FlixChatter Review: LOCKE

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When I heard the premise of Locke, I was immediately intrigued by the idea of a one-man show in a confined environment. I knew it’d take the right actor, a substantially charismatic one, to pull off this role. Obviously the script and direction is just as crucial, and fortunately, those three elements work efficiently for the swift 85-minute running time.

The film is set entirely inside a BMW SUV. Within minutes of Ivan Locke climbing into his car and starts the ignition, we learn that he’s a successful construction manager and a dedicated family man. His wife and kids are waiting for him as an important soccer match is about to go on, one he and his kids have been anticipating for weeks. It also happens to be the eve of an important project, perhaps the biggest in his career, one his boss expects he’d supervise and make sure nothing goes wrong.

Seems that he’s got everything in his life under control… yet a single phone call causes him to drop everything and drive to London. Why? Well, to tell you would rob you of the experience watching this film. With every phone call Locke either make or receives, one by one the reason of his seemingly-rash decision is revealed. Yet there’s nothing impulsive about what Locke does that night, he seems to have a calculated, almost mechanical way of looking at things. It’s as if he sees things in his life, and how he responds to each conflict that arises, the same way he responds to concrete in his daily job.

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It’s quite a fascinating and well-crafted moral drama, one that really puts the audience into the roller-coaster emotional ride that our protagonist goes through. I was completely engrossed in this one man’s endeavor to salvage everything that matters to him, and I mean every single thing, this is a man who doesn’t seem to see the virtue of prioritizing. As I watch this, I kept thinking that something’s got to give, he just simply can’t have it all, try as he might.

Sorry to be so cryptic in this review but I feel that the less you know about the plot the better. So that’s a perfect segue to talk about the performances. Hardy is the only character we see in the film but there are a number of great voice actors such as Ruth Wilson, Olivia Colman and Andrew Scott as the people who interact with Hardy on the phone. I think they all did a splendid job, most of all Hardy himself in a riveting and unforgettable role that just might garner him a slew of kudos come award season.

He’s speaking with a Welsh accent of some kind, channeling Anthony Hopkins at times in his manner of speaking. This is perhaps an actor’s dream to be able to use every bit of his facial expression and communicate emotion simply with their eyes or the smallest gestures, and Hardy definitely has what it takes. There’s a certain warmth about him yet within seconds he can be ruthless and even borderline psychotic. Now, that last part is why I can’t give this film a full score. I won’t say too much about it but let’s just say there are some really weird moments that I feel could’ve been toned down a bit. There’s already a lot going on in such a small time frame that it felt a bit too indulgent.

That said, I applaud Steven Knight (Eastern Promises, Dirty Pretty Things) for crafting such a unique cinematic experience. The night cinematography by Haris Zambarloukos (Thor) is striking, he somehow made highway driving look so dramatic and even artistic. Some people might complain that there’s not much action, but that actually what separates this from just another thriller flicks out there. For once it’s nice to see a regular guy at the center of the story, someone relatable that we could imagine ourselves or our friends being in a similar situation. There’s no government conspiracy, terrorist/kidnapping type of crisis he has to deal with. There’s no hero nor villain, just a man grappling with one VERY stressful night of his life. I love films that give me a lot to chew on after I watch it, especially in terms of morality and what is truly the right thing to do in a given situation. Locke definitely gives me that. Highly recommended.

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Have you seen Locke? I’m curious to hear what you think.

Five for the Fifth: APRIL 2014 Edition

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Welcome to FlixChatter’s one and only blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. April Fools was just four days ago, man it seems like it was ages ago for Unbreakable_Postersome reason. Some of you caught the prank I pulled that day, and surely the interweb was full of fake news. One of them I read was this article listing three fake news stories we wish were real. One of those fake headlines says that M. Night Shyamalan’s Unbreakable 2 Confirmed for 2015.

Per the article, ‘the studio indicated that the sequel will be set well after the events of the original film, and will follow Willis’ character as he learns more about his powers and the responsibility that comes with them.’ Oh man, if only that were true!! I’ve long been awaiting to see Bruce Willis and Samuel L. Jackson reprise their roles, Unbreakable is my favorite M. Night’s film and one I’d wish to see a follow-up on. It’s been 14 years since its release and I still think it’d be worth revisiting the first truly *dark* superhero film.

