NOVEMBER 2016 Viewing Recap + Movie(s) of the Month

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Well I guess we better get used to saying ‘see ya next year’ now that we’ve only got a month left in 2016! Of course now that award season is officially in full swing, there’s a slew of new film screenings coming in December! I sure hope next month isn’t going to be too snowy. I don’t mind cold temps so long as it won’t cause traffic havoc, which always happen whenever there’s a snowstorm.

After a hectic October, I only watched a third of what I did last month. But I had been busy planning a script reading in January and I also did a phone pitch to a producer in the UK for the first time. I bought a pitch session via Stage 32 site just to see if I could do it, it was nerve-wracking!

In any case, stay tuned for some of the interviews from TCFF I haven’t posted yet, i.e. my chat w/ indie comedy Funeral Day‘s director Jon Weinberg and star Dominic Rains.

Here are movies I saw in October:

New-to-me Movies

(Click on the underlined titles for a full review)

drstrange

Doctor Strange (2016)

xmenapocalypse

X-Men: Apocalypse (2016)

arrival

Arrival (2016)

welltakemanhattan

We’ll Take Manhattan (2012)

allied

Allied (2016)

wilderpeople

Hunt For The Wilderpeople (2016)

littleprince

The Little Prince (2015)

loving

Loving (2016)

fantasticbeasts

Fantastic Beasts and Where To Find Them (2016)

theshallows

The Shallows (2016)

cairotime

Cairo Time (2009)

talesbylight

Tales By Light documentary (2016)

We also got to see season 1 of this amazing Netflix Original documentary. It follows five photographers around the world documenting their approach to photography and story telling. A must for photography lovers, or those who appreciate beautiful imagery (and who doesn’t?)
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Movies I look forward to in December

So far I’ve RSVP-ed to see Miss Sloane, Jackie, Passengers, and Rogue One in the next couple of weeks. My blog contributor Laura S. will be watching/reviewing Office Christmas Party, Why Him?, and Collateral Beauty. There are even screenings scheduled for January and I can’t wait to see Hidden Figures!


Rewatches


Casablanca
| Sing Street | Love and Friendship

After watching the sputtering Allied (thanks for that description Cindy!) which has many scenes in Morroco, I’ve convinced my hubby to finally watch the masterful classic WWII romance Casablanca! Well let’s just say it was still amazing and though it looked beautiful, it wasn’t style over substance. The other two films were in my top 10 fave movies of the year. I’m glad Sing Street is on Netflix now, and I watched Love & Friendship on the plane back from Vegas.


MOVIE(S) OF THE MONTH

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We have a tie again this month! I have written a review of Hunt For the Wilderpeople and Arrival that I’ll be posting next week. They’re two very different films in terms of tone and plot, but both are excellent in their own right. You can rent ‘Wilderpeople’ now and Arrival is in theaters, so I highly recommend both of these if you haven’t seen them already. Both will surely make it to my top 10 BEST of the year!


Well that’s my viewing recap of NOVEMBER. What’s YOUR favorite film(s) of the month?

FlixChatter Review: Love & Friendship (2016)

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You already know I LOVE period dramas and I adore Jane Austen. This was one of the Sundance films I couldn’t wait to see and it absolutely didn’t disappoint! Love & Friendship is an adaptation of Austen’s short epistolary novel Lady Susan that was published posthumously in 1871. Writer/director Whit Stillman changed its name but the focus is still on Lady Susan, played brilliantly by Kate Beckinsale.

Lady Susan Vernon is a beautiful widow who’s famous for her dalliances and flirtatious nature. As she waits out all the colorful rumors about her in her in-laws estate, whilst securing a husband for herself and her reluctant daughter Frederica. Chloë Sevigny plays her American best friend Alicia who’s loyal to her despite her husband’s threat to send her back to America if she doesn’t sever her ties with Susan.

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Right from the start, Stillman’s script infuses the movie with such biting wit and his direction is whimsical and fresh. I enjoy each character’s introduction, clearly labeled in an amusing fashion that makes it easy to understand who’s who in the story. One of Susan’s suitors is her sister in-law’s brother Reginald DeCourcy (Xavier Samuel) who’s immediately smitten by her against his better judgment. The truth is, it’s very easy to be charmed by Lady Susan, as was I throughout this movie. In fact, this is perhaps one of the rare Jane Austen movies where there’s a lack of swoon-worthy Austen hero. But we do have an utterly hilarious character in the form of Sir James Martin, played by Tom Bennett who stole every scene he’s in. That ‘Churchill’ bit in the trailer got chuckling but it’s even funnier in the movie.

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I enjoyed this movie immensely and I think the fact that it’s more of a satire than a romance drama, it’d be as enjoyable for those who are normally not into this genre. Described as the most irresistibly devious of Austen protagonists (who’s not shy of admitting the fact that she has a married lover), Beckinsale shines in the lead role with her beauty and wit. The way she spins things to make it sound as if it’s everyone else’s faults but her own, when confronted with something that’s actually true, she’d say ‘Facts are horrid things!’ She delivers the most cunning, devious lines with such breezy, sunny disposition that’d charm the wits out of you. I’d say she’s utterly bewitching in this role, which is a welcome change considering I haven’t been impressed by anything she’s done lately. This is the second time Beckinsale has starred as an Austen character (the first time was in Emma in 1996), but this one is definitely a far superior performance. She has a nice chemistry with Sevigny, whom she co-starred with in Stillman’s The Last Days of Disco (1998).

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The movie is also gorgeous to look at, with sumptuous costumes (by Irish costume designer Eimer Ni Mhaoldomhnaigh), lush cinematography and picturesque scenery (apparently Ireland subbed for Regency England here). I absolutely adore Beckinsale’s purple dress featured in the poster. The music by Benjamin Esdraffo is lovely and adds that touch of whimsy. But it’s the droll and dry humor that keeps me engaged, I don’t think I’ve laughed this hard in an Austen movie. I mean Pride + Prejudice + Zombies was hilarious because of the amusing juxtapositions, but as far as a straight Austen adaptation, this is by far the funniest. But then again I’ve always found Austen to be a funny and witty writer, and that’s what makes her social commentary on class and manners in polite society so wonderfully timeless.

Speaking of PPZ, interesting to see Emma Greenwell and Morfydd Clark from that film, who played Mr. Bingley’s sister and Mr. Darcy’s sister, respectively. Also fun seeing reliable British comic actors Stephen Fry and James Fleet as part of the ensemble.

At only an hour and 32 minutes, the movie flows with such upbeat energy. Kudos to Mr. Stillman for his brilliant work here, which made me want to check out his other films. I was privileged to see him talk about this film following the screening, and the New Yorker has such dry British humor, which explains the wit that transpires in the script. I might even check out his companion novel, titled Love & Friendship: In Which Jane Austen’s Lady Susan Vernon Is Entirely Vindicated. I think the fact that Stillman is a huge fan of Austen’s work (though he admitted that he disliked Northanger Abbey) definitely helps in making this such a delightful adaptation. This is another Austen movie I could watch over and over for years to come.

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Have you seen ‘Love & Friendship’? I’d love to hear what you think!

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