The last time Mark Wahlberg and director Antoine Fuqua teamed up was for underwhelmed action thriller SHOOTER back in 2007. Now they’re back together and hoping to start a new sci-fi/action adventure for Paramount Pictures.
Evan McCauley (Mark Wahlberg) has been living a tough life, he couldn’t hold a steady job because of his illness. He keeps seeing visions of people in the past that he doesn’t know and was told by doctors that he’s suffer from schizophrenic. Needing medications to calm down his visions, he decided to build a samurai sword for a local drug dealer in exchange for the meds. Unfortunately, the deal went south and Evan was arrested by the cops. While waiting in an interrogation room, a man named Bathurst (Chiwetel Ejiofor) came in and starts questioning Evan about his past lives. Not knowing what’s going on and suddenly his life is in danger, came to his rescue is Mora (Sophie Cookson).
After evading Bathurst and his men, Mora took Evan to a hidden place called The Hub. This is where Evan learns about his past lives and the ongoing war between the two rival groups of reincarnated, the Believers and Nihilists. The Believers wants to preserve lives on earth, while the Nihilists, along with its leader Bathurst, wants to destroy every living thing on this planet. Bathurst wants a dooms day device called The Egg and he believes Evan knows where that device is located. Once Evan learned about his past lives and self-defense skills, he must save the world and take down the baddies.
The script is written by Ian Shorr and Todd Stein and it is loosely based on a book named The Reincarnationist Papers by D. Eric Maikranz. I’ve never heard of the book before, so I don’t know how faithful the script is to the book. Reincarnation has been explored in other films, but I don’t think it’s been incorporated into a big budget action picture until now. While the story is kind of interesting and silly at times, it never tried to be original. The structure of the script is very similar to The Matrix, basically Evan and Mora are Neo and Trinity. Tasked with bringing the script to the screen is director Antoine Fuqua. The film has a sleek production design and globe-trotting locations thanks to its big budget. Although, I thought some of the visual effects looked a bit amateurish. Just like the script, Fuqua didn’t do much to elevate the visual side, for the action scenes, he borrowed a lot of elements from The Matrix, Fast & Furious series and the big showdown between Evan and Bathurst looks very similar to the climactic scene from James Bond: Die Another Day.
When it comes to performances, Wahlberg was a total miscast here as the lead. His character was supposed to be this fish out of the water type but it’s kind of strange watching a man in his 50s just learning about his “purpose”. Chris Evans was originally cast as the hero but had to drop out because of scheduling conflicts. Evans probably would’ve been a better choice here. Cookson didn’t do much either as the second lead, I thought her acting was sort of strange, she always had this smirking look on her face in every scene. Dylan O’Brien also has a small supporting role and was featured in the big opening action scene. The only main cast member that looked to have a good time was Ejiofor, whose villainous role was the only best thing in the film. He stole every scene he’s in and outshone the hero Wahlberg.
Despite the flaws in this film, I did enjoy it for what it was. A silly action adventure that has some cool and thrilling action scenes. It didn’t reinvent the wheel when it comes this type of genre ,but if you have Paramount + then I think it’s worth a watch. I probably would’ve been mad had I paid like $20 to see it in theater though.
So have you seen INFINITE? Well, what did you think?
When an action film is released late in the summer season, it’s usually a lower budget fare that studios doesn’t want to spend too much money promoting it and the movie itself is not that good. This latest team up between BFFs Marky Mark Wahlberg and Peter Berg definitely falls into those categories.
James Silva (Wahlberg) is a leader of a special elite military force called Overwatch, think of this group as the ‘Impossible Mission Force’ but works with the military instead of intelligence agency. After completing a mission that didn’t go smoothly in the States, he and his team are now working in an unnamed Southeast Asian country trying to find missing deadly chemicals.
His second in command agent Alice Kerr (Lauren Cohan) has an asset within the local government named Li Noor (Iko Uwais), who has a disc containing information on where to find the missing chemicals. Noor will unlock the disc when he’s out of the country and on his way to the States. With no time to waste, Silver and his team has no choice but to escort Noor to an airport and keep him alive from assassins working for the local government. With the help from Overwatch’s technical team and its leader Bishop (John Malkovich, wearing a ridiculous wig), Silver and his team must navigate through the city and avoid being killed.
There’s not much of a plot here, it’s a pretty simple story and I don’t think screenwriter Lea Carpenter really care to expand much beyond it’s simple storyline. Carpenter did include tons of F-bombs in the dialog and not much else. For a movie with not much of a plot, director Peter Berg decided to ramp up the violence and made sure this movie earns its R rating. Unfortunately, Berg didn’t get the memo that it’s 2018 and not 2008. The action scenes in this movie reminded me of last decade’s unwatchable fast editing, up-close shots and shaky cam style that ruined most of action films from the 2000s. By trying to make action scenes look exciting, Berg used several camera angles and most the frantic sequences were either incoherent or just plain ugly to watch. I think directors who’s going to direct an action film should watch the last couple of Mission: Impossible films and take notes on how to shoot action scenes correctly.
As for the performances, Wahlberg is basically playing the same type of roles just like his other flicks. His character in this movie supposed to have some sort of bi-polar condition so all he did in the movie was either yelling at people or being a smart ass. I like Lauren Cohan in The Walking Dead but here she seems to be out of her elements. They did try to give her character some background, but it just didn’t work for me. Iko Uwais didn’t have a lot of dialog, he was mostly used for the hand-to-hand combat scenes. Malkovich wasn’t on the screen that much but he does appear, I tried not to laugh because his haircut just looks ridiculous.
