Five for the Fifth: MAY 2015 Edition

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Welcome to FlixChatter’s primary blog series! As is customary for this monthly feature, I get to post five random news item/observation/poster, etc. and then turn it over to you to share your take on that given topic. You can see the previous five-for-the-fifth posts here.

1. Since tonight I will be attending a Christopher Nolan‘s Conversation with Scott Foundas, chief film critic for Variety, I thought I’d dedicate my first question in Nolan’s honor.

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Nolan is actually the first filmmaker whose complete works I have seen, though not in order as I’ve just caught up with his first film The Following (1998) a few years ago. I made a birthday tribute to him in 2012 by ranking his movies. Even though I wasn’t wowed by Interstellar, a so-so Chris Nolan film is still a darn good one. Foundas posted an article on Walker Art website on Nolan, calling him A Practical Magician of Modern Movies, which I think is an apt description.

So if you can ask one question to Nolan, what would it be? 

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2. I always like to include some kind of FIRST LOOK in FFTF, and this one just arrived yesterday courtesy of EW. It’s Martin Scorsese‘s upcoming drama SILENCE starring Andrew Garfield. It also stars Liam Neeson and Adam Driver due out in 2016.

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Based on Shusako Endo’s 1966 novel, ‘Silence’ tells the story of a Portuguese Jesuit missionary who is persecuted along with other Christians in 17th-century Japan. Garfield portrays Father Rodrigues, pictured in an exclusive image with Shinya Tsukamoto, who plays a villager named Mokichi.

Per EW, Scorsese told reporters in a press conference in Taiwan that he’d been trying to find a way to adapt this novel since he first read it more than 25 years ago, and that its themes resonated with him deeply. “The subject matter presented by Shusaku Endo was in my life since I was very, very young, … I was very much involved in religion, I was raised in a strong Catholic family. … Further reflection is how [we] want to lead our life in the Christian faith … so ultimately this book drew my attention when it was given to me in 1988.”

The spiritual element certainly piqued my interest. Sounds  like a meaty role for Garfield and I’m happy for him. I saw him in this British indie Boy A prior to his stint as Spiderman and he’s certainly a capable actor.

What’s your initial thoughts of Silence?

3. Now, since today is Cinco De Mayo, I usually highlight Mexican filmmakers and/or actors but this time around why not talk about Mexican cinema in general. I actually haven’t seen any film about the Battle of Puebla, which is what the Fifth of May commemorates. There’s one called Cinco de May: La Batalla that’s just released in 2013. This still below is from that film, has anyone seen it?

CincoDeMayoMovieLately Mexican filmmakers have dominated the award seasons, culminating with two Mexican directors and winning Best Picture Oscars back to back (Alfonso Cuarón for Gravity and Alejandro González Iñárritu for Birdman). But there are many others that have made a name in Hollywood and not just limited to directors, Emmanuel Lubezki is no doubt the hottest cinematographer working today.

So in celebration of Mexican cinema, what’s your favorite Mexican film?

4. I’ve been watching a ton of foreign films lately, thanks to MSPIFF AND my new crush Stanley Weber who’s so far have been mostly in French films (Violette, Thérèse Desqueyroux).

One of my top 3 picks from MSPIFF is definitely Girlhood (Bande de Files), a French coming-of-age drama that really spoke to me and featured one of my favorite scenes ever. I LOVE Karidja Touré‘s performance in that film, and it made me think how I wish more people would discover her. She’s still only 21 years old and based on this article, she is bilingual which helps… “Better practise my English so I can be a star in the States.” I’d love to see her get noticed the way Lupita Nyong’O practically took Hollywood by storm.

KaridjaToure_GirlhoodAs for Stanley Weber, well he’s been my obsession in the past month or so. I’m not gonna lie, of course I was initially transfixed by his ridiculous good looks. He’s like a taller, sexier, more virile version of Chris Pine, with a hint of Richard Madden. But looks alone won’t get me all worked up about. Actors I love have to have the chops AND screen presence and Stanley’s got both in spades.

Stanley putting on the charm on Audrey Tautou in Thérèse Desqueyroux
Stanley putting on the charm on Audrey Tautou in Thérèse Desqueyroux

Classically trained at Cours Florent, French National Academy of Dramatic Arts and the London counterpart LAMDA, his background is theater but he’s done quite a few TV and film works in the past decade. Even in smaller supporting roles alongside big names of French cinema, Isabelle Adjani, Emmanuelle Devos, Audrey Tautou, etc. he more than held his own. He’s only 28 but seems much older than he looks, I kind of think of him like an old soul. As with ANY successful actor, versatility is key and I’ve seen him display his comedic chops in a British rom-com (Not Another Happy Ending) as well as portray a devilishly charming psychopath (BORGIA: Faith & Fear) convincingly. So yeah, I’m dying for him to get more leading roles, and soon!!

