talked, so I hopefully I wasn’t imposing too much artistic license.
Ansel: Oh no, no.
And that’s a wrap! 😀 The interview was only 20-min long so that was the last question.
Both Veronica and Ansel were sweet and gracious during the interview. I’m impressed and inspired by Veronica’s grace, intelligence and humility in her answers, she’s got such an affable personality that you can’t help but root for her. I’m thrilled for her success and hope she’d continue to write great stuff in the future!
My three dear nieces are big fans of the series, so thank you Veronica for signing the book for them! 😀
Hope you enjoy the interview! If you’ve got any comments about the Q&A, do share ’em below!
Hello fellow Twin City cinephiles! Local moviegoers and DIVERGENT fans are invited to check out the red carpet event happening before the DIVERGENT advanced screening this Wednesday (3/5) at the Theatres at Mall of America. Passes are required to see the film, but not to be at the red carpet, which opens at 6:00pm. Veronica Roth (author) and Ansel Elgort (cast member – Caleb Prior) will be walking the red carpet to speak with press and sign autographs.
Enter to win passes to attend an advanced screening of the highly anticipated DIVERGENT on Tuesday, March 18 at the ShowPlace ICON theater at 7:00pm. To enter go to https://www.gofobo.com/rsvp and enter the code FC2YTG; winners will be notified Saturday, March 15. Please be advised that seating will be first come, first served so it is recommended to arrive early.
March 18 at 7:00pm
Divergentis an sci-fi action adventure set in futuristic dystopia where society is divided by five factions based on virtues. The story’s protagonist Tris learns she’s Divergent and won’t fit in. When she discovers a plot to destroy the Divergent kind, Tris and the mysterious Four must find out what makes them dangerous before it’s too late.
Starring: Shailene Woodley, Theo James, Kate Winslet, Maggie Q, Miles Teller, Ansel Elgort, Ashley Judd and Tony Goldwyn
Check out the featurette below on Factions:
U.S. release via SUMMIT ENTERTAINMENT on March 21, 2014.
Stay tuned for my interview with Veronica Roth and Ansel Elgort!