Mile 22 could’ve been a good action thriller if they had gotten a better crew to work on it. Berg tried to make a cool espionage picture, but he also tried to make it more realistic and the results was just silly. The movie also lacks any true villains and since we’re in the era of franchise building, this one ended with a cliffhanger and twist that I think most people will see it coming way before it ended. Apparently, it’s supposed to be a trilogy and I don’t think I’d care to see anymore adventures of the Overwatch team.
So have you seen MILE 22? Well, what did you think?
Directed By: Peter Berg Written By: Peter Berg, Matt Cook and Joshua Zetumer Runtime: 2 hrs 13 minutes
Watching Patriots Day is a stressful experience, but not for the reasons I expected. I expected it to be hard to watch because it is a retelling of a violent moment in recent American history, but instead I was just horrified to find that the story of the Boston bombing had been turned into a thinly disguised propaganda piece.
Patriots Day targets two very specific groups of Americans and manipulates them from the beginning of the film to its end. These two groups are Bostonians and conservative white folks. In an effort to cater to Bostonians, the film has an early callout to Dunkin Donuts and there is a scene that features a delightfully brash police officer who verbally spars with the National Guard. There is also a running joke between a young husband and wife about how to pronounce words with a Boston accent. The film’s pandering to conservative white Americans is even more obvious, with moments like the one where Special Agent Richard DesLauriers (Kevin Bacon) implies that Fox News might be more transparent than the US government and overlong scene at Sean Collier’s house when he drinks a beer, rough-houses with his roommates, and then sings a country song in the middle of his living room.
Of course, just because a movie has a target audience, that doesn’t make it propaganda. What does make it propaganda is 1) it is historically inaccurate, 2) it has a clear agenda, and 3) it manipulates its audience.
Normally I am the first person to claim artists the right to creative license, but a historical piece that systematically populates its universe with real people is different. In Patriots Day, every bombing victim with a speaking part represents a real person and that person is interviewed in a sentimental mini-documentary at the end of the film. The filmmakers want the audience of Patriots Day to be impacted by the realness of the story they tell, even though there is misinformation littered throughout. One of the most notable instances of this is in Katherine Russell Tsarnaev (Melissa Benoist). The movie not only implies that she was aware and supportive of the bombing, but goes so far as to claim that she continues to be under investigation by the FBI, which, based on my research, is untrue.
Patriots Day has a clear agenda: it aims to inspire fear. And, gosh darn it, it does that. It preys on ignorance about other cultures. One of the most dramatic examples of this was two scenes, played back to back. In the first, DesLauriers and Tommy Saunders (Mark Wahlberg), both white men and heroes of our story, deliver loving monologues to their wives. Immediately afterwards the film cuts to the Tsarnaev household, where Tamerlan (Themo Melikidze) and Katherine get into a giant argument because Tamerlan purchased the wrong kind of milk for their child and does not want to fix his mistake. Patriots Day preys on very basic stereotypes about minorities in America as well. Whenever Dhokar’s friends are on screen, they are surrounded by drug paraphernalia and reciting a script that is over-inundated with swear words.
Finally, Patriots Day constantly manipulates its audience. Although there were many moments during the narrative film itself, the primary moment of manipulation was at the end. A mini-documentary featuring every victim portrayed in the film decries the violence of the day and describes Boston’s recovery as one that embraced the American ability to come together in solidarity and love. The speeches were beautiful, but the movie set them up in a way that felt too manipulative to be impactful. I left the theater feeling gross instead of inspired.
The obvious propaganda of Patriots Day is made all the worse because, from a technical stand point, this is a good movie. The special effects are great. The editing choices are marvelous. The writing – when it’s not moralizing or blatantly catering to its target demographic – is laugh out loud funny, emotionally charged, and keeps the story running at a good pace. Most of the performances were great, with my personal highlights being Kevin Bacon as Special Agent Richard DesLauriers, Jake Pickling as Officer Sean Collier, and Jimmy Yang as Dun Meng. However, a lot of the artistic choices that contribute to this movie being “good” also make it downright offensive. Sometimes it almost felt okay, but ultimately I don’t think I want to laugh at an anti-smoking joke at the tail-end of a real shootout that ended in a gruesome death. It’s distasteful to ask an audience to laugh at action movie one-liners when the story is real and fresh.
As an aside, Dhokar Tsarnaev’s character doesn’t make sense. Because Dhokar was notoriously very “American”, they couldn’t pigeon-hole him like they had Tamerlan (and I have a whole rant about the latent xenophobia that went into the creation of that character). The resulting mess was a character that swung dramatically between a prejudiced caricature of a Muslim terrorist and a second prejudiced caricature of a troubled, urban teenager. Neither stereotype fit, and they were completely contradictory. The lack of cohesion in Dhokar’s character led to completely baffling moments like when Dhokar makes fun of Dun’s accent – even though half his school friends are foreign students.
I can give the movie one star, because it is a fun action movie, but I want that admission couched solidly in my horror that anyone thought that it would be a good idea to make a “fun action movie” about the Boston Marathon bombing. I don’t think anyone should watch Patriots Day. It dishonors the victims, trivializes the serious, and despite its insistence to the contrary is, ultimately, un-American.