Which foreign actor/actress you noticed lately that you wish would get their big break in Hollywood?

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5. This month’s Five for the Fifth’s guest is Tom from Digital Shortbread!

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Seeing that Avengers: Age of Ultron has just rolled on through, I thought it’d be interesting to gauge what people think of highly anticipated movie events.

Is hype generally a good thing or generally a bad thing, in your view, when it comes to movies?


Well, that’s it for the May 2015 edition of Five for the Fifth, folks. Now, please pick a question out of the five above or better yet, do ‘em all! 😀

MSPIFF 2015 Review: GIRLHOOD (Bande de Filles)

MSPIFF15reviewsGirlhoodPosterOne of my favorite things about film festivals is that you get to see indie gems like Girlhood that you otherwise wouldn’t even find. It’s especially gratifying to see a female-centric drama that’s written AND directed by a female filmmaker, Céline Sciamma.

Girlhood or Bande de Filles (Gang of Girls) is primarily centered on a 16-year-old girl Marime. Abused by her brutish older brother, with dead-end school prospects and the boys law in the neighborhood, Marieme starts a new life after meeting a group of 3 free-spirited girls. She changes her name, her dress code, and quits school to be accepted in the gang, hoping that this will be a way to freedom.

At a glance, it seems like a gritty drama about a gang of girls set in a low-income suburbs of Paris. We see the girls involve in what you’d expect a street gang would do — mugging, stealing, smoking pot, street fighting, etc. There’s a certain realism to the way these scenes play out and the mostly unknown actresses are believable in their roles. Assa Sylla, Lindsay Karamoh, Mariétou Touré played the roles of Lady, Adiatou and Fily, respectively.

Girlhood_still2Karidja Touré is mesmerizing as Marime. I could feel her pain and somehow identify her pain despite our lives being so completely different. But y’know what, we can all relate as a human being… I was young once and there were points in my life where I wanted to feel like I belong, that I am loved… and more importantly, that I have the freedom to do what I want without fear. Even as an adult we often face a crossroad where the path isn’t immediately clear. And for someone with such limited options like Marime, that conflict is surely amplified. The way the film portrayed Marime made it so easy for me to connect with her journey to find her place in the world.

There are so many memorable scenes in the film, such as when Marime first approached the three girls and later taking the train to Paris with them. There’s also the time ‘Lady’ the gang leader first gave Marime the ‘Vic’ necklace. It’s as if she’s now an *official* member with her new name — Vic for victory. Slowly the girls took her in and the bond between them felt real to me.

Girlhood_still3My all time favorite scene, which I immediately rewound right after it’s over, is the moment when the girls are all dressed up in their rented hotel room. Sciamma filmed the scene like a music video where the girls started dancing and lip-syncing to Rihanna’s Diamond. There’s something so vibrant, effervescent vibe about that whole scene, yet poignantly moving. Marime was watching her friends first, but then joined in. It literally made me smile AND cry at the same time, and instantly I thought of my own *gang* of friends in high school who helped me through my pain of losing my late mother.

As Marime became ‘Vic’, naturally she’s started to give in to the rebellious nature that every teen has within. As she gains more confidence, the more vicious she’s become and does things she probably never thought she’d do. The film isn’t afraid of quiet moments where it’s just Marime alone with her thoughts, yet her expression conveys so much. Another thing I love about the film is how it doesn’t resort to stereotypes or oversimplifications. For one thing, not all the guys in Marime’s lives are evil, in fact, the heart-to-heart talk she has with her boyfriend is genuinely heartfelt.

Girlhood is Céline Sciamma‘s third feature, and she’s no stranger to the world of adolescence as her first two films deal with that world. Naturally stories of ‘growing up’ is an emotional mine and the French director has such a keen eye to explore the intricate aspect of youth in such a fascinating way. I also love the fact that despite the difficult and dark issues of the story, the film isn’t bleak and depressing. I laughed, cried, and cheered from start to finish, all the way to the gratifyingly-emotional finale. It’s not the kind of ending tied neatly in a pretty bow, but that’s exactly how I wanted it to end. There’s such power in that last shot of Marime.

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Visually speaking, I love the stylish cinematography and moody colors. It’s an ear-candy as well with electric pop soundtrack filled with awesome songs! I can’t recommend this film enough, folks. I don’t know if this film is eligible for a Best Foreign Language Oscar but if it did, I’d definitely be rooting for it! It’s amazing that this is Karidja Touré‘s debut role as she has such a screen presence. I can’t wait to see what she’d tackle next. I’ll be on the lookout for Sciamma‘s next project as well.

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Has anyone seen GIRLHOOD? Would love to hear your thoughts!