Did you read any April Fools fake news you wish were real?
….

2. Switching gear to a superhero follow-up that’s been breaking box office record [pardon the pun]. Captain America: The Winter Soldier is poised to be the biggest movie of 2014 so far. According to Box Office Mojo, the Friday take of $37 mil would likely wind up to about $110 -$120 mil final weekend tally. I’m glad it’s doing well as I’ve said in my review it’s my favorite Marvel stand-alone movie yet, though I still have a special fondness for the first film.

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Surely everyone’s going to have a different opinion on this. So, just for the heck of it, how about we rank 10 Marvel Studios movies from 2000, but only those involving character that appear in The Avengers. That means we’re NOT counting the X-Men movies, Fantastic Four, Daredevil, etc. Here they are alphabetically:

  1. Captain America: The First Avenger
  2. Captain America: The Winter Soldier
  3. Hulk
  4. The Incredible Hulk
  5. Iron Man
  6. Iron Man 2
  7. Iron Man 3
  8. Thor
  9. Thor: The Dark World
  10. The Avengers

So how would you rank these 10 Marvel movies?

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3. Right now I’ll be watching a bunch of indie films at MSPIFF  2014. One of them I sadly have to miss because of a scheduling conflict is Tom Hardy‘s LOCKE.

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A successful construction manager’s life is drastically changed by a series of phone calls while he drives.

Now this film that puts one actor in a confined location, more of a one-man-show for the entire film if we’re to judge from the trailer that I posted here. We’re only seeing Hardy as Ivan Locke as he takes a series of phone calls as he’s driving in a car, but boy is it gripping! I really think that the casting is what make or break this types of films, as that actor would have to be charismatic enough to hold our attention whilst seemingly not much is happening. As I’m a big fan of Hardy, naturally I’m intrigued.

My question is two fold: What do you think of Locke? And which actor would you like to watch in a similar confined setting like this one? 


4. Any casting news involving Chiwetel Ejiofor always makes me smile as I’ve been championing him for some time. Last time he was rumored in Star Wars also made a Five for the Fifth subject, if only that were true! Now as a massive Bond fan, of course this casting news piqued my interest!

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Seems that lately, or at least since Sam Mendes was on board, the new plan seems to be only to hire Oscar winners/nominees as Bond villain, ahah. In Skyfall we’ve got Oscar winner Javier Bardem, and now, Ejiofor is reportedly the top choice for Bond 24 which is currently in production. I’m definitely stoked if he were cast, though my initial thought was that fellow Black Brit Idris Elba would also make a great choice, given he’s got that devilish charm about him. I’ve never seen Ejiofor’s sinister side on screen before but I’m sure the massively talented actor is more than up for the task! With Ralph Fiennes and Naomi Harris returning, boy this is going to be one heck of a Bond cast. This might be the case where I’d love the villain more than the hero, ahah.

Thoughts on this casting rumor? Who would YOU like to see cast as Bond villain?

5. What a perfect segue to the last topic as we’ve got a former Bond villain in this one. I just backed this Kickstarter project ENEMY OF MAN, starring Sean Bean, Rupert Grint, James D’Arcy, Jason Flemyng and Charles Dance.

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Enemy of Man is an ambitious feature length retelling of William Shakespeare’s greatest tragedy, Macbeth.

This will be the feature directorial debut of actor Vincent Regan. I really like him in TROY and 300, I thought he gave one of the best performances in 300, as well as the most heart-wrenching. Regan is no stranger to Shakespeare, he’s a veteran of the Royal Shakespeare and National theaters. Sean Bean apparently played Macbeth on London West End and this gave him a chance to revisit the character for a larger audience.

All money raised from this campaign will go towards taking the film into pre-production. You can read the details on the Kickstarter link above as well as a preview to the teaser trailer. Below is Sean Bean talking about his involvement in this project:

This looks pretty promising and the talented British actors involved are quite underrated. I hope they’ll meet their goal and get this film made! As of right now, there is only 15 hours left and they still need about $33K to meet their goal.

Whether or not you choose to back it, what do you think of this project and the cast involved?


Well, that’s it for the APRIL 2014 edition of Five for the Fifth, folks.

Now, please pick a question out of the five above or better yet, do ‘em all! 😀