Holly P. is a twenty-something millennial who enjoys shouting at people on the internet, riding her bicycle, and overbooking her schedule. She prefers storytelling that has a point and comedy that isn’t mean. Her favorite movies are Aladdin, the Watchmen (even though the book was way better), and Hot Fuzz. She’s seen every Lord of the Rings movie at least a dozen times. You can follow her @tertiaryhep on twitter or @hollyhollyoxenfreee on Instagram. She’s also on Tinder, but if you find her there she’ll probably ghost on you because wtf is dating in the 21st century.
Have you seen ‘Patriots Day’? Well, what did you think?
After a three year absent, the Transformers are back on the big screen. They still have to deal with annoying human characters, fight the bad Transformers and destroy every big city as much as they could.
The movie picked up about 5 years after the last one, we’re introduced to some new human characters Cade Yeager (Mark Wahlberg) and his daughter Tessa (Nicola Peltz). Yeager is a failed inventor and he’s close to being broke and lose his farm. One day he found an old truck which happens to be Optimus Prime, he’s hiding from the government. Apparently after the events of the last movie, all of the Autobots are being hunted down by the CIA. The mission is being spearheaded by a high level CIA executive Harold Attinger (Kelsey Grammer). When Attinger finds out that Optimus Prime is hiding out at Yeager’s farm, he sends his operatives including its leader James Savoy (Titus Welliver) to bring Prime in. Of course things didn’t turn out well as they’d hoped and Yeager, his daughter and Optimus were able to get away from the agents. I was going to write more about the “plot” of the movie but let’s face it, no one go to see this movie for its plot, which by the way didn’t make a lick of sense. If you’re a fan of the previous three movies and enjoy all the explosions and robots fighting then you’re going to love this one. For anyone who can’t stand this franchise, I’d advise you to stay far away from it!
Wahlberg stepped in as the new leading man this time and I didn’t think he was as annoying as Shia LaBeouf but he didn’t really add anything much to the movie. Since he’s done many action movies prior, the writers did write in scenes where he’s part of the action instead of just running and screaming like LaBeouf did in the previous movies. Young actress Nicola Peltz became the new eye candy in this one, when I say eye candy, I meant it literally. Bay pretty much focused the cameras on every part of her body, just like he did with the other pretty girls in the previous movies. Another young actor (Jack Reynor) showed up as her boyfriend and I think he’s supposed to play LaBeouf’s part because I found him quite annoying. Then later in the movie, Stanley Tucci showed up as this Steve Jobs type of a character. Grammer was pretty much your typical one dimensional villain, he’s bad, he’s greedy and he doesn’t about anyone but himself.
Now let’s talk about Michael Bay and his Bayhem. I don’t know if it’s possible but this movie might have had more climatic action scenes than any other movies I’ve ever seen. Bay kept blowing things up and robots smashing into one another for close to 3 hours! The man has no restrain and as long as people keeps paying to see this franchise, he’ll never stop. I remember a while back he said he’s done with the franchise but I guess the studio probably offered him money more than any average person would ever see in their lifetime.
Now I do have a couple of good things to say about this movie. First, it’s the first movie to have been shot with the new IMAX 3D cameras and since I’m a big fan of IMAX, it’s nice to have seen it on the biggest screen. If you’re going to see it on IMAX, know that it will have aspect ratio switching. Second, the 3D effects were quite impressive, maybe one of the best I’ve seen. There were scenes where I felt like I was in the movie, Bay did a good job there with the 3D. Of course the 3D supposed to enhance the story and not be the story, so it gets tiresome about an hour into the movie.
The movie is expected to be the summer’s biggest hit and I have no doubt that it will be a big hit. If you’re a fan of the franchise then you’ll love it, but for me it’s another bloated piece of turd from a director who only cares about making money and not quality films.
Ok so this is not so much a straight-on review as my rant reaction to this movie [if you can even call it that]. I’ve only seen the first movie [only because I was at a friend’s party and everyone wanted to watch the Transformers movie], and frankly I had no interest in seeing any more from this franchise. The only reason I went to this press screening is because it was at the IMAX theater and this was supposedly the first film shot with IMAX 3D Digital Camera. Silly reason really, and definitely NOT a worthy one to waste three whole hours on (more if you include the bazillion trailers before the movie starts).
Pretty much the only thing one needs to know about the Transformers universe is this: the Autobots are the good alien robots and the Decepticons are the evil ones. The humans are disposable creatures, as interchangeable as the parts in a kid’s toolbox. So supposedly an epic battle had happened in the previous film that left the world in pieces, though you wouldn’t know that from looking at the shots of Chicago and Beijing as they look pretty much unscathed with all of the skyscrapers intact. For some reasons, the Autobots are now being hunted down by the CIA, whilst the top level CIA agent (Kelsey Grammer) happily makes deals with another group of alien robots as they agree to leave earth. Meanwhile, a lowly farmer inventor Cade Yeager (Mark Wahlberg) inadvertently discovered that a beat-up old truck is actually the leader of the Autobots, called Optimus Prime. So of course soon enough Yeager and his daughter Tessa (Nicola Peltz) become fugitives themselves as they want to keep Optimus from getting caught. That’s pretty much the gist of it.
As if the obtuse storyline wasn’t enough, Michael Bay‘s execution and directing style makes this fourth installment so unbearable in every sense of the word. At 165-min long, it’s overstuffed yet hollow, loud and verbose with nothing to say. As the end credit rolled, my hubby and I just shook our head. Yes I know it’s not the first time Hollywood studios spent a mind-boggling $180 mil budget on such a stinker, but this one is especially horrid with barely any redeeming quality whatsoever. Now, I’m not saying I can’t enjoy a movie about monstrous alien robots. After all, I LOVE Pacific Rim, which I’ve rewatched several times and still entertained by it. Funny that the lead character’s name is Yeager sounds just like Pac Rim‘s robotic weapon Jaeger. If only this movie is even half as entertaining!
Bay’s Transformers franchise should go down in film history as the quintessential piece of garbage, as it represents the worst thing that one dreads from a Summer blockbuster… vapid, trite, overindulgent, overwrought, plus a dose of self-satisfied smug-ness. After all, Bay remains defiant, here’s his response to those who are critical of his *masterpiece*: “They love to hate, and I don’t care; let them hate … They’re still going to see the movie! [per mtv.com]. Wish he were wrong but he’s not. As I’m writing this, the movie has made over $40 mil in one DAY, on track for a $100+ mil weekend [sigh] It’s ironic that the title tagline is ‘age of extinction.’ Well, it seems that creativity in Hollywood is on the verge of extinction [if it isn’t already]. The best line of the movie comes early in the movie, inside a ruined vintage cinema, when an older man lamented how all movies these days are sequels and remakes. Was Bay poking fun at himself and what he represents? Highly unlikely, considering his comment above.
You know something is out of whack when during watching a movie, you’re thinking about why so many good actors sign on to this and wonder how much money they made for it. That is if you’re not busy counting how many product placements are scattered during the action scenes [hint: it’s too many to count]. Every actor here is utterly wasted, Wahlberg is not immune to bad movies [The Happening, anyone?] but I’m still baffled as to why he signed on to do this. You would think he’s got enough cash that he never need to do a project only for monetary reason. Talented young actors like Sophia Myles and Jack Reynor probably just want the exposure one could get from mainstream blockbusters, but it’s still painful to see them in something THIS bad. Let’s hope they pick better roles in the future. As for Peltz, she is an exact embodiment of a damsel-in-distress, yet another eye candy type for the purpose of Bay’s unabashed female objectifications. As Wahlberg’s character complained about her daughter’s skimpy outfit, Bay set up a shot from between her thighs as she stood with her short shorts that barely covered her behind. Peltz was only 18 during filming, Bay’s nearing 50. It’s really a new low even for Bay.
I don’t know what’s worse, the wooden acting or the clichéd dialog coming out of their mouths. Even Stanley Tucci who’s always watchable even in a bad movie made me cringe here. His character is a multi-billionaire Tony Stark-type inventor who has been making man-made robots from the remains of the evil alien robots Decepticons. For someone who’s supposedly a brilliant scientist, his character does the most idiotic things throughout. In the third act, the main characters resort to dragging an alien *seed* that can turn organic material into metal. You’d think they’d be more careful with something THAT lethal, but it’s as if they’re dragging a body bag. It’s like watching a slapstick comedy except that it’s neither funny nor entertaining.
I better end my rant now as I’m running out of adjectives to describe this movie. This FilmInk reviewer sums up my sentiment perfectly: “Transformers: Age of Extinction has appalling dialogue, deplorable representations of women, un-self-aware action sequences, very little humour and racial stereotyping. In other words, it’s a Michael Bay movie.” Suffice to say, this is by far the worst movie I’ve seen in a long time, rivaled only by Die Hard 5 but even that one is still more watchable as it’s only about half as long. I actually had to make a new rating graphic for this one as I’ve never given a rating this low before. I don’t care what state-of-the-art equipment is used to make this or even how good the visual quality is. I actually took my 3D glasses off a few times just to give my tired eyes a break. It’s really a sensory overload in the worst possible way.
Well, what do you think of the latest Transformers movie?
Hello everyone! Earlier this month, on June 8th to be exact, I got a chance to interview a couple of cast members from TRANSFORMERS: AGE OF EXTINCTION: Nicola Peltz & Jack Reynor. It’s part of their press tour around the country and they showed clips from the movies as well as signed autographs for fans. Surely most of of you already know what the movie is about, after all it’s the fourth one in the franchise. I personally have only seen the first movie which was years ago, so I’m not exactly well-versed in the Transformers universe. So here’s what to expect in this latest movie:
TRANSFORMERS: AGE OF EXTINCTION begins after an epic battle left a great city torn, but with the world saved. As humanity picks up the pieces, a shadowy group reveals itself in an attempt to control the direction of history…while an ancient, powerful new menace sets Earth in its crosshairs. With help from a new cast of humans (led by Mark Wahlberg), Optimus Prime and the Autobots rise to meet their most fearsome challenge yet. In an incredible adventure, they are swept up in a war of good and evil, ultimately leading to a climactic battle across the world.
Thanks ALLIED for co-ordinating the interview roundup at Mall of America. There are seven interviewers in the roundtable so below are all the questions, I marked MY questions with an (*) in front of it.
Here’s the transcript from the interview with Jack Reynor and Nicola Peltz:
Q (for Veronica): With a lot of the strong female leads in entertainment films these days, does your character continue the strand of [being] strong female character in this movie?
Nicola: Tessa is definitely… you know how in the beginning of the movie she lives a normal life day to day, and she’s suddenly thrust into this extraordinary situation where she has to fight for her life and get back with her family. But she’s definitely a tough girl, she lives in a farm. She definitely gets her butt kicked a lot… a lot, but she has her moment.
Jack: I think she’s probably more of a bad ass than a lot of the other franchises that are around right now, in all honesty. She’s not the sensitive wilting flower [Nicola: she’s no wilting flower]… more of a bad ass, I mean she’s going out with a race car driver so she better be [laughs]
Q:So what scene do each of you guys enjoy shooting the most?
Nicola:I don’t know if you guys saw the trailer but when we were running, Jack, Mark and I were running in slow motion and there’s this huge explosion…well that was real. We found out about it like four minutes before. We got on set and we had no idea. We saw all these explosives, twelve cameras and we’re like ‘What is going on?’ Michael does add random scenes so we’re very pleased. So he got on set and said: you have to run from here to here in 4.6 seconds and we had our practice runs and then he said, ‘Ok are you ready?’ And we’re like ‘Ok, yeah.’ And so we just did it and he said, ‘Well don’t mess it up ’cause we can only do it once.’ It was so exciting though, I mean your adrenaline was going crazy, it was really fun.
Q: To follow up on that… could you just talk about the different challenges about doing television or independent films versus doing a monumental blockbuster film like this one?
Jack:Well for me at least, independent films and films like this aren’t really that different in terms of my approach to my character and a performance. You still have to try your best to suspend your disbelief and draw on your imagination and your emotion and invoke certain thoughts for yourself to invest in your character. The real differences are that with a film of this kind of budget and scale is that there are so many more people around all the time. And the effects are so heavy and the wait time between shots are kind of substantially longer. So things like that are really different. Y’know people ask all the time how does it feel like to star opposite a giant imaginary robot, well I think it’s not so different from any other films you try to do. Like I said it’s about drawing from your imagination, so it’s an extension of that from the world of independent film and television.
And with Mark being on set, and Michael, and don’t get me wrong, Stanley [Tucci] and Kelsey [Grammer] as well, these are all veterans of the industry, they’ve all done a movie like this before. So for Nicola and I to be able to observe them in the environment, ehm making a blockbuster film has been an eye-opener for us and it’s taught us a lot on how to relate to the industry and how the industry relate to us. It’s very beneficial for us at our stage of our careers.
*Q (for Jack): Since you’ve done a bunch of independent films like What Richard Did and then this movie. You sort of touched on that a little bit but then you’re going to be doing Macbeth [Jack: I’ve finished Macbeth]. Is there anything that’s particularly memorable in filming this as opposed to those indie films?
Jack:Yeah again, it’s that crazy scale… rolling through f***in’ giant explosion y’know, crazy car chases. I mean driving rally cars having helicopters flying over my head. Cars with cranes chasing me and stuff like that. I shouldn’t be driving behind the wheel of a car like that, that’s mental. But yeah, it’s a really fun experience. It’s great. It’s a massive departure for me from the world of independent films so I enjoyed it, I relished the challenge, certainly.
Q: Transformers is a whole different animal from what the work you’ve done in the past. Have you found that your life changed now with the added exposure that comes with being in the Transformers 4 movie?
Nicola:My life? No, not at all. I still walk around and no one really cares. But then we just started this tour. We haven’t had the premiere yet which I’m super excited for but yeah, it’s been amazing.
Jack:Well on a personal level, for both of us on a personal level, things hasn’t changed an awful lot as of yet. In Ireland for me, a lot of people are really happy there’s an Irish guy as part of a massive franchise like this. We don’t have an Irish character in movies like this ever, this is kind of the first time we’ve actually seen an Irish character kind of in a large supporting role so that’s a real great thing. But professionally, on a professional level I think both of us have certainly noticed that we’re in a position that we can potentially finance the kind of projects that we want to make ourselves and we have a lot more freedom and leeway in what we want to do. And it’s afforded us a lot of opportunities in the industry and we both want to take full advantage of that. So that’s been a definite difference.
Q (for Nicola): Transformers is known as more of a guy film. So what do you think will bring the female audience in.
Nicola:Well I grew up with six brothers so I’ve always been into more of the guy movies and action films, those are the kind of movies I’m excited to go see. But Tessa is really relatable to a lot of girls, I know I can relate to her. Her dad is overprotective, I know I can relate to that definitely with six brothers. She’s in a no-dating household so I get all of that. But she is definitely relatable to a lot of girls. She is a tough girl, I think a lot of girls would be into this. I know I am.
Q: I saw an interview with Mark Wahlberg, and he had said ‘Jack and Nicola’s life is going to change quite a bit when the movie comes out. And it’s something you could deal with so well or it’s going to be a problem.’ Specifically as a mentor and father figure, as you enter huge celebrity, can you tell us a bit what that meant to you and what his best advice was?
Jack: Well the thing is, during filming at least, Mark really lead from the front. And just to be able to observe him in that environment is something that’s very beneficial to us. It helps us to develop a healthy work ethic in this industry.
[ed note: Jack and Nicola has quite a lot to say about working with Mark Wahlberg and their thoughts on fame and celebrity. I figure I’ll let you take a listen to it yourself so you can hear what both of them sound like. Jack still has a pretty thick Irish accent as he still resides in Dublin.]
Q: So going more into the story of the film. What’s at stake for each of your character. What does your character stand to lose if you fail?
Nicola:Our lives [laughs] Well like I said in the beginning of the movie you see them live their lives, how they’re all normal relatable people and they’re thrown into this crazy situation. So in the film my character got separated from my dad and being a 17-year-old girl it’s really scary. And for her to be in this crazy situation and not being with her dad is super intimidating and scary. So she’s definitely scared about her life and also not only worrying about herself but also worrying about her dad. Is my dad ok? Is my boyfriend ok? So yeah there’s a lot of that.
Jack: At the heart of my character. Well he’s a young Irish guy who lands in Texas and he has this incredible ability to race rally cars. It gives him confidence in himself and y’know gives him the ability to assume his position in that world and also in terms of his relationship with Nicola’s character. I think that throughout the course of the film, he’s trying to find his place, he’s trying to prove who he is, what he’s worth. At the same time, his relationship with Nicola’s character is something that helps her to become more independent and to grow and approach the adult world and to diverge her relationship with her dad in a healthy way. So that’s the purpose that my character serves.
Q: So Transformers is like an extremely beloved series. Do you guys feel any pressure to live up to what has become of this franchise?
Nicola:Well we’re not replacing any character, so there’s no pressure to live up to something that we’re not replacing. But as me being a huge fan of Transformers and growing up with boys and being obsessed with it and I knew the whole story… I’m also a huge fan of Michael Bay and everyone involved in this film, so even being able to audition for this film and then to being able to be a part of it is so exciting for me. That’s all I was worried about. I’m just so excited to go on set and to work with such talented people.
And that’s a wrap! 😀 The interview was only 15-min long so that was the last question.
Pardon the blurred photo. I was actually standing to the left of Jack in this photo but it was so blurry it’s best to just cut me off from the picture.
JACK REYNOR BIO
Reynor recently wrapped filming on the human trafficking story Glassland, alongside Toni Collette in Dublin, Ireland. This is the second feature from Irish director Gerard Barrett. Reynor has recently begun filming the upcoming adaptation of Shakespeare’s MACBETH, directed by Justin Kurzel. He will be playing the role of Malcolm alongside Marion Cotillard and Michael Fassbender.
Last winter, Reynor garnered rave reviews for playing the titular character in the Irish independent film What Richard Did. Labeled as one of the best movies to come out of the Tribeca and Toronto Film Festivals, it is a story about a young boy who has to confront the question of who he is and who he wants to become. Reynor delivered a spectacular performance receiving glowing remarks from film critics around the globe. “Mr. Reynor’s portrayal of this man-child is an extraordinary screen performance…,” stated Stephen Holden of The New York Times. Leslie Felperin of Variety wrote “Promising young thesp Jack Reynor particularly impresses as the title character… The climactic scene between Peter and Richard is powerfully thesped, especially by Reynor.”
Proving his multifaceted talent, Reynor made his US film debut in the recently released Vince Vaughn comedy DELIVERY MAN (Dreamworks) which came out in theaters nationwide on November 22nd 2013. Reynor was born in Colorado, but grew up in Ireland.
NICOLA PELTZ BIO
Later this summer Peltz will also star in Kevin Asch’s Affluenza which is set for limited release in July. The film is a coming of age story inspired by The Great Gatsby and is set amongst the upper class in the Long Island suburb of Great Neck during the weeks leading up to the financial meltdown of 2008.
On the small screen Peltz is currently reprising her role as Bradley Martin, a troubled high school student, in the second season of A&E’s critically acclaimed series Bates Motel. The series is a modern reimagining and prequel to the1960 Alfred Hitchcock cult classic Psycho, which focuses on the life of Norman Bates and his mother Norma portrayed by Freddie Highmore and Vera Farmiga.
In 2012, she starred alongside Melanie Lynskey and Campbell Scott in Eye of the Hurricane, a compelling family adventure about a small Everglades community struggling to put their lives back together in the wake of a devastating hurricane. In 2010, Peltz starred in M. Night Shyamalan’s The Last Airbender opposite Dev Patel and Jackson Rathbone. The film was written, directed and produced by Shyamalan and was based on the first season of Nickelodeon’s animated series Avatar: The Last Airbender. Peltz made her feature film debut in 2006 in Deck the Halls with Danny DeVito, Matthew Broderick and Kristin Chenoweth.
A New York native, Nicola made her stage debut in 2007 opposite Jeff Daniels and Alison Pill in the Olivier Award-winning production of “Blackbird” at the Manhattan Theatre Club directed by Joe Mantello. ///
TRANSFORMERS: AGE OF EXTINCTION in out in theaters this Friday, June 27
Hope you enjoy the interview! What are your thoughts on Transformers movies and/or the cast?
Hello folks, welcome to the 8th Five for the Fifth of the year!
As is customary for this monthly feature, I get to post five random news item, observation, trailer, actor/director spotlight, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.
1. August 5th is Neil Armstrong‘s birthday. The first man on the moon would’ve been 82 today. When he died almost exactly a year ago on August 25 (see my music-themed tribute here), some articles (like this one) reported on an [inevitable] biopic on his life. Not sure what have become of that project, which is baffling to me as Hollywood LOVES biopics, and Armstrong seems to have a story worth telling, aside from his accomplishments in space engineering.
This Guardian article from 2008 had some casting ideas, but I think some of those might be moot at this point. One name they threw out was Viggo Mortensen, which would be awesome, even if at 54 he’s too old to play Armstrong when he first landed on the moon, which was 38.
Thoughts on this project? Who do you think would be a good fit to play Neil Armstrong?
2. In my June Five for the Fifth, I mentioned about 2 Guns in my question about Mark Wahlberg. Well, that movie tops box office this weekend with $27 mil. Not bad considering its budget is only $61 mil. I guess both Denzel Washington and Mark Wahlberg can open a movie on their own, so combine the two together, I’m not surprised the film does well.
The movie is more of a rental to me though. Terrence gave it a 3 out 5 stars, so it’s not horrible, but not something I have to see on the big screen. I quite like buddy action flicks though, that’s a tried-and-true genre that relies on the charm and chemistry of the cast. Some of my fave buddy action/comedy flicks are Lethal Weapons, Tango & Cash, The Other Guys, Hot Fuzz, and most recently, 21 Jump Street.
How about you, what are YOUR favorite buddy action flicks?
3.Some of you who’ve read my July Recap knows that The Act of Killing documentary is my Movie of the Month. I’m still mulling it over after seeing it last week.
After chatting with the filmmaker Joshua Oppenheimer and attending his Q&A at Walker Art Center this weekend, I have a better appreciation of the filmmaking process, though it’s certainly a film one would be hard pressed to comprehend. I will post my review and interview w/ Joshua later this week, but here’s the trailer:
So far the film has garnered all kinds of accolades and awards from all over the world. It’s Rotten Tomatoes rating is currently 97%, the summary reads like this: Raw, terrifying, and painfully difficult to watch, The Act of Killing offers a haunting testament to the edifying, confrontational power of documentary cinema. Trust me, it’s no hyperbole and it’s easily THE most haunting documentary I’ve ever seen, and I’m not saying that because the subject matter focuses on my homeland Indonesia. I can’t recommend this enough folks, especially if you like history or simply compelling stories that’s told in an inventive way. I certainly hope it’d be nominated for an Academy Awards next year.
Speaking of recommendations, what has been the most memorable documentary you saw in the last 12 months?
4. Actors venturing into directing films are nothing new. We’ve certainly seen some movie stars garnering accolades for directing AND starring in their films (George Clooney, Ben Affleck, etc.), and now Chris Evans is attempting to do just that. Per SlashFilm, the Captain America star reportedly will direct and star in a romantic drama called 1:30 Train. Here’s the initial plot of the film:
Two strangers who meet in Manhattan and spend one night together as the conflicts in their own lives become the basis for their exploration of each other and themselves.”
Some sites are describing it as being in the vein of Richard Linklaters’ Before Sunrise, which intrigues me, Hollywood needs more compelling romantic dramas instead of rom-coms. Now, I’m warming up to Evans as an actor, I mean he’s not a stellar actor by any means but I like that he tries to mix up different genres. He’s fitting in an apocalypse thriller Snowpiercer (hopefully it’ll get a US release date soon), and now this, in between his Avengers gig. Curious who’d be cast as the love interest, but in any case, I wish him the best of luck on this project!
What do you think of Chris Evans’ directorial debut idea? Does the film appeal to you?
5.Now, I know it’s only August, nominations isn’t going to start for another four months. But hey, since they’ve already announced that Ellen DeGeneres will host the Oscars next year (which is awesome as she’s FUNNY without being mean-spirited!), I think it’s fair game to talk about Oscar predictions… or wish list.
The one film that’s a shoo-in come award season is Steve McQueen’s Twelve Years A Slave.
12 YEARS A SLAVE is based on an incredible true story of one man’s fight for survival and freedom. In the pre-Civil War United States, Solomon Northup (Chiwetel Ejiofor), a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty (personified by a malevolent slave owner, portrayed by Michael Fassbender), as well as unexpected kindnesses, Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist (Brad Pitt) will forever alter his life.
The cast is incredible, but I’m especially thrilled to see Chiwetel Ejiofor in the lead role!! I’ve been championing the talented Brit for years, he was on my list of foreign actors to watch (along with his co-star Michael Fassbender!). I’m sincerely hoping that this film would come to Twin Cities Film Fest in October (ahead of its limited release on December 27), as MN-native Bill Pohlad is one of the film’s producers.
Oh man, I cried just watching the trailer! I better pack a box of tissue when I watch the film. I LOVE that Benedict Cumberbatch is in this as well, this is the second time he’s doing a slavery-themed film, the first one was Amazing Grace, which I highly recommend if you haven’t seen yet.
Our resident Oscar expert Josh @ Classicblanca has put up his Oscar predictions last week, and I’m thrilled to see he’s predicting Ejiofor under the Best Actor noms. I’d love to see Fassy get a nom in Best Supporting Actor category too, since he was overlooked last year, but I REALLY want Ejiofor to finally get his dues after years of memorable, supporting performances. I know that after seeing him in Endgame, he’s definitely a capable leading man.
P.S. In the Best Actress category, I’d love to Cate Blanchett get a nom as well. I mean, just from seeing a trailer and clip of Blue Jasmine, she’s certainly in top form being the chameleon actor that she is!
Well, now my last question to you is: Which actor (or actress) would you love to getting a nomination come award season?
That’s it for the AUGUST 2013 edition of Five for the Fifth, folks. I’d love to hear your thoughts on any of these subjects.
One blogger can’t possibly watch every single film, so thanks to two of FC contributors today, I bring you double reviews of two movies currently in theaters. This is The End is actually just been released today.
Pain and Gain
It may be hard to believe when you’re watching the sordid, outrageous crimes that take place in Pain and Gain, but this film is based on a true story. The movie stars Mark Wahlberg and Dwayne Johnson, and it’s about bodybuilders on a crime spree in mid-1990s Miami. Action director Michael Bay helmed this terrible low-budget film, which is more than two hours long and feels much longer.
The movie used as its source material a three-part crime series, written by reporter Pete Collins and published in Miami’s “New Times” newspaper. What happens over the course of the film, in brief, is that a weightlifter named Daniel Lugo, portrayed by Wahlberg, forms the Sun Gym Gang. This murderous group includes the fictional Paul Doyle, played by Johnson, a cocaine addict and religious fundamentalist. This stripper-loving, steroid-fueled gang needs money, and so they decide to kidnap, torture and ultimately murder Victor Kershaw, a local deli owner, and later the head of a telephone sex company and his girlfriend.
What makes these criminals, in real life and in the film, especially shocking is that they hold Kershaw hostage for roughly a month, continually torturing him in order to take control of his financial assets. And what makes the movie puzzling – not to mention offensive – is the approach it takes to the story. Instead of crafting a horrific drama, Christopher Markus and Stephen McFeely, the authors of the screenplay, decided that they would try to create a quasi-comedy. The key word in that last sentence is “try,” because nothing in the movie is remotely funny. Rather, the film is infested with all kinds of crude, sophomoric jokes, including gags about bodily functions and sex toys. As a result, inevitably, several relatives of the real victims in this case have publicly denounced the movie for trivializing events and presenting the killers in a somewhat positive light, and for attempting to get laughs in the process.
In recent years, Mark Wahlberg has proven himself a talented and versatile actor, adept in both comedic and dramatic roles. Think of films as different from one another as Ted (2012), about a grown man with a living teddy bear, and The Fighter (2010), a gripping true-life account of a working-class boxer. That Wahlberg would choose to be in Pain and Gain is truly shocking.
On the other hand, that Michael Bay would direct this garbage is not shocking. He’s best known for loud, witless movies such as the Transformers series. And Bay employs his entire arsenal of headache-inducing tricks throughout this picture, including super-fast edits, spinning camera moves and the objectification of his actresses’ bodies. Indeed, the only real difference between the bodybuilders in “Pain and Gain” and the bad robots in “Transformers” is that, once in a while, the giant robots actually seem kind of realistic. Oh, and the Transformers don’t curse or go to strip clubs.
3 out of 5 reels
Author: Eddie D. Shackleford is a writer and blogger for Cable.tv and loves to write about movies, entertainment, TV and more. You can follow Eddie @Eddie20Ford.
This is the End
I have to admit, I’m not a big comedy fan. I rarely seek out comedies at the cinemas, it’s not that I don’t like the genre, I just think some of the comedy films have been either average or just boring within the last few years. I prefer my comedies on TV, I love shows like Parks & Recreation, The League and Arrested Development. But when I saw the trailer for This Is The End, I was kind of excited to see it. A disaster and comedy film with big named stars playing themselves, how can it not be funny.
The film opens with Seth Rogen picking up his friend Jay Baruchel at the airport. They stopped at Rogen’s house, drank alcohol, smoked a lot of weed and then decided to head to James Franco’s house for a party he’s throwing. Once there, they ran into who’s who of young comedians in Hollywood. Even Emma (Hermione) Watson and Rihanna were there partying. Everyone was having a great time except Jay, since he’s not as famous as the other actors at the party, he felt left out. So later he asked Seth to go to a convenient store with him to get some cigarettes. While there Jay said he wanted to leave the party and go hang out at Seth’s place, but Seth wanted to stay. Then suddenly there’s an earthquake and some people inside the store got sucked up to the sky by blue lights and some died; violently I have to say.
They ran back to Franco’s place and told everyone what was happening, of course no one believed them, even Seth started to doubt what he saw. Then the earthquake started again and this time there’s a giant sink hole in Franco’s front lawn, a bunch of people fell into it. So James Franco decided to go back into his house believing it’s safer there. The people who came with him were Jonah Hill, Craig Robinson, Jay Baruchel and Seth Rogen. So most of the film took place inside Franco’s house and the bicker between these actors. Later on in the film, Danny McBride showed up and he and Franco got into a fight about masturbation that will make your stomach hurt from laughing so hard, it’s one of the funniest scenes in the movie. Then later on, a certain big named actor showed up and that also got a huge laugh from the audience.
I didn’t expect the movie to play it so straight, I mean it’s about the end of world and these actors are trying to survive it. I was hoping they would make fun of the movie industry in general, particularly the big budget tent poles that we see every summer. One thing they did do was to insult one another, a constant running gag was how Jay Baruchel is still unknown since he’s not as popular as the other actors within the group. The movie kind of lost me when it started talking about the rapture and then monsters showed up to hunt down the actors. I don’t want give away too much since I think a lot of people might get a kick out of the story.
Performance-wise everyone was pretty good, especially Jay Baruchel who’s basically the lead in the film. I’ve never seen him in anything before this movie and I thought he’s funny and I can see him becoming the new Jim Carrey. Franco, Rogen, McBride, Hill and Robinson were pretty much playing themselves and most of the time it worked.
All in all, this debut feature film by Evan Goldberg (who wrote Pineapple Express, Superbad) is a decent comedy. If you’re a fan of Goldberg’s previous films that he wrote, as well as Shawn of the Dead, you’re going to enjoy this. Just don’t take your young kids or nieces or nephews to see it, the film contains graphic language and